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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF27C9 it is the complementary color #50D836. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF27C9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF27C9 shade: #B427C4, #C539D7, #D64BEA, #E75DFD and #F86FFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF27C9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF27C9 shade: #AF27C9, #9E15B6, #8D03A3, #7C0090 and #6B007D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF27C9 shade: #AF26C9, #C926B8, #C9268C, #C92660 and #C92634

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF27C9 shade: #AF26C9, #8326C9, #5726C9, #2B26C9 and #2626C9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF27C9 shade matches the following richer shades: #AF26C9 and #BC13DD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF27C9 shade: #AF26C9, #A23AB6, #954DA3, #88618F and #7B747C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF27C9 shade: #5726C9, #8326C9, #AE26C9, #C926B9 and #C9268E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF27C9 shade: #731984, #9120A7, #AF26C9, #C13FDA and #CC61E1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF27C9 shade: #AF27C9, #C92C26 and #26C96D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF27C9 shade: #AF27C9, #C9AE26 and #26C9AE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF27C9 shade: #AF27C9, #C92C26, #42C926 and #26C4C9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF27C9 shade: #AF27C9, #C95D26, #42C926 and #2693C9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 81 / 0 / 21

HEX #AF27C9

RGB 175 39 201

HSL 290.37, 0.68%, 0.47%

LAB 45.33, 72.03, -55.05

 

Complementary color

CMYK 63 / 0 / 75 / 15

HEX #50D836

RGB 80 216 54

HSL 110.37, 0.68%, 0.53%

LAB 76.73, -64.92, 64.4

 

CMYK 8 / 80 / 0 / 23

HEX #B427C4

RGB 180 39 196

HSL 293.89, 0.67%, 0.46%

LAB 45.83, 72.09, -51.31

 

CMYK 8 / 73 / 0 / 16

HEX #C539D7

RGB 197 57 215

HSL 293.16, 0.66%, 0.53%

LAB 51.5, 73.33, -53.02

 

CMYK 9 / 68 / 0 / 8

HEX #D64BEA

RGB 214 75 234

HSL 292.45, 0.79%, 0.61%

LAB 57.34, 73.88, -54.29

 

CMYK 9 / 63 / 0 / 1

HEX #E75DFD

RGB 231 93 253

HSL 291.75, 0.98%, 0.68%

LAB 63.27, 73.97, -55.25

 

CMYK 3 / 56 / 0 / 0

HEX #F86FFF

RGB 248 111 255

HSL 297.08, 1%, 0.72%

LAB 68.42, 70.79, -48.04

 

CMYK 13 / 81 / 0 / 21

HEX #AF27C9

RGB 175 39 201

HSL 290.37, 0.68%, 0.47%

LAB 45.33, 72.03, -55.05

 

CMYK 13 / 88 / 0 / 29

HEX #9E15B6

RGB 158 21 182

HSL 291.06, 0.79%, 0.4%

LAB 39.89, 69.84, -52.85

 

CMYK 13 / 98 / 0 / 36

HEX #8D03A3

RGB 141 3 163

HSL 291.75, 0.96%, 0.33%

LAB 34.75, 66.41, -49.95

 

CMYK 14 / 100 / 0 / 44

HEX #7C0090

RGB 124 0 144

HSL 291.67, 1%, 0.28%

LAB 30.15, 60.94, -45.92

 

CMYK 14 / 100 / 0 / 51

HEX #6B007D

RGB 107 0 125

HSL 291.36, 1%, 0.25%

LAB 25.58, 54.94, -41.57

 

CMYK 13 / 81 / 0 / 21

HEX #AF26C9

RGB 175 38 201

HSL 290.43, 0.68%, 0.47%

LAB 45.24, 72.29, -55.19

 

CMYK 0 / 81 / 8 / 21

HEX #C926B8

RGB 201 38 184

HSL 306.26, 0.68%, 0.47%

LAB 48.59, 74.54, -39.7

 

