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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF2D273F it is the complementary color #50D2D83F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF2D273F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF2D273F shade: #B42D223F, #C53F353F, #D651483F, #E7635B3F and #F8756E3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF2D273F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF2D273F shade: #AF2D273F, #9E1B143F, #8D09013F, #7C00003F and #6B00003F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF2D273F shade: #B02D27 and #B02727

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF2D273F shade: #B02D27, #B05227, #B07727, #B09C27 and #9FB027

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF2D273F shade matches the following richer shades: #B02D27, #C11D15 and #D20D04

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF2D273F shade: #B02D27, #9E3C38, #8D4C49, #7C5C5B and #6A6C6C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF2D273F shade: #B0276B, #B02747, #B02B27, #B05027 and #B07427

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF2D273F shade: #6C1B18, #8E241F, #B02D27, #D1352E and #D95650

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF2D273F shade: #AF2D27, #90B027 and #2759B0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF2D273F shade: #AF2D27, #27B02B and #2B27B0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF2D273F shade: #AF2D27, #90B027, #27ABB0 and #4727B0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF2D273F shade: #AF2D27, #67B027, #27ABB0 and #7027B0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 19 / 8

HEX #AF2D273F

RGBA 175 45 39 0.25

HSLA 2.65, 0.64%, 0.42%, 0.25

LABA 39.81, 51.71, 35.36, 0.25

 

Complementary color

CMYK 16 / 1 / 0 / 4

HEX #50D2D83F

RGBA 80 210 216 0.25

HSLA 182.65, 0.64%, 0.58%, 0.25

LABA 77.73, -33.26, -13.53, 0.25

 

CMYK 0 / 19 / 20 / 7

HEX #B42D223F

RGBA 180 45 34 0.25

HSLA 4.52, 0.68%, 0.42%, 0.25

LABA 40.73, 53.12, 39.38, 0.25

 

CMYK 0 / 17 / 18 / 6

HEX #C53F353F

RGBA 197 63 53 0.25

HSLA 4.17, 0.58%, 0.49%, 0.25

LABA 46.55, 52.62, 35.98, 0.25

 

CMYK 0 / 16 / 17 / 4

HEX #D651483F

RGBA 214 81 72 0.25

HSLA 3.8, 0.63%, 0.56%, 0.25

LABA 52.56, 51.74, 32.94, 0.25

 

CMYK 0 / 14 / 15 / 2

HEX #E7635B3F

RGBA 231 99 91 0.25

HSLA 3.43, 0.74%, 0.63%, 0.25

LABA 58.67, 50.68, 30.32, 0.25

 

CMYK 0 / 13 / 14 / 1

HEX #F8756E3F

RGBA 248 117 110 0.25

HSLA 3.04, 0.91%, 0.7%, 0.25

LABA 64.81, 49.55, 28.05, 0.25

 

CMYK 0 / 19 / 19 / 8

HEX #AF2D273F

RGBA 175 45 39 0.25

HSLA 2.65, 0.64%, 0.42%, 0.25

LABA 39.81, 51.71, 35.36, 0.25

 

CMYK 0 / 21 / 22 / 10

HEX #9E1B143F

RGBA 158 27 20 0.25

HSLA 3.04, 0.78%, 0.35%, 0.25

LABA 34.2, 51.52, 39.08, 0.25

 

CMYK 0 / 23 / 25 / 11

HEX #8D09013F

RGBA 141 9 1 0.25

HSLA 3.43, 0.99%, 0.28%, 0.25

LABA 29.06, 50.1, 41.87, 0.25

 

CMYK 0 / 25 / 25 / 13

HEX #7C00003F

RGBA 124 0 0 0.25

HSLA 0, 1%, 0.24%, 0.25

LABA 24.59, 46.97, 36.84, 0.25

 

CMYK 0 / 25 / 25 / 15

HEX #6B00003F

RGBA 107 0 0 0.25

HSLA 0, 1%, 0.21%, 0.25

LABA 20.54, 42.28, 31.36, 0.25

 

