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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF335D it is the complementary color #50CCA2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF335D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF335D shade: #B43358, #C5456B, #D6577E, #E76991 and #F87BA4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF335D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF335D shade: #AF335D, #9E214A, #8D0F37, #7C0024 and #6B0011

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF335D shade: #AE325C, #AE323B and #AE3232

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF335D shade: #AE325C, #AE327E, #AE329F, #9C32AE and #7A32AE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF335D shade matches the following richer shades: #AE325C, #C02056 and #D20E51

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF335D shade: #AE325C, #9C4562, #8A5768, #77696E and #657B74

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF335D shade: #AE32A0, #AE327F, #AE325E, #AE323D and #AE4932

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF335D shade: #6E203A, #8E294B, #AE325C, #C8426F and #D16287

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF335D shade: #AF335D, #AE9B32 and #328FAE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF335D shade: #AF335D, #5EAE32 and #325EAE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF335D shade: #AF335D, #AE9B32, #32AE83 and #3245AE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF335D shade: #AF335D, #9BAE32, #32AE83 and #4532AE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 71 / 47 / 31

HEX #AF335D

RGB 175 51 93

HSL 339.68, 0.55%, 0.44%

LAB 41.65, 53.03, 4.5

 

Complementary color

CMYK 61 / 0 / 21 / 20

HEX #50CCA2

RGB 80 204 162

HSL 159.68, 0.55%, 0.56%

LAB 74.51, -44.39, 10.81

 

CMYK 0 / 72 / 51 / 29

HEX #B43358

RGB 180 51 88

HSL 342.79, 0.56%, 0.45%

LAB 42.42, 54.09, 8.87

 

CMYK 0 / 65 / 46 / 23

HEX #C5456B

RGB 197 69 107

HSL 342.19, 0.52%, 0.52%

LAB 48.5, 53.93, 6.19

 

CMYK 0 / 59 / 41 / 16

HEX #D6577E

RGB 214 87 126

HSL 341.57, 0.61%, 0.59%

LAB 54.68, 53.42, 4.03

 

CMYK 0 / 55 / 37 / 9

HEX #E76991

RGB 231 105 145

HSL 340.95, 0.72%, 0.66%

LAB 60.9, 52.71, 2.25

 

CMYK 0 / 50 / 34 / 3

HEX #F87BA4

RGB 248 123 164

HSL 340.32, 0.9%, 0.73%

LAB 67.13, 51.92, 0.73

 

CMYK 0 / 71 / 47 / 31

HEX #AF335D

RGB 175 51 93

HSL 339.68, 0.55%, 0.44%

LAB 41.65, 53.03, 4.5

 

CMYK 0 / 79 / 53 / 38

HEX #9E214A

RGB 158 33 74

HSL 340.32, 0.65%, 0.37%

LAB 35.7, 52.56, 7.7

 

CMYK 0 / 89 / 61 / 45

HEX #8D0F37

RGB 141 15 55

HSL 340.95, 0.81%, 0.31%

LAB 30.11, 51, 11.91

 

CMYK 0 / 100 / 71 / 51

HEX #7C0024

RGB 124 0 36

HSL 342.58, 1%, 0.24%

LAB 24.99, 48.05, 17.33

 

CMYK 0 / 100 / 84 / 58

HEX #6B0011

RGB 107 0 17

HSL 350.47, 1%, 0.21%

LAB 20.7, 42.71, 24.01

 

CMYK 0 / 71 / 47 / 32

HEX #AE325C

RGB 174 50 92

HSL 339.68, 0.55%, 0.44%

LAB 41.3, 53.01, 4.61

 

CMYK 0 / 71 / 66 / 32

HEX #AE323B

RGB 174 50 59

HSL 355.65, 0.55%, 0.44%

LAB 40.57, 50.5, 24.26

 

CMYK 0 / 71 / 71 / 32

HEX #AE3232

RGB 174 50 50

HSL 0, 0.55%, 0.44%

LAB 40.43, 50.01, 29.56

 

CMYK 0 / 71 / 47 / 32

HEX #AE325C

RGB 174 50 92

HSL 339.68, 0.55%, 0.44%

LAB 41.3, 53.01, 4.61

 

CMYK 0 / 71 / 28 / 32

HEX #AE327E

RGB 174 50 126

HSL 323.23, 0.55%, 0.44%

LAB 42.44, 56.78, -14.85

 

CMYK 0 / 71 / 9 / 32

HEX #AE329F

RGB 174 50 159

HSL 307.26, 0.55%, 0.44%

LAB 43.92, 61.46, -32.58

 

CMYK 10 / 71 / 0 / 32

HEX #9C32AE

RGB 156 50 174

HSL 291.29, 0.55%, 0.44%

LAB 41.85, 59.9, -44.97

 

CMYK 30 / 71 / 0 / 32

HEX #7A32AE

RGB 122 50 174

HSL 274.84, 0.55%, 0.44%

LAB 36.88, 52.7, -53.23

 

CMYK 0 / 71 / 47 / 32

HEX #AE325C

RGB 174 50 92

HSL 339.68, 0.55%, 0.44%

LAB 41.3, 53.01, 4.61

 

CMYK 0 / 83 / 55 / 25

HEX #C02056

RGB 192 32 86

HSL 339.75, 0.71%, 0.44%

LAB 42.63, 63.03, 10.75

 

CMYK 0 / 93 / 61 / 18

HEX #D20E51

RGB 210 14 81

HSL 339.49, 0.88%, 0.44%

LAB 45.1, 70.22, 17.84

 

CMYK 0 / 71 / 47 / 32

HEX #AE325C

RGB 174 50 92

HSL 339.68, 0.55%, 0.44%

LAB 41.3, 53.01, 4.61

 

