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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF4726CE it is the complementary color #50B8D9CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF4726CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF4726CE shade: #B44721CE, #C55934CE, #D66B47CE, #E77D5ACE and #F88F6DCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF4726CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF4726CE shade: #AF4726CE, #9E3513CE, #8D2300CE, #7C1100CE and #6B0000CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF4726CE shade: #B04827 and #B02727

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF4726CE shade: #B04827, #B06D27, #B09227, #A9B027 and #84B027

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF4726CE shade matches the following richer shades: #B04827, #C13F15 and #D23604

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF4726CE shade: #B04827, #9E5138, #8D5A49, #7C635B and #6A6B6C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF4726CE shade: #B02750, #B0272B, #B04727, #B06B27 and #B09027

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF4726CE shade: #6C2C18, #8E3A1F, #B04827, #D1562E and #D97150

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF4726CE shade: #AF4726, #74B027 and #273DB0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF4726CE shade: #AF4726, #27B047 and #4727B0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF4726CE shade: #AF4726, #74B027, #2790B0 and #6227B0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF4726CE shade: #AF4726, #4BB027, #2790B0 and #8B27B0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 63 / 25

HEX #AF4726CE

RGBA 175 71 38 0.81

HSLA 14.45, 0.64%, 0.42%, 0.81

LABA 43.89, 40.65, 40.15, 0.81

 

Complementary color

CMYK 51 / 12 / 0 / 12

HEX #50B8D9CE

RGBA 80 184 217 0.81

HSLA 194.45, 0.64%, 0.58%, 0.81

LABA 70.17, -20.11, -25.52, 0.81

 

CMYK 0 / 49 / 66 / 24

HEX #B44721CE

RGBA 180 71 33 0.81

HSLA 15.51, 0.69%, 0.42%, 0.81

LABA 44.69, 42.36, 43.71, 0.81

 

CMYK 0 / 44 / 60 / 18

HEX #C55934CE

RGBA 197 89 52 0.81

HSLA 15.31, 0.58%, 0.49%, 0.81

LABA 50.99, 40.8, 41.43, 0.81

 

CMYK 0 / 41 / 54 / 13

HEX #D66B47CE

RGBA 214 107 71 0.81

HSLA 15.1, 0.64%, 0.56%, 0.81

LABA 57.33, 39.28, 39.19, 0.81

 

CMYK 0 / 37 / 49 / 8

HEX #E77D5ACE

RGBA 231 125 90 0.81

HSLA 14.89, 0.75%, 0.63%, 0.81

LABA 63.67, 37.85, 37.13, 0.81

 

CMYK 0 / 34 / 45 / 2

HEX #F88F6DCE

RGBA 248 143 109 0.81

HSLA 14.68, 0.91%, 0.7%, 0.81

LABA 69.97, 36.52, 35.26, 0.81

 

CMYK 0 / 48 / 63 / 25

HEX #AF4726CE

RGBA 175 71 38 0.81

HSLA 14.45, 0.64%, 0.42%, 0.81

LABA 43.89, 40.65, 40.15, 0.81

 

CMYK 0 / 54 / 71 / 31

HEX #9E3513CE

RGBA 158 53 19 0.81

HSLA 14.68, 0.79%, 0.35%, 0.81

LABA 37.59, 42.11, 42.38, 0.81

 

CMYK 0 / 61 / 81 / 36

HEX #8D2300CE

RGBA 141 35 0 0.81

HSLA 14.89, 1%, 0.28%, 0.81

LABA 31.5, 43.18, 44.09, 0.81

 

CMYK 0 / 70 / 81 / 42

HEX #7C1100CE

RGBA 124 17 0 0.81

HSLA 8.23, 1%, 0.24%, 0.81

LABA 25.82, 43.44, 38, 0.81

 

CMYK 0 / 81 / 81 / 47

HEX #6B0000CE

RGBA 107 0 0 0.81

HSLA 0, 1%, 0.21%, 0.81

LABA 20.54, 42.28, 31.36, 0.81

 