CMYK 0 / 81 / 30 / 21

HEX #C9268C

RGB 201 38 140

HSL 322.45, 0.68%, 0.47%

LAB 46.57, 68.87, -16.64

 

CMYK 0 / 81 / 52 / 21

HEX #C92660

RGB 201 38 96

HSL 338.65, 0.68%, 0.47%

LAB 45.15, 64.67, 8.29

 

CMYK 0 / 81 / 74 / 21

HEX #C92634

RGB 201 38 52

HSL 354.85, 0.68%, 0.47%

LAB 44.31, 62.12, 34.21

 

CMYK 13 / 81 / 0 / 21

HEX #AF26C9

RGB 175 38 201

HSL 290.43, 0.68%, 0.47%

LAB 45.24, 72.29, -55.19

 

CMYK 35 / 81 / 0 / 21

HEX #8326C9

RGB 131 38 201

HSL 274.23, 0.68%, 0.47%

LAB 38.6, 64.97, -66.28

 

CMYK 57 / 81 / 0 / 21

HEX #5726C9

RGB 87 38 201

HSL 258.04, 0.68%, 0.47%

LAB 33.2, 59.13, -75.35

 

CMYK 79 / 81 / 0 / 21

HEX #2B26C9

RGB 43 38 201

HSL 241.84, 0.68%, 0.47%

LAB 29.71, 55.43, -81.24

 

CMYK 81 / 81 / 0 / 21

HEX #2626C9

RGB 38 38 201

HSL 240, 0.68%, 0.47%

LAB 29.45, 55.17, -81.67

 

CMYK 13 / 81 / 0 / 21

HEX #AF26C9

RGB 175 38 201

HSL 290.43, 0.68%, 0.47%

LAB 45.24, 72.29, -55.19

 

CMYK 15 / 91 / 0 / 13

HEX #BC13DD

RGB 188 19 221

HSL 290.2, 0.84%, 0.47%

LAB 47.47, 81.46, -63

 

CMYK 13 / 81 / 0 / 21

HEX #AF26C9

RGB 175 38 201

HSL 290.43, 0.68%, 0.47%

LAB 45.24, 72.29, -55.19

 

CMYK 11 / 68 / 0 / 29

HEX #A23AB6

RGB 162 58 182

HSL 290.32, 0.52%, 0.47%

LAB 44.35, 59.6, -45.65

 

CMYK 9 / 53 / 0 / 36

HEX #954DA3

RGB 149 77 163

HSL 290.23, 0.36%, 0.47%

LAB 44.72, 43.68, -33.96

 

CMYK 5 / 32 / 0 / 44

HEX #88618F

RGB 136 97 143

HSL 290.87, 0.19%, 0.47%

LAB 46.67, 24.2, -19.15

 

CMYK 1 / 6 / 0 / 51

HEX #7B747C

RGB 123 116 124

HSL 292.5, 0.03%, 0.47%

LAB 49.69, 4.28, -3.43

 

CMYK 57 / 81 / 0 / 21

HEX #5726C9

RGB 87 38 201

HSL 258.04, 0.68%, 0.47%

LAB 33.2, 59.13, -75.35

 

CMYK 35 / 81 / 0 / 21

HEX #8326C9

RGB 131 38 201

HSL 274.23, 0.68%, 0.47%

LAB 38.6, 64.97, -66.28

 

CMYK 13 / 81 / 0 / 21

HEX #AE26C9

RGB 174 38 201

HSL 290.06, 0.68%, 0.47%

LAB 45.08, 72.11, -55.46

 

CMYK 0 / 81 / 8 / 21

HEX #C926B9

RGB 201 38 185

HSL 305.89, 0.68%, 0.47%

LAB 48.64, 74.68, -40.2

 

CMYK 0 / 81 / 29 / 21

HEX #C9268E

RGB 201 38 142

HSL 321.72, 0.68%, 0.47%

LAB 46.65, 69.09, -17.73

 

