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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF2AD9 it is the complementary color #50D526. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF2AD9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF2AD9 shade: #B42AD4, #C53CE7, #D64EFA, #E760FF and #F872FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF2AD9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF2AD9 shade: #AF2AD9, #9E18C6, #8D06B3, #7C00A0 and #6B008D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF2AD9 shade: #AF2AD9, #D92AD4, #D92AA5, #D92A75 and #D92A46

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF2AD9 shade: #AF2AD9, #802AD9, #512AD9 and #2A2AD9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF2AD9 shade matches the following richer shades: #AF2AD9 and #BA16ED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF2AD9 shade: #AF2AD9, #A53EC5, #9A53B1, #8F679C and #857B88

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF2AD9 shade: #502AD9, #7F2AD9, #AD2AD9, #D92AD6 and #D92AA7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF2AD9 shade: #791A96, #9520BA, #AF2AD9, #BC4DDF and #C970E5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF2AD9 shade: #AF2AD9, #D92A33 and #2AD967

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF2AD9 shade: #AF2AD9, #D9AD2A and #2AD9AD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF2AD9 shade: #AF2AD9, #D92A33, #56D92A and #2AD9D0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF2AD9 shade: #AF2AD9, #D9562A, #56D92A and #2AADD9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 81 / 0 / 15

HEX #AF2AD9

RGB 175 42 217

HSL 285.6, 0.7%, 0.51%

LAB 46.68, 74.1, -62.08

 

Complementary color

CMYK 62 / 0 / 82 / 16

HEX #50D526

RGB 80 213 38

HSL 105.6, 0.7%, 0.49%

LAB 75.72, -64.84, 68.12

 

CMYK 15 / 80 / 0 / 17

HEX #B42AD4

RGB 180 42 212

HSL 288.71, 0.67%, 0.5%

LAB 47.12, 74.06, -58.47

 

CMYK 15 / 74 / 0 / 9

HEX #C53CE7

RGB 197 60 231

HSL 288.07, 0.78%, 0.57%

LAB 52.81, 75.16, -59.99

 

CMYK 14 / 69 / 0 / 2

HEX #D64EFA

RGB 214 78 250

HSL 287.44, 0.95%, 0.64%

LAB 58.65, 75.62, -61.11

 

CMYK 9 / 62 / 0 / 0

HEX #E760FF

RGB 231 96 255

HSL 290.94, 1%, 0.69%

LAB 63.82, 73.1, -55.48

 

CMYK 3 / 55 / 0 / 0

HEX #F872FF

RGB 248 114 255

HSL 297.02, 1%, 0.72%

LAB 68.9, 69.47, -47.28

 

CMYK 19 / 81 / 0 / 15

HEX #AF2AD9

RGB 175 42 217

HSL 285.6, 0.7%, 0.51%

LAB 46.68, 74.1, -62.08

 

CMYK 20 / 88 / 0 / 22

HEX #9E18C6

RGB 158 24 198

HSL 286.21, 0.78%, 0.44%

LAB 41.22, 72.11, -60.1

 

CMYK 21 / 97 / 0 / 30

HEX #8D06B3

RGB 141 6 179

HSL 286.82, 0.94%, 0.36%

LAB 36.08, 68.84, -57.38

 

CMYK 23 / 100 / 0 / 37

HEX #7C00A0

RGB 124 0 160

HSL 286.5, 1%, 0.31%

LAB 31.4, 63.81, -53.7

 

CMYK 24 / 100 / 0 / 45

HEX #6B008D

RGB 107 0 141

HSL 285.53, 1%, 0.28%

LAB 26.87, 57.91, -49.52

 

CMYK 19 / 81 / 0 / 15

HEX #AF2AD9

RGB 175 42 217

HSL 285.6, 0.7%, 0.51%

LAB 46.68, 74.1, -62.08

 

