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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF4063 it is the complementary color #50BF9C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF4063. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF4063 shade: #B4405E, #C55271, #D66484, #E77697 and #F888AA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF4063. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF4063 shade: #AF4063, #9E2E50, #8D1C3D, #7C0A2A and #6B0017

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF4063 shade: #AF4163, #AF4146 and #AF4141

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF4063 shade: #AF4163, #AF4181, #AF419F, #A141AF and #8441AF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF4063 shade matches the following richer shades: #AF4163, #C22D5C, #D61A55 and #E9074E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF4063 shade: #AF4163, #9C546B, #886872, #757B79 and #618E80

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF4063 shade: #AF419E, #AF4181, #AF4164, #AF4146 and #AF5941

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF4063 shade: #732A41, #913652, #AF4163, #C15879 and #CC7691

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF4063 shade: #AF4063, #AFA241 and #4190AF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF4063 shade: #AF4063, #64AF41 and #4164AF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF4063 shade: #AF4063, #AFA241, #41AF8C and #414EAF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF4063 shade: #AF4063, #9BAF41, #41AF8C and #5541AF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 63 / 43 / 31

HEX #AF4063

RGB 175 64 99

HSL 341.08, 0.46%, 0.47%

LAB 43.77, 48.26, 3.83

 

Complementary color

CMYK 58 / 0 / 18 / 25

HEX #50BF9C

RGB 80 191 156

HSL 161.08, 0.46%, 0.53%

LAB 70.43, -40.1, 8.25

 

CMYK 0 / 64 / 48 / 29

HEX #B4405E

RGB 180 64 94

HSL 344.48, 0.48%, 0.48%

LAB 44.49, 49.39, 8.05

 

CMYK 0 / 58 / 43 / 23

HEX #C55271

RGB 197 82 113

HSL 343.83, 0.5%, 0.55%

LAB 50.8, 48.77, 5.86

 

CMYK 0 / 53 / 38 / 16

HEX #D66484

RGB 214 100 132

HSL 343.16, 0.58%, 0.62%

LAB 57.15, 47.98, 4.06

 

CMYK 0 / 49 / 35 / 9

HEX #E77697

RGB 231 118 151

HSL 342.48, 0.7%, 0.68%

LAB 63.49, 47.12, 2.55

 

CMYK 0 / 45 / 31 / 3

HEX #F888AA

RGB 248 136 170

HSL 341.79, 0.89%, 0.75%

LAB 69.8, 46.25, 1.25

 

CMYK 0 / 63 / 43 / 31

HEX #AF4063

RGB 175 64 99

HSL 341.08, 0.46%, 0.47%

LAB 43.77, 48.26, 3.83

 

CMYK 0 / 71 / 49 / 38

HEX #9E2E50

RGB 158 46 80

HSL 341.79, 0.55%, 0.4%

LAB 37.49, 48.53, 6.37

 

CMYK 0 / 80 / 57 / 45

HEX #8D1C3D

RGB 141 28 61

HSL 342.48, 0.67%, 0.33%

LAB 31.42, 48.12, 9.72

 

CMYK 0 / 92 / 66 / 51

HEX #7C0A2A

RGB 124 10 42

HSL 343.16, 0.85%, 0.26%

LAB 25.77, 46.48, 14.24

 

CMYK 0 / 100 / 79 / 58

HEX #6B0017

RGB 107 0 23

HSL 347.1, 1%, 0.21%

LAB 20.78, 42.93, 20.2

 

CMYK 0 / 63 / 43 / 31

HEX #AF4163

RGB 175 65 99

HSL 341.45, 0.46%, 0.47%

LAB 43.94, 47.81, 4.07

 

CMYK 0 / 63 / 60 / 31

HEX #AF4146

RGB 175 65 70

HSL 357.27, 0.46%, 0.47%

LAB 43.27, 45.25, 21.01

 

