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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF3370 it is the complementary color #50CC8F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF3370. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF3370 shade: #B4336B, #C5457E, #D65791, #E769A4 and #F87BB7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF3370. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF3370 shade: #AF3370, #9E215D, #8D0F4A, #7C0037 and #6B0024

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF3370 shade: #AE326F, #AE324E and #AE3232

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF3370 shade: #AE326F, #AE3290, #AA32AE, #8932AE and #6732AE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF3370 shade matches the following richer shades: #AE326F, #C0206F and #D20E6F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF3370 shade: #AE326F, #9C4570, #8A5770, #776970 and #657B70

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF3370 shade: #AA32AE, #AE3291, #AE3270, #AE324F and #AE3732

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF3370 shade: #6E2046, #8E295B, #AE326F, #C84284 and #D16299

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF3370 shade: #AF3370, #AE8932 and #32A2AE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF3370 shade: #AF3370, #70AE32 and #3270AE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF3370 shade: #AF3370, #AE8932, #32AE70 and #3258AE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF3370 shade: #AF3370, #AEAE32, #32AE70 and #3232AE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 71 / 36 / 31

HEX #AF3370

RGB 175 51 112

HSL 330.48, 0.55%, 0.44%

LAB 42.23, 55, -6.49

 

Complementary color

CMYK 61 / 0 / 30 / 20

HEX #50CC8F

RGB 80 204 143

HSL 150.48, 0.55%, 0.56%

LAB 74.11, -48.5, 20.4

 

CMYK 0 / 72 / 41 / 29

HEX #B4336B

RGB 180 51 107

HSL 333.95, 0.56%, 0.45%

LAB 42.96, 55.89, -2.21

 

CMYK 0 / 65 / 36 / 23

HEX #C5457E

RGB 197 69 126

HSL 333.28, 0.52%, 0.52%

LAB 49.05, 55.92, -4.52

 

CMYK 0 / 59 / 32 / 16

HEX #D65791

RGB 214 87 145

HSL 332.6, 0.61%, 0.59%

LAB 55.23, 55.56, -6.37

 

CMYK 0 / 55 / 29 / 9

HEX #E769A4

RGB 231 105 164

HSL 331.9, 0.72%, 0.66%

LAB 61.46, 54.98, -7.89

 

CMYK 0 / 50 / 26 / 3

HEX #F87BB7

RGB 248 123 183

HSL 331.2, 0.9%, 0.73%

LAB 67.68, 54.29, -9.18

 

CMYK 0 / 71 / 36 / 31

HEX #AF3370

RGB 175 51 112

HSL 330.48, 0.55%, 0.44%

LAB 42.23, 55, -6.49

 

CMYK 0 / 79 / 41 / 38

HEX #9E215D

RGB 158 33 93

HSL 331.2, 0.65%, 0.37%

LAB 36.27, 54.31, -3.72

 

CMYK 0 / 89 / 48 / 45

HEX #8D0F4A

RGB 141 15 74

HSL 331.9, 0.81%, 0.31%

LAB 30.64, 52.51, -0.01

 

CMYK 0 / 100 / 56 / 51

HEX #7C0037

RGB 124 0 55

HSL 333.39, 1%, 0.24%

LAB 25.45, 49.27, 4.86

 

CMYK 0 / 100 / 66 / 58

HEX #6B0024

RGB 107 0 36

HSL 339.81, 1%, 0.21%

LAB 21.03, 43.61, 11.42

 

CMYK 0 / 71 / 36 / 32

HEX #AE326F

RGB 174 50 111

HSL 330.48, 0.55%, 0.44%

LAB 41.89, 54.97, -6.4

 

CMYK 0 / 71 / 55 / 32

HEX #AE324E

RGB 174 50 78

HSL 346.45, 0.55%, 0.44%

LAB 40.94, 51.8, 12.91

 

CMYK 0 / 71 / 71 / 32

HEX #AE3232

RGB 174 50 50

HSL 0, 0.55%, 0.44%

LAB 40.43, 50.01, 29.56

 

CMYK 0 / 71 / 36 / 32

HEX #AE326F

RGB 174 50 111

HSL 330.48, 0.55%, 0.44%

LAB 41.89, 54.97, -6.4

 

CMYK 0 / 71 / 17 / 32

HEX #AE3290

RGB 174 50 144

HSL 314.52, 0.55%, 0.44%

LAB 43.2, 59.22, -24.66

 

CMYK 2 / 71 / 0 / 32

HEX #AA32AE

RGB 170 50 174

HSL 298.06, 0.55%, 0.44%

LAB 44.07, 62.98, -41.32

 

CMYK 21 / 71 / 0 / 32

HEX #8932AE

RGB 137 50 174

HSL 282.1, 0.55%, 0.44%

LAB 38.99, 55.81, -49.72

 

CMYK 41 / 71 / 0 / 32

HEX #6732AE

RGB 103 50 174

HSL 265.65, 0.55%, 0.44%

LAB 34.44, 48.98, -57.31

 

CMYK 0 / 71 / 36 / 32

HEX #AE326F

RGB 174 50 111

HSL 330.48, 0.55%, 0.44%

LAB 41.89, 54.97, -6.4

 

CMYK 0 / 83 / 42 / 25

HEX #C0206F

RGB 192 32 111

HSL 330.38, 0.71%, 0.44%

LAB 43.34, 65.11, -3.88

 

CMYK 0 / 93 / 47 / 18

HEX #D20E6F

RGB 210 14 111

HSL 330.31, 0.88%, 0.44%

LAB 45.86, 72.3, 0.23

 

