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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF319D it is the complementary color #50CE62. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF319D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF319D shade: #B43198, #C543AB, #D655BE, #E767D1 and #F879E4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF319D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF319D shade: #AF319D, #9E1F8A, #8D0D77, #7C0064 and #6B0051

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF319D shade: #AF319D, #AF317B, #AF3159, #AF3137 and #AF3131

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF319D shade: #AF319D, #9F31AF, #7D31AF, #5B31AF and #3931AF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF319D shade matches the following richer shades: #AF319D, #C11FAA and #D30DB7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF319D shade: #AF319D, #9D4490, #8B5683, #796876 and #667A69

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF319D shade: #7D31AF, #9E31AF, #AF319E, #AF317D and #AF315B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF319D shade: #6F1F63, #8F2880, #AF319D, #C940B6 and #D261C2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF319D shade: #AF319D, #AF5B31 and #31AF8E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF319D shade: #AF319D, #9EAF31 and #319EAF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF319D shade: #AF319D, #AF5B31, #31AF42 and #3185AF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF319D shade: #AF319D, #AF8131, #31AF42 and #315FAF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 72 / 10 / 31

HEX #AF319D

RGB 175 49 157

HSL 308.57, 0.56%, 0.44%

LAB 43.86, 61.74, -31.45

 

Complementary color

CMYK 61 / 0 / 52 / 19

HEX #50CE62

RGB 80 206 98

HSL 128.57, 0.56%, 0.56%

LAB 74.02, -56.97, 43.2

 

CMYK 0 / 73 / 16 / 29

HEX #B43198

RGB 180 49 152

HSL 312.82, 0.57%, 0.45%

LAB 44.47, 62.2, -27.44

 

CMYK 0 / 66 / 13 / 23

HEX #C543AB

RGB 197 67 171

HSL 312, 0.53%, 0.52%

LAB 50.48, 62.66, -29.16

 

CMYK 0 / 60 / 11 / 16

HEX #D655BE

RGB 214 85 190

HSL 311.16, 0.61%, 0.59%

LAB 56.6, 62.64, -30.48

 

CMYK 0 / 55 / 10 / 9

HEX #E767D1

RGB 231 103 209

HSL 310.31, 0.73%, 0.65%

LAB 62.75, 62.32, -31.54

 

CMYK 0 / 51 / 8 / 3

HEX #F879E4

RGB 248 121 228

HSL 309.45, 0.9%, 0.72%

LAB 68.92, 61.82, -32.41

 

CMYK 0 / 72 / 10 / 31

HEX #AF319D

RGB 175 49 157

HSL 308.57, 0.56%, 0.44%

LAB 43.86, 61.74, -31.45

 

CMYK 0 / 80 / 13 / 38

HEX #9E1F8A

RGB 158 31 138

HSL 309.45, 0.67%, 0.37%

LAB 37.99, 60.54, -29.35

 

CMYK 0 / 91 / 16 / 45

HEX #8D0D77

RGB 141 13 119

HSL 310.31, 0.83%, 0.3%

LAB 32.44, 58.11, -26.44

 

CMYK 0 / 100 / 19 / 51

HEX #7C0064

RGB 124 0 100

HSL 311.61, 1%, 0.24%

LAB 27.31, 54.08, -22.53

 

CMYK 0 / 100 / 24 / 58

HEX #6B0051

RGB 107 0 81

HSL 314.58, 1%, 0.21%

LAB 22.72, 48.01, -17.37

 

CMYK 0 / 72 / 10 / 31

HEX #AF319D

RGB 175 49 157

HSL 308.57, 0.56%, 0.44%

LAB 43.86, 61.74, -31.45

 

CMYK 0 / 72 / 30 / 31

HEX #AF317B

RGB 175 49 123

HSL 324.76, 0.56%, 0.44%

LAB 42.37, 57.03, -13.09

 

CMYK 0 / 72 / 49 / 31

HEX #AF3159

RGB 175 49 89

HSL 340.95, 0.56%, 0.44%

LAB 41.27, 53.41, 6.47

 

