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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF42363F it is the complementary color #50BDC93F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF42363F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF42363F shade: #B442313F, #C554443F, #D666573F, #E7786A3F and #F88A7D3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF42363F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF42363F shade: #AF42363F, #9E30233F, #8D1E103F, #7C0C003F and #6B00003F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF42363F shade: #B04236 and #B03636

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF42363F shade: #B04236, #B06336, #B08436, #B0A436 and #9AB036

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF42363F shade matches the following richer shades: #B04236, #C23323 and #D52411

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF42363F shade: #B04236, #9D5148, #8A605B, #786F6E and #657E80

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF42363F shade: #B0366D, #B0364C, #B04036, #B06136 and #B08136

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF42363F shade: #702A23, #90362C, #B04236, #C75548 and #D07268

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF42363F shade: #AF4236, #8DB036 and #365CB0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF42363F shade: #AF4236, #36B040 and #4036B0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF42363F shade: #AF4236, #8DB036, #36A5B0 and #5836B0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF42363F shade: #AF4236, #69B036, #36A5B0 and #7D36B0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 17 / 8

HEX #AF42363F

RGBA 175 66 54 0.25

HSLA 5.95, 0.53%, 0.45%, 0.25

LABA 43.18, 43.77, 30.49, 0.25

 

Complementary color

CMYK 15 / 1 / 0 / 5

HEX #50BDC93F

RGBA 80 189 201 0.25

HSLA 185.95, 0.53%, 0.55%, 0.25

LABA 71.09, -27.37, -15.38, 0.25

 

CMYK 0 / 16 / 18 / 7

HEX #B442313F

RGBA 180 66 49 0.25

HSLA 7.79, 0.57%, 0.45%, 0.25

LABA 43.98, 45.31, 34.52, 0.25

 

CMYK 0 / 14 / 16 / 6

HEX #C554443F

RGBA 197 84 68 0.25

HSLA 7.44, 0.53%, 0.52%, 0.25

LABA 50.25, 44.1, 31.77, 0.25

 

CMYK 0 / 13 / 15 / 4

HEX #D666573F

RGBA 214 102 87 0.25

HSLA 7.09, 0.61%, 0.59%, 0.25

LABA 56.57, 42.83, 29.39, 0.25

 

CMYK 0 / 12 / 14 / 2

HEX #E7786A3F

RGBA 231 120 106 0.25

HSLA 6.72, 0.72%, 0.66%, 0.25

LABA 62.9, 41.59, 27.33, 0.25

 

CMYK 0 / 11 / 12 / 1

HEX #F88A7D3F

RGBA 248 138 125 0.25

HSLA 6.34, 0.9%, 0.73%, 0.25

LABA 69.19, 40.41, 25.52, 0.25

 

CMYK 0 / 16 / 17 / 8

HEX #AF42363F

RGBA 175 66 54 0.25

HSLA 5.95, 0.53%, 0.45%, 0.25

LABA 43.18, 43.77, 30.49, 0.25

 

CMYK 0 / 17 / 19 / 10

HEX #9E30233F

RGBA 158 48 35 0.25

HSLA 6.34, 0.64%, 0.38%, 0.25

LABA 36.94, 44.76, 33.61, 0.25

 

CMYK 0 / 20 / 22 / 11

HEX #8D1E103F

RGBA 141 30 16 0.25

HSLA 6.72, 0.8%, 0.31%, 0.25

LABA 30.95, 45.25, 36.92, 0.25

 

CMYK 0 / 23 / 25 / 13

HEX #7C0C003F

RGBA 124 12 0 0.25

HSLA 5.81, 1%, 0.24%, 0.25

LABA 25.41, 44.63, 37.61, 0.25

 

CMYK 0 / 25 / 25 / 15

HEX #6B00003F

RGBA 107 0 0 0.25

HSLA 0, 1%, 0.21%, 0.25

LABA 20.54, 42.28, 31.36, 0.25

 