CMYK 0 / 74 / 78 / 31

HEX #B02D27

RGB 176 45 39

HSL 2.63, 0.64%, 0.42%

LAB 40, 52.03, 35.63

 

CMYK 0 / 78 / 78 / 31

HEX #B02727

RGB 176 39 39

HSL 0, 0.64%, 0.42%

LAB 39.29, 54.02, 34.86

 

CMYK 0 / 74 / 78 / 31

HEX #B02D27

RGB 176 45 39

HSL 2.63, 0.64%, 0.42%

LAB 40, 52.03, 35.63

 

CMYK 0 / 53 / 78 / 31

HEX #B05227

RGB 176 82 39

HSL 18.83, 0.64%, 0.42%

LAB 46.19, 35.58, 42.03

 

CMYK 0 / 32 / 78 / 31

HEX #B07727

RGB 176 119 39

HSL 35.04, 0.64%, 0.42%

LAB 54.63, 15.37, 50.32

 

CMYK 0 / 11 / 78 / 31

HEX #B09C27

RGB 176 156 39

HSL 51.24, 0.64%, 0.42%

LAB 64.29, -5.02, 59.35

 

CMYK 10 / 0 / 78 / 31

HEX #9FB027

RGB 159 176 39

HSL 67.45, 0.64%, 0.42%

LAB 68.44, -22.81, 62.62

 

CMYK 0 / 74 / 78 / 31

HEX #B02D27

RGB 176 45 39

HSL 2.63, 0.64%, 0.42%

LAB 40, 52.03, 35.63

 

CMYK 0 / 85 / 89 / 24

HEX #C11D15

RGB 193 29 21

HSL 2.79, 0.8%, 0.42%

LAB 41.64, 61.15, 47.61

 

CMYK 0 / 94 / 98 / 18

HEX #D20D04

RGB 210 13 4

HSL 2.62, 0.96%, 0.42%

LAB 44.23, 68.03, 56.91

 

CMYK 0 / 74 / 78 / 31

HEX #B02D27

RGB 176 45 39

HSL 2.63, 0.64%, 0.42%

LAB 40, 52.03, 35.63

 

CMYK 0 / 62 / 65 / 38

HEX #9E3C38

RGB 158 60 56

HSL 2.35, 0.48%, 0.42%

LAB 39.22, 40.52, 23.79

 

CMYK 0 / 46 / 48 / 45

HEX #8D4C49

RGB 141 76 73

HSL 2.65, 0.32%, 0.42%

LAB 40.1, 27, 13.99

 

CMYK 0 / 26 / 27 / 51

HEX #7C5C5B

RGB 124 92 91

HSL 1.82, 0.15%, 0.42%

LAB 42.3, 12.94, 5.68

 

CMYK 2 / 0 / 0 / 58

HEX #6A6C6C

RGB 106 108 108

HSL 180, 0.01%, 0.42%

LAB 45.46, -0.77, -0.27

 

CMYK 0 / 78 / 39 / 31

HEX #B0276B

RGB 176 39 107

HSL 330.22, 0.64%, 0.42%

LAB 40.8, 58.78, -5.48

 

CMYK 0 / 78 / 60 / 31

HEX #B02747

RGB 176 39 71

HSL 345.99, 0.64%, 0.42%

LAB 39.81, 55.68, 15.84

 

CMYK 0 / 76 / 78 / 31

HEX #B02B27

RGB 176 43 39

HSL 1.75, 0.64%, 0.42%

LAB 39.76, 52.72, 35.36

 

CMYK 0 / 55 / 78 / 31

HEX #B05027

RGB 176 80 39

HSL 17.96, 0.64%, 0.42%

LAB 45.79, 36.6, 41.62

 

CMYK 0 / 34 / 78 / 31

HEX #B07427

RGB 176 116 39

HSL 33.72, 0.64%, 0.42%

LAB 53.89, 17.05, 49.61

 

