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Color name
HEX #AF4328

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF4328 it is the complementary color #50BCD7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF4328. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF4328 shade: #B44323, #C55536, #D66749, #E7795C and #F88B6F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF4328. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF4328 shade: #AF4328, #9E3115, #8D1F02, #7C0D00 and #6B0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF4328 shade: #AF4328 and #AF2828

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF4328 shade: #AF4328, #AF6728, #AF8B28, #ADAF28 and #89AF28

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF4328 shade matches the following richer shades: #AF4328, #C03816 and #D12E05

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF4328 shade: #AF4328, #9D4D39, #8C574A, #7B625C and #696C6D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF4328 shade: #AF2855, #AF2831, #AF4328, #AF6728 and #AF8B28

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF4328 shade: #6B2918, #8D3620, #AF4328, #D05030 and #D86C51

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF4328 shade: #AF4328, #79AF28 and #2843AF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF4328 shade: #AF4328, #28AF43 and #4328AF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF4328 shade: #AF4328, #79AF28, #2894AF and #5E28AF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF4328 shade: #AF4328, #50AF28, #2894AF and #8628AF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 62 / 77 / 31

HEX #AF4328

RGB 175 67 40

HSL 12, 0.63%, 0.42%

LAB 43.18, 42.63, 38.37

 

Complementary color

CMYK 63 / 13 / 0 / 16

HEX #50BCD7

RGB 80 188 215

HSL 192, 0.63%, 0.58%

LAB 71.27, -22.77, -22.76

 

CMYK 0 / 63 / 81 / 29

HEX #B44323

RGB 180 67 35

HSL 13.24, 0.67%, 0.42%

LAB 44, 44.28, 42.07

 

CMYK 0 / 57 / 73 / 23

HEX #C55536

RGB 197 85 54

HSL 13.01, 0.57%, 0.49%

LAB 50.26, 42.86, 39.56

 

CMYK 0 / 52 / 66 / 16

HEX #D66749

RGB 214 103 73

HSL 12.77, 0.63%, 0.56%

LAB 56.56, 41.41, 37.2

 

CMYK 0 / 48 / 60 / 9

HEX #E7795C

RGB 231 121 92

HSL 12.52, 0.74%, 0.63%

LAB 62.87, 40.03, 35.06

 

CMYK 0 / 44 / 55 / 3

HEX #F88B6F

RGB 248 139 111

HSL 12.26, 0.91%, 0.7%

LAB 69.16, 38.73, 33.14

 

CMYK 0 / 62 / 77 / 31

HEX #AF4328

RGB 175 67 40

HSL 12, 0.63%, 0.42%

LAB 43.18, 42.63, 38.37

 

CMYK 0 / 69 / 87 / 38

HEX #9E3115

RGB 158 49 21

HSL 12.26, 0.77%, 0.35%

LAB 36.97, 43.89, 40.96

 

CMYK 0 / 78 / 99 / 45

HEX #8D1F02

RGB 141 31 2

HSL 12.52, 0.97%, 0.28%

LAB 30.99, 44.65, 42.92

 

CMYK 0 / 90 / 100 / 51

HEX #7C0D00

RGB 124 13 0

HSL 6.29, 1%, 0.24%

LAB 25.48, 44.41, 37.68

 

CMYK 0 / 100 / 100 / 58

HEX #6B0000

RGB 107 0 0

HSL 0, 1%, 0.21%

LAB 20.54, 42.28, 31.36

 

CMYK 0 / 62 / 77 / 31

HEX #AF4328

RGB 175 67 40

HSL 12, 0.63%, 0.42%

LAB 43.18, 42.63, 38.37

 

CMYK 0 / 77 / 77 / 31

HEX #AF2828

RGB 175 40 40

HSL 0, 0.63%, 0.42%

LAB 39.22, 53.43, 34.15

 

CMYK 0 / 62 / 77 / 31

HEX #AF4328

RGB 175 67 40

HSL 12, 0.63%, 0.42%

LAB 43.18, 42.63, 38.37

 

CMYK 0 / 41 / 77 / 31

HEX #AF6728

RGB 175 103 40

HSL 28, 0.63%, 0.42%

LAB 50.65, 23.9, 45.96

 

CMYK 0 / 21 / 77 / 31

HEX #AF8B28

RGB 175 139 40

HSL 44, 0.63%, 0.42%

LAB 59.65, 3.81, 54.65

 

CMYK 1 / 0 / 77 / 31

HEX #ADAF28

RGB 173 175 40

HSL 60.89, 0.63%, 0.42%

LAB 69.25, -16.24, 63.45

 

CMYK 22 / 0 / 77 / 31

HEX #89AF28

RGB 137 175 40

HSL 76.89, 0.63%, 0.42%

LAB 66.62, -31.42, 60.07

 

CMYK 0 / 62 / 77 / 31

HEX #AF4328

RGB 175 67 40

HSL 12, 0.63%, 0.42%

LAB 43.18, 42.63, 38.37

 

CMYK 0 / 71 / 89 / 25

HEX #C03816

RGB 192 56 22

HSL 12, 0.79%, 0.42%

LAB 44.37, 52.72, 49.18

 

CMYK 0 / 78 / 98 / 18

HEX #D12E05

RGB 209 46 5

HSL 12.06, 0.95%, 0.42%

LAB 46.34, 61.19, 57.49

 

CMYK 0 / 62 / 77 / 31

HEX #AF4328

RGB 175 67 40

HSL 12, 0.63%, 0.42%

LAB 43.18, 42.63, 38.37

 

