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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF2FD6 it is the complementary color #50D029. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF2FD6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF2FD6 shade: #B42FD1, #C541E4, #D653F7, #E765FF and #F877FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF2FD6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF2FD6 shade: #AF2FD6, #9E1DC3, #8D0BB0, #7C009D and #6B008A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF2FD6 shade: #AF2ED6, #D62ED0, #D62EA3, #D62E75 and #D62E48

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF2FD6 shade: #AF2ED6, #822ED6, #542ED6 and #2E2ED6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF2FD6 shade matches the following richer shades: #AF2ED6, #B91AEA and #C406FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF2FD6 shade: #AF2ED6, #A443C2, #9957AD, #8E6B99 and #847F85

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF2FD6 shade: #532ED6, #7F2ED6, #AC2ED6, #D62ED3 and #D62EA6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF2FD6 shade: #781D94, #9424B7, #AF2ED6, #BC51DD and #C973E3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF2FD6 shade: #AF2FD6, #D62E37 and #2ED669

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF2FD6 shade: #AF2FD6, #D6AC2E and #2ED6AC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF2FD6 shade: #AF2FD6, #D62E37, #58D62E and #2ED6CD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF2FD6 shade: #AF2FD6, #D6582E, #58D62E and #2EACD6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 78 / 0 / 16

HEX #AF2FD6

RGB 175 47 214

HSL 285.99, 0.67%, 0.51%

LAB 46.98, 72.1, -59.89

 

Complementary color

CMYK 62 / 0 / 80 / 18

HEX #50D029

RGB 80 208 41

HSL 105.99, 0.67%, 0.49%

LAB 74.18, -63.02, 65.9

 

CMYK 14 / 78 / 0 / 18

HEX #B42FD1

RGB 180 47 209

HSL 289.26, 0.64%, 0.5%

LAB 47.42, 72.11, -56.27

 

CMYK 14 / 71 / 0 / 11

HEX #C541E4

RGB 197 65 228

HSL 288.59, 0.75%, 0.57%

LAB 53.22, 72.91, -57.63

 

CMYK 13 / 66 / 0 / 3

HEX #D653F7

RGB 214 83 247

HSL 287.93, 0.91%, 0.65%

LAB 59.16, 73.15, -58.63

 

CMYK 9 / 60 / 0 / 0

HEX #E765FF

RGB 231 101 255

HSL 290.65, 1%, 0.7%

LAB 64.58, 71, -54.27

 

CMYK 3 / 53 / 0 / 0

HEX #F877FF

RGB 248 119 255

HSL 296.91, 1%, 0.73%

LAB 69.73, 67.24, -45.98

 

CMYK 18 / 78 / 0 / 16

HEX #AF2FD6

RGB 175 47 214

HSL 285.99, 0.67%, 0.51%

LAB 46.98, 72.1, -59.89

 

CMYK 19 / 85 / 0 / 24

HEX #9E1DC3

RGB 158 29 195

HSL 286.63, 0.74%, 0.44%

LAB 41.36, 70.51, -58.12

 

CMYK 20 / 94 / 0 / 31

HEX #8D0BB0

RGB 141 11 176

HSL 287.27, 0.88%, 0.37%

LAB 36.05, 67.67, -55.63

 

CMYK 21 / 100 / 0 / 38

HEX #7C009D

RGB 124 0 157

HSL 287.39, 1%, 0.31%

LAB 31.16, 63.26, -52.26

 

CMYK 22 / 100 / 0 / 46

HEX #6B008A

RGB 107 0 138

HSL 286.52, 1%, 0.27%

LAB 26.62, 57.34, -48.06

 

CMYK 18 / 79 / 0 / 16

HEX #AF2ED6

RGB 175 46 214

HSL 286.07, 0.67%, 0.51%

LAB 46.87, 72.4, -60.06

 

CMYK 0 / 79 / 3 / 16

HEX #D62ED0

RGB 214 46 208

HSL 302.14, 0.67%, 0.51%

LAB 52.73, 78.72, -46.88

 

