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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF3E5C it is the complementary color #50C1A3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF3E5C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF3E5C shade: #B43E57, #C5506A, #D6627D, #E77490 and #F886A3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF3E5C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF3E5C shade: #AF3E5C, #9E2C49, #8D1A36, #7C0823 and #6B0010

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF3E5C shade: #AE3D5B and #AE3D3D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF3E5C shade: #AE3D5B, #AE3D79, #AE3D98, #A53DAE and #873DAE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF3E5C shade matches the following richer shades: #AE3D5B, #C12A52, #D41749 and #E70440

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF3E5C shade: #AE3D5B, #9B5064, #88636D, #757676 and #62897E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF3E5C shade: #AE3D97, #AE3D79, #AE3D5B, #AE3D3D and #AE5B3D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF3E5C shade: #71283B, #8F324B, #AE3D5B, #C25270 and #CD7089

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF3E5C shade: #AF3E5C, #AEA63D and #3D88AE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF3E5C shade: #AF3E5C, #5BAE3D and #3D5BAE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF3E5C shade: #AF3E5C, #AEA63D, #3DAE90 and #3D45AE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF3E5C shade: #AF3E5C, #93AE3D, #3DAE90 and #573DAE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 65 / 47 / 31

HEX #AF3E5C

RGB 175 62 92

HSL 344.07, 0.48%, 0.46%

LAB 43.26, 48.44, 7.43

 

Complementary color

CMYK 59 / 0 / 16 / 24

HEX #50C1A3

RGB 80 193 163

HSL 164.07, 0.48%, 0.54%

LAB 71.21, -39.33, 5.55

 

CMYK 0 / 66 / 52 / 29

HEX #B43E57

RGB 180 62 87

HSL 347.29, 0.49%, 0.47%

LAB 44, 49.61, 11.69

 

CMYK 0 / 59 / 46 / 23

HEX #C5506A

RGB 197 80 106

HSL 346.67, 0.5%, 0.54%

LAB 50.27, 48.99, 9.31

 

CMYK 0 / 54 / 42 / 16

HEX #D6627D

RGB 214 98 125

HSL 346.03, 0.59%, 0.61%

LAB 56.6, 48.18, 7.37

 

CMYK 0 / 50 / 38 / 9

HEX #E77490

RGB 231 116 144

HSL 345.39, 0.71%, 0.68%

LAB 62.92, 47.29, 5.74

 

CMYK 0 / 46 / 34 / 3

HEX #F886A3

RGB 248 134 163

HSL 344.74, 0.89%, 0.75%

LAB 69.22, 46.4, 4.33

 

CMYK 0 / 65 / 47 / 31

HEX #AF3E5C

RGB 175 62 92

HSL 344.07, 0.48%, 0.46%

LAB 43.26, 48.44, 7.43

 

CMYK 0 / 72 / 54 / 38

HEX #9E2C49

RGB 158 44 73

HSL 344.74, 0.56%, 0.4%

LAB 37.03, 48.69, 10.2

 

CMYK 0 / 82 / 62 / 45

HEX #8D1A36

RGB 141 26 54

HSL 345.39, 0.69%, 0.33%

LAB 31.04, 48.22, 13.83

 

CMYK 0 / 94 / 72 / 51

HEX #7C0823

RGB 124 8 35

HSL 346.03, 0.88%, 0.26%

LAB 25.5, 46.46, 18.65

 

CMYK 0 / 100 / 85 / 58

HEX #6B0010

RGB 107 0 16

HSL 351.03, 1%, 0.21%

LAB 20.69, 42.68, 24.56

 

CMYK 0 / 65 / 48 / 32

HEX #AE3D5B

RGB 174 61 91

HSL 344.07, 0.48%, 0.46%

LAB 42.9, 48.45, 7.52

 

CMYK 0 / 65 / 65 / 32

HEX #AE3D3D

RGB 174 61 61

HSL 0, 0.48%, 0.46%

LAB 42.27, 46.08, 25.17

 

