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Color name
HEX #AF4711CE

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Complementary color

Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF4711CE it is the complementary color #50B8EECE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Lighter colors

Exposures are based on the same hue and represent lighter versions of the current color #AF4711CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF4711CE shade: #B4470CCE, #C5591FCE, #D66B32CE, #E77D45CE and #F88F58CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Darker colors

Shades are based on the same hue and represent a darker version of the current color #AF4711CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF4711CE shade: #AF4711CE, #9E3500CE, #8D2300CE, #7C1100CE and #6B0000CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF4711CE shade: #B04811, #B01D11 and #B01111

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF4711CE shade: #B04811, #B07311, #B09D11, #98B011 and #6EB011

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF4711CE shade matches the following richer shades: #B04811 and #C04302

An example is the development from a pale pink to a strong and bright red.

Paler colors

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF4711CE shade: #B04811, #A14D21, #915231, #815740 and #725C50

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

Analogue colors

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF4711CE shade: #B01131, #B01C11, #B04611, #B07111 and #B09B11

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

Monochromatic colors

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF4711CE shade: #65290A, #8B380E, #B04811, #D65715 and #EA6C2A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

Partial complementary colors

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF4711CE shade: #AF4711, #5CB011 and #111CB0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

Triadic colors

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF4711CE shade: #AF4711, #11B046 and #4611B0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF4711CE shade: #AF4711, #5CB011, #117BB0 and #6611B0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

Square colors

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF4711CE shade: #AF4711, #2CB011, #117BB0 and #9611B0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 73 / 25

