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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF4B17CE it is the complementary color #50B4E8CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF4B17CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF4B17CE shade: #B44B12CE, #C55D25CE, #D66F38CE, #E7814BCE and #F8935ECE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF4B17CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF4B17CE shade: #AF4B17CE, #9E3904CE, #8D2700CE, #7C1500CE and #6B0300CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF4B17CE shade: #B04B17, #B02217 and #B01717

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF4B17CE shade: #B04B17, #B07517, #B09E17, #99B017 and #70B017

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF4B17CE shade matches the following richer shades: #B04B17 and #C04607

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF4B17CE shade: #B04B17, #A05027, #905537, #805B47 and #706057

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF4B17CE shade: #B01736, #B02117, #B04A17, #B07317 and #B09C17

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF4B17CE shade: #672C0D, #8C3C12, #B04B17, #D55B1C and #E57135

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF4B17CE shade: #AF4B17, #5EB017 and #1721B0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF4B17CE shade: #AF4B17, #17B04A and #4A17B0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF4B17CE shade: #AF4B17, #5EB017, #177DB0 and #6917B0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF4B17CE shade: #AF4B17, #30B017, #177DB0 and #9717B0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 70 / 25

HEX #AF4B17CE

RGBA 175 75 23 0.81

HSLA 20.53, 0.77%, 0.39%, 0.81

LABA 44.53, 38.22, 47.67, 0.81

 

Complementary color

CMYK 53 / 18 / 0 / 7

HEX #50B4E8CE

RGBA 80 180 232 0.81

HSLA 200.53, 0.77%, 0.61%, 0.81

LABA 69.59, -13.32, -34.61, 0.81

 

CMYK 0 / 47 / 73 / 24

HEX #B44B12CE

RGBA 180 75 18 0.81

HSLA 21.11, 0.82%, 0.39%, 0.81

LABA 45.33, 40.05, 50.5, 0.81

 

CMYK 0 / 43 / 66 / 18

HEX #C55D25CE

RGBA 197 93 37 0.81

HSLA 21, 0.68%, 0.46%, 0.81

LABA 51.65, 38.21, 49.38, 0.81

 

CMYK 0 / 39 / 60 / 13

HEX #D66F38CE

RGBA 214 111 56 0.81

HSLA 20.89, 0.66%, 0.53%, 0.81

LABA 57.99, 36.46, 47.63, 0.81

 

CMYK 0 / 36 / 55 / 8

HEX #E7814BCE

RGBA 231 129 75 0.81

HSLA 20.77, 0.76%, 0.6%, 0.81

LABA 64.32, 34.86, 45.77, 0.81

 

CMYK 0 / 33 / 50 / 2

HEX #F8935ECE

RGBA 248 147 94 0.81

HSLA 20.65, 0.92%, 0.67%, 0.81

LABA 70.62, 33.39, 43.96, 0.81

 

CMYK 0 / 46 / 70 / 25

HEX #AF4B17CE

RGBA 175 75 23 0.81

HSLA 20.53, 0.77%, 0.39%, 0.81

LABA 44.53, 38.22, 47.67, 0.81

 

CMYK 0 / 52 / 79 / 31

HEX #9E3904CE

RGBA 158 57 4 0.81

HSLA 20.65, 0.95%, 0.32%, 0.81

LABA 38.21, 40.02, 48.19, 0.81

 

CMYK 0 / 59 / 81 / 36

HEX #8D2700CE

RGBA 141 39 0 0.81

HSLA 16.6, 1%, 0.28%, 0.81

LABA 32.06, 41.62, 44.47, 0.81

 

CMYK 0 / 67 / 81 / 42

HEX #7C1500CE

RGBA 124 21 0 0.81

HSLA 10.16, 1%, 0.24%, 0.81

LABA 26.22, 42.32, 38.36, 0.81

 