CMYK 0 / 79 / 24 / 16

HEX #D62EA3

RGB 214 46 163

HSL 318.21, 0.67%, 0.51%

LAB 50.56, 72.56, -24.09

 

CMYK 0 / 79 / 45 / 16

HEX #D62E75

RGB 214 46 117

HSL 334.64, 0.67%, 0.51%

LAB 48.93, 67.69, 1.11

 

CMYK 0 / 79 / 66 / 16

HEX #D62E48

RGB 214 46 72

HSL 350.71, 0.67%, 0.51%

LAB 47.9, 64.53, 27.17

 

CMYK 18 / 79 / 0 / 16

HEX #AF2ED6

RGB 175 46 214

HSL 286.07, 0.67%, 0.51%

LAB 46.87, 72.4, -60.06

 

CMYK 39 / 79 / 0 / 16

HEX #822ED6

RGB 130 46 214

HSL 270, 0.67%, 0.51%

LAB 40.5, 64.95, -70.71

 

CMYK 61 / 79 / 0 / 16

HEX #542ED6

RGB 84 46 214

HSL 253.57, 0.67%, 0.51%

LAB 35.39, 58.94, -79.29

 

CMYK 79 / 79 / 0 / 16

HEX #2E2ED6

RGB 46 46 214

HSL 240, 0.67%, 0.51%

LAB 32.68, 55.75, -83.86

 

CMYK 18 / 79 / 0 / 16

HEX #AF2ED6

RGB 175 46 214

HSL 286.07, 0.67%, 0.51%

LAB 46.87, 72.4, -60.06

 

CMYK 21 / 89 / 0 / 8

HEX #B91AEA

RGB 185 26 234

HSL 285.87, 0.83%, 0.51%

LAB 48.25, 82.21, -69.14

 

CMYK 23 / 98 / 0 / 0

HEX #C406FE

RGB 196 6 254

HSL 285.97, 0.99%, 0.51%

LAB 50.71, 89.37, -76.28

 

CMYK 18 / 79 / 0 / 16

HEX #AF2ED6

RGB 175 46 214

HSL 286.07, 0.67%, 0.51%

LAB 46.87, 72.4, -60.06

 

CMYK 15 / 65 / 0 / 24

HEX #A443C2

RGB 164 67 194

HSL 285.83, 0.51%, 0.51%

LAB 46.71, 58.59, -48.87

 

CMYK 12 / 50 / 0 / 32

HEX #9957AD

RGB 153 87 173

HSL 286.05, 0.34%, 0.51%

LAB 47.76, 41.59, -35.04

 

CMYK 7 / 30 / 0 / 40

HEX #8E6B99

RGB 142 107 153

HSL 285.65, 0.18%, 0.51%

LAB 50.18, 22.51, -19.64

 

CMYK 1 / 5 / 0 / 48

HEX #847F85

RGB 132 127 133

HSL 290, 0.02%, 0.51%

LAB 53.79, 3.07, -2.58

 

CMYK 61 / 79 / 0 / 16

HEX #532ED6

RGB 83 46 214

HSL 253.21, 0.67%, 0.51%

LAB 35.3, 58.83, -79.45

 

CMYK 41 / 79 / 0 / 16

HEX #7F2ED6

RGB 127 46 214

HSL 268.93, 0.67%, 0.51%

LAB 40.12, 64.5, -71.35

 

CMYK 20 / 79 / 0 / 16

HEX #AC2ED6

RGB 172 46 214

HSL 285, 0.67%, 0.51%

LAB 46.42, 71.87, -60.82

 

CMYK 0 / 79 / 1 / 16

HEX #D62ED3

RGB 214 46 211

HSL 301.07, 0.67%, 0.51%

LAB 52.9, 79.17, -48.34

 

CMYK 0 / 79 / 22 / 16

HEX #D62EA6

RGB 214 46 166

HSL 317.14, 0.67%, 0.51%

LAB 50.69, 72.93, -25.66

 