CMYK 0 / 81 / 2 / 15

HEX #D92AD4

RGB 217 42 212

HSL 301.71, 0.7%, 0.51%

LAB 53.13, 80.84, -48.52

 

CMYK 0 / 81 / 24 / 15

HEX #D92AA5

RGB 217 42 165

HSL 317.83, 0.7%, 0.51%

LAB 50.83, 74.48, -24.81

 

CMYK 0 / 81 / 46 / 15

HEX #D92A75

RGB 217 42 117

HSL 334.29, 0.7%, 0.51%

LAB 49.12, 69.5, 1.46

 

CMYK 0 / 81 / 68 / 15

HEX #D92A46

RGB 217 42 70

HSL 350.4, 0.7%, 0.51%

LAB 48.07, 66.33, 28.71

 

CMYK 19 / 81 / 0 / 15

HEX #AF2AD9

RGB 175 42 217

HSL 285.6, 0.7%, 0.51%

LAB 46.68, 74.1, -62.08

 

CMYK 41 / 81 / 0 / 15

HEX #802AD9

RGB 128 42 217

HSL 269.49, 0.7%, 0.51%

LAB 40.01, 66.77, -73.25

 

CMYK 63 / 81 / 0 / 15

HEX #512AD9

RGB 81 42 217

HSL 253.37, 0.7%, 0.51%

LAB 34.83, 61.19, -81.95

 

CMYK 81 / 81 / 0 / 15

HEX #2A2AD9

RGB 42 42 217

HSL 240, 0.7%, 0.51%

LAB 32.16, 58.37, -86.45

 

CMYK 19 / 81 / 0 / 15

HEX #AF2AD9

RGB 175 42 217

HSL 285.6, 0.7%, 0.51%

LAB 46.68, 74.1, -62.08

 

CMYK 22 / 91 / 0 / 7

HEX #BA16ED

RGB 186 22 237

HSL 285.77, 0.86%, 0.51%

LAB 48.42, 83.5, -70.55

 

CMYK 19 / 81 / 0 / 15

HEX #AF2AD9

RGB 175 42 217

HSL 285.6, 0.7%, 0.51%

LAB 46.68, 74.1, -62.08

 

CMYK 16 / 69 / 0 / 23

HEX #A53EC5

RGB 165 62 197

HSL 285.78, 0.54%, 0.51%

LAB 46.28, 61.52, -51.29

 

CMYK 13 / 53 / 0 / 31

HEX #9A53B1

RGB 154 83 177

HSL 285.32, 0.38%, 0.51%

LAB 47.28, 44.84, -38.14

 

CMYK 8 / 34 / 0 / 39

HEX #8F679C

RGB 143 103 156

HSL 285.28, 0.21%, 0.51%

LAB 49.42, 25.82, -22.55

 

CMYK 2 / 10 / 0 / 47

HEX #857B88

RGB 133 123 136

HSL 286.15, 0.05%, 0.51%

LAB 52.87, 6.36, -5.67

 

CMYK 63 / 81 / 0 / 15

HEX #502AD9

RGB 80 42 217

HSL 253.03, 0.7%, 0.51%

LAB 34.74, 61.1, -82.1

 

CMYK 41 / 81 / 0 / 15

HEX #7F2AD9

RGB 127 42 217

HSL 269.14, 0.7%, 0.51%

LAB 39.88, 66.63, -73.46

 

CMYK 20 / 81 / 0 / 15

HEX #AD2AD9

RGB 173 42 217

HSL 284.91, 0.7%, 0.51%

LAB 46.38, 73.76, -62.59

 

CMYK 0 / 81 / 1 / 15

HEX #D92AD6

RGB 217 42 214

HSL 301.03, 0.7%, 0.51%

LAB 53.24, 81.14, -49.49

 

CMYK 0 / 81 / 23 / 15

HEX #D92AA7

RGB 217 42 167

HSL 317.14, 0.7%, 0.51%

LAB 50.92, 74.72, -25.86

 

