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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF2336CE it is the complementary color #50DCC9CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF2336CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF2336CE shade: #B42331CE, #C53544CE, #D64757CE, #E7596ACE and #F86B7DCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF2336CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF2336CE shade: #AF2336CE, #9E1123CE, #8D0010CE, #7C0000CE and #6B0000CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF2336CE shade: #AF2336 and #AF2323

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF2336CE shade: #AF2336, #AF235B, #AF2381, #AF23A7 and #9123AF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF2336CE shade matches the following richer shades: #AF2336, #C01229 and #D0011D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF2336CE shade: #AF2336, #9E3342, #8D444E, #7C555A and #6B6667

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF2336CE shade: #AF2382, #AF235D, #AF2338, #AF3323 and #AF5823

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF2336CE shade: #6A1520, #8C1C2B, #AF2336, #D12940 and #DB495D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF2336CE shade: #AF2336, #A8AF23 and #2370AF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF2336CE shade: #AF2336, #38AF23 and #2338AF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF2336CE shade: #AF2336, #A8AF23, #23AF9A and #2A23AF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF2336CE shade: #AF2336, #7EAF23, #23AF9A and #5423AF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 65 / 56 / 25

HEX #AF2336CE

RGBA 175 35 54 0.81

HSLA 351.86, 0.67%, 0.41%, 0.81

LABA 38.87, 55.58, 25.28, 0.81

 

Complementary color

CMYK 52 / 0 / 7 / 11

HEX #50DCC9CE

RGBA 80 220 201 0.81

HSLA 171.86, 0.67%, 0.59%, 0.81

LABA 80.24, -41.88, -1.78, 0.81

 

CMYK 0 / 65 / 59 / 24

HEX #B42331CE

RGBA 180 35 49 0.81

HSLA 354.21, 0.67%, 0.42%, 0.81

LABA 39.79, 56.79, 29.71, 0.81

 

CMYK 0 / 59 / 53 / 18

HEX #C53544CE

RGBA 197 53 68 0.81

HSLA 353.75, 0.58%, 0.49%, 0.81

LABA 45.41, 57.14, 25.77, 0.81

 

CMYK 0 / 54 / 48 / 13

HEX #D64757CE

RGBA 214 71 87 0.81

HSLA 353.29, 0.64%, 0.56%, 0.81

LABA 51.26, 56.87, 22.51, 0.81

 

CMYK 0 / 50 / 44 / 8

HEX #E7596ACE

RGBA 231 89 106 0.81

HSLA 352.82, 0.75%, 0.63%, 0.81

LABA 57.24, 56.24, 19.8, 0.81

 

CMYK 0 / 46 / 40 / 2

HEX #F86B7DCE

RGBA 248 107 125 0.81

HSLA 352.34, 0.91%, 0.7%, 0.81

LABA 63.3, 55.43, 17.52, 0.81

 

CMYK 0 / 65 / 56 / 25

HEX #AF2336CE

RGBA 175 35 54 0.81

HSLA 351.86, 0.67%, 0.41%, 0.81

LABA 38.87, 55.58, 25.28, 0.81

 

CMYK 0 / 72 / 63 / 31

HEX #9E1123CE

RGBA 158 17 35 0.81

HSLA 352.34, 0.81%, 0.34%, 0.81

LABA 33.54, 54.25, 29.94, 0.81

 

CMYK 0 / 81 / 72 / 36

HEX #8D0010CE

RGBA 141 0 16 0.81

HSLA 353.19, 1%, 0.28%, 0.81

LABA 28.64, 51.81, 35, 0.81

 

CMYK 0 / 81 / 81 / 42

HEX #7C0000CE

RGBA 124 0 0 0.81

HSLA 0, 1%, 0.24%, 0.81

LABA 24.59, 46.97, 36.84, 0.81

 

CMYK 0 / 81 / 81 / 47

HEX #6B0000CE

RGBA 107 0 0 0.81

HSLA 0, 1%, 0.21%, 0.81

LABA 20.54, 42.28, 31.36, 0.81

 