CMYK 0 / 56 / 37 / 39

HEX #9C4562

RGB 156 69 98

HSL 340, 0.39%, 0.44%

LAB 41.54, 39.34, 0.83

 

CMYK 0 / 37 / 25 / 46

HEX #8A5768

RGB 138 87 104

HSL 340, 0.23%, 0.44%

LAB 43.09, 23.59, -0.91

 

CMYK 0 / 12 / 8 / 53

HEX #77696E

RGB 119 105 110

HSL 338.57, 0.06%, 0.44%

LAB 45.84, 6.46, -0.78

 

CMYK 18 / 0 / 6 / 52

HEX #657B74

RGB 101 123 116

HSL 160.91, 0.1%, 0.44%

LAB 49.73, -9.55, 1.15

 

CMYK 0 / 71 / 8 / 32

HEX #AE32A0

RGB 174 50 160

HSL 306.77, 0.55%, 0.44%

LAB 43.97, 61.61, -33.1

 

CMYK 0 / 71 / 27 / 32

HEX #AE327F

RGB 174 50 127

HSL 322.74, 0.55%, 0.44%

LAB 42.48, 56.9, -15.4

 

CMYK 0 / 71 / 46 / 32

HEX #AE325E

RGB 174 50 94

HSL 338.71, 0.55%, 0.44%

LAB 41.36, 53.2, 3.44

 

CMYK 0 / 71 / 65 / 32

HEX #AE323D

RGB 174 50 61

HSL 354.68, 0.55%, 0.44%

LAB 40.6, 50.62, 23.07

 

CMYK 0 / 58 / 71 / 32

HEX #AE4932

RGB 174 73 50

HSL 11.13, 0.55%, 0.44%

LAB 44.22, 39.84, 33.96

 

CMYK 0 / 71 / 47 / 57

HEX #6E203A

RGB 110 32 58

HSL 340, 0.55%, 0.28%

LAB 25.72, 36.6, 2.82

 

CMYK 0 / 71 / 47 / 44

HEX #8E294B

RGB 142 41 75

HSL 339.8, 0.55%, 0.36%

LAB 33.66, 45.01, 3.73

 

CMYK 0 / 71 / 47 / 32

HEX #AE325C

RGB 174 50 92

HSL 339.68, 0.55%, 0.44%

LAB 41.3, 53.01, 4.61

 

CMYK 0 / 67 / 45 / 22

HEX #C8426F

RGB 200 66 111

HSL 339.85, 0.55%, 0.52%

LAB 48.67, 56.47, 4.07

 

CMYK 0 / 53 / 35 / 18

HEX #D16287

RGB 209 98 135

HSL 340, 0.55%, 0.6%

LAB 56.13, 47.61, 0.73

 

CMYK 0 / 71 / 47 / 31

HEX #AF335D

RGB 175 51 93

HSL 339.68, 0.55%, 0.44%

LAB 41.65, 53.03, 4.5

 

CMYK 0 / 11 / 71 / 32

HEX #AE9B32

RGB 174 155 50

HSL 50.81, 0.55%, 0.44%

LAB 63.89, -4.88, 54.84

 

CMYK 71 / 18 / 0 / 32

HEX #328FAE

RGB 50 143 174

HSL 195, 0.55%, 0.44%

LAB 55.46, -16.81, -24.17

 

CMYK 0 / 71 / 47 / 31

HEX #AF335D

RGB 175 51 93

HSL 339.68, 0.55%, 0.44%

LAB 41.65, 53.03, 4.5

 

CMYK 46 / 0 / 71 / 32

HEX #5EAE32

RGB 94 174 50

HSL 98.71, 0.55%, 0.44%

LAB 64.07, -46.1, 53.27

 

CMYK 71 / 46 / 0 / 32

HEX #325EAE

RGB 50 94 174

HSL 218.71, 0.55%, 0.44%

LAB 40.8, 12.51, -47.23

 

CMYK 0 / 71 / 47 / 31

HEX #AF335D

RGB 175 51 93

HSL 339.68, 0.55%, 0.44%

LAB 41.65, 53.03, 4.5

 

CMYK 0 / 11 / 71 / 32

HEX #AE9B32

RGB 174 155 50

HSL 50.81, 0.55%, 0.44%

LAB 63.89, -4.88, 54.84

 

CMYK 71 / 0 / 25 / 32

HEX #32AE83

RGB 50 174 131

HSL 159.19, 0.55%, 0.44%

LAB 63.83, -43.99, 12.48

 

CMYK 71 / 60 / 0 / 32

HEX #3245AE

RGB 50 69 174

HSL 230.81, 0.55%, 0.44%

LAB 33.96, 28.92, -58.28

 

CMYK 0 / 71 / 47 / 31

HEX #AF335D

RGB 175 51 93

HSL 339.68, 0.55%, 0.44%

LAB 41.65, 53.03, 4.5

 

CMYK 11 / 0 / 71 / 32

HEX #9BAE32

RGB 155 174 50

HSL 69.19, 0.55%, 0.44%

LAB 67.63, -22.98, 58.01

 

CMYK 71 / 0 / 25 / 32

HEX #32AE83

RGB 50 174 131

HSL 159.19, 0.55%, 0.44%

LAB 63.83, -43.99, 12.48

 

CMYK 60 / 71 / 0 / 32

HEX #4532AE

RGB 69 50 174

HSL 249.19, 0.55%, 0.44%

LAB 30.88, 43.3, -63.27

 

Description

Color code: HEX #AF335D | qconv.com Color code: HEX #AF335D | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 51 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 51 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 71 magenta, 47 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 71% 47% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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