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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF3AE5 it is the complementary color #50C51A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF3AE5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF3AE5 shade: #B43AE0, #C54CF3, #D65EFF, #E770FF and #F882FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF3AE5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF3AE5 shade: #AF3AE5, #9E28D2, #8D16BF, #7C04AC and #6B0099

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF3AE5 shade: #AF38E5, #DD38E5, #E538BF, #E53890 and #E53861

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF3AE5 shade: #AF38E5, #8038E5, #5138E5 and #3838E5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF3AE5 shade matches the following richer shades: #AF38E5 and #B526F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF3AE5 shade: #AF38E5, #A84BD3, #A15DC1, #9B6FAF and #94819D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF3AE5 shade: #5238E5, #8038E5, #AE38E5, #DD38E5 and #E538C0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF3AE5 shade: #8217B4, #9D1CD8, #AF38E5, #BD5DEA and #CC81EF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF3AE5 shade: #AF3AE5, #E5384D and #38E569

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF3AE5 shade: #AF3AE5, #E5AE38 and #38E5AE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF3AE5 shade: #AF3AE5, #E5384D, #6FE538 and #38E5D1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF3AE5 shade: #AF3AE5, #E55838, #6FE538 and #38C6E5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 75 / 0 / 10

HEX #AF3AE5

RGB 175 58 229

HSL 281.05, 0.77%, 0.56%

LAB 49.25, 71.36, -64.76

 

Complementary color

CMYK 59 / 0 / 87 / 23

HEX #50C51A

RGB 80 197 26

HSL 101.05, 0.77%, 0.44%

LAB 70.67, -59.94, 66.4

 

CMYK 20 / 74 / 0 / 12

HEX #B43AE0

RGB 180 58 224

HSL 284.1, 0.73%, 0.55%

LAB 49.63, 71.31, -61.28

 

CMYK 19 / 69 / 0 / 5

HEX #C54CF3

RGB 197 76 243

HSL 283.47, 0.87%, 0.63%

LAB 55.59, 71.6, -62.24

 

CMYK 16 / 63 / 0 / 0

HEX #D65EFF

RGB 214 94 255

HSL 284.72, 1%, 0.68%

LAB 61.24, 70.12, -59.72

 

CMYK 9 / 56 / 0 / 0

HEX #E770FF

RGB 231 112 255

HSL 289.93, 1%, 0.72%

LAB 66.36, 66.13, -51.44

 

CMYK 3 / 49 / 0 / 0

HEX #F882FF

RGB 248 130 255

HSL 296.64, 1%, 0.75%

LAB 71.65, 62.13, -42.97

 

CMYK 24 / 75 / 0 / 10

HEX #AF3AE5

RGB 175 58 229

HSL 281.05, 0.77%, 0.56%

LAB 49.25, 71.36, -64.76

 

CMYK 25 / 81 / 0 / 18

HEX #9E28D2

RGB 158 40 210

HSL 281.65, 0.68%, 0.49%

LAB 43.42, 70.5, -63.48

 

CMYK 26 / 88 / 0 / 25

HEX #8D16BF

RGB 141 22 191

HSL 282.25, 0.79%, 0.42%

LAB 37.84, 68.64, -61.61

 

CMYK 28 / 98 / 0 / 33

HEX #7C04AC

RGB 124 4 172

HSL 282.86, 0.95%, 0.35%

LAB 32.59, 65.49, -59

 

CMYK 30 / 100 / 0 / 40

HEX #6B0099

RGB 107 0 153

HSL 281.96, 1%, 0.3%

LAB 27.91, 60.24, -55.23

 

CMYK 24 / 76 / 0 / 10

HEX #AF38E5

RGB 175 56 229

HSL 281.27, 0.77%, 0.56%

LAB 49.01, 72.06, -65.15

 