CMYK 0 / 63 / 69 / 31

HEX #B04236

RGB 176 66 54

HSL 5.9, 0.53%, 0.45%

LAB 43.35, 44.13, 30.74

 

CMYK 0 / 69 / 69 / 31

HEX #B03636

RGB 176 54 54

HSL 0, 0.53%, 0.45%

LAB 41.43, 49.31, 28.44

 

CMYK 0 / 63 / 69 / 31

HEX #B04236

RGB 176 66 54

HSL 5.9, 0.53%, 0.45%

LAB 43.35, 44.13, 30.74

 

CMYK 0 / 44 / 69 / 31

HEX #B06336

RGB 176 99 54

HSL 22.13, 0.53%, 0.45%

LAB 50, 27.23, 38.41

 

CMYK 0 / 25 / 69 / 31

HEX #B08436

RGB 176 132 54

HSL 38.36, 0.53%, 0.45%

LAB 58.04, 8.84, 47.17

 

CMYK 0 / 7 / 69 / 31

HEX #B0A436

RGB 176 164 54

HSL 54.1, 0.53%, 0.45%

LAB 66.56, -8.57, 55.97

 

CMYK 13 / 0 / 69 / 31

HEX #9AB036

RGB 154 176 54

HSL 70.82, 0.53%, 0.45%

LAB 68.16, -24.15, 57.01

 

CMYK 0 / 63 / 69 / 31

HEX #B04236

RGB 176 66 54

HSL 5.9, 0.53%, 0.45%

LAB 43.35, 44.13, 30.74

 

CMYK 0 / 74 / 82 / 24

HEX #C23323

RGB 194 51 35

HSL 6.04, 0.69%, 0.45%

LAB 44.17, 55.5, 43.12

 

CMYK 0 / 83 / 92 / 16

HEX #D52411

RGB 213 36 17

HSL 5.82, 0.85%, 0.45%

LAB 46.24, 65.09, 54.31

 

CMYK 0 / 63 / 69 / 31

HEX #B04236

RGB 176 66 54

HSL 5.9, 0.53%, 0.45%

LAB 43.35, 44.13, 30.74

 

CMYK 0 / 48 / 54 / 38

HEX #9D5148

RGB 157 81 72

HSL 6.35, 0.37%, 0.45%

LAB 43.54, 30.59, 19.62

 

CMYK 0 / 30 / 34 / 46

HEX #8A605B

RGB 138 96 91

HSL 6.38, 0.21%, 0.45%

LAB 44.98, 16.39, 9.7

 

CMYK 0 / 8 / 8 / 53

HEX #786F6E

RGB 120 111 110

HSL 6, 0.04%, 0.45%

LAB 47.61, 3.3, 1.81

 

CMYK 21 / 2 / 0 / 50

HEX #657E80

RGB 101 126 128

HSL 184.44, 0.12%, 0.45%

LAB 50.97, -8.5, -4.08

 

CMYK 0 / 69 / 38 / 31

HEX #B0366D

RGB 176 54 109

HSL 332.95, 0.53%, 0.45%

LAB 42.72, 53.81, -3.88

 

CMYK 0 / 69 / 57 / 31

HEX #B0364C

RGB 176 54 76

HSL 349.18, 0.53%, 0.45%

LAB 41.83, 50.72, 15.43

 

CMYK 0 / 64 / 69 / 31

HEX #B04036

RGB 176 64 54

HSL 4.92, 0.53%, 0.45%

LAB 43.01, 45.04, 30.33

 

CMYK 0 / 45 / 69 / 31

HEX #B06136

RGB 176 97 54

HSL 21.15, 0.53%, 0.45%

LAB 49.55, 28.33, 37.9

 

CMYK 0 / 27 / 69 / 31

HEX #B08136

RGB 176 129 54

HSL 36.89, 0.53%, 0.45%

LAB 57.27, 10.51, 46.35

 

