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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF3AC6 it is the complementary color #50C539. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF3AC6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF3AC6 shade: #B43AC1, #C54CD4, #D65EE7, #E770FA and #F882FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF3AC6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF3AC6 shade: #AF3AC6, #9E28B3, #8D16A0, #7C048D and #6B007A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF3AC6 shade: #AF39C6, #C639B7, #C63991, #C6396B and #C63945

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF3AC6 shade: #AF39C6, #8939C6, #6339C6, #3D39C6 and #3939C6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF3AC6 shade matches the following richer shades: #AF39C6, #BC25DA and #CA10EF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF3AC6 shade: #AF39C6, #A14EB1, #93639C, #857788 and #778C73

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF3AC6 shade: #6339C6, #8939C6, #AE39C6, #C639B8 and #C63992

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF3AC6 shade: #762786, #9230A6, #AF39C6, #BC59CF and #C979D8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF3AC6 shade: #AF3AC6, #C63E39 and #39C676

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF3AC6 shade: #AF3AC6, #C6AE39 and #39C6AE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF3AC6 shade: #AF3AC6, #C63E39, #51C639 and #39C1C6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF3AC6 shade: #AF3AC6, #C66839, #51C639 and #3997C6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 71 / 0 / 22

HEX #AF3AC6

RGB 175 58 198

HSL 290.14, 0.55%, 0.5%

LAB 47.26, 65.43, -50.22

 

Complementary color

CMYK 59 / 0 / 71 / 23

HEX #50C539

RGB 80 197 57

HSL 110.14, 0.55%, 0.5%

LAB 70.82, -58.16, 57.41

 

CMYK 7 / 70 / 0 / 24

HEX #B43AC1

RGB 180 58 193

HSL 294.22, 0.54%, 0.49%

LAB 47.73, 65.6, -46.53

 

CMYK 7 / 64 / 0 / 17

HEX #C54CD4

RGB 197 76 212

HSL 293.38, 0.61%, 0.56%

LAB 53.81, 65.81, -47.63

 

CMYK 7 / 59 / 0 / 9

HEX #D65EE7

RGB 214 94 231

HSL 292.55, 0.74%, 0.64%

LAB 59.95, 65.63, -48.45

 

CMYK 8 / 55 / 0 / 2

HEX #E770FA

RGB 231 112 250

HSL 291.74, 0.93%, 0.71%

LAB 66.12, 65.21, -49.08

 

CMYK 3 / 49 / 0 / 0

HEX #F882FF

RGB 248 130 255

HSL 296.64, 1%, 0.75%

LAB 71.65, 62.13, -42.97

 

CMYK 12 / 71 / 0 / 22

HEX #AF3AC6

RGB 175 58 198

HSL 290.14, 0.55%, 0.5%

LAB 47.26, 65.43, -50.22

 

CMYK 12 / 78 / 0 / 30

HEX #9E28B3

RGB 158 40 179

HSL 290.94, 0.63%, 0.43%

LAB 41.28, 64.66, -48.83

 

CMYK 12 / 86 / 0 / 37

HEX #8D16A0

RGB 141 22 160

HSL 291.74, 0.76%, 0.36%

LAB 35.55, 62.89, -46.84

 

CMYK 12 / 97 / 0 / 45

HEX #7C048D

RGB 124 4 141

HSL 292.55, 0.94%, 0.28%

LAB 30.14, 59.79, -44.07

 

CMYK 12 / 100 / 0 / 52

HEX #6B007A

RGB 107 0 122

HSL 292.62, 1%, 0.24%

LAB 25.35, 54.41, -40.03

 

CMYK 12 / 71 / 0 / 22

HEX #AF39C6

RGB 175 57 198

HSL 290.21, 0.55%, 0.5%

LAB 47.13, 65.8, -50.43

 

CMYK 0 / 71 / 8 / 22

HEX #C639B7

RGB 198 57 183

HSL 306.38, 0.55%, 0.5%

LAB 49.92, 68.35, -37.05

 