CMYK 0 / 51 / 64 / 38

HEX #9D4D39

RGB 157 77 57

HSL 12, 0.47%, 0.42%

LAB 42.42, 31.55, 27.13

 

CMYK 0 / 38 / 47 / 45

HEX #8C574A

RGB 140 87 74

HSL 11.82, 0.31%, 0.42%

LAB 42.59, 20.38, 16.73

 

CMYK 0 / 20 / 25 / 52

HEX #7B625C

RGB 123 98 92

HSL 11.61, 0.14%, 0.42%

LAB 43.83, 9.09, 7.23

 

CMYK 4 / 1 / 0 / 57

HEX #696C6D

RGB 105 108 109

HSL 195, 0.02%, 0.42%

LAB 45.4, -0.94, -0.97

 

CMYK 0 / 77 / 51 / 31

HEX #AF2855

RGB 175 40 85

HSL 340, 0.63%, 0.42%

LAB 40.06, 56.14, 7.29

 

CMYK 0 / 77 / 72 / 31

HEX #AF2831

RGB 175 40 49

HSL 356, 0.63%, 0.42%

LAB 39.33, 53.81, 28.92

 

CMYK 0 / 62 / 77 / 31

HEX #AF4328

RGB 175 67 40

HSL 12, 0.63%, 0.42%

LAB 43.18, 42.63, 38.37

 

CMYK 0 / 41 / 77 / 31

HEX #AF6728

RGB 175 103 40

HSL 28, 0.63%, 0.42%

LAB 50.65, 23.9, 45.96

 

CMYK 0 / 21 / 77 / 31

HEX #AF8B28

RGB 175 139 40

HSL 44, 0.63%, 0.42%

LAB 59.65, 3.81, 54.65

 

CMYK 0 / 62 / 78 / 58

HEX #6B2918

RGB 107 41 24

HSL 12.29, 0.63%, 0.26%

LAB 26.09, 28.37, 25.54

 

CMYK 0 / 62 / 77 / 45

HEX #8D3620

RGB 141 54 32

HSL 12.11, 0.63%, 0.34%

LAB 34.81, 35.68, 32.11

 

CMYK 0 / 62 / 77 / 31

HEX #AF4328

RGB 175 67 40

HSL 12, 0.63%, 0.42%

LAB 43.18, 42.63, 38.37

 

CMYK 0 / 62 / 77 / 18

HEX #D05030

RGB 208 80 48

HSL 12, 0.63%, 0.5%

LAB 51.11, 48.95, 44.16

 

CMYK 0 / 50 / 63 / 15

HEX #D86C51

RGB 216 108 81

HSL 12, 0.63%, 0.58%

LAB 57.96, 40.16, 34.56

 

CMYK 0 / 62 / 77 / 31

HEX #AF4328

RGB 175 67 40

HSL 12, 0.63%, 0.42%

LAB 43.18, 42.63, 38.37

 

CMYK 31 / 0 / 77 / 31

HEX #79AF28

RGB 121 175 40

HSL 84, 0.63%, 0.42%

LAB 65.65, -37.7, 58.81

 

CMYK 77 / 62 / 0 / 31

HEX #2843AF

RGB 40 67 175

HSL 228, 0.63%, 0.42%

LAB 33.05, 29.4, -60.39

 

CMYK 0 / 62 / 77 / 31

HEX #AF4328

RGB 175 67 40

HSL 12, 0.63%, 0.42%

LAB 43.18, 42.63, 38.37

 

CMYK 77 / 0 / 62 / 31

HEX #28AF43

RGB 40 175 67

HSL 132, 0.63%, 0.42%

LAB 62.94, -57.35, 44.43

 

CMYK 62 / 77 / 0 / 31

HEX #4328AF

RGB 67 40 175

HSL 252, 0.63%, 0.42%

LAB 28.92, 48.65, -67.11

 

CMYK 0 / 62 / 77 / 31

HEX #AF4328

RGB 175 67 40

HSL 12, 0.63%, 0.42%

LAB 43.18, 42.63, 38.37

 

CMYK 31 / 0 / 77 / 31

HEX #79AF28

RGB 121 175 40

HSL 84, 0.63%, 0.42%

LAB 65.65, -37.7, 58.81

 

CMYK 77 / 15 / 0 / 31

HEX #2894AF

RGB 40 148 175

HSL 192, 0.63%, 0.42%

LAB 56.81, -20.44, -22.69

 

CMYK 46 / 77 / 0 / 31

HEX #5E28AF

RGB 94 40 175

HSL 264, 0.63%, 0.42%

LAB 31.79, 52.37, -62.28

 

CMYK 0 / 62 / 77 / 31

HEX #AF4328

RGB 175 67 40

HSL 12, 0.63%, 0.42%

LAB 43.18, 42.63, 38.37

 

CMYK 54 / 0 / 77 / 31

HEX #50AF28

RGB 80 175 40

HSL 102.22, 0.63%, 0.42%

LAB 63.77, -51.37, 56.35

 

CMYK 77 / 15 / 0 / 31

HEX #2894AF

RGB 40 148 175

HSL 192, 0.63%, 0.42%

LAB 56.81, -20.44, -22.69

 

CMYK 23 / 77 / 0 / 31

HEX #8628AF

RGB 134 40 175

HSL 281.78, 0.63%, 0.42%

LAB 37.26, 59.28, -53.13

 

Description

Color code: HEX #AF4328 | qconv.com Color code: HEX #AF4328 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 67 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 67 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 62 magenta, 77 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 62% 77% 31% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

19% - Mónica Duch - Arte y...
Link: http://www.monicaduch.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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