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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF2D7C it is the complementary color #50D283. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF2D7C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF2D7C shade: #B42D77, #C53F8A, #D6519D, #E763B0 and #F875C3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF2D7C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF2D7C shade: #AF2D7C, #9E1B69, #8D0956, #7C0043 and #6B0030

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF2D7C shade: #AE2D7C, #AE2D59, #AE2D36 and #AE2D2D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF2D7C shade: #AE2D7C, #AE2D9E, #9B2DAE, #782DAE and #562DAE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF2D7C shade matches the following richer shades: #AE2D7C, #C01B7F and #D20983

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF2D7C shade: #AE2D7C, #9D3F78, #8B5074, #796270 and #67746C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF2D7C shade: #9B2DAE, #AE2D9F, #AE2D7D, #AE2D5A and #AE2D38

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF2D7C shade: #6D1C4D, #8E2464, #AE2D7C, #CC3992 and #D459A4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF2D7C shade: #AF2D7C, #AE782D and #2DAEAC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF2D7C shade: #AF2D7C, #7DAE2D and #2D7DAE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF2D7C shade: #AF2D7C, #AE782D, #2DAE5F and #2D63AE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF2D7C shade: #AF2D7C, #AE9F2D, #2DAE5F and #2D3CAE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 74 / 29 / 31

HEX #AF2D7C

RGB 175 45 124

HSL 323.54, 0.59%, 0.43%

LAB 41.92, 58.54, -14.4

 

Complementary color

CMYK 62 / 0 / 38 / 18

HEX #50D283

RGB 80 210 131

HSL 143.54, 0.59%, 0.57%

LAB 75.72, -53.22, 28.86

 

CMYK 0 / 75 / 34 / 29

HEX #B42D77

RGB 180 45 119

HSL 327.11, 0.6%, 0.44%

LAB 42.63, 59.27, -10.14

 

CMYK 0 / 68 / 30 / 23

HEX #C53F8A

RGB 197 63 138

HSL 326.42, 0.54%, 0.51%

LAB 48.59, 59.72, -12.45

 

CMYK 0 / 62 / 27 / 16

HEX #D6519D

RGB 214 81 157

HSL 325.71, 0.62%, 0.58%

LAB 54.67, 59.66, -14.27

 

CMYK 0 / 57 / 24 / 9

HEX #E763B0

RGB 231 99 176

HSL 325, 0.73%, 0.65%

LAB 60.82, 59.29, -15.74

 

CMYK 0 / 53 / 21 / 3

HEX #F875C3

RGB 248 117 195

HSL 324.27, 0.9%, 0.72%

LAB 66.99, 58.75, -16.97

 

CMYK 0 / 74 / 29 / 31

HEX #AF2D7C

RGB 175 45 124

HSL 323.54, 0.59%, 0.43%

LAB 41.92, 58.54, -14.4

 

CMYK 0 / 83 / 34 / 38

HEX #9E1B69

RGB 158 27 105

HSL 324.27, 0.71%, 0.36%

LAB 36.12, 57.27, -11.6

 

CMYK 0 / 94 / 39 / 45

HEX #8D0956

RGB 141 9 86

HSL 325, 0.88%, 0.29%

LAB 30.71, 54.69, -7.83

 

CMYK 0 / 100 / 46 / 51

HEX #7C0043

RGB 124 0 67

HSL 327.58, 1%, 0.24%

LAB 25.83, 50.29, -2.8

 

CMYK 0 / 100 / 55 / 58

HEX #6B0030

RGB 107 0 48

HSL 333.08, 1%, 0.21%

LAB 21.35, 44.47, 3.38

 

CMYK 0 / 74 / 29 / 32

HEX #AE2D7C

RGB 174 45 124

HSL 323.26, 0.59%, 0.43%

LAB 41.74, 58.28, -14.69

 

CMYK 0 / 74 / 49 / 32

HEX #AE2D59

RGB 174 45 89

HSL 339.53, 0.59%, 0.43%

LAB 40.57, 54.54, 5.45

 