CMYK 0 / 80 / 69 / 31

HEX #AF2336

RGB 175 35 54

HSL 351.86, 0.67%, 0.41%

LAB 38.87, 55.58, 25.28

 

CMYK 0 / 80 / 80 / 31

HEX #AF2323

RGB 175 35 35

HSL 0, 0.67%, 0.41%

LAB 38.62, 54.79, 36.39

 

CMYK 0 / 80 / 69 / 31

HEX #AF2336

RGB 175 35 54

HSL 351.86, 0.67%, 0.41%

LAB 38.87, 55.58, 25.28

 

CMYK 0 / 80 / 48 / 31

HEX #AF235B

RGB 175 35 91

HSL 336, 0.67%, 0.41%

LAB 39.7, 58.14, 2.97

 

CMYK 0 / 80 / 26 / 31

HEX #AF2381

RGB 175 35 129

HSL 319.71, 0.67%, 0.41%

LAB 41.06, 62.18, -18.79

 

CMYK 0 / 80 / 5 / 31

HEX #AF23A7

RGB 175 35 167

HSL 303.43, 0.67%, 0.41%

LAB 42.92, 67.47, -38.92

 

CMYK 17 / 80 / 0 / 31

HEX #9123AF

RGB 145 35 175

HSL 287.14, 0.67%, 0.41%

LAB 38.41, 62.97, -51.2

 

CMYK 0 / 80 / 69 / 31

HEX #AF2336

RGB 175 35 54

HSL 351.86, 0.67%, 0.41%

LAB 38.87, 55.58, 25.28

 

CMYK 0 / 91 / 79 / 25

HEX #C01229

RGB 192 18 41

HSL 352.07, 0.83%, 0.41%

LAB 40.9, 63.4, 36.39

 

CMYK 0 / 100 / 86 / 18

HEX #D0011D

RGB 208 1 29

HSL 351.88, 0.99%, 0.41%

LAB 43.54, 68.97, 46.66

 

CMYK 0 / 80 / 69 / 31

HEX #AF2336

RGB 175 35 54

HSL 351.86, 0.67%, 0.41%

LAB 38.87, 55.58, 25.28

 

CMYK 0 / 68 / 58 / 38

HEX #9E3342

RGB 158 51 66

HSL 351.59, 0.51%, 0.41%

LAB 37.9, 45.3, 15.85

 

CMYK 0 / 52 / 45 / 45

HEX #8D444E

RGB 141 68 78

HSL 351.78, 0.35%, 0.41%

LAB 38.46, 31.98, 8.6

 

CMYK 0 / 31 / 27 / 51

HEX #7C555A

RGB 124 85 90

HSL 352.31, 0.19%, 0.41%

LAB 40.44, 16.98, 3.63

 

CMYK 0 / 5 / 4 / 58

HEX #6B6667

RGB 107 102 103

HSL 348, 0.02%, 0.41%

LAB 43.67, 2.16, 0.13

 

CMYK 0 / 80 / 26 / 31

HEX #AF2382

RGB 175 35 130

HSL 319.29, 0.67%, 0.41%

LAB 41.1, 62.3, -19.34

 

CMYK 0 / 80 / 47 / 31

HEX #AF235D

RGB 175 35 93

HSL 335.14, 0.67%, 0.41%

LAB 39.76, 58.32, 1.78

 

CMYK 0 / 80 / 68 / 31

HEX #AF2338

RGB 175 35 56

HSL 351, 0.67%, 0.41%

LAB 38.9, 55.68, 24.07

 

CMYK 0 / 71 / 80 / 31

HEX #AF3323

RGB 175 51 35

HSL 6.86, 0.67%, 0.41%

LAB 40.58, 49.33, 38.38

 

CMYK 0 / 50 / 80 / 31

HEX #AF5823

RGB 175 88 35

HSL 22.71, 0.67%, 0.41%

LAB 47.25, 31.87, 44.94

 