CMYK 3 / 76 / 0 / 10

HEX #DD38E5

RGB 221 56 229

HSL 297.23, 0.77%, 0.56%

LAB 55.94, 80.67, -53.63

 

CMYK 0 / 76 / 17 / 10

HEX #E538BF

RGB 229 56 191

HSL 313.18, 0.77%, 0.56%

LAB 55.33, 76.78, -32.86

 

CMYK 0 / 76 / 37 / 10

HEX #E53890

RGB 229 56 144

HSL 329.48, 0.77%, 0.56%

LAB 53.49, 71.25, -8.11

 

CMYK 0 / 76 / 58 / 10

HEX #E53861

RGB 229 56 97

HSL 345.78, 0.77%, 0.56%

LAB 52.23, 67.28, 18.29

 

CMYK 24 / 76 / 0 / 10

HEX #AF38E5

RGB 175 56 229

HSL 281.27, 0.77%, 0.56%

LAB 49.01, 72.06, -65.15

 

CMYK 44 / 76 / 0 / 10

HEX #8038E5

RGB 128 56 229

HSL 264.97, 0.77%, 0.56%

LAB 42.88, 64.26, -75.4

 

CMYK 65 / 76 / 0 / 10

HEX #5138E5

RGB 81 56 229

HSL 248.67, 0.77%, 0.56%

LAB 38.26, 58.22, -83.16

 

CMYK 76 / 76 / 0 / 10

HEX #3838E5

RGB 56 56 229

HSL 240, 0.77%, 0.56%

LAB 36.6, 56, -85.95

 

CMYK 24 / 76 / 0 / 10

HEX #AF38E5

RGB 175 56 229

HSL 281.27, 0.77%, 0.56%

LAB 49.01, 72.06, -65.15

 

CMYK 27 / 85 / 0 / 3

HEX #B526F7

RGB 181 38 247

HSL 281.05, 0.93%, 0.56%

LAB 49.41, 81.64, -74.6

 

CMYK 24 / 76 / 0 / 10

HEX #AF38E5

RGB 175 56 229

HSL 281.27, 0.77%, 0.56%

LAB 49.01, 72.06, -65.15

 

CMYK 20 / 64 / 0 / 17

HEX #A84BD3

RGB 168 75 211

HSL 281.03, 0.61%, 0.56%

LAB 49.57, 59.4, -54.06

 

CMYK 17 / 52 / 0 / 24

HEX #A15DC1

RGB 161 93 193

HSL 280.8, 0.45%, 0.56%

LAB 50.99, 44.9, -41.52

 

CMYK 11 / 37 / 0 / 31

HEX #9B6FAF

RGB 155 111 175

HSL 281.25, 0.29%, 0.56%

LAB 53.42, 29.22, -27.36

 

CMYK 6 / 18 / 0 / 38

HEX #94819D

RGB 148 129 157

HSL 280.71, 0.13%, 0.56%

LAB 56.52, 12.62, -12.28

 

CMYK 64 / 76 / 0 / 10

HEX #5238E5

RGB 82 56 229

HSL 249.02, 0.77%, 0.56%

LAB 38.34, 58.32, -83.03

 

CMYK 44 / 76 / 0 / 10

HEX #8038E5

RGB 128 56 229

HSL 264.97, 0.77%, 0.56%

LAB 42.88, 64.26, -75.4

 

CMYK 24 / 76 / 0 / 10

HEX #AE38E5

RGB 174 56 229

HSL 280.92, 0.77%, 0.56%

LAB 48.86, 71.88, -65.39

 

CMYK 3 / 76 / 0 / 10

HEX #DD38E5

RGB 221 56 229

HSL 297.23, 0.77%, 0.56%

LAB 55.94, 80.67, -53.63

 

CMYK 0 / 76 / 16 / 10

HEX #E538C0

RGB 229 56 192

HSL 312.83, 0.77%, 0.56%

LAB 55.37, 76.92, -33.36

 

