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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF3379 it is the complementary color #50CC86. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF3379. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF3379 shade: #B43374, #C54587, #D6579A, #E769AD and #F87BC0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF3379. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF3379 shade: #AF3379, #9E2166, #8D0F53, #7C0040 and #6B002D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF3379 shade: #AE3278, #AE3257, #AE3236 and #AE3232

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF3379 shade: #AE3278, #AE3299, #A132AE, #8032AE and #5F32AE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF3379 shade matches the following richer shades: #AE3278, #C0207B and #D20E7D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF3379 shade: #AE3278, #9C4576, #8A5773, #776971 and #657B6F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF3379 shade: #A232AE, #AE3299, #AE3278, #AE3258 and #AE3237

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF3379 shade: #6E204C, #8E2962, #AE3278, #C8428D and #D162A1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF3379 shade: #AF3379, #AE8132 and #32AAAE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF3379 shade: #AF3379, #78AE32 and #3278AE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF3379 shade: #AF3379, #AE8132, #32AE68 and #3260AE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF3379 shade: #AF3379, #AEA632, #32AE68 and #323BAE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 71 / 31 / 31

HEX #AF3379

RGB 175 51 121

HSL 326.13, 0.55%, 0.44%

LAB 42.55, 56.06, -11.58

 

Complementary color

CMYK 61 / 0 / 34 / 20

HEX #50CC86

RGB 80 204 134

HSL 146.13, 0.55%, 0.56%

LAB 73.94, -50.28, 24.91

 

CMYK 0 / 72 / 36 / 29

HEX #B43374

RGB 180 51 116

HSL 329.77, 0.56%, 0.45%

LAB 43.26, 56.86, -7.34

 

CMYK 0 / 65 / 31 / 23

HEX #C54587

RGB 197 69 135

HSL 329.06, 0.52%, 0.52%

LAB 49.35, 56.97, -9.5

 

CMYK 0 / 59 / 28 / 16

HEX #D6579A

RGB 214 87 154

HSL 328.35, 0.61%, 0.59%

LAB 55.53, 56.68, -11.22

 

CMYK 0 / 55 / 25 / 9

HEX #E769AD

RGB 231 105 173

HSL 327.62, 0.72%, 0.66%

LAB 61.75, 56.16, -12.62

 

CMYK 0 / 50 / 23 / 3

HEX #F87BC0

RGB 248 123 192

HSL 326.88, 0.9%, 0.73%

LAB 67.97, 55.51, -13.81

 

CMYK 0 / 71 / 31 / 31

HEX #AF3379

RGB 175 51 121

HSL 326.13, 0.55%, 0.44%

LAB 42.55, 56.06, -11.58

 

CMYK 0 / 79 / 35 / 38

HEX #9E2166

RGB 158 33 102

HSL 326.88, 0.65%, 0.37%

LAB 36.59, 55.28, -8.99

 

CMYK 0 / 89 / 41 / 45

HEX #8D0F53

RGB 141 15 83

HSL 327.62, 0.81%, 0.31%

LAB 30.95, 53.37, -5.51

 

CMYK 0 / 100 / 48 / 51

HEX #7C0040

RGB 124 0 64

HSL 329.03, 1%, 0.24%

LAB 25.73, 50.02, -0.9

 

CMYK 0 / 100 / 58 / 58

HEX #6B002D

RGB 107 0 45

HSL 334.77, 1%, 0.21%

LAB 21.26, 44.23, 5.37

 

CMYK 0 / 71 / 31 / 32

HEX #AE3278

RGB 174 50 120

HSL 326.13, 0.55%, 0.44%

LAB 42.21, 56.03, -11.5

 

CMYK 0 / 71 / 50 / 32

HEX #AE3257

RGB 174 50 87

HSL 342.1, 0.55%, 0.44%

LAB 41.17, 52.55, 7.56

 