CMYK 0 / 63 / 69 / 56

HEX #702A23

RGB 112 42 35

HSL 5.45, 0.52%, 0.29%

LAB 27.36, 30.52, 20.4

 

CMYK 0 / 63 / 69 / 44

HEX #90362C

RGB 144 54 44

HSL 6, 0.53%, 0.37%

LAB 35.5, 37.45, 25.98

 

CMYK 0 / 63 / 69 / 31

HEX #B04236

RGB 176 66 54

HSL 5.9, 0.53%, 0.45%

LAB 43.35, 44.13, 30.74

 

CMYK 0 / 57 / 64 / 22

HEX #C75548

RGB 199 85 72

HSL 6.14, 0.53%, 0.53%

LAB 50.81, 44.6, 30.24

 

CMYK 0 / 45 / 50 / 18

HEX #D07268

RGB 208 114 104

HSL 5.77, 0.53%, 0.61%

LAB 58.46, 35.83, 22

 

CMYK 0 / 62 / 69 / 31

HEX #AF4236

RGB 175 66 54

HSL 5.95, 0.53%, 0.45%

LAB 43.18, 43.77, 30.49

 

CMYK 20 / 0 / 69 / 31

HEX #8DB036

RGB 141 176 54

HSL 77.21, 0.53%, 0.45%

LAB 67.26, -29.49, 55.81

 

CMYK 69 / 48 / 0 / 31

HEX #365CB0

RGB 54 92 176

HSL 221.31, 0.53%, 0.45%

LAB 40.53, 15.17, -48.83

 

CMYK 0 / 62 / 69 / 31

HEX #AF4236

RGB 175 66 54

HSL 5.95, 0.53%, 0.45%

LAB 43.18, 43.77, 30.49

 

CMYK 69 / 0 / 64 / 31

HEX #36B040

RGB 54 176 64

HSL 124.92, 0.53%, 0.45%

LAB 63.51, -55.74, 46.5

 

CMYK 64 / 69 / 0 / 31

HEX #4036B0

RGB 64 54 176

HSL 244.92, 0.53%, 0.45%

LAB 31.49, 40.93, -63.48

 

CMYK 0 / 62 / 69 / 31

HEX #AF4236

RGB 175 66 54

HSL 5.95, 0.53%, 0.45%

LAB 43.18, 43.77, 30.49

 

CMYK 20 / 0 / 69 / 31

HEX #8DB036

RGB 141 176 54

HSL 77.21, 0.53%, 0.45%

LAB 67.26, -29.49, 55.81

 

CMYK 69 / 6 / 0 / 31

HEX #36A5B0

RGB 54 165 176

HSL 185.41, 0.53%, 0.45%

LAB 62.36, -27.04, -14.77

 

CMYK 50 / 69 / 0 / 31

HEX #5836B0

RGB 88 54 176

HSL 256.72, 0.53%, 0.45%

LAB 33.66, 44.73, -59.84

 

CMYK 0 / 62 / 69 / 31

HEX #AF4236

RGB 175 66 54

HSL 5.95, 0.53%, 0.45%

LAB 43.18, 43.77, 30.49

 

CMYK 40 / 0 / 69 / 31

HEX #69B036

RGB 105 176 54

HSL 94.92, 0.53%, 0.45%

LAB 65.22, -43, 53.05

 

CMYK 69 / 6 / 0 / 31

HEX #36A5B0

RGB 54 165 176

HSL 185.41, 0.53%, 0.45%

LAB 62.36, -27.04, -14.77

 

CMYK 29 / 69 / 0 / 31

HEX #7D36B0

RGB 125 54 176

HSL 274.92, 0.53%, 0.45%

LAB 38.08, 51.96, -52.46

 

Description

Color code: HEX #AF42363F | qconv.com Color code: HEX #AF42363F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 66 green and 54 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 66 54 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 17 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 17% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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