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Color name
HEX #AF2D363F

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF2D363F it is the complementary color #50D2C93F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF2D363F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF2D363F shade: #B42D313F, #C53F443F, #D651573F, #E7636A3F and #F8757D3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF2D363F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF2D363F shade: #AF2D363F, #9E1B233F, #8D09103F, #7C00003F and #6B00003F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF2D363F shade: #AE2D36 and #AE2D2D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF2D363F shade: #AE2D36, #AE2D59, #AE2D7C, #AE2D9F and #9B2DAE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF2D363F shade matches the following richer shades: #AE2D36, #C01B27 and #D20917

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF2D363F shade: #AE2D36, #9D3F45, #8B5054, #796264 and #677473

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF2D363F shade: #AE2D7D, #AE2D5A, #AE2D38, #AE452D and #AE672D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF2D363F shade: #6D1C22, #8E242C, #AE2D36, #CC3943 and #D45962

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF2D363F shade: #AF2D36, #9FAE2D and #2D6BAE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF2D363F shade: #AF2D36, #38AE2D and #2D38AE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF2D363F shade: #AF2D36, #9FAE2D, #2DAEA4 and #3C2DAE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF2D363F shade: #AF2D36, #78AE2D, #2DAEA4 and #632DAE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 17 / 8

HEX #AF2D363F

RGBA 175 45 54 0.25

HSLA 355.85, 0.59%, 0.43%, 0.25

LABA 40.01, 52.38, 26.68, 0.25

 

Complementary color

CMYK 15 / 0 / 1 / 4

HEX #50D2C93F

RGBA 80 210 201 0.25

HSLA 175.85, 0.59%, 0.57%, 0.25

LABA 77.29, -37.37, -6.12, 0.25

 

CMYK 0 / 19 / 18 / 7

HEX #B42D313F

RGBA 180 45 49 0.25

HSLA 358.22, 0.6%, 0.44%, 0.25

LABA 40.9, 53.69, 31, 0.25

 

CMYK 0 / 17 / 16 / 6

HEX #C53F443F

RGBA 197 63 68 0.25

HSLA 357.76, 0.54%, 0.51%, 0.25

LABA 46.77, 53.39, 27.48, 0.25

 

CMYK 0 / 16 / 15 / 4

HEX #D651573F

RGBA 214 81 87 0.25

HSLA 357.29, 0.62%, 0.58%, 0.25

LABA 52.81, 52.68, 24.54, 0.25

 

CMYK 0 / 14 / 14 / 2

HEX #E7636A3F

RGBA 231 99 106 0.25

HSLA 356.82, 0.73%, 0.65%, 0.25

LABA 58.93, 51.77, 22.07, 0.25

 

CMYK 0 / 13 / 12 / 1

HEX #F8757D3F

RGBA 248 117 125 0.25

HSLA 356.34, 0.9%, 0.72%, 0.25

LABA 65.09, 50.78, 19.97, 0.25

 

CMYK 0 / 19 / 17 / 8

HEX #AF2D363F

RGBA 175 45 54 0.25

HSLA 355.85, 0.59%, 0.43%, 0.25

LABA 40.01, 52.38, 26.68, 0.25

 

CMYK 0 / 21 / 19 / 10

HEX #9E1B233F

RGBA 158 27 35 0.25

HSLA 356.34, 0.71%, 0.36%, 0.25

LABA 34.34, 51.97, 30.82, 0.25

 

CMYK 0 / 23 / 22 / 11

HEX #8D09103F

RGBA 141 9 16 0.25

HSLA 356.82, 0.88%, 0.29%, 0.25

LABA 29.15, 50.35, 35.42, 0.25

 

CMYK 0 / 25 / 25 / 13

HEX #7C00003F

RGBA 124 0 0 0.25

HSLA 0, 1%, 0.24%, 0.25

LABA 24.59, 46.97, 36.84, 0.25

 

CMYK 0 / 25 / 25 / 15

HEX #6B00003F

RGBA 107 0 0 0.25

HSLA 0, 1%, 0.21%, 0.25

LABA 20.54, 42.28, 31.36, 0.25

 