CMYK 0 / 74 / 69 / 32

HEX #AE2D36

RGB 174 45 54

HSL 355.81, 0.59%, 0.43%

LAB 39.82, 52.06, 26.4

 

CMYK 0 / 74 / 74 / 32

HEX #AE2D2D

RGB 174 45 45

HSL 0, 0.59%, 0.43%

LAB 39.69, 51.63, 31.68

 

CMYK 0 / 74 / 29 / 32

HEX #AE2D7C

RGB 174 45 124

HSL 323.26, 0.59%, 0.43%

LAB 41.74, 58.28, -14.69

 

CMYK 0 / 74 / 9 / 32

HEX #AE2D9E

RGB 174 45 158

HSL 307.44, 0.59%, 0.43%

LAB 43.28, 62.99, -32.99

 

CMYK 11 / 74 / 0 / 32

HEX #9B2DAE

RGB 155 45 174

HSL 291.16, 0.59%, 0.43%

LAB 41.06, 61.5, -46.25

 

CMYK 31 / 74 / 0 / 32

HEX #782DAE

RGB 120 45 174

HSL 274.88, 0.59%, 0.43%

LAB 35.84, 54.48, -54.93

 

CMYK 51 / 74 / 0 / 32

HEX #562DAE

RGB 86 45 174

HSL 259.07, 0.59%, 0.43%

LAB 31.6, 48.51, -62.02

 

CMYK 0 / 74 / 29 / 32

HEX #AE2D7C

RGB 174 45 124

HSL 323.26, 0.59%, 0.43%

LAB 41.74, 58.28, -14.69

 

CMYK 0 / 86 / 34 / 25

HEX #C01B7F

RGB 192 27 127

HSL 323.64, 0.75%, 0.43%

LAB 43.54, 67.77, -13.48

 

CMYK 0 / 96 / 38 / 18

HEX #D20983

RGB 210 9 131

HSL 323.58, 0.92%, 0.43%

LAB 46.36, 74.54, -11.33

 

CMYK 0 / 74 / 29 / 32

HEX #AE2D7C

RGB 174 45 124

HSL 323.26, 0.59%, 0.43%

LAB 41.74, 58.28, -14.69

 

CMYK 0 / 60 / 24 / 38

HEX #9D3F78

RGB 157 63 120

HSL 323.62, 0.43%, 0.43%

LAB 41.34, 45.56, -13.08

 

CMYK 0 / 42 / 17 / 45

HEX #8B5074

RGB 139 80 116

HSL 323.39, 0.27%, 0.43%

LAB 41.98, 29.95, -9.91

 

CMYK 0 / 19 / 7 / 53

HEX #796270

RGB 121 98 112

HSL 323.48, 0.11%, 0.43%

LAB 44.19, 11.82, -4.39

 

CMYK 11 / 0 / 7 / 55

HEX #67746C

RGB 103 116 108

HSL 143.08, 0.06%, 0.43%

LAB 47.57, -6.56, 2.76

 

CMYK 11 / 74 / 0 / 32

HEX #9B2DAE

RGB 155 45 174

HSL 291.16, 0.59%, 0.43%

LAB 41.06, 61.5, -46.25

 

CMYK 0 / 74 / 9 / 32

HEX #AE2D9F

RGB 174 45 159

HSL 306.98, 0.59%, 0.43%

LAB 43.33, 63.14, -33.51

 

CMYK 0 / 74 / 28 / 32

HEX #AE2D7D

RGB 174 45 125

HSL 322.79, 0.59%, 0.43%

LAB 41.78, 58.4, -15.24

 

CMYK 0 / 74 / 48 / 32

HEX #AE2D5A

RGB 174 45 90

HSL 339.07, 0.59%, 0.43%

LAB 40.6, 54.63, 4.86

 

CMYK 0 / 74 / 68 / 32

HEX #AE2D38

RGB 174 45 56

HSL 354.88, 0.59%, 0.43%

LAB 39.85, 52.17, 25.21

 

