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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF3987 it is the complementary color #50C678. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF3987. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF3987 shade: #B43982, #C54B95, #D65DA8, #E76FBB and #F881CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF3987. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF3987 shade: #AF3987, #9E2774, #8D1561, #7C034E and #6B003B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF3987 shade: #AD3886, #AD3866, #AD3846 and #AD3838

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF3987 shade: #AD3886, #AD38A5, #9638AD, #7638AD and #5738AD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF3987 shade matches the following richer shades: #AD3886, #C0268C, #D21392 and #E50198

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF3987 shade: #AD3886, #9B4B80, #885D7A, #767074 and #63826E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF3987 shade: #9638AD, #AD38A5, #AD3886, #AD3867 and #AD3848

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF3987 shade: #6F2456, #8E2E6E, #AD3886, #C44A9B and #CE6AAC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF3987 shade: #AF3987, #AD7738 and #38ADA5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF3987 shade: #AF3987, #86AD38 and #3886AD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF3987 shade: #AF3987, #AD7738, #38AD5F and #386FAD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF3987 shade: #AF3987, #AD9A38, #38AD5F and #384CAD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 67 / 23 / 31

HEX #AF3987

RGB 175 57 135

HSL 320.34, 0.51%, 0.45%

LAB 43.93, 55.57, -18.06

 

Complementary color

CMYK 60 / 0 / 39 / 22

HEX #50C678

RGB 80 198 120

HSL 140.34, 0.51%, 0.55%

LAB 71.86, -50.46, 29.44

 

CMYK 0 / 68 / 28 / 29

HEX #B43982

RGB 180 57 130

HSL 324.39, 0.52%, 0.46%

LAB 44.58, 56.3, -13.95

 

CMYK 0 / 62 / 24 / 23

HEX #C54B95

RGB 197 75 149

HSL 323.61, 0.51%, 0.53%

LAB 50.77, 56.24, -15.71

 

CMYK 0 / 57 / 21 / 16

HEX #D65DA8

RGB 214 93 168

HSL 322.81, 0.6%, 0.6%

LAB 57.03, 55.86, -17.11

 

CMYK 0 / 52 / 19 / 9

HEX #E76FBB

RGB 231 111 187

HSL 322, 0.71%, 0.67%

LAB 63.3, 55.29, -18.27

 

CMYK 0 / 48 / 17 / 3

HEX #F881CE

RGB 248 129 206

HSL 321.18, 0.89%, 0.74%

LAB 69.55, 54.62, -19.24

 

CMYK 0 / 67 / 23 / 31

HEX #AF3987

RGB 175 57 135

HSL 320.34, 0.51%, 0.45%

LAB 43.93, 55.57, -18.06

 

CMYK 0 / 75 / 27 / 38

HEX #9E2774

RGB 158 39 116

HSL 321.18, 0.6%, 0.39%

LAB 37.81, 55.08, -15.97

 

CMYK 0 / 85 / 31 / 45

HEX #8D1561

RGB 141 21 97

HSL 322, 0.74%, 0.32%

LAB 31.95, 53.63, -13.13

 

CMYK 0 / 98 / 37 / 51

HEX #7C034E

RGB 124 3 78

HSL 322.81, 0.95%, 0.25%

LAB 26.45, 50.85, -9.31

 

CMYK 0 / 100 / 45 / 58

HEX #6B003B

RGB 107 0 59

HSL 326.92, 1%, 0.21%

LAB 21.73, 45.47, -3.79

 

CMYK 0 / 68 / 23 / 32

HEX #AD3886

RGB 173 56 134

HSL 320, 0.51%, 0.45%

LAB 43.41, 55.28, -18.28

 

CMYK 0 / 68 / 41 / 32

HEX #AD3866

RGB 173 56 102

HSL 336.41, 0.51%, 0.45%

LAB 42.26, 51.35, -0.27

 