CMYK 19 / 80 / 0 / 42

HEX #781D94

RGB 120 29 148

HSL 285.88, 0.67%, 0.35%

LAB 31.83, 54.91, -45.71

 

CMYK 19 / 80 / 0 / 28

HEX #9424B7

RGB 148 36 183

HSL 285.71, 0.67%, 0.43%

LAB 39.54, 64.73, -54.08

 

CMYK 18 / 79 / 0 / 16

HEX #AF2ED6

RGB 175 46 214

HSL 286.07, 0.67%, 0.51%

LAB 46.87, 72.4, -60.06

 

CMYK 15 / 63 / 0 / 13

HEX #BC51DD

RGB 188 81 221

HSL 285.86, 0.67%, 0.59%

LAB 53.81, 63.29, -52.81

 

CMYK 11 / 49 / 0 / 11

HEX #C973E3

RGB 201 115 227

HSL 286.07, 0.67%, 0.67%

LAB 61.85, 51.48, -43.33

 

CMYK 18 / 78 / 0 / 16

HEX #AF2FD6

RGB 175 47 214

HSL 285.99, 0.67%, 0.51%

LAB 46.98, 72.1, -59.89

 

CMYK 0 / 79 / 74 / 16

HEX #D62E37

RGB 214 46 55

HSL 356.79, 0.67%, 0.51%

LAB 47.66, 63.76, 36.94

 

CMYK 79 / 0 / 51 / 16

HEX #2ED669

RGB 46 214 105

HSL 141.07, 0.67%, 0.51%

LAB 75.88, -64.45, 41.96

 

CMYK 18 / 78 / 0 / 16

HEX #AF2FD6

RGB 175 47 214

HSL 285.99, 0.67%, 0.51%

LAB 46.98, 72.1, -59.89

 

CMYK 0 / 20 / 79 / 16

HEX #D6AC2E

RGB 214 172 46

HSL 45, 0.67%, 0.51%

LAB 72.23, 3.48, 65.61

 

CMYK 79 / 0 / 20 / 16

HEX #2ED6AC

RGB 46 214 172

HSL 165, 0.67%, 0.51%

LAB 77.07, -51.11, 9.02

 

CMYK 18 / 78 / 0 / 16

HEX #AF2FD6

RGB 175 47 214

HSL 285.99, 0.67%, 0.51%

LAB 46.98, 72.1, -59.89

 

CMYK 0 / 79 / 74 / 16

HEX #D62E37

RGB 214 46 55

HSL 356.79, 0.67%, 0.51%

LAB 47.66, 63.76, 36.94

 

CMYK 59 / 0 / 79 / 16

HEX #58D62E

RGB 88 214 46

HSL 105, 0.67%, 0.51%

LAB 76.29, -62.9, 66.54

 

CMYK 79 / 0 / 4 / 16

HEX #2ED6CD

RGB 46 214 205

HSL 176.79, 0.67%, 0.51%

LAB 77.92, -42.43, -7.41

 

CMYK 18 / 78 / 0 / 16

HEX #AF2FD6

RGB 175 47 214

HSL 285.99, 0.67%, 0.51%

LAB 46.98, 72.1, -59.89

 

CMYK 0 / 59 / 79 / 16

HEX #D6582E

RGB 214 88 46

HSL 15, 0.67%, 0.51%

LAB 53.46, 47.39, 47.87

 

CMYK 59 / 0 / 79 / 16

HEX #58D62E

RGB 88 214 46

HSL 105, 0.67%, 0.51%

LAB 76.29, -62.9, 66.54

 

CMYK 79 / 20 / 0 / 16

HEX #2EACD6

RGB 46 172 214

HSL 195, 0.67%, 0.51%

LAB 65.7, -19.41, -30.83

 

Description

Color code: HEX #AF2FD6 | qconv.com Color code: HEX #AF2FD6 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 47 green and 214 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 47 214 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 78 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 78% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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