CMYK 0 / 74 / 29 / 57

HEX #6D1C4D

RGB 109 28 77

HSL 323.7, 0.59%, 0.27%

LAB 25.62, 40.3, -10.19

 

CMYK 0 / 75 / 30 / 44

HEX #8E2464

RGB 142 36 100

HSL 323.77, 0.6%, 0.35%

LAB 33.84, 49.76, -12.16

 

CMYK 0 / 74 / 29 / 32

HEX #AE2D7C

RGB 174 45 124

HSL 323.26, 0.59%, 0.43%

LAB 41.74, 58.28, -14.69

 

CMYK 0 / 72 / 28 / 20

HEX #CC3992

RGB 204 57 146

HSL 323.67, 0.59%, 0.51%

LAB 49.3, 64.74, -16.06

 

CMYK 0 / 58 / 23 / 17

HEX #D459A4

RGB 212 89 164

HSL 323.41, 0.59%, 0.59%

LAB 55.91, 56.52, -16.52

 

CMYK 0 / 74 / 29 / 31

HEX #AF2D7C

RGB 175 45 124

HSL 323.54, 0.59%, 0.43%

LAB 41.92, 58.54, -14.4

 

CMYK 0 / 31 / 74 / 32

HEX #AE782D

RGB 174 120 45

HSL 34.88, 0.59%, 0.43%

LAB 54.68, 14.18, 47.71

 

CMYK 74 / 0 / 1 / 32

HEX #2DAEAC

RGB 45 174 172

HSL 179.07, 0.59%, 0.43%

LAB 64.81, -33.77, -8.88

 

CMYK 0 / 74 / 29 / 31

HEX #AF2D7C

RGB 175 45 124

HSL 323.54, 0.59%, 0.43%

LAB 41.92, 58.54, -14.4

 

CMYK 28 / 0 / 74 / 32

HEX #7DAE2D

RGB 125 174 45

HSL 82.79, 0.59%, 0.43%

LAB 65.61, -35.44, 57.17

 

CMYK 74 / 28 / 0 / 32

HEX #2D7DAE

RGB 45 125 174

HSL 202.79, 0.59%, 0.43%

LAB 49.84, -7.38, -32.91

 

CMYK 0 / 74 / 29 / 31

HEX #AF2D7C

RGB 175 45 124

HSL 323.54, 0.59%, 0.43%

LAB 41.92, 58.54, -14.4

 

CMYK 0 / 31 / 74 / 32

HEX #AE782D

RGB 174 120 45

HSL 34.88, 0.59%, 0.43%

LAB 54.68, 14.18, 47.71

 

CMYK 74 / 0 / 45 / 32

HEX #2DAE5F

RGB 45 174 95

HSL 143.26, 0.59%, 0.43%

LAB 63.06, -52.13, 30.83

 

CMYK 74 / 43 / 0 / 32

HEX #2D63AE

RGB 45 99 174

HSL 214.88, 0.59%, 0.43%

LAB 42.06, 8.57, -45.22

 

CMYK 0 / 74 / 29 / 31

HEX #AF2D7C

RGB 175 45 124

HSL 323.54, 0.59%, 0.43%

LAB 41.92, 58.54, -14.4

 

CMYK 0 / 9 / 74 / 32

HEX #AE9F2D

RGB 174 159 45

HSL 53.02, 0.59%, 0.43%

LAB 64.95, -7.26, 57.79

 

CMYK 74 / 0 / 45 / 32

HEX #2DAE5F

RGB 45 174 95

HSL 143.26, 0.59%, 0.43%

LAB 63.06, -52.13, 30.83

 

CMYK 74 / 66 / 0 / 32

HEX #2D3CAE

RGB 45 60 174

HSL 233.02, 0.59%, 0.43%

LAB 31.45, 34.13, -62.4

 

Description

Color code: HEX #AF2D7C | qconv.com Color code: HEX #AF2D7C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 45 green and 124 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 45 124 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 74 magenta, 29 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 74% 29% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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