CMYK 0 / 71 / 69 / 32

HEX #AE3236

RGB 174 50 54

HSL 358.06, 0.55%, 0.44%

LAB 40.49, 50.22, 27.21

 

CMYK 0 / 71 / 71 / 32

HEX #AE3232

RGB 174 50 50

HSL 0, 0.55%, 0.44%

LAB 40.43, 50.01, 29.56

 

CMYK 0 / 71 / 31 / 32

HEX #AE3278

RGB 174 50 120

HSL 326.13, 0.55%, 0.44%

LAB 42.21, 56.03, -11.5

 

CMYK 0 / 71 / 12 / 32

HEX #AE3299

RGB 174 50 153

HSL 310.16, 0.55%, 0.44%

LAB 43.62, 60.54, -29.44

 

CMYK 7 / 71 / 0 / 32

HEX #A132AE

RGB 161 50 174

HSL 293.71, 0.55%, 0.44%

LAB 42.63, 60.99, -43.68

 

CMYK 26 / 71 / 0 / 32

HEX #8032AE

RGB 128 50 174

HSL 277.74, 0.55%, 0.44%

LAB 37.71, 53.93, -51.85

 

CMYK 45 / 71 / 0 / 32

HEX #5F32AE

RGB 95 50 174

HSL 261.77, 0.55%, 0.44%

LAB 33.5, 47.52, -58.88

 

CMYK 0 / 71 / 31 / 32

HEX #AE3278

RGB 174 50 120

HSL 326.13, 0.55%, 0.44%

LAB 42.21, 56.03, -11.5

 

CMYK 0 / 83 / 36 / 25

HEX #C0207B

RGB 192 32 123

HSL 325.88, 0.71%, 0.44%

LAB 43.76, 66.3, -10.69

 

CMYK 0 / 93 / 40 / 18

HEX #D20E7D

RGB 210 14 125

HSL 326.02, 0.88%, 0.44%

LAB 46.31, 73.51, -7.74

 

CMYK 0 / 71 / 31 / 32

HEX #AE3278

RGB 174 50 120

HSL 326.13, 0.55%, 0.44%

LAB 42.21, 56.03, -11.5

 

CMYK 0 / 56 / 24 / 39

HEX #9C4576

RGB 156 69 118

HSL 326.21, 0.39%, 0.44%

LAB 42.2, 42.03, -10.56

 

CMYK 0 / 37 / 17 / 46

HEX #8A5773

RGB 138 87 115

HSL 327.06, 0.23%, 0.44%

LAB 43.44, 25.4, -7.12

 

CMYK 0 / 12 / 5 / 53

HEX #776971

RGB 119 105 113

HSL 325.71, 0.06%, 0.44%

LAB 45.93, 7.05, -2.45

 

CMYK 18 / 0 / 10 / 52

HEX #657B6F

RGB 101 123 111

HSL 147.27, 0.1%, 0.44%

LAB 49.59, -10.63, 3.9

 

CMYK 7 / 71 / 0 / 32

HEX #A232AE

RGB 162 50 174

HSL 294.19, 0.55%, 0.44%

LAB 42.79, 61.21, -43.42

 

CMYK 0 / 71 / 12 / 32

HEX #AE3299

RGB 174 50 153

HSL 310.16, 0.55%, 0.44%

LAB 43.62, 60.54, -29.44

 

CMYK 0 / 71 / 31 / 32

HEX #AE3278

RGB 174 50 120

HSL 326.13, 0.55%, 0.44%

LAB 42.21, 56.03, -11.5

 

CMYK 0 / 71 / 49 / 32

HEX #AE3258

RGB 174 50 88

HSL 341.61, 0.55%, 0.44%

LAB 41.19, 52.64, 6.97

 

CMYK 0 / 71 / 68 / 32

HEX #AE3237

RGB 174 50 55

HSL 357.58, 0.55%, 0.44%

LAB 40.5, 50.27, 26.62

 