CMYK 0 / 65 / 48 / 32

HEX #AE3D5B

RGB 174 61 91

HSL 344.07, 0.48%, 0.46%

LAB 42.9, 48.45, 7.52

 

CMYK 0 / 65 / 30 / 32

HEX #AE3D79

RGB 174 61 121

HSL 328.14, 0.48%, 0.46%

LAB 43.82, 51.79, -9.68

 

CMYK 0 / 65 / 13 / 32

HEX #AE3D98

RGB 174 61 152

HSL 311.68, 0.48%, 0.46%

LAB 45.09, 56.17, -26.56

 

CMYK 5 / 65 / 0 / 32

HEX #A53DAE

RGB 165 61 174

HSL 295.22, 0.48%, 0.46%

LAB 44.79, 57.58, -40.21

 

CMYK 22 / 65 / 0 / 32

HEX #873DAE

RGB 135 61 174

HSL 279.29, 0.48%, 0.46%

LAB 40.48, 50.43, -47.34

 

CMYK 0 / 65 / 48 / 32

HEX #AE3D5B

RGB 174 61 91

HSL 344.07, 0.48%, 0.46%

LAB 42.9, 48.45, 7.52

 

CMYK 0 / 78 / 58 / 24

HEX #C12A52

RGB 193 42 82

HSL 344.11, 0.64%, 0.46%

LAB 43.66, 60.38, 14.7

 

CMYK 0 / 89 / 66 / 17

HEX #D41749

RGB 212 23 73

HSL 344.13, 0.8%, 0.46%

LAB 45.76, 69.09, 23.75

 

CMYK 0 / 98 / 72 / 9

HEX #E70440

RGB 231 4 64

HSL 344.14, 0.97%, 0.46%

LAB 48.82, 75.29, 33.87

 

CMYK 0 / 65 / 48 / 32

HEX #AE3D5B

RGB 174 61 91

HSL 344.07, 0.48%, 0.46%

LAB 42.9, 48.45, 7.52

 

CMYK 0 / 48 / 35 / 39

HEX #9B5064

RGB 155 80 100

HSL 344, 0.32%, 0.46%

LAB 43.69, 33.44, 2.69

 

CMYK 0 / 27 / 20 / 47

HEX #88636D

RGB 136 99 109

HSL 343.78, 0.16%, 0.46%

LAB 45.99, 16.57, 0.26

 

CMYK 1 / 0 / 0 / 54

HEX #757676

RGB 117 118 118

HSL 180, 0%, 0.46%

LAB 49.55, -0.38, -0.14

 

CMYK 28 / 0 / 8 / 46

HEX #62897E

RGB 98 137 126

HSL 163.08, 0.17%, 0.46%

LAB 54.02, -16.03, 1.53

 

CMYK 0 / 65 / 13 / 32

HEX #AE3D97

RGB 174 61 151

HSL 312.21, 0.48%, 0.46%

LAB 45.04, 56.01, -26.03

 

CMYK 0 / 65 / 30 / 32

HEX #AE3D79

RGB 174 61 121

HSL 328.14, 0.48%, 0.46%

LAB 43.82, 51.79, -9.68

 

CMYK 0 / 65 / 48 / 32

HEX #AE3D5B

RGB 174 61 91

HSL 344.07, 0.48%, 0.46%

LAB 42.9, 48.45, 7.52

 

CMYK 0 / 65 / 65 / 32

HEX #AE3D3D

RGB 174 61 61

HSL 0, 0.48%, 0.46%

LAB 42.27, 46.08, 25.17

 

CMYK 0 / 48 / 65 / 32

HEX #AE5B3D

RGB 174 91 61

HSL 15.93, 0.48%, 0.46%

LAB 48.03, 31.19, 32.23

 