CMYK 0 / 74 / 69 / 32

HEX #AE2D36

RGB 174 45 54

HSL 355.81, 0.59%, 0.43%

LAB 39.82, 52.06, 26.4

 

CMYK 0 / 74 / 74 / 32

HEX #AE2D2D

RGB 174 45 45

HSL 0, 0.59%, 0.43%

LAB 39.69, 51.63, 31.68

 

CMYK 0 / 74 / 69 / 32

HEX #AE2D36

RGB 174 45 54

HSL 355.81, 0.59%, 0.43%

LAB 39.82, 52.06, 26.4

 

CMYK 0 / 74 / 49 / 32

HEX #AE2D59

RGB 174 45 89

HSL 339.53, 0.59%, 0.43%

LAB 40.57, 54.54, 5.45

 

CMYK 0 / 74 / 29 / 32

HEX #AE2D7C

RGB 174 45 124

HSL 323.26, 0.59%, 0.43%

LAB 41.74, 58.28, -14.69

 

CMYK 0 / 74 / 9 / 32

HEX #AE2D9F

RGB 174 45 159

HSL 306.98, 0.59%, 0.43%

LAB 43.33, 63.14, -33.51

 

CMYK 11 / 74 / 0 / 32

HEX #9B2DAE

RGB 155 45 174

HSL 291.16, 0.59%, 0.43%

LAB 41.06, 61.5, -46.25

 

CMYK 0 / 74 / 69 / 32

HEX #AE2D36

RGB 174 45 54

HSL 355.81, 0.59%, 0.43%

LAB 39.82, 52.06, 26.4

 

CMYK 0 / 86 / 80 / 25

HEX #C01B27

RGB 192 27 39

HSL 355.64, 0.75%, 0.43%

LAB 41.43, 61.73, 38.11

 

CMYK 0 / 96 / 89 / 18

HEX #D20917

RGB 210 9 23

HSL 355.82, 0.92%, 0.43%

LAB 44.17, 68.63, 50.19

 

CMYK 0 / 74 / 69 / 32

HEX #AE2D36

RGB 174 45 54

HSL 355.81, 0.59%, 0.43%

LAB 39.82, 52.06, 26.4

 

CMYK 0 / 60 / 56 / 38

HEX #9D3F45

RGB 157 63 69

HSL 356.17, 0.43%, 0.43%

LAB 39.84, 39.69, 16.53

 

CMYK 0 / 42 / 40 / 45

HEX #8B5054

RGB 139 80 84

HSL 355.93, 0.27%, 0.43%

LAB 41, 25.2, 8.4

 

CMYK 0 / 19 / 17 / 53

HEX #796264

RGB 121 98 100

HSL 354.78, 0.11%, 0.43%

LAB 43.83, 9.61, 2.36

 

CMYK 11 / 0 / 1 / 55

HEX #677473

RGB 103 116 115

HSL 175.38, 0.06%, 0.43%

LAB 47.77, -5.06, -1.11

 

CMYK 0 / 74 / 28 / 32

HEX #AE2D7D

RGB 174 45 125

HSL 322.79, 0.59%, 0.43%

LAB 41.78, 58.4, -15.24

 

CMYK 0 / 74 / 48 / 32

HEX #AE2D5A

RGB 174 45 90

HSL 339.07, 0.59%, 0.43%

LAB 40.6, 54.63, 4.86

 

CMYK 0 / 74 / 68 / 32

HEX #AE2D38

RGB 174 45 56

HSL 354.88, 0.59%, 0.43%

LAB 39.85, 52.17, 25.21

 

CMYK 0 / 60 / 74 / 32

HEX #AE452D

RGB 174 69 45

HSL 11.16, 0.59%, 0.43%

LAB 43.43, 41.54, 35.86

 

CMYK 0 / 41 / 74 / 32

HEX #AE672D

RGB 174 103 45

HSL 26.98, 0.59%, 0.43%

LAB 50.56, 23.7, 43.48

 