CMYK 13 / 81 / 0 / 48

HEX #731984

RGB 115 25 132

HSL 290.47, 0.68%, 0.31%

LAB 29.43, 52.08, -39.71

 

CMYK 13 / 81 / 0 / 35

HEX #9120A7

RGB 145 32 167

HSL 290.22, 0.68%, 0.39%

LAB 37.56, 62.36, -47.78

 

CMYK 13 / 81 / 0 / 21

HEX #AF26C9

RGB 175 38 201

HSL 290.43, 0.68%, 0.47%

LAB 45.24, 72.29, -55.19

 

CMYK 11 / 71 / 0 / 15

HEX #C13FDA

RGB 193 63 218

HSL 290.32, 0.68%, 0.55%

LAB 51.79, 71, -54.3

 

CMYK 9 / 57 / 0 / 12

HEX #CC61E1

RGB 204 97 225

HSL 290.16, 0.68%, 0.63%

LAB 58.81, 60.69, -46.98

 

CMYK 13 / 81 / 0 / 21

HEX #AF27C9

RGB 175 39 201

HSL 290.37, 0.68%, 0.47%

LAB 45.33, 72.03, -55.05

 

CMYK 0 / 78 / 81 / 21

HEX #C92C26

RGB 201 44 38

HSL 2.21, 0.68%, 0.47%

LAB 44.74, 59.97, 42.56

 

CMYK 81 / 0 / 46 / 21

HEX #26C96D

RGB 38 201 109

HSL 146.13, 0.68%, 0.47%

LAB 71.75, -60.26, 34.77

 

CMYK 13 / 81 / 0 / 21

HEX #AF27C9

RGB 175 39 201

HSL 290.37, 0.68%, 0.47%

LAB 45.33, 72.03, -55.05

 

CMYK 0 / 13 / 81 / 21

HEX #C9AE26

RGB 201 174 38

HSL 50.06, 0.68%, 0.47%

LAB 71.44, -3.54, 66.94

 

CMYK 81 / 0 / 13 / 21

HEX #26C9AE

RGB 38 201 174

HSL 170.06, 0.68%, 0.47%

LAB 73.05, -45.98, 2.14

 

CMYK 13 / 81 / 0 / 21

HEX #AF27C9

RGB 175 39 201

HSL 290.37, 0.68%, 0.47%

LAB 45.33, 72.03, -55.05

 

CMYK 0 / 78 / 81 / 21

HEX #C92C26

RGB 201 44 38

HSL 2.21, 0.68%, 0.47%

LAB 44.74, 59.97, 42.56

 

CMYK 67 / 0 / 81 / 21

HEX #42C926

RGB 66 201 38

HSL 109.69, 0.68%, 0.47%

LAB 71.6, -63.86, 64.21

 

CMYK 81 / 2 / 0 / 21

HEX #26C4C9

RGB 38 196 201

HSL 181.84, 0.68%, 0.47%

LAB 72.3, -36.13, -13.65

 

CMYK 13 / 81 / 0 / 21

HEX #AF27C9

RGB 175 39 201

HSL 290.37, 0.68%, 0.47%

LAB 45.33, 72.03, -55.05

 

CMYK 0 / 54 / 81 / 21

HEX #C95D26

RGB 201 93 38

HSL 20.25, 0.68%, 0.47%

LAB 52.27, 39.81, 49.74

 

CMYK 67 / 0 / 81 / 21

HEX #42C926

RGB 66 201 38

HSL 109.69, 0.68%, 0.47%

LAB 71.6, -63.86, 64.21

 

CMYK 81 / 27 / 0 / 21

HEX #2693C9

RGB 38 147 201

HSL 199.88, 0.68%, 0.47%

LAB 57.56, -11.1, -36.26

 

Description

Color code: HEX #AF27C9 | qconv.com Color code: HEX #AF27C9 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 39 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 39 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 81 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 81% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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