CMYK 0 / 63 / 63 / 31

HEX #AF4141

RGB 175 65 65

HSL 0, 0.46%, 0.47%

LAB 43.18, 44.9, 23.94

 

CMYK 0 / 63 / 43 / 31

HEX #AF4163

RGB 175 65 99

HSL 341.45, 0.46%, 0.47%

LAB 43.94, 47.81, 4.07

 

CMYK 0 / 63 / 26 / 31

HEX #AF4181

RGB 175 65 129

HSL 325.09, 0.46%, 0.47%

LAB 44.91, 51.41, -12.91

 

CMYK 0 / 63 / 9 / 31

HEX #AF419F

RGB 175 65 159

HSL 308.73, 0.46%, 0.47%

LAB 46.17, 55.86, -29.03

 

CMYK 8 / 63 / 0 / 31

HEX #A141AF

RGB 161 65 175

HSL 292.36, 0.46%, 0.47%

LAB 44.88, 55.06, -40.71

 

CMYK 25 / 63 / 0 / 31

HEX #8441AF

RGB 132 65 175

HSL 276.55, 0.46%, 0.47%

LAB 40.87, 47.98, -47.34

 

CMYK 0 / 63 / 43 / 31

HEX #AF4163

RGB 175 65 99

HSL 341.45, 0.46%, 0.47%

LAB 43.94, 47.81, 4.07

 

CMYK 0 / 77 / 53 / 24

HEX #C22D5C

RGB 194 45 92

HSL 341.07, 0.62%, 0.47%

LAB 44.4, 60.51, 9.53

 

CMYK 0 / 88 / 60 / 16

HEX #D61A55

RGB 214 26 85

HSL 341.17, 0.78%, 0.47%

LAB 46.57, 69.77, 17.47

 

CMYK 0 / 97 / 67 / 9

HEX #E9074E

RGB 233 7 78

HSL 341.15, 0.94%, 0.47%

LAB 49.53, 76.13, 26.38

 

CMYK 0 / 63 / 43 / 31

HEX #AF4163

RGB 175 65 99

HSL 341.45, 0.46%, 0.47%

LAB 43.94, 47.81, 4.07

 

CMYK 0 / 46 / 31 / 39

HEX #9C546B

RGB 156 84 107

HSL 340.83, 0.3%, 0.47%

LAB 44.9, 32.57, 0.18

 

CMYK 0 / 24 / 16 / 47

HEX #886872

RGB 136 104 114

HSL 341.25, 0.13%, 0.47%

LAB 47.43, 14.47, -0.65

 

CMYK 5 / 0 / 2 / 52

HEX #757B79

RGB 117 123 121

HSL 160, 0.03%, 0.47%

LAB 51.07, -2.65, 0.31

 

CMYK 32 / 0 / 10 / 44

HEX #618E80

RGB 97 142 128

HSL 161.33, 0.19%, 0.47%

LAB 55.53, -18.55, 2.56

 

CMYK 0 / 63 / 10 / 31

HEX #AF419E

RGB 175 65 158

HSL 309.27, 0.46%, 0.47%

LAB 46.13, 55.7, -28.51

 

CMYK 0 / 63 / 26 / 31

HEX #AF4181

RGB 175 65 129

HSL 325.09, 0.46%, 0.47%

LAB 44.91, 51.41, -12.91

 

CMYK 0 / 63 / 43 / 31

HEX #AF4164

RGB 175 65 100

HSL 340.91, 0.46%, 0.47%

LAB 43.97, 47.91, 3.49

 

CMYK 0 / 63 / 60 / 31

HEX #AF4146

RGB 175 65 70

HSL 357.27, 0.46%, 0.47%

LAB 43.27, 45.25, 21.01

 

CMYK 0 / 49 / 63 / 31

HEX #AF5941

RGB 175 89 65

HSL 13.09, 0.46%, 0.47%

LAB 47.8, 32.93, 29.72

 