CMYK 0 / 79 / 81 / 47

HEX #6B0300CE

RGBA 107 3 0 0.81

HSLA 1.68, 1%, 0.21%, 0.81

LABA 20.79, 41.55, 31.64, 0.81

 

CMYK 0 / 57 / 87 / 31

HEX #B04B17

RGB 176 75 23

HSL 20.39, 0.77%, 0.39%

LAB 44.69, 38.61, 47.87

 

CMYK 0 / 81 / 87 / 31

HEX #B02217

RGB 176 34 23

HSL 4.31, 0.77%, 0.39%

LAB 38.61, 55.04, 42.81

 

CMYK 0 / 87 / 87 / 31

HEX #B01717

RGB 176 23 23

HSL 0, 0.77%, 0.39%

LAB 37.67, 57.72, 42.02

 

CMYK 0 / 57 / 87 / 31

HEX #B04B17

RGB 176 75 23

HSL 20.39, 0.77%, 0.39%

LAB 44.69, 38.61, 47.87

 

CMYK 0 / 34 / 87 / 31

HEX #B07517

RGB 176 117 23

HSL 36.86, 0.77%, 0.39%

LAB 54.04, 15.96, 55.56

 

CMYK 0 / 10 / 87 / 31

HEX #B09E17

RGB 176 158 23

HSL 52.94, 0.77%, 0.39%

LAB 64.76, -6.59, 64.3

 

CMYK 13 / 0 / 87 / 31

HEX #99B017

RGB 153 176 23

HSL 69.02, 0.77%, 0.39%

LAB 67.94, -25.89, 66.14

 

CMYK 36 / 0 / 87 / 31

HEX #70B017

RGB 112 176 23

HSL 85.1, 0.77%, 0.39%

LAB 65.4, -42.2, 62.98

 

CMYK 0 / 57 / 87 / 31

HEX #B04B17

RGB 176 75 23

HSL 20.39, 0.77%, 0.39%

LAB 44.69, 38.61, 47.87

 

CMYK 0 / 64 / 96 / 25

HEX #C04607

RGB 192 70 7

HSL 20.43, 0.93%, 0.39%

LAB 46.45, 46.71, 55.35

 

CMYK 0 / 57 / 87 / 31

HEX #B04B17

RGB 176 75 23

HSL 20.39, 0.77%, 0.39%

LAB 44.69, 38.61, 47.87

 

CMYK 0 / 50 / 76 / 37

HEX #A05027

RGB 160 80 39

HSL 20.33, 0.61%, 0.39%

LAB 43.3, 30.11, 38.26

 

CMYK 0 / 41 / 62 / 44

HEX #905537

RGB 144 85 55

HSL 20.22, 0.45%, 0.39%

LAB 42.31, 21.48, 27.73

 

CMYK 0 / 29 / 45 / 50

HEX #805B47

RGB 128 91 71

HSL 21.05, 0.29%, 0.39%

LAB 42.04, 12.5, 17.53

 

CMYK 0 / 14 / 22 / 56

HEX #706057

RGB 112 96 87

HSL 21.6, 0.13%, 0.39%

LAB 42, 4.86, 7.51

 

CMYK 0 / 87 / 69 / 31

HEX #B01736

RGB 176 23 54

HSL 347.84, 0.77%, 0.39%

LAB 38.04, 58.8, 24.3

 

CMYK 0 / 81 / 87 / 31

HEX #B02117

RGB 176 33 23

HSL 3.92, 0.77%, 0.39%

LAB 38.52, 55.32, 42.73

 

CMYK 0 / 58 / 87 / 31

HEX #B04A17

RGB 176 74 23

HSL 20, 0.77%, 0.39%

LAB 44.5, 39.1, 47.71

 

CMYK 0 / 35 / 87 / 31

HEX #B07317

RGB 176 115 23

HSL 36.08, 0.77%, 0.39%

LAB 53.55, 17.08, 55.16

 

CMYK 0 / 11 / 87 / 31

HEX #B09C17

RGB 176 156 23

HSL 52.16, 0.77%, 0.39%

LAB 64.22, -5.53, 63.86

 