CMYK 0 / 59 / 78 / 31

HEX #B04827

RGB 176 72 39

HSL 14.45, 0.64%, 0.42%

LAB 44.25, 40.59, 40.05

 

CMYK 0 / 78 / 78 / 31

HEX #B02727

RGB 176 39 39

HSL 0, 0.64%, 0.42%

LAB 39.29, 54.02, 34.86

 

CMYK 0 / 59 / 78 / 31

HEX #B04827

RGB 176 72 39

HSL 14.45, 0.64%, 0.42%

LAB 44.25, 40.59, 40.05

 

CMYK 0 / 38 / 78 / 31

HEX #B06D27

RGB 176 109 39

HSL 30.66, 0.64%, 0.42%

LAB 52.19, 20.96, 47.97

 

CMYK 0 / 17 / 78 / 31

HEX #B09227

RGB 176 146 39

HSL 46.86, 0.64%, 0.42%

LAB 61.6, 0.38, 56.88

 

CMYK 4 / 0 / 78 / 31

HEX #A9B027

RGB 169 176 39

HSL 63.07, 0.64%, 0.42%

LAB 69.21, -18.52, 63.6

 

CMYK 25 / 0 / 78 / 31

HEX #84B027

RGB 132 176 39

HSL 79.27, 0.64%, 0.42%

LAB 66.6, -33.94, 60.25

 

CMYK 0 / 59 / 78 / 31

HEX #B04827

RGB 176 72 39

HSL 14.45, 0.64%, 0.42%

LAB 44.25, 40.59, 40.05

 

CMYK 0 / 67 / 89 / 24

HEX #C13F15

RGB 193 63 21

HSL 14.65, 0.8%, 0.42%

LAB 45.56, 50.26, 50.58

 

CMYK 0 / 74 / 98 / 18

HEX #D23604

RGB 210 54 4

HSL 14.56, 0.96%, 0.42%

LAB 47.43, 58.97, 58.42

 

CMYK 0 / 59 / 78 / 31

HEX #B04827

RGB 176 72 39

HSL 14.45, 0.64%, 0.42%

LAB 44.25, 40.59, 40.05

 

CMYK 0 / 49 / 65 / 38

HEX #9E5138

RGB 158 81 56

HSL 14.71, 0.48%, 0.42%

LAB 43.42, 29.72, 28.97

 

CMYK 0 / 36 / 48 / 45

HEX #8D5A49

RGB 141 90 73

HSL 15, 0.32%, 0.42%

LAB 43.44, 18.95, 18.49

 

CMYK 0 / 20 / 27 / 51

HEX #7C635B

RGB 124 99 91

HSL 14.55, 0.15%, 0.42%

LAB 44.18, 8.76, 8.35

 

CMYK 2 / 1 / 0 / 58

HEX #6A6B6C

RGB 106 107 108

HSL 210, 0.01%, 0.42%

LAB 45.17, -0.17, -0.7

 

CMYK 0 / 78 / 55 / 31

HEX #B02750

RGB 176 39 80

HSL 342.04, 0.64%, 0.42%

LAB 40.02, 56.33, 10.42

 

CMYK 0 / 78 / 76 / 31

HEX #B0272B

RGB 176 39 43

HSL 358.25, 0.64%, 0.42%

LAB 39.34, 54.17, 32.58

 

CMYK 0 / 60 / 78 / 31

HEX #B04727

RGB 176 71 39

HSL 14.01, 0.64%, 0.42%

LAB 44.06, 41.07, 39.86

 

CMYK 0 / 39 / 78 / 31

HEX #B06B27

RGB 176 107 39

HSL 29.78, 0.64%, 0.42%

LAB 51.71, 22.07, 47.5

 

CMYK 0 / 18 / 78 / 31

HEX #B09027

RGB 176 144 39

HSL 45.99, 0.64%, 0.42%

LAB 61.07, 1.48, 56.38

 