CMYK 0 / 80 / 70 / 58

HEX #6A1520

RGB 106 21 32

HSL 352.24, 0.67%, 0.25%

LAB 22.67, 37.5, 16.29

 

CMYK 0 / 80 / 69 / 45

HEX #8C1C2B

RGB 140 28 43

HSL 351.96, 0.67%, 0.33%

LAB 30.83, 46.63, 20.74

 

CMYK 0 / 80 / 69 / 31

HEX #AF2336

RGB 175 35 54

HSL 351.86, 0.67%, 0.41%

LAB 38.87, 55.58, 25.28

 

CMYK 0 / 80 / 69 / 18

HEX #D12940

RGB 209 41 64

HSL 351.79, 0.67%, 0.49%

LAB 46.33, 64.09, 29.83

 

CMYK 0 / 67 / 58 / 14

HEX #DB495D

RGB 219 73 93

HSL 351.78, 0.67%, 0.57%

LAB 52.53, 58.07, 20.78

 

CMYK 0 / 80 / 69 / 31

HEX #AF2336

RGB 175 35 54

HSL 351.86, 0.67%, 0.41%

LAB 38.87, 55.58, 25.28

 

CMYK 4 / 0 / 80 / 31

HEX #A8AF23

RGB 168 175 35

HSL 63, 0.67%, 0.41%

LAB 68.83, -18.6, 64.41

 

CMYK 80 / 36 / 0 / 31

HEX #2370AF

RGB 35 112 175

HSL 207, 0.67%, 0.41%

LAB 45.69, -0.44, -40.04

 

CMYK 0 / 80 / 69 / 31

HEX #AF2336

RGB 175 35 54

HSL 351.86, 0.67%, 0.41%

LAB 38.87, 55.58, 25.28

 

CMYK 68 / 0 / 80 / 31

HEX #38AF23

RGB 56 175 35

HSL 111, 0.67%, 0.41%

LAB 63.03, -57.48, 56.97

 

CMYK 80 / 68 / 0 / 31

HEX #2338AF

RGB 35 56 175

HSL 231, 0.67%, 0.41%

LAB 30.11, 36.07, -65.22

 

CMYK 0 / 80 / 69 / 31

HEX #AF2336

RGB 175 35 54

HSL 351.86, 0.67%, 0.41%

LAB 38.87, 55.58, 25.28

 

CMYK 4 / 0 / 80 / 31

HEX #A8AF23

RGB 168 175 35

HSL 63, 0.67%, 0.41%

LAB 68.83, -18.6, 64.41

 

CMYK 80 / 0 / 12 / 31

HEX #23AF9A

RGB 35 175 154

HSL 171, 0.67%, 0.41%

LAB 64.44, -40.42, 0.58

 

CMYK 76 / 80 / 0 / 31

HEX #2A23AF

RGB 42 35 175

HSL 243, 0.67%, 0.41%

LAB 26.13, 48.77, -71.78

 

CMYK 0 / 80 / 69 / 31

HEX #AF2336

RGB 175 35 54

HSL 351.86, 0.67%, 0.41%

LAB 38.87, 55.58, 25.28

 

CMYK 28 / 0 / 80 / 31

HEX #7EAF23

RGB 126 175 35

HSL 81, 0.67%, 0.41%

LAB 65.92, -36.02, 60.7

 

CMYK 80 / 0 / 12 / 31

HEX #23AF9A

RGB 35 175 154

HSL 171, 0.67%, 0.41%

LAB 64.44, -40.42, 0.58

 

CMYK 52 / 80 / 0 / 31

HEX #5423AF

RGB 84 35 175

HSL 261, 0.67%, 0.41%

LAB 29.87, 53.1, -65.48

 

Description

Color code: HEX #AF2336CE | qconv.com Color code: HEX #AF2336CE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 35 green and 54 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 35 54 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 65 magenta, 56 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 65% 56% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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