CMYK 0 / 57 / 87 / 60

HEX #672C0D

RGB 103 44 13

HSL 20.67, 0.78%, 0.23%

LAB 25.9, 24.55, 31.15

 

CMYK 0 / 57 / 87 / 45

HEX #8C3C12

RGB 140 60 18

HSL 20.66, 0.77%, 0.31%

LAB 35.7, 31.72, 39.94

 

CMYK 0 / 57 / 87 / 31

HEX #B04B17

RGB 176 75 23

HSL 20.39, 0.77%, 0.39%

LAB 44.69, 38.61, 47.87

 

CMYK 0 / 57 / 87 / 16

HEX #D55B1C

RGB 213 91 28

HSL 20.43, 0.77%, 0.47%

LAB 53.72, 45.1, 55.81

 

CMYK 0 / 51 / 77 / 10

HEX #E57135

RGB 229 113 53

HSL 20.45, 0.77%, 0.55%

LAB 60.54, 41.2, 52.36

 

CMYK 0 / 57 / 87 / 31

HEX #AF4B17

RGB 175 75 23

HSL 20.53, 0.77%, 0.39%

LAB 44.53, 38.22, 47.67

 

CMYK 47 / 0 / 87 / 31

HEX #5EB017

RGB 94 176 23

HSL 92.16, 0.77%, 0.39%

LAB 64.56, -48.38, 61.93

 

CMYK 87 / 81 / 0 / 31

HEX #1721B0

RGB 23 33 176

HSL 236.08, 0.77%, 0.39%

LAB 24.97, 49.05, -74.34

 

CMYK 0 / 57 / 87 / 31

HEX #AF4B17

RGB 175 75 23

HSL 20.53, 0.77%, 0.39%

LAB 44.53, 38.22, 47.67

 

CMYK 87 / 0 / 58 / 31

HEX #17B04A

RGB 23 176 74

HSL 140, 0.77%, 0.39%

LAB 63.12, -58.68, 41.32

 

CMYK 58 / 87 / 0 / 31

HEX #4A17B0

RGB 74 23 176

HSL 260, 0.77%, 0.39%

LAB 27.31, 56.75, -70.34

 

CMYK 0 / 57 / 87 / 31

HEX #AF4B17

RGB 175 75 23

HSL 20.53, 0.77%, 0.39%

LAB 44.53, 38.22, 47.67

 

CMYK 47 / 0 / 87 / 31

HEX #5EB017

RGB 94 176 23

HSL 92.16, 0.77%, 0.39%

LAB 64.56, -48.38, 61.93

 

CMYK 87 / 29 / 0 / 31

HEX #177DB0

RGB 23 125 176

HSL 200, 0.77%, 0.39%

LAB 49.48, -8.92, -34.67

 

CMYK 40 / 87 / 0 / 31

HEX #6917B0

RGB 105 23 176

HSL 272.16, 0.77%, 0.39%

LAB 31.23, 60.27, -63.74

 

CMYK 0 / 57 / 87 / 31

HEX #AF4B17

RGB 175 75 23

HSL 20.53, 0.77%, 0.39%

LAB 44.53, 38.22, 47.67

 

CMYK 73 / 0 / 87 / 31

HEX #30B017

RGB 48 176 23

HSL 110.2, 0.77%, 0.39%

LAB 63.13, -59.92, 60.12

 

CMYK 87 / 29 / 0 / 31

HEX #177DB0

RGB 23 125 176

HSL 200, 0.77%, 0.39%

LAB 49.48, -8.92, -34.67

 

CMYK 14 / 87 / 0 / 31

HEX #9717B0

RGB 151 23 176

HSL 290.2, 0.77%, 0.39%

LAB 38.42, 67.24, -51.72

 

Description

Color code: HEX #AF4B17CE | qconv.com Color code: HEX #AF4B17CE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 75 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 75 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 70 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 70% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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