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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF336A it is the complementary color #50CC95. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF336A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF336A shade: #B43365, #C54578, #D6578B, #E7699E and #F87BB1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF336A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF336A shade: #AF336A, #9E2157, #8D0F44, #7C0031 and #6B001E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF336A shade: #AE3269, #AE3248 and #AE3232

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF336A shade: #AE3269, #AE328B, #AE32AC, #8F32AE and #6D32AE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF336A shade matches the following richer shades: #AE3269, #C02067 and #D20E65

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF336A shade: #AE3269, #9C456B, #8A576D, #77696F and #657B71

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF336A shade: #AE32AC, #AE328B, #AE326A, #AE3249 and #AE3D32

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF336A shade: #6E2043, #8E2956, #AE3269, #C8427D and #D16293

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF336A shade: #AF336A, #AE8F32 and #329BAE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF336A shade: #AF336A, #6AAE32 and #326AAE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF336A shade: #AF336A, #AE8F32, #32AE76 and #3251AE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF336A shade: #AF336A, #A8AE32, #32AE76 and #3932AE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 71 / 39 / 31

HEX #AF336A

RGB 175 51 106

HSL 333.39, 0.55%, 0.44%

LAB 42.03, 54.34, -3.05

 

Complementary color

CMYK 61 / 0 / 27 / 20

HEX #50CC95

RGB 80 204 149

HSL 153.39, 0.55%, 0.56%

LAB 74.23, -47.26, 17.37

 

CMYK 0 / 72 / 44 / 29

HEX #B43365

RGB 180 51 101

HSL 336.74, 0.56%, 0.45%

LAB 42.78, 55.28, 1.26

 

CMYK 0 / 65 / 39 / 23

HEX #C54578

RGB 197 69 120

HSL 336.09, 0.52%, 0.52%

LAB 48.86, 55.25, -1.17

 

CMYK 0 / 59 / 35 / 16

HEX #D6578B

RGB 214 87 139

HSL 335.43, 0.61%, 0.59%

LAB 55.05, 54.85, -3.11

 

CMYK 0 / 55 / 32 / 9

HEX #E7699E

RGB 231 105 158

HSL 334.76, 0.72%, 0.66%

LAB 61.27, 54.24, -4.71

 

CMYK 0 / 50 / 29 / 3

HEX #F87BB1

RGB 248 123 177

HSL 334.08, 0.9%, 0.73%

LAB 67.5, 53.52, -6.07

 

CMYK 0 / 71 / 39 / 31

HEX #AF336A

RGB 175 51 106

HSL 333.39, 0.55%, 0.44%

LAB 42.03, 54.34, -3.05

 

CMYK 0 / 79 / 45 / 38

HEX #9E2157

RGB 158 33 87

HSL 334.08, 0.65%, 0.37%

LAB 36.07, 53.72, -0.16

 

CMYK 0 / 89 / 52 / 45

HEX #8D0F44

RGB 141 15 68

HSL 334.76, 0.81%, 0.31%

LAB 30.45, 51.98, 3.71

 

CMYK 0 / 100 / 60 / 51

HEX #7C0031

RGB 124 0 49

HSL 336.29, 1%, 0.24%

LAB 25.28, 48.83, 8.77

 

CMYK 0 / 100 / 72 / 58

HEX #6B001E

RGB 107 0 30

HSL 343.18, 1%, 0.21%

LAB 20.9, 43.26, 15.49

 

CMYK 0 / 71 / 40 / 32

HEX #AE3269

RGB 174 50 105

HSL 333.39, 0.55%, 0.44%

LAB 41.69, 54.31, -2.96

 

CMYK 0 / 71 / 59 / 32

HEX #AE3248

RGB 174 50 72

HSL 349.35, 0.55%, 0.44%

LAB 40.81, 51.35, 16.49

 

CMYK 0 / 71 / 71 / 32

HEX #AE3232

RGB 174 50 50

HSL 0, 0.55%, 0.44%

LAB 40.43, 50.01, 29.56

 

CMYK 0 / 71 / 40 / 32

HEX #AE3269

RGB 174 50 105

HSL 333.39, 0.55%, 0.44%

LAB 41.69, 54.31, -2.96

 

CMYK 0 / 71 / 20 / 32

HEX #AE328B

RGB 174 50 139

HSL 316.94, 0.55%, 0.44%

LAB 42.98, 58.51, -21.97

 

CMYK 0 / 71 / 1 / 32

HEX #AE32AC

RGB 174 50 172

HSL 300.97, 0.55%, 0.44%

LAB 44.6, 63.54, -39.24

 

CMYK 18 / 71 / 0 / 32

HEX #8F32AE

RGB 143 50 174

HSL 285, 0.55%, 0.44%

LAB 39.88, 57.08, -48.25

 

CMYK 37 / 71 / 0 / 32

HEX #6D32AE

RGB 109 50 174

HSL 268.55, 0.55%, 0.44%

LAB 35.18, 50.12, -56.07

 

CMYK 0 / 71 / 40 / 32

HEX #AE3269

RGB 174 50 105

HSL 333.39, 0.55%, 0.44%

LAB 41.69, 54.31, -2.96

 

CMYK 0 / 83 / 46 / 25

HEX #C02067

RGB 192 32 103

HSL 333.38, 0.71%, 0.44%

LAB 43.09, 64.38, 0.74

 

CMYK 0 / 93 / 52 / 18

HEX #D20E65

RGB 210 14 101

HSL 333.37, 0.88%, 0.44%

LAB 45.57, 71.53, 6.02

 

CMYK 0 / 71 / 40 / 32

HEX #AE3269

RGB 174 50 105

HSL 333.39, 0.55%, 0.44%

LAB 41.69, 54.31, -2.96

 