RGBA 175 71 17 0.81

HSLA 20.51, 0.82%, 0.38%, 0.81

LABA 43.74, 40.05, 49.27, 0.81

Complementary color

CMYK 54 / 18 / 0 / 5

RGBA 80 184 238 0.81

HSLA 200.51, 0.82%, 0.62%, 0.81

LABA 70.98, -13.55, -35.72, 0.81

Lighter colors

CMYK 0 / 49 / 76 / 24

RGBA 180 71 12 0.81

HSLA 21.07, 0.88%, 0.38%, 0.81

LABA 44.57, 41.87, 51.83, 0.81

CMYK 0 / 44 / 68 / 18

RGBA 197 89 31 0.81

HSLA 20.96, 0.73%, 0.45%, 0.81

LABA 50.82, 40.04, 51.19, 0.81

CMYK 0 / 41 / 62 / 13

RGBA 214 107 50 0.81

HSLA 20.85, 0.67%, 0.52%, 0.81

LABA 57.12, 38.26, 49.61, 0.81

CMYK 0 / 37 / 57 / 8

RGBA 231 125 69 0.81

HSLA 20.74, 0.77%, 0.59%, 0.81

LABA 63.41, 36.6, 47.77, 0.81

CMYK 0 / 34 / 52 / 2

RGBA 248 143 88 0.81

HSLA 20.63, 0.92%, 0.66%, 0.81

LABA 69.69, 35.08, 45.93, 0.81

Darker colors

CMYK 0 / 48 / 73 / 25

RGBA 175 71 17 0.81

HSLA 20.51, 0.82%, 0.38%, 0.81

LABA 43.74, 40.05, 49.27, 0.81

CMYK 0 / 54 / 81 / 31

RGBA 158 53 0 0.81

HSLA 20.13, 1%, 0.31%, 0.81

LABA 37.51, 41.78, 49.23, 0.81

CMYK 0 / 61 / 81 / 36

RGBA 141 35 0 0.81

HSLA 14.89, 1%, 0.28%, 0.81

LABA 31.5, 43.18, 44.09, 0.81

CMYK 0 / 70 / 81 / 42

RGBA 124 17 0 0.81

HSLA 8.23, 1%, 0.24%, 0.81

LABA 25.82, 43.44, 38, 0.81

CMYK 0 / 81 / 81 / 47

RGBA 107 0 0 0.81

HSLA 0, 1%, 0.21%, 0.81

LABA 20.54, 42.28, 31.36, 0.81

Warmer colors

CMYK 0 / 59 / 90 / 31

HSL 20.75, 0.82%, 0.38%

LAB 44.1, 39.95, 49.62

CMYK 0 / 84 / 90 / 31

HSL 4.53, 0.82%, 0.38%

LAB 38.11, 56.25, 45.16

CMYK 0 / 90 / 90 / 31

HSL 0, 0.82%, 0.38%

LAB 37.25, 58.71, 44.53

Colder colors

CMYK 0 / 59 / 90 / 31

HSL 20.75, 0.82%, 0.38%

LAB 44.1, 39.95, 49.62

CMYK 0 / 35 / 90 / 31

HSL 36.98, 0.82%, 0.38%

LAB 53.53, 16.94, 56.81

CMYK 0 / 11 / 90 / 31

HSL 52.83, 0.82%, 0.38%

LAB 64.47, -6.19, 65.31

CMYK 14 / 0 / 90 / 31

HSL 69.06, 0.82%, 0.38%

LAB 67.85, -26.46, 67.15

CMYK 38 / 0 / 90 / 31

HSL 84.91, 0.82%, 0.38%

LAB 65.28, -43.1, 64

Richer colors

CMYK 0 / 59 / 90 / 31

HSL 20.75, 0.82%, 0.38%

LAB 44.1, 39.95, 49.62

CMYK 0 / 65 / 99 / 25

HSL 20.53, 0.98%, 0.38%

LAB 45.94, 47.97, 56.38

Paler colors

CMYK 0 / 59 / 90 / 31

HSL 20.75, 0.82%, 0.38%

LAB 44.1, 39.95, 49.62

CMYK 0 / 52 / 80 / 37

HSL 20.63, 0.66%, 0.38%

LAB 42.76, 31.88, 40.77

CMYK 0 / 43 / 66 / 43

HSL 20.63, 0.49%, 0.38%

LAB 41.65, 23.19, 30.4

CMYK 0 / 33 / 50 / 49

HSL 21.23, 0.34%, 0.38%

LAB 40.98, 14.53, 20.35

CMYK 0 / 19 / 30 / 55

HSL 21.18, 0.18%, 0.38%

LAB 40.91, 7, 10.29

Analogue colors

CMYK 0 / 90 / 72 / 31

HSL 347.92, 0.82%, 0.38%

LAB 37.58, 59.66, 26.88

CMYK 0 / 84 / 90 / 31

HSL 4.15, 0.82%, 0.38%

LAB 38.02, 56.49, 45.1

CMYK 0 / 60 / 90 / 31

HSL 20, 0.82%, 0.38%

LAB 43.73, 40.91, 49.34

CMYK 0 / 36 / 90 / 31

HSL 36.23, 0.82%, 0.38%

LAB 53.04, 18.06, 56.43

CMYK 0 / 12 / 90 / 31

HSL 52.08, 0.82%, 0.38%

LAB 63.93, -5.12, 64.88

Monochromatic colors

CMYK 0 / 59 / 90 / 60

HSL 20.44, 0.82%, 0.22%

LAB 24.87, 25.26, 31.38

CMYK 0 / 60 / 90 / 45

HSL 20.16, 0.82%, 0.3%

LAB 34.7, 33.28, 40.7

CMYK 0 / 59 / 90 / 31

HSL 20.75, 0.82%, 0.38%

LAB 44.1, 39.95, 49.62

CMYK 0 / 59 / 90 / 16

HSL 20.52, 0.82%, 0.46%

LAB 53.13, 47.21, 57.82

CMYK 0 / 54 / 82 / 8

HSL 20.63, 0.82%, 0.54%

LAB 60.23, 45.2, 57.17

Partial complementary colors

CMYK 0 / 59 / 90 / 31

HSL 20.51, 0.82%, 0.38%

LAB 43.74, 40.05, 49.27

CMYK 48 / 0 / 90 / 31

HSL 91.7, 0.82%, 0.38%

LAB 64.46, -49.2, 62.97

CMYK 90 / 84 / 0 / 31

HSL 235.85, 0.82%, 0.38%

LAB 23.95, 51.26, -76.03

Triadic colors

CMYK 0 / 59 / 90 / 31

HSL 20.51, 0.82%, 0.38%

LAB 43.74, 40.05, 49.27

CMYK 90 / 0 / 60 / 31

HSL 140, 0.82%, 0.38%

LAB 63.02, -59.66, 43.07

CMYK 60 / 90 / 0 / 31

HSL 260, 0.82%, 0.38%

LAB 26.27, 58.2, -72.08

Rectangular (tetradic) colors

CMYK 0 / 59 / 90 / 31

HSL 20.51, 0.82%, 0.38%

LAB 43.74, 40.05, 49.27

CMYK 48 / 0 / 90 / 31

HSL 91.7, 0.82%, 0.38%

LAB 64.46, -49.2, 62.97

CMYK 90 / 30 / 0 / 31

HSL 200, 0.82%, 0.38%

LAB 48.78, -8.14, -35.76

CMYK 42 / 90 / 0 / 31

HSL 272.08, 0.82%, 0.38%

LAB 30.3, 61.4, -65.28

Square colors

CMYK 0 / 59 / 90 / 31

HSL 20.51, 0.82%, 0.38%

LAB 43.74, 40.05, 49.27

CMYK 75 / 0 / 90 / 31

HSL 109.81, 0.82%, 0.38%

LAB 63.03, -60.81, 61.2

CMYK 90 / 30 / 0 / 31

HSL 200, 0.82%, 0.38%

LAB 48.78, -8.14, -35.76

CMYK 15 / 90 / 0 / 31

HSL 290.19, 0.82%, 0.38%

LAB 37.88, 68.18, -52.61

Description

Color code: HEX #AF4711CE | qconv.com

Color code: HEX #AF4711CE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 71 green and 17 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.

In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 73 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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