CMYK 0 / 68 / 60 / 32

HEX #AD3846

RGB 173 56 70

HSL 352.82, 0.51%, 0.45%

LAB 41.46, 48.49, 18.57

 

CMYK 0 / 68 / 68 / 32

HEX #AD3838

RGB 173 56 56

HSL 0, 0.51%, 0.45%

LAB 41.21, 47.59, 26.85

 

CMYK 0 / 68 / 23 / 32

HEX #AD3886

RGB 173 56 134

HSL 320, 0.51%, 0.45%

LAB 43.41, 55.28, -18.28

 

CMYK 0 / 68 / 5 / 32

HEX #AD38A5

RGB 173 56 165

HSL 304.1, 0.51%, 0.45%

LAB 44.84, 59.97, -34.72

 

CMYK 13 / 68 / 0 / 32

HEX #9638AD

RGB 150 56 173

HSL 288.21, 0.51%, 0.45%

LAB 41.74, 55.96, -44.62

 

CMYK 32 / 68 / 0 / 32

HEX #7638AD

RGB 118 56 173

HSL 271.79, 0.51%, 0.45%

LAB 37.29, 48.81, -52

 

CMYK 50 / 68 / 0 / 32

HEX #5738AD

RGB 87 56 173

HSL 255.9, 0.51%, 0.45%

LAB 33.71, 42.58, -57.97

 

CMYK 0 / 68 / 23 / 32

HEX #AD3886

RGB 173 56 134

HSL 320, 0.51%, 0.45%

LAB 43.41, 55.28, -18.28

 

CMYK 0 / 80 / 27 / 25

HEX #C0268C

RGB 192 38 140

HSL 320.26, 0.67%, 0.45%

LAB 44.92, 66.76, -19.32

 

CMYK 0 / 91 / 30 / 18

HEX #D21392

RGB 210 19 146

HSL 320.1, 0.83%, 0.45%

LAB 47.29, 75.03, -19.03

 

CMYK 0 / 100 / 34 / 10

HEX #E50198

RGB 229 1 152

HSL 320.26, 0.99%, 0.45%

LAB 50.62, 81.14, -17.21

 

CMYK 0 / 68 / 23 / 32

HEX #AD3886

RGB 173 56 134

HSL 320, 0.51%, 0.45%

LAB 43.41, 55.28, -18.28

 

CMYK 0 / 52 / 17 / 39

HEX #9B4B80

RGB 155 75 128

HSL 320.25, 0.35%, 0.45%

LAB 43.59, 40.18, -14.59

 

CMYK 0 / 32 / 10 / 47

HEX #885D7A

RGB 136 93 122

HSL 319.53, 0.19%, 0.45%

LAB 44.9, 22.4, -9.22

 

CMYK 0 / 5 / 2 / 54

HEX #767074

RGB 118 112 116

HSL 320, 0.03%, 0.45%

LAB 47.88, 3.11, -1.39

 

CMYK 24 / 0 / 15 / 49

HEX #63826E

RGB 99 130 110

HSL 141.29, 0.14%, 0.45%

LAB 51.55, -15.4, 7.26

 

CMYK 13 / 68 / 0 / 32

HEX #9638AD

RGB 150 56 173

HSL 288.21, 0.51%, 0.45%

LAB 41.74, 55.96, -44.62

 

CMYK 0 / 68 / 5 / 32

HEX #AD38A5

RGB 173 56 165

HSL 304.1, 0.51%, 0.45%

LAB 44.84, 59.97, -34.72

 

CMYK 0 / 68 / 23 / 32

HEX #AD3886

RGB 173 56 134

HSL 320, 0.51%, 0.45%

LAB 43.41, 55.28, -18.28

 

CMYK 0 / 68 / 40 / 32

HEX #AD3867

RGB 173 56 103

HSL 335.9, 0.51%, 0.45%

LAB 42.3, 51.46, -0.84

 

CMYK 0 / 68 / 58 / 32

HEX #AD3848

RGB 173 56 72

HSL 351.79, 0.51%, 0.45%

LAB 41.5, 48.64, 17.38

 