CMYK 0 / 56 / 31 / 39

HEX #9C456B

RGB 156 69 107

HSL 333.79, 0.39%, 0.44%

LAB 41.82, 40.49, -4.34

 

CMYK 0 / 37 / 21 / 46

HEX #8A576D

RGB 138 87 109

HSL 334.12, 0.23%, 0.44%

LAB 43.25, 24.39, -3.75

 

CMYK 0 / 12 / 7 / 53

HEX #77696F

RGB 119 105 111

HSL 334.29, 0.06%, 0.44%

LAB 45.87, 6.66, -1.34

 

CMYK 18 / 0 / 8 / 52

HEX #657B71

RGB 101 123 113

HSL 152.73, 0.1%, 0.44%

LAB 49.65, -10.2, 2.8

 

CMYK 0 / 71 / 1 / 32

HEX #AE32AC

RGB 174 50 172

HSL 300.97, 0.55%, 0.44%

LAB 44.6, 63.54, -39.24

 

CMYK 0 / 71 / 20 / 32

HEX #AE328B

RGB 174 50 139

HSL 316.94, 0.55%, 0.44%

LAB 42.98, 58.51, -21.97

 

CMYK 0 / 71 / 39 / 32

HEX #AE326A

RGB 174 50 106

HSL 332.9, 0.55%, 0.44%

LAB 41.72, 54.42, -3.54

 

CMYK 0 / 71 / 58 / 32

HEX #AE3249

RGB 174 50 73

HSL 348.87, 0.55%, 0.44%

LAB 40.83, 51.42, 15.9

 

CMYK 0 / 65 / 71 / 32

HEX #AE3D32

RGB 174 61 50

HSL 5.32, 0.55%, 0.44%

LAB 42.1, 45.46, 31.52

 

CMYK 0 / 71 / 39 / 57

HEX #6E2043

RGB 110 32 67

HSL 333.08, 0.55%, 0.28%

LAB 26.02, 37.64, -2.84

 

CMYK 0 / 71 / 39 / 44

HEX #8E2956

RGB 142 41 86

HSL 333.27, 0.55%, 0.36%

LAB 34, 46.18, -2.91

 

CMYK 0 / 71 / 40 / 32

HEX #AE3269

RGB 174 50 105

HSL 333.39, 0.55%, 0.44%

LAB 41.69, 54.31, -2.96

 

CMYK 0 / 67 / 38 / 22

HEX #C8427D

RGB 200 66 125

HSL 333.58, 0.55%, 0.52%

LAB 49.08, 57.91, -3.82

 

CMYK 0 / 53 / 30 / 18

HEX #D16293

RGB 209 98 147

HSL 333.51, 0.55%, 0.6%

LAB 56.48, 49.1, -5.77

 

CMYK 0 / 71 / 39 / 31

HEX #AF336A

RGB 175 51 106

HSL 333.39, 0.55%, 0.44%

LAB 42.03, 54.34, -3.05

 

CMYK 0 / 18 / 71 / 32

HEX #AE8F32

RGB 174 143 50

HSL 45, 0.55%, 0.44%

LAB 60.67, 1.64, 51.6

 

CMYK 71 / 11 / 0 / 32

HEX #329BAE

RGB 50 155 174

HSL 189.19, 0.55%, 0.44%

LAB 59.14, -23.16, -18.54

 

CMYK 0 / 71 / 39 / 31

HEX #AF336A

RGB 175 51 106

HSL 333.39, 0.55%, 0.44%

LAB 42.03, 54.34, -3.05

 

CMYK 39 / 0 / 71 / 32

HEX #6AAE32

RGB 106 174 50

HSL 92.9, 0.55%, 0.44%

LAB 64.62, -42.1, 54.01

 

CMYK 71 / 39 / 0 / 32

HEX #326AAE

RGB 50 106 174

HSL 212.9, 0.55%, 0.44%

LAB 44.29, 4.86, -41.65

 

CMYK 0 / 71 / 39 / 31

HEX #AF336A

RGB 175 51 106

HSL 333.39, 0.55%, 0.44%

LAB 42.03, 54.34, -3.05

 

CMYK 0 / 18 / 71 / 32

HEX #AE8F32

RGB 174 143 50

HSL 45, 0.55%, 0.44%

LAB 60.67, 1.64, 51.6

 

CMYK 71 / 0 / 32 / 32

HEX #32AE76

RGB 50 174 118

HSL 152.9, 0.55%, 0.44%

LAB 63.56, -46.9, 19.23

 

CMYK 71 / 53 / 0 / 32

HEX #3251AE

RGB 50 81 174

HSL 225, 0.55%, 0.44%

LAB 37.15, 21.03, -53.11

 

CMYK 0 / 71 / 39 / 31

HEX #AF336A

RGB 175 51 106

HSL 333.39, 0.55%, 0.44%

LAB 42.03, 54.34, -3.05

 

CMYK 3 / 0 / 71 / 32

HEX #A8AE32

RGB 168 174 50

HSL 62.9, 0.55%, 0.44%

LAB 68.63, -17.44, 59.33

 

CMYK 71 / 0 / 32 / 32

HEX #32AE76

RGB 50 174 118

HSL 152.9, 0.55%, 0.44%

LAB 63.56, -46.9, 19.23

 

CMYK 67 / 71 / 0 / 32

HEX #3932AE

RGB 57 50 174

HSL 243.39, 0.55%, 0.44%

LAB 29.93, 41.7, -64.87

 

Description

Color code: HEX #AF336A | qconv.com Color code: HEX #AF336A | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 51 green and 106 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 51 106 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 71 magenta, 39 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 71% 39% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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