CMYK 0 / 59 / 78 / 58

HEX #6C2C18

RGB 108 44 24

HSL 14.29, 0.64%, 0.26%

LAB 26.89, 27.17, 26.46

 

CMYK 0 / 59 / 78 / 44

HEX #8E3A1F

RGB 142 58 31

HSL 14.59, 0.64%, 0.34%

LAB 35.74, 34.02, 33.7

 

CMYK 0 / 59 / 78 / 31

HEX #B04827

RGB 176 72 39

HSL 14.45, 0.64%, 0.42%

LAB 44.25, 40.59, 40.05

 

CMYK 0 / 59 / 78 / 18

HEX #D1562E

RGB 209 86 46

HSL 14.72, 0.64%, 0.5%

LAB 52.3, 46.49, 46.43

 

CMYK 0 / 48 / 63 / 15

HEX #D97150

RGB 217 113 80

HSL 14.45, 0.64%, 0.58%

LAB 59.1, 37.93, 36.53

 

CMYK 0 / 59 / 78 / 31

HEX #AF4726

RGB 175 71 38

HSL 14.45, 0.64%, 0.42%

LAB 43.89, 40.65, 40.15

 

CMYK 34 / 0 / 78 / 31

HEX #74B027

RGB 116 176 39

HSL 86.28, 0.64%, 0.42%

LAB 65.68, -40.06, 59.06

 

CMYK 78 / 65 / 0 / 31

HEX #273DB0

RGB 39 61 176

HSL 230.36, 0.64%, 0.42%

LAB 31.59, 33.59, -63.38

 

CMYK 0 / 59 / 78 / 31

HEX #AF4726

RGB 175 71 38

HSL 14.45, 0.64%, 0.42%

LAB 43.89, 40.65, 40.15

 

CMYK 78 / 0 / 60 / 31

HEX #27B047

RGB 39 176 71

HSL 134.01, 0.64%, 0.42%

LAB 63.29, -57.33, 42.99

 

CMYK 60 / 78 / 0 / 31

HEX #4727B0

RGB 71 39 176

HSL 254.01, 0.64%, 0.42%

LAB 29.22, 49.91, -67.19

 

CMYK 0 / 59 / 78 / 31

HEX #AF4726

RGB 175 71 38

HSL 14.45, 0.64%, 0.42%

LAB 43.89, 40.65, 40.15

 

CMYK 34 / 0 / 78 / 31

HEX #74B027

RGB 116 176 39

HSL 86.28, 0.64%, 0.42%

LAB 65.68, -40.06, 59.06

 

CMYK 78 / 18 / 0 / 31

HEX #2790B0

RGB 39 144 176

HSL 194.01, 0.64%, 0.42%

LAB 55.6, -18.08, -25.12

 

CMYK 44 / 78 / 0 / 31

HEX #6227B0

RGB 98 39 176

HSL 265.84, 0.64%, 0.42%

LAB 32.22, 53.67, -62.16

 

CMYK 0 / 59 / 78 / 31

HEX #AF4726

RGB 175 71 38

HSL 14.45, 0.64%, 0.42%

LAB 43.89, 40.65, 40.15

 

CMYK 57 / 0 / 78 / 31

HEX #4BB027

RGB 75 176 39

HSL 104.23, 0.64%, 0.42%

LAB 63.91, -53.16, 56.76

 

CMYK 78 / 18 / 0 / 31

HEX #2790B0

RGB 39 144 176

HSL 194.01, 0.64%, 0.42%

LAB 55.6, -18.08, -25.12

 

CMYK 21 / 78 / 0 / 31

HEX #8B27B0

RGB 139 39 176

HSL 283.8, 0.64%, 0.42%

LAB 37.98, 60.77, -52.53

 

Description

Color code: HEX #AF4726CE | qconv.com Color code: HEX #AF4726CE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 71 green and 38 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 71 38 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 63 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 63% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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