CMYK 0 / 71 / 27 / 22

HEX #C63991

RGB 198 57 145

HSL 322.55, 0.55%, 0.5%

LAB 48.23, 63.06, -17.18

 

CMYK 0 / 71 / 46 / 22

HEX #C6396B

RGB 198 57 107

HSL 338.72, 0.55%, 0.5%

LAB 46.97, 58.92, 4.02

 

CMYK 0 / 71 / 65 / 22

HEX #C63945

RGB 198 57 69

HSL 354.89, 0.55%, 0.5%

LAB 46.13, 56.07, 26.11

 

CMYK 12 / 71 / 0 / 22

HEX #AF39C6

RGB 175 57 198

HSL 290.21, 0.55%, 0.5%

LAB 47.13, 65.8, -50.43

 

CMYK 31 / 71 / 0 / 22

HEX #8939C6

RGB 137 57 198

HSL 274.04, 0.55%, 0.5%

LAB 41.72, 58.06, -59.42

 

CMYK 50 / 71 / 0 / 22

HEX #6339C6

RGB 99 57 198

HSL 257.87, 0.55%, 0.5%

LAB 37.22, 51.23, -66.95

 

CMYK 69 / 71 / 0 / 22

HEX #3D39C6

RGB 61 57 198

HSL 241.7, 0.55%, 0.5%

LAB 33.97, 45.99, -72.4

 

CMYK 71 / 71 / 0 / 22

HEX #3939C6

RGB 57 57 198

HSL 240, 0.55%, 0.5%

LAB 33.72, 45.56, -72.83

 

CMYK 12 / 71 / 0 / 22

HEX #AF39C6

RGB 175 57 198

HSL 290.21, 0.55%, 0.5%

LAB 47.13, 65.8, -50.43

 

CMYK 14 / 83 / 0 / 15

HEX #BC25DA

RGB 188 37 218

HSL 290.06, 0.71%, 0.5%

LAB 48.36, 77.73, -59.85

 

CMYK 15 / 93 / 0 / 6

HEX #CA10EF

RGB 202 16 239

HSL 290.04, 0.87%, 0.5%

LAB 50.87, 86.83, -67.58

 

CMYK 12 / 71 / 0 / 22

HEX #AF39C6

RGB 175 57 198

HSL 290.21, 0.55%, 0.5%

LAB 47.13, 65.8, -50.43

 

CMYK 9 / 56 / 0 / 31

HEX #A14EB1

RGB 161 78 177

HSL 290.3, 0.39%, 0.5%

LAB 47.24, 49.31, -38.14

 

CMYK 6 / 37 / 0 / 39

HEX #93639C

RGB 147 99 156

HSL 290.53, 0.22%, 0.5%

LAB 48.92, 29.47, -23.29

 

CMYK 2 / 13 / 0 / 47

HEX #857788

RGB 133 119 136

HSL 289.41, 0.07%, 0.5%

LAB 51.79, 8.7, -7.29

 

CMYK 15 / 0 / 18 / 45

HEX #778C73

RGB 119 140 115

HSL 110.4, 0.1%, 0.5%

LAB 56, -12.57, 10.88

 

CMYK 50 / 71 / 0 / 22

HEX #6339C6

RGB 99 57 198

HSL 257.87, 0.55%, 0.5%

LAB 37.22, 51.23, -66.95

 

CMYK 31 / 71 / 0 / 22

HEX #8939C6

RGB 137 57 198

HSL 274.04, 0.55%, 0.5%

LAB 41.72, 58.06, -59.42

 

CMYK 12 / 71 / 0 / 22

HEX #AE39C6

RGB 174 57 198

HSL 289.79, 0.55%, 0.5%

LAB 46.98, 65.58, -50.68

 

CMYK 0 / 71 / 7 / 22

HEX #C639B8

RGB 198 57 184

HSL 305.96, 0.55%, 0.5%

LAB 49.97, 68.5, -37.56

 