CMYK 0 / 74 / 69 / 57

HEX #6D1C22

RGB 109 28 34

HSL 355.56, 0.59%, 0.27%

LAB 24.31, 35.93, 17.14

 

CMYK 0 / 75 / 69 / 44

HEX #8E242C

RGB 142 36 44

HSL 355.47, 0.6%, 0.35%

LAB 32.25, 44.55, 21.94

 

CMYK 0 / 74 / 69 / 32

HEX #AE2D36

RGB 174 45 54

HSL 355.81, 0.59%, 0.43%

LAB 39.82, 52.06, 26.4

 

CMYK 0 / 72 / 67 / 20

HEX #CC3943

RGB 204 57 67

HSL 355.92, 0.59%, 0.51%

LAB 47.2, 57.82, 28.88

 

CMYK 0 / 58 / 54 / 17

HEX #D45962

RGB 212 89 98

HSL 355.61, 0.59%, 0.59%

LAB 54.05, 49.22, 19.66

 

CMYK 0 / 74 / 69 / 31

HEX #AF2D36

RGB 175 45 54

HSL 355.85, 0.59%, 0.43%

LAB 40.01, 52.38, 26.68

 

CMYK 9 / 0 / 74 / 32

HEX #9FAE2D

RGB 159 174 45

HSL 66.98, 0.59%, 0.43%

LAB 67.9, -21.54, 60.16

 

CMYK 74 / 39 / 0 / 32

HEX #2D6BAE

RGB 45 107 174

HSL 211.16, 0.59%, 0.43%

LAB 44.42, 3.51, -41.46

 

CMYK 0 / 74 / 69 / 31

HEX #AF2D36

RGB 175 45 54

HSL 355.85, 0.59%, 0.43%

LAB 40.01, 52.38, 26.68

 

CMYK 68 / 0 / 74 / 32

HEX #38AE2D

RGB 56 174 45

HSL 114.88, 0.59%, 0.43%

LAB 62.76, -56.46, 53.39

 

CMYK 74 / 68 / 0 / 32

HEX #2D38AE

RGB 45 56 174

HSL 234.88, 0.59%, 0.43%

LAB 30.5, 36.67, -63.96

 

CMYK 0 / 74 / 69 / 31

HEX #AF2D36

RGB 175 45 54

HSL 355.85, 0.59%, 0.43%

LAB 40.01, 52.38, 26.68

 

CMYK 9 / 0 / 74 / 32

HEX #9FAE2D

RGB 159 174 45

HSL 66.98, 0.59%, 0.43%

LAB 67.9, -21.54, 60.16

 

CMYK 74 / 0 / 6 / 32

HEX #2DAEA4

RGB 45 174 164

HSL 175.35, 0.59%, 0.43%

LAB 64.57, -36.08, -4.78

 

CMYK 66 / 74 / 0 / 32

HEX #3C2DAE

RGB 60 45 174

HSL 246.98, 0.59%, 0.43%

LAB 29.14, 44.89, -66.16

 

CMYK 0 / 74 / 69 / 31

HEX #AF2D36

RGB 175 45 54

HSL 355.85, 0.59%, 0.43%

LAB 40.01, 52.38, 26.68

 

CMYK 31 / 0 / 74 / 32

HEX #78AE2D

RGB 120 174 45

HSL 85.12, 0.59%, 0.43%

LAB 65.32, -37.35, 56.79

 

CMYK 74 / 0 / 6 / 32

HEX #2DAEA4

RGB 45 174 164

HSL 175.35, 0.59%, 0.43%

LAB 64.57, -36.08, -4.78

 

CMYK 43 / 74 / 0 / 32

HEX #632DAE

RGB 99 45 174

HSL 265.12, 0.59%, 0.43%

LAB 33.1, 50.66, -59.51

 

Description

Color code: HEX #AF2D363F | qconv.com Color code: HEX #AF2D363F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 45 green and 54 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 45 54 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 17 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 17% 8% C M Y K

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Provide designers and agencies with accurate color values.

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