CMYK 0 / 65 / 48 / 56

HEX #71283B

RGB 113 40 59

HSL 344.38, 0.48%, 0.3%

LAB 27.69, 34.01, 5.03

 

CMYK 0 / 65 / 48 / 44

HEX #8F324B

RGB 143 50 75

HSL 343.87, 0.48%, 0.38%

LAB 35.26, 41.46, 6.04

 

CMYK 0 / 65 / 48 / 32

HEX #AE3D5B

RGB 174 61 91

HSL 344.07, 0.48%, 0.46%

LAB 42.9, 48.45, 7.52

 

CMYK 0 / 58 / 42 / 24

HEX #C25270

RGB 194 82 112

HSL 343.93, 0.48%, 0.54%

LAB 50.3, 47.65, 5.68

 

CMYK 0 / 45 / 33 / 20

HEX #CD7089

RGB 205 112 137

HSL 343.87, 0.48%, 0.62%

LAB 58.39, 39.39, 2.78

 

CMYK 0 / 65 / 47 / 31

HEX #AF3E5C

RGB 175 62 92

HSL 344.07, 0.48%, 0.46%

LAB 43.26, 48.44, 7.43

 

CMYK 0 / 5 / 65 / 32

HEX #AEA63D

RGB 174 166 61

HSL 55.75, 0.48%, 0.46%

LAB 66.98, -10.08, 53.45

 

CMYK 65 / 22 / 0 / 32

HEX #3D88AE

RGB 61 136 174

HSL 200.18, 0.48%, 0.46%

LAB 53.66, -11.18, -26.92

 

CMYK 0 / 65 / 47 / 31

HEX #AF3E5C

RGB 175 62 92

HSL 344.07, 0.48%, 0.46%

LAB 43.26, 48.44, 7.43

 

CMYK 48 / 0 / 65 / 32

HEX #5BAE3D

RGB 91 174 61

HSL 104.07, 0.48%, 0.46%

LAB 64.03, -46.1, 48.7

 

CMYK 65 / 48 / 0 / 32

HEX #3D5BAE

RGB 61 91 174

HSL 224.07, 0.48%, 0.46%

LAB 40.46, 16.26, -47.74

 

CMYK 0 / 65 / 47 / 31

HEX #AF3E5C

RGB 175 62 92

HSL 344.07, 0.48%, 0.46%

LAB 43.26, 48.44, 7.43

 

CMYK 0 / 5 / 65 / 32

HEX #AEA63D

RGB 174 166 61

HSL 55.75, 0.48%, 0.46%

LAB 66.98, -10.08, 53.45

 

CMYK 65 / 0 / 17 / 32

HEX #3DAE90

RGB 61 174 144

HSL 164.07, 0.48%, 0.46%

LAB 64.39, -39.05, 6.12

 

CMYK 65 / 60 / 0 / 32

HEX #3D45AE

RGB 61 69 174

HSL 235.75, 0.48%, 0.46%

LAB 34.61, 30.53, -57.2

 

CMYK 0 / 65 / 47 / 31

HEX #AF3E5C

RGB 175 62 92

HSL 344.07, 0.48%, 0.46%

LAB 43.26, 48.44, 7.43

 

CMYK 16 / 0 / 65 / 32

HEX #93AE3D

RGB 147 174 61

HSL 74.34, 0.48%, 0.46%

LAB 67.14, -25.61, 52.97

 

CMYK 65 / 0 / 17 / 32

HEX #3DAE90

RGB 61 174 144

HSL 164.07, 0.48%, 0.46%

LAB 64.39, -39.05, 6.12

 

CMYK 50 / 65 / 0 / 32

HEX #573DAE

RGB 87 61 174

HSL 253.81, 0.48%, 0.46%

LAB 34.84, 40.04, -56.73

 

Description

Color code: HEX #AF3E5C | qconv.com Color code: HEX #AF3E5C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 62 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 62 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 65 magenta, 47 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 65% 47% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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