CMYK 28 / 87 / 0 / 29

HEX #8217B4

RGB 130 23 180

HSL 280.89, 0.77%, 0.4%

LAB 35.31, 64.64, -59.3

 

CMYK 27 / 87 / 0 / 15

HEX #9D1CD8

RGB 157 28 216

HSL 281.17, 0.77%, 0.48%

LAB 42.7, 74.51, -68.11

 

CMYK 24 / 76 / 0 / 10

HEX #AF38E5

RGB 175 56 229

HSL 281.27, 0.77%, 0.56%

LAB 49.01, 72.06, -65.15

 

CMYK 19 / 60 / 0 / 8

HEX #BD5DEA

RGB 189 93 234

HSL 280.85, 0.77%, 0.64%

LAB 56.67, 60.68, -55.54

 

CMYK 15 / 46 / 0 / 6

HEX #CC81EF

RGB 204 129 239

HSL 280.91, 0.77%, 0.72%

LAB 65.57, 47.5, -44.11

 

CMYK 24 / 75 / 0 / 10

HEX #AF3AE5

RGB 175 58 229

HSL 281.05, 0.77%, 0.56%

LAB 49.25, 71.36, -64.76

 

CMYK 0 / 76 / 66 / 10

HEX #E5384D

RGB 229 56 77

HSL 352.72, 0.77%, 0.56%

LAB 51.86, 66.1, 29.76

 

CMYK 76 / 0 / 54 / 10

HEX #38E569

RGB 56 229 105

HSL 136.99, 0.77%, 0.56%

LAB 80.68, -68.18, 47.85

 

CMYK 24 / 75 / 0 / 10

HEX #AF3AE5

RGB 175 58 229

HSL 281.05, 0.77%, 0.56%

LAB 49.25, 71.36, -64.76

 

CMYK 0 / 24 / 76 / 10

HEX #E5AE38

RGB 229 174 56

HSL 40.92, 0.77%, 0.56%

LAB 74.33, 9.28, 64.56

 

CMYK 76 / 0 / 24 / 10

HEX #38E5AE

RGB 56 229 174

HSL 160.92, 0.77%, 0.56%

LAB 81.8, -55.53, 14.69

 

CMYK 24 / 75 / 0 / 10

HEX #AF3AE5

RGB 175 58 229

HSL 281.05, 0.77%, 0.56%

LAB 49.25, 71.36, -64.76

 

CMYK 0 / 76 / 66 / 10

HEX #E5384D

RGB 229 56 77

HSL 352.72, 0.77%, 0.56%

LAB 51.86, 66.1, 29.76

 

CMYK 52 / 0 / 76 / 10

HEX #6FE538

RGB 111 229 56

HSL 100.92, 0.77%, 0.56%

LAB 81.68, -61.66, 68.91

 

CMYK 76 / 0 / 9 / 10

HEX #38E5D1

RGB 56 229 209

HSL 173.06, 0.77%, 0.56%

LAB 82.64, -46.88, -2.57

 

CMYK 24 / 75 / 0 / 10

HEX #AF3AE5

RGB 175 58 229

HSL 281.05, 0.77%, 0.56%

LAB 49.25, 71.36, -64.76

 

CMYK 0 / 62 / 76 / 10

HEX #E55838

RGB 229 88 56

HSL 11.1, 0.77%, 0.56%

LAB 56.01, 53.1, 46.25

 

CMYK 52 / 0 / 76 / 10

HEX #6FE538

RGB 111 229 56

HSL 100.92, 0.77%, 0.56%

LAB 81.68, -61.66, 68.91

 

CMYK 76 / 14 / 0 / 10

HEX #38C6E5

RGB 56 198 229

HSL 190.75, 0.77%, 0.56%

LAB 74.12, -26.78, -26.06

 

Description

Color code: HEX #AF3AE5 | qconv.com Color code: HEX #AF3AE5 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 58 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 58 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 75 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 75% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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