CMYK 19 / 83 / 0 / 41

HEX #791A96

RGB 121 26 150

HSL 285.97, 0.7%, 0.35%

LAB 31.82, 56.42, -46.94

 

CMYK 20 / 83 / 0 / 27

HEX #9520BA

RGB 149 32 186

HSL 285.58, 0.71%, 0.43%

LAB 39.53, 66.6, -55.87

 

CMYK 19 / 81 / 0 / 15

HEX #AF2AD9

RGB 175 42 217

HSL 285.6, 0.7%, 0.51%

LAB 46.68, 74.1, -62.08

 

CMYK 16 / 65 / 0 / 13

HEX #BC4DDF

RGB 188 77 223

HSL 285.62, 0.7%, 0.59%

LAB 53.31, 65.4, -54.75

 

CMYK 12 / 51 / 0 / 10

HEX #C970E5

RGB 201 112 229

HSL 285.64, 0.69%, 0.67%

LAB 61.36, 53.4, -45.21

 

CMYK 19 / 81 / 0 / 15

HEX #AF2AD9

RGB 175 42 217

HSL 285.6, 0.7%, 0.51%

LAB 46.68, 74.1, -62.08

 

CMYK 0 / 81 / 76 / 15

HEX #D92A33

RGB 217 42 51

HSL 356.91, 0.7%, 0.51%

LAB 47.81, 65.54, 39.56

 

CMYK 81 / 0 / 53 / 15

HEX #2AD967

RGB 42 217 103

HSL 140.91, 0.7%, 0.51%

LAB 76.74, -66.19, 43.96

 

CMYK 19 / 81 / 0 / 15

HEX #AF2AD9

RGB 175 42 217

HSL 285.6, 0.7%, 0.51%

LAB 46.68, 74.1, -62.08

 

CMYK 0 / 20 / 81 / 15

HEX #D9AD2A

RGB 217 173 42

HSL 44.91, 0.7%, 0.51%

LAB 72.76, 4.12, 67.49

 

CMYK 81 / 0 / 20 / 15

HEX #2AD9AD

RGB 42 217 173

HSL 164.91, 0.7%, 0.51%

LAB 77.95, -52.46, 9.74

 

CMYK 19 / 81 / 0 / 15

HEX #AF2AD9

RGB 175 42 217

HSL 285.6, 0.7%, 0.51%

LAB 46.68, 74.1, -62.08

 

CMYK 0 / 81 / 76 / 15

HEX #D92A33

RGB 217 42 51

HSL 356.91, 0.7%, 0.51%

LAB 47.81, 65.54, 39.56

 

CMYK 60 / 0 / 81 / 15

HEX #56D92A

RGB 86 217 42

HSL 104.91, 0.7%, 0.51%

LAB 77.14, -64.61, 68.44

 

CMYK 81 / 0 / 4 / 15

HEX #2AD9D0

RGB 42 217 208

HSL 176.91, 0.7%, 0.51%

LAB 78.85, -43.26, -7.64

 

CMYK 19 / 81 / 0 / 15

HEX #AF2AD9

RGB 175 42 217

HSL 285.6, 0.7%, 0.51%

LAB 46.68, 74.1, -62.08

 

CMYK 0 / 60 / 81 / 15

HEX #D9562A

RGB 217 86 42

HSL 15.09, 0.7%, 0.51%

LAB 53.57, 49.26, 50.05

 

CMYK 60 / 0 / 81 / 15

HEX #56D92A

RGB 86 217 42

HSL 104.91, 0.7%, 0.51%

LAB 77.14, -64.61, 68.44

 

CMYK 81 / 20 / 0 / 15

HEX #2AADD9

RGB 42 173 217

HSL 195.09, 0.7%, 0.51%

LAB 66.05, -19.31, -31.95

 

Description

Color code: HEX #AF2AD9 | qconv.com Color code: HEX #AF2AD9 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 42 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 42 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 81 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 81% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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