CMYK 0 / 63 / 43 / 55

HEX #732A41

RGB 115 42 65

HSL 341.1, 0.46%, 0.31%

LAB 28.6, 34.42, 2.38

 

CMYK 0 / 63 / 43 / 43

HEX #913652

RGB 145 54 82

HSL 341.54, 0.46%, 0.39%

LAB 36.49, 41.02, 3.37

 

CMYK 0 / 63 / 43 / 31

HEX #AF4163

RGB 175 65 99

HSL 341.45, 0.46%, 0.47%

LAB 43.94, 47.81, 4.07

 

CMYK 0 / 54 / 37 / 24

HEX #C15879

RGB 193 88 121

HSL 341.14, 0.46%, 0.55%

LAB 51.49, 45.43, 1.99

 

CMYK 0 / 42 / 29 / 20

HEX #CC7691

RGB 204 118 145

HSL 341.16, 0.46%, 0.63%

LAB 59.74, 36.92, 0.11

 

CMYK 0 / 63 / 43 / 31

HEX #AF4063

RGB 175 64 99

HSL 341.08, 0.46%, 0.47%

LAB 43.77, 48.26, 3.83

 

CMYK 0 / 7 / 63 / 31

HEX #AFA241

RGB 175 162 65

HSL 52.91, 0.46%, 0.47%

LAB 66.01, -7.28, 50.69

 

CMYK 63 / 18 / 0 / 31

HEX #4190AF

RGB 65 144 175

HSL 196.91, 0.46%, 0.47%

LAB 56.25, -14.58, -23.48

 

CMYK 0 / 63 / 43 / 31

HEX #AF4063

RGB 175 64 99

HSL 341.08, 0.46%, 0.47%

LAB 43.77, 48.26, 3.83

 

CMYK 43 / 0 / 63 / 31

HEX #64AF41

RGB 100 175 65

HSL 100.91, 0.46%, 0.47%

LAB 64.76, -43.28, 47.88

 

CMYK 63 / 43 / 0 / 31

HEX #4164AF

RGB 65 100 175

HSL 220.91, 0.46%, 0.47%

LAB 43.26, 11.58, -43.84

 

CMYK 0 / 63 / 43 / 31

HEX #AF4063

RGB 175 64 99

HSL 341.08, 0.46%, 0.47%

LAB 43.77, 48.26, 3.83

 

CMYK 0 / 7 / 63 / 31

HEX #AFA241

RGB 175 162 65

HSL 52.91, 0.46%, 0.47%

LAB 66.01, -7.28, 50.69

 

CMYK 63 / 0 / 20 / 31

HEX #41AF8C

RGB 65 175 140

HSL 160.91, 0.46%, 0.47%

LAB 64.71, -39.74, 8.81

 

CMYK 63 / 55 / 0 / 31

HEX #414EAF

RGB 65 78 175

HSL 232.91, 0.46%, 0.47%

LAB 37.24, 25.75, -53.52

 

CMYK 0 / 63 / 43 / 31

HEX #AF4063

RGB 175 64 99

HSL 341.08, 0.46%, 0.47%

LAB 43.77, 48.26, 3.83

 

CMYK 11 / 0 / 63 / 31

HEX #9BAF41

RGB 155 175 65

HSL 70.91, 0.46%, 0.47%

LAB 68.03, -22.51, 52.39

 

CMYK 63 / 0 / 20 / 31

HEX #41AF8C

RGB 65 175 140

HSL 160.91, 0.46%, 0.47%

LAB 64.71, -39.74, 8.81

 

CMYK 51 / 63 / 0 / 31

HEX #5541AF

RGB 85 65 175

HSL 250.91, 0.46%, 0.47%

LAB 35.61, 37.61, -56.09

 

Description

Color code: HEX #AF4063 | qconv.com Color code: HEX #AF4063 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 64 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 64 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 63 magenta, 43 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 63% 43% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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