CMYK 0 / 75 / 78 / 58

HEX #6C1B18

RGB 108 27 24

HSL 2.14, 0.64%, 0.26%

LAB 23.8, 35.43, 23.04

 

CMYK 0 / 75 / 78 / 44

HEX #8E241F

RGB 142 36 31

HSL 2.7, 0.64%, 0.34%

LAB 32.06, 43.91, 29.79

 

CMYK 0 / 74 / 78 / 31

HEX #B02D27

RGB 176 45 39

HSL 2.63, 0.64%, 0.42%

LAB 40, 52.03, 35.63

 

CMYK 0 / 75 / 78 / 18

HEX #D1352E

RGB 209 53 46

HSL 2.58, 0.64%, 0.5%

LAB 47.36, 59.81, 41.4

 

CMYK 0 / 60 / 63 / 15

HEX #D95650

RGB 217 86 80

HSL 2.63, 0.64%, 0.58%

LAB 54.01, 51.03, 30.26

 

CMYK 0 / 74 / 78 / 31

HEX #AF2D27

RGB 175 45 39

HSL 2.65, 0.64%, 0.42%

LAB 39.81, 51.71, 35.36

 

CMYK 18 / 0 / 78 / 31

HEX #90B027

RGB 144 176 39

HSL 74.01, 0.64%, 0.42%

LAB 67.37, -29.09, 61.25

 

CMYK 78 / 49 / 0 / 31

HEX #2759B0

RGB 39 89 176

HSL 218.1, 0.64%, 0.42%

LAB 39.09, 15.08, -51.18

 

CMYK 0 / 74 / 78 / 31

HEX #AF2D27

RGB 175 45 39

HSL 2.65, 0.64%, 0.42%

LAB 39.81, 51.71, 35.36

 

CMYK 78 / 0 / 76 / 31

HEX #27B02B

RGB 39 176 43

HSL 121.75, 0.64%, 0.42%

LAB 63.06, -60.17, 54.28

 

CMYK 76 / 78 / 0 / 31

HEX #2B27B0

RGB 43 39 176

HSL 241.75, 0.64%, 0.42%

LAB 27.02, 47.1, -70.91

 

CMYK 0 / 74 / 78 / 31

HEX #AF2D27

RGB 175 45 39

HSL 2.65, 0.64%, 0.42%

LAB 39.81, 51.71, 35.36

 

CMYK 18 / 0 / 78 / 31

HEX #90B027

RGB 144 176 39

HSL 74.01, 0.64%, 0.42%

LAB 67.37, -29.09, 61.25

 

CMYK 78 / 3 / 0 / 31

HEX #27ABB0

RGB 39 171 176

HSL 182.19, 0.64%, 0.42%

LAB 63.91, -31.8, -12.47

 

CMYK 60 / 78 / 0 / 31

HEX #4727B0

RGB 71 39 176

HSL 254.01, 0.64%, 0.42%

LAB 29.22, 49.91, -67.19

 

CMYK 0 / 74 / 78 / 31

HEX #AF2D27

RGB 175 45 39

HSL 2.65, 0.64%, 0.42%

LAB 39.81, 51.71, 35.36

 

CMYK 41 / 0 / 78 / 31

HEX #67B027

RGB 103 176 39

HSL 91.97, 0.64%, 0.42%

LAB 65.03, -44.67, 58.21

 

CMYK 78 / 3 / 0 / 31

HEX #27ABB0

RGB 39 171 176

HSL 182.19, 0.64%, 0.42%

LAB 63.91, -31.8, -12.47

 

CMYK 36 / 78 / 0 / 31

HEX #7027B0

RGB 112 39 176

HSL 271.97, 0.64%, 0.42%

LAB 34.05, 55.94, -59.09

 

Description

Color code: HEX #AF2D273F | qconv.com Color code: HEX #AF2D273F | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 45 green and 39 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 45 39 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 19 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 19% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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