CMYK 0 / 71 / 31 / 57

HEX #6E204C

RGB 110 32 76

HSL 326.15, 0.55%, 0.28%

LAB 26.36, 38.81, -8.37

 

CMYK 0 / 71 / 31 / 44

HEX #8E2962

RGB 142 41 98

HSL 326.14, 0.55%, 0.36%

LAB 34.43, 47.63, -9.98

 

CMYK 0 / 71 / 31 / 32

HEX #AE3278

RGB 174 50 120

HSL 326.13, 0.55%, 0.44%

LAB 42.21, 56.03, -11.5

 

CMYK 0 / 67 / 30 / 22

HEX #C8428D

RGB 200 66 141

HSL 326.42, 0.55%, 0.52%

LAB 49.62, 59.77, -12.65

 

CMYK 0 / 53 / 23 / 18

HEX #D162A1

RGB 209 98 161

HSL 325.95, 0.55%, 0.6%

LAB 56.94, 50.99, -13.25

 

CMYK 0 / 71 / 31 / 31

HEX #AF3379

RGB 175 51 121

HSL 326.13, 0.55%, 0.44%

LAB 42.55, 56.06, -11.58

 

CMYK 0 / 26 / 71 / 32

HEX #AE8132

RGB 174 129 50

HSL 38.23, 0.55%, 0.44%

LAB 57.01, 9.4, 47.85

 

CMYK 71 / 2 / 0 / 32

HEX #32AAAE

RGB 50 170 174

HSL 181.94, 0.55%, 0.44%

LAB 63.74, -30.65, -11.59

 

CMYK 0 / 71 / 31 / 31

HEX #AF3379

RGB 175 51 121

HSL 326.13, 0.55%, 0.44%

LAB 42.55, 56.06, -11.58

 

CMYK 31 / 0 / 71 / 32

HEX #78AE32

RGB 120 174 50

HSL 86.13, 0.55%, 0.44%

LAB 65.35, -37.03, 54.99

 

CMYK 71 / 31 / 0 / 32

HEX #3278AE

RGB 50 120 174

HSL 206.13, 0.55%, 0.44%

LAB 48.47, -3.71, -35.05

 

CMYK 0 / 71 / 31 / 31

HEX #AF3379

RGB 175 51 121

HSL 326.13, 0.55%, 0.44%

LAB 42.55, 56.06, -11.58

 

CMYK 0 / 26 / 71 / 32

HEX #AE8132

RGB 174 129 50

HSL 38.23, 0.55%, 0.44%

LAB 57.01, 9.4, 47.85

 

CMYK 71 / 0 / 40 / 32

HEX #32AE68

RGB 50 174 104

HSL 146.13, 0.55%, 0.44%

LAB 63.3, -49.72, 26.42

 

CMYK 71 / 45 / 0 / 32

HEX #3260AE

RGB 50 96 174

HSL 217.74, 0.55%, 0.44%

LAB 41.37, 11.22, -46.3

 

CMYK 0 / 71 / 31 / 31

HEX #AF3379

RGB 175 51 121

HSL 326.13, 0.55%, 0.44%

LAB 42.55, 56.06, -11.58

 

CMYK 0 / 5 / 71 / 32

HEX #AEA632

RGB 174 166 50

HSL 56.13, 0.55%, 0.44%

LAB 66.9, -10.71, 57.81

 

CMYK 71 / 0 / 40 / 32

HEX #32AE68

RGB 50 174 104

HSL 146.13, 0.55%, 0.44%

LAB 63.3, -49.72, 26.42

 

CMYK 71 / 66 / 0 / 32

HEX #323BAE

RGB 50 59 174

HSL 235.65, 0.55%, 0.44%

LAB 31.49, 35.36, -62.32

 

Description

Color code: HEX #AF3379 | qconv.com Color code: HEX #AF3379 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 51 green and 121 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 51 121 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 71 magenta, 31 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 71% 31% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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