CMYK 0 / 71 / 26 / 22

HEX #C63992

RGB 198 57 146

HSL 322.13, 0.55%, 0.5%

LAB 48.27, 63.18, -17.72

 

CMYK 12 / 71 / 0 / 47

HEX #762786

RGB 118 39 134

HSL 289.89, 0.55%, 0.34%

LAB 31.86, 47.97, -37.02

 

CMYK 12 / 71 / 0 / 35

HEX #9230A6

RGB 146 48 166

HSL 289.83, 0.55%, 0.42%

LAB 39.54, 56.96, -43.99

 

CMYK 12 / 71 / 0 / 22

HEX #AF39C6

RGB 175 57 198

HSL 290.21, 0.55%, 0.5%

LAB 47.13, 65.8, -50.43

 

CMYK 9 / 57 / 0 / 19

HEX #BC59CF

RGB 188 89 207

HSL 290.34, 0.55%, 0.58%

LAB 54.39, 56.94, -43.94

 

CMYK 7 / 44 / 0 / 15

HEX #C979D8

RGB 201 121 216

HSL 290.53, 0.55%, 0.66%

LAB 62.55, 46.21, -36.09

 

CMYK 12 / 71 / 0 / 22

HEX #AF3AC6

RGB 175 58 198

HSL 290.14, 0.55%, 0.5%

LAB 47.26, 65.43, -50.22

 

CMYK 0 / 69 / 71 / 22

HEX #C63E39

RGB 198 62 57

HSL 2.13, 0.55%, 0.5%

LAB 46.64, 53.53, 33.83

 

CMYK 71 / 0 / 40 / 22

HEX #39C676

RGB 57 198 118

HSL 145.96, 0.55%, 0.5%

LAB 71.26, -55.11, 29.58

 

CMYK 12 / 71 / 0 / 22

HEX #AF3AC6

RGB 175 58 198

HSL 290.14, 0.55%, 0.5%

LAB 47.26, 65.43, -50.22

 

CMYK 0 / 12 / 71 / 22

HEX #C6AE39

RGB 198 174 57

HSL 49.79, 0.55%, 0.5%

LAB 71.26, -4.08, 60.15

 

CMYK 71 / 0 / 12 / 22

HEX #39C6AE

RGB 57 198 174

HSL 169.79, 0.55%, 0.5%

LAB 72.44, -42.59, 1.28

 

CMYK 12 / 71 / 0 / 22

HEX #AF3AC6

RGB 175 58 198

HSL 290.14, 0.55%, 0.5%

LAB 47.26, 65.43, -50.22

 

CMYK 0 / 69 / 71 / 22

HEX #C63E39

RGB 198 62 57

HSL 2.13, 0.55%, 0.5%

LAB 46.64, 53.53, 33.83

 

CMYK 59 / 0 / 71 / 22

HEX #51C639

RGB 81 198 57

HSL 109.79, 0.55%, 0.5%

LAB 71.17, -58.27, 57.77

 

CMYK 71 / 3 / 0 / 22

HEX #39C1C6

RGB 57 193 198

HSL 182.13, 0.55%, 0.5%

LAB 71.61, -33.66, -13.01

 

CMYK 12 / 71 / 0 / 22

HEX #AF3AC6

RGB 175 58 198

HSL 290.14, 0.55%, 0.5%

LAB 47.26, 65.43, -50.22

 

CMYK 0 / 47 / 71 / 22

HEX #C66839

RGB 198 104 57

HSL 20, 0.55%, 0.5%

LAB 54.24, 33.76, 42.43

 

CMYK 59 / 0 / 71 / 22

HEX #51C639

RGB 81 198 57

HSL 109.79, 0.55%, 0.5%

LAB 71.17, -58.27, 57.77

 

CMYK 71 / 24 / 0 / 22

HEX #3997C6

RGB 57 151 198

HSL 200, 0.55%, 0.5%

LAB 59.05, -12.15, -32.21

 

Description

Color code: HEX #AF3AC6 | qconv.com Color code: HEX #AF3AC6 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 58 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 58 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, 71 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 71% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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