CMYK 0 / 71 / 36 / 32

HEX #AE326F

RGB 174 50 111

HSL 330.48, 0.55%, 0.44%

LAB 41.89, 54.97, -6.4

 

CMYK 0 / 56 / 28 / 39

HEX #9C4570

RGB 156 69 112

HSL 330.34, 0.39%, 0.44%

LAB 41.99, 41.17, -7.18

 

CMYK 0 / 37 / 19 / 46

HEX #8A5770

RGB 138 87 112

HSL 330.59, 0.23%, 0.44%

LAB 43.34, 24.89, -5.43

 

CMYK 0 / 12 / 6 / 53

HEX #776970

RGB 119 105 112

HSL 330, 0.06%, 0.44%

LAB 45.9, 6.85, -1.89

 

CMYK 18 / 0 / 9 / 52

HEX #657B70

RGB 101 123 112

HSL 150, 0.1%, 0.44%

LAB 49.62, -10.41, 3.35

 

CMYK 2 / 71 / 0 / 32

HEX #AA32AE

RGB 170 50 174

HSL 298.06, 0.55%, 0.44%

LAB 44.07, 62.98, -41.32

 

CMYK 0 / 71 / 17 / 32

HEX #AE3291

RGB 174 50 145

HSL 314.03, 0.55%, 0.44%

LAB 43.25, 59.36, -25.2

 

CMYK 0 / 71 / 36 / 32

HEX #AE3270

RGB 174 50 112

HSL 330, 0.55%, 0.44%

LAB 41.92, 55.09, -6.97

 

CMYK 0 / 71 / 55 / 32

HEX #AE324F

RGB 174 50 79

HSL 345.97, 0.55%, 0.44%

LAB 40.97, 51.88, 12.31

 

CMYK 0 / 68 / 71 / 32

HEX #AE3732

RGB 174 55 50

HSL 2.42, 0.55%, 0.44%

LAB 41.15, 48.02, 30.41

 

CMYK 0 / 71 / 36 / 57

HEX #6E2046

RGB 110 32 70

HSL 330.77, 0.55%, 0.28%

LAB 26.13, 38.01, -4.7

 

CMYK 0 / 71 / 36 / 44

HEX #8E295B

RGB 142 41 91

HSL 330.3, 0.55%, 0.36%

LAB 34.17, 46.76, -5.87

 

CMYK 0 / 71 / 36 / 32

HEX #AE326F

RGB 174 50 111

HSL 330.48, 0.55%, 0.44%

LAB 41.89, 54.97, -6.4

 

CMYK 0 / 67 / 34 / 22

HEX #C84284

RGB 200 66 132

HSL 330.45, 0.55%, 0.52%

LAB 49.3, 58.7, -7.71

 

CMYK 0 / 53 / 27 / 18

HEX #D16299

RGB 209 98 153

HSL 330.27, 0.55%, 0.6%

LAB 56.67, 49.89, -8.99

 

CMYK 0 / 71 / 36 / 31

HEX #AF3370

RGB 175 51 112

HSL 330.48, 0.55%, 0.44%

LAB 42.23, 55, -6.49

 

CMYK 0 / 21 / 71 / 32

HEX #AE8932

RGB 174 137 50

HSL 42.1, 0.55%, 0.44%

LAB 59.09, 4.95, 49.99

 

CMYK 71 / 7 / 0 / 32

HEX #32A2AE

RGB 50 162 174

HSL 185.81, 0.55%, 0.44%

LAB 61.29, -26.71, -15.28

 

CMYK 0 / 71 / 36 / 31

HEX #AF3370

RGB 175 51 112

HSL 330.48, 0.55%, 0.44%

LAB 42.23, 55, -6.49

 

CMYK 36 / 0 / 71 / 32

HEX #70AE32

RGB 112 174 50

HSL 90, 0.55%, 0.44%

LAB 64.92, -39.98, 54.41

 

CMYK 71 / 36 / 0 / 32

HEX #3270AE

RGB 50 112 174

HSL 210, 0.55%, 0.44%

LAB 46.07, 1.13, -38.83

 

CMYK 0 / 71 / 36 / 31

HEX #AF3370

RGB 175 51 112

HSL 330.48, 0.55%, 0.44%

LAB 42.23, 55, -6.49

 

CMYK 0 / 21 / 71 / 32

HEX #AE8932

RGB 174 137 50

HSL 42.1, 0.55%, 0.44%

LAB 59.09, 4.95, 49.99

 

CMYK 71 / 0 / 36 / 32

HEX #32AE70

RGB 50 174 112

HSL 150, 0.55%, 0.44%

LAB 63.44, -48.15, 22.33

 

CMYK 71 / 49 / 0 / 32

HEX #3258AE

RGB 50 88 174

HSL 221.61, 0.55%, 0.44%

LAB 39.09, 16.42, -49.97

 

CMYK 0 / 71 / 36 / 31

HEX #AF3370

RGB 175 51 112

HSL 330.48, 0.55%, 0.44%

LAB 42.23, 55, -6.49

 

CMYK 0 / 0 / 71 / 32

HEX #AEAE32

RGB 174 174 50

HSL 60, 0.55%, 0.44%

LAB 69.11, -14.85, 59.97

 

CMYK 71 / 0 / 36 / 32

HEX #32AE70

RGB 50 174 112

HSL 150, 0.55%, 0.44%

LAB 63.44, -48.15, 22.33

 

CMYK 71 / 71 / 0 / 32

HEX #3232AE

RGB 50 50 174

HSL 240, 0.55%, 0.44%

LAB 29.45, 40.89, -65.68

 

Description

Color code: HEX #AF3370 | qconv.com Color code: HEX #AF3370 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 51 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 51 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 71 magenta, 36 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 71% 36% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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