CMYK 0 / 72 / 69 / 31

HEX #AF3137

RGB 175 49 55

HSL 357.14, 0.56%, 0.44%

LAB 40.55, 50.98, 26.73

 

CMYK 0 / 72 / 72 / 31

HEX #AF3131

RGB 175 49 49

HSL 0, 0.56%, 0.44%

LAB 40.46, 50.67, 30.24

 

CMYK 0 / 72 / 10 / 31

HEX #AF319D

RGB 175 49 157

HSL 308.57, 0.56%, 0.44%

LAB 43.86, 61.74, -31.45

 

CMYK 9 / 72 / 0 / 31

HEX #9F31AF

RGB 159 49 175

HSL 292.38, 0.56%, 0.44%

LAB 42.25, 61.1, -44.9

 

CMYK 29 / 72 / 0 / 31

HEX #7D31AF

RGB 125 49 175

HSL 276.19, 0.56%, 0.44%

LAB 37.21, 53.97, -53.28

 

CMYK 48 / 72 / 0 / 31

HEX #5B31AF

RGB 91 49 175

HSL 260, 0.56%, 0.44%

LAB 32.95, 47.6, -60.39

 

CMYK 67 / 72 / 0 / 31

HEX #3931AF

RGB 57 49 175

HSL 243.81, 0.56%, 0.44%

LAB 29.82, 42.61, -65.65

 

CMYK 0 / 72 / 10 / 31

HEX #AF319D

RGB 175 49 157

HSL 308.57, 0.56%, 0.44%

LAB 43.86, 61.74, -31.45

 

CMYK 0 / 84 / 12 / 24

HEX #C11FAA

RGB 193 31 170

HSL 308.52, 0.72%, 0.44%

LAB 45.93, 72.48, -35.74

 

CMYK 0 / 94 / 13 / 17

HEX #D30DB7

RGB 211 13 183

HSL 308.48, 0.88%, 0.44%

LAB 48.95, 80.3, -38.42

 

CMYK 0 / 72 / 10 / 31

HEX #AF319D

RGB 175 49 157

HSL 308.57, 0.56%, 0.44%

LAB 43.86, 61.74, -31.45

 

CMYK 0 / 57 / 8 / 38

HEX #9D4490

RGB 157 68 144

HSL 308.76, 0.4%, 0.44%

LAB 43.24, 46.97, -24.82

 

CMYK 0 / 38 / 6 / 45

HEX #8B5683

RGB 139 86 131

HSL 309.06, 0.24%, 0.44%

LAB 43.92, 29.24, -16.11

 

CMYK 0 / 14 / 2 / 53

HEX #796876

RGB 121 104 118

HSL 310.59, 0.08%, 0.44%

LAB 46.01, 9.41, -5.32

 

CMYK 16 / 0 / 14 / 52

HEX #667A69

RGB 102 122 105

HSL 129, 0.09%, 0.44%

LAB 49.21, -10.94, 6.88

 

CMYK 29 / 72 / 0 / 31

HEX #7D31AF

RGB 125 49 175

HSL 276.19, 0.56%, 0.44%

LAB 37.21, 53.97, -53.28

 

CMYK 10 / 72 / 0 / 31

HEX #9E31AF

RGB 158 49 175

HSL 291.9, 0.56%, 0.44%

LAB 42.09, 60.89, -45.16

 

CMYK 0 / 72 / 10 / 31

HEX #AF319E

RGB 175 49 158

HSL 308.1, 0.56%, 0.44%

LAB 43.91, 61.89, -31.97

 

CMYK 0 / 72 / 29 / 31

HEX #AF317D

RGB 175 49 125

HSL 323.81, 0.56%, 0.44%

LAB 42.45, 57.28, -14.2

 

CMYK 0 / 72 / 48 / 31

HEX #AF315B

RGB 175 49 91

HSL 340, 0.56%, 0.44%

LAB 41.32, 53.59, 5.29

 