CMYK 0 / 68 / 23 / 56

HEX #6F2456

RGB 111 36 86

HSL 320, 0.51%, 0.29%

LAB 27.61, 38.79, -13.09

 

CMYK 0 / 68 / 23 / 44

HEX #8E2E6E

RGB 142 46 110

HSL 320, 0.51%, 0.37%

LAB 35.66, 47.23, -15.74

 

CMYK 0 / 68 / 23 / 32

HEX #AD3886

RGB 173 56 134

HSL 320, 0.51%, 0.45%

LAB 43.41, 55.28, -18.28

 

CMYK 0 / 62 / 21 / 23

HEX #C44A9B

RGB 196 74 155

HSL 320.16, 0.51%, 0.53%

LAB 50.69, 57.21, -19.42

 

CMYK 0 / 49 / 17 / 19

HEX #CE6AAC

RGB 206 106 172

HSL 320.4, 0.51%, 0.61%

LAB 58.42, 47.73, -17.41

 

CMYK 0 / 67 / 23 / 31

HEX #AF3987

RGB 175 57 135

HSL 320.34, 0.51%, 0.45%

LAB 43.93, 55.57, -18.06

 

CMYK 0 / 31 / 68 / 32

HEX #AD7738

RGB 173 119 56

HSL 32.31, 0.51%, 0.45%

LAB 54.41, 14.91, 42.19

 

CMYK 68 / 0 / 5 / 32

HEX #38ADA5

RGB 56 173 165

HSL 175.9, 0.51%, 0.45%

LAB 64.52, -33.84, -5.39

 

CMYK 0 / 67 / 23 / 31

HEX #AF3987

RGB 175 57 135

HSL 320.34, 0.51%, 0.45%

LAB 43.93, 55.57, -18.06

 

CMYK 23 / 0 / 68 / 32

HEX #86AD38

RGB 134 173 56

HSL 80, 0.51%, 0.45%

LAB 65.94, -30.74, 53.51

 

CMYK 68 / 23 / 0 / 32

HEX #3886AD

RGB 56 134 173

HSL 200, 0.51%, 0.45%

LAB 52.85, -11.24, -27.62

 

CMYK 0 / 67 / 23 / 31

HEX #AF3987

RGB 175 57 135

HSL 320.34, 0.51%, 0.45%

LAB 43.93, 55.57, -18.06

 

CMYK 0 / 31 / 68 / 32

HEX #AD7738

RGB 173 119 56

HSL 32.31, 0.51%, 0.45%

LAB 54.41, 14.91, 42.19

 

CMYK 68 / 0 / 45 / 32

HEX #38AD5F

RGB 56 173 95

HSL 140, 0.51%, 0.45%

LAB 62.97, -49.9, 30.76

 

CMYK 68 / 36 / 0 / 32

HEX #386FAD

RGB 56 111 173

HSL 211.79, 0.51%, 0.45%

LAB 45.94, 2.35, -38.43

 

CMYK 0 / 67 / 23 / 31

HEX #AF3987

RGB 175 57 135

HSL 320.34, 0.51%, 0.45%

LAB 43.93, 55.57, -18.06

 

CMYK 0 / 11 / 68 / 32

HEX #AD9A38

RGB 173 154 56

HSL 50.26, 0.51%, 0.45%

LAB 63.57, -4.45, 52

 

CMYK 68 / 0 / 45 / 32

HEX #38AD5F

RGB 56 173 95

HSL 140, 0.51%, 0.45%

LAB 62.97, -49.9, 30.76

 

CMYK 68 / 56 / 0 / 32

HEX #384CAD

RGB 56 76 173

HSL 229.74, 0.51%, 0.45%

LAB 36.04, 24.84, -54.3

 

Description

Color code: HEX #AF3987 | qconv.com Color code: HEX #AF3987 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 57 green and 135 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 57 135 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 67 magenta, 23 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 67% 23% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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