CMYK 0 / 72 / 11 / 56

HEX #6F1F63

RGB 111 31 99

HSL 309, 0.56%, 0.28%

LAB 27.46, 43.04, -21.82

 

CMYK 0 / 72 / 10 / 44

HEX #8F2880

RGB 143 40 128

HSL 308.74, 0.56%, 0.36%

LAB 35.82, 52.61, -26.75

 

CMYK 0 / 72 / 10 / 31

HEX #AF319D

RGB 175 49 157

HSL 308.57, 0.56%, 0.44%

LAB 43.86, 61.74, -31.45

 

CMYK 0 / 68 / 9 / 21

HEX #C940B6

RGB 201 64 182

HSL 308.32, 0.56%, 0.52%

LAB 51.22, 66.44, -34.39

 

CMYK 0 / 54 / 8 / 18

HEX #D261C2

RGB 210 97 194

HSL 308.5, 0.56%, 0.6%

LAB 58.18, 56.81, -30.37

 

CMYK 0 / 72 / 10 / 31

HEX #AF319D

RGB 175 49 157

HSL 308.57, 0.56%, 0.44%

LAB 43.86, 61.74, -31.45

 

CMYK 0 / 48 / 72 / 31

HEX #AF5B31

RGB 175 91 49

HSL 20, 0.56%, 0.44%

LAB 48.03, 30.89, 38.81

 

CMYK 72 / 0 / 19 / 31

HEX #31AF8E

RGB 49 175 142

HSL 164.29, 0.56%, 0.44%

LAB 64.38, -41.89, 7.18

 

CMYK 0 / 72 / 10 / 31

HEX #AF319D

RGB 175 49 157

HSL 308.57, 0.56%, 0.44%

LAB 43.86, 61.74, -31.45

 

CMYK 10 / 0 / 72 / 31

HEX #9EAF31

RGB 158 175 49

HSL 68.1, 0.56%, 0.44%

LAB 68.13, -22.26, 58.95

 

CMYK 72 / 10 / 0 / 31

HEX #319EAF

RGB 49 158 175

HSL 188.1, 0.56%, 0.44%

LAB 60.07, -24.51, -17.69

 

CMYK 0 / 72 / 10 / 31

HEX #AF319D

RGB 175 49 157

HSL 308.57, 0.56%, 0.44%

LAB 43.86, 61.74, -31.45

 

CMYK 0 / 48 / 72 / 31

HEX #AF5B31

RGB 175 91 49

HSL 20, 0.56%, 0.44%

LAB 48.03, 30.89, 38.81

 

CMYK 72 / 0 / 62 / 31

HEX #31AF42

RGB 49 175 66

HSL 128.1, 0.56%, 0.44%

LAB 63.1, -56.06, 45.11

 

CMYK 72 / 24 / 0 / 31

HEX #3185AF

RGB 49 133 175

HSL 200, 0.56%, 0.44%

LAB 52.42, -11.07, -29.44

 

CMYK 0 / 72 / 10 / 31

HEX #AF319D

RGB 175 49 157

HSL 308.57, 0.56%, 0.44%

LAB 43.86, 61.74, -31.45

 

CMYK 0 / 26 / 72 / 31

HEX #AF8131

RGB 175 129 49

HSL 38.1, 0.56%, 0.44%

LAB 57.11, 9.79, 48.44

 

CMYK 72 / 0 / 62 / 31

HEX #31AF42

RGB 49 175 66

HSL 128.1, 0.56%, 0.44%

LAB 63.1, -56.06, 45.11

 

CMYK 72 / 46 / 0 / 31

HEX #315FAF

RGB 49 95 175

HSL 218.1, 0.56%, 0.44%

LAB 41.11, 12.09, -47.32

 

Description

Color code: HEX #AF319D | qconv.com Color code: HEX #AF319D | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 49 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 49 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 72 magenta, 10 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 72% 10% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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