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Color name
HEX #AF2052

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF2052 it is the complementary color #50DFAD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF2052. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF2052 shade: #B4204D, #C53260, #D64473, #E75686 and #F86899

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF2052. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF2052 shade: #AF2052, #9E0E3F, #8D002C, #7C0019 and #6B0006

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF2052 shade: #B12053, #B1202C and #B12020

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF2052 shade: #B12053, #B1207A, #B120A1, #9A20B1 and #7320B1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF2052 shade matches the following richer shades: #B12053 and #C20F4E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF2052 shade: #B12053, #A03158, #8F425D, #7E5362 and #6D6467

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF2052 shade: #B120A0, #B12079, #B12053, #B1202C and #B13B20

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF2052 shade: #6B1432, #8E1A43, #B12053, #D42763 and #DD467B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF2052 shade: #AF2052, #B19B20 and #208DB1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF2052 shade: #AF2052, #53B120 and #2053B1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF2052 shade: #AF2052, #B19B20, #20B17E and #2036B1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF2052 shade: #AF2052, #9BB120, #20B17E and #3620B1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 82 / 53 / 31

HEX #AF2052

RGB 175 32 82

HSL 339.02, 0.69%, 0.41%

LAB 39.17, 58.21, 7.93

 

Complementary color

CMYK 64 / 0 / 22 / 13

HEX #50DFAD

RGB 80 223 173

HSL 159.02, 0.69%, 0.59%

LAB 80.46, -49.9, 13.39

 

CMYK 0 / 82 / 57 / 29

HEX #B4204D

RGB 180 32 77

HSL 341.76, 0.7%, 0.42%

LAB 40.04, 59.19, 12.47

 

CMYK 0 / 75 / 51 / 23

HEX #C53260

RGB 197 50 96

HSL 341.22, 0.6%, 0.48%

LAB 45.63, 60.09, 8.86

 

CMYK 0 / 68 / 46 / 16

HEX #D64473

RGB 214 68 115

HSL 340.68, 0.64%, 0.55%

LAB 51.46, 60.27, 5.97

 

CMYK 0 / 63 / 42 / 9

HEX #E75686

RGB 231 86 134

HSL 340.14, 0.75%, 0.62%

LAB 57.43, 60.01, 3.63

 

CMYK 0 / 58 / 38 / 3

HEX #F86899

RGB 248 104 153

HSL 339.58, 0.91%, 0.69%

LAB 63.47, 59.48, 1.68

 

CMYK 0 / 82 / 53 / 31

HEX #AF2052

RGB 175 32 82

HSL 339.02, 0.69%, 0.41%

LAB 39.17, 58.21, 7.93

 

CMYK 0 / 91 / 60 / 38

HEX #9E0E3F

RGB 158 14 63

HSL 339.58, 0.84%, 0.34%

LAB 33.86, 56.21, 12.32

 

CMYK 0 / 100 / 69 / 45

HEX #8D002C

RGB 141 0 44

HSL 341.28, 1%, 0.28%

LAB 29.02, 52.82, 17.83

 

CMYK 0 / 100 / 80 / 51

HEX #7C0019

RGB 124 0 25

HSL 347.9, 1%, 0.24%

LAB 24.81, 47.57, 24.5

 

CMYK 0 / 100 / 94 / 58

HEX #6B0006

RGB 107 0 6

HSL 356.64, 1%, 0.21%

LAB 20.59, 42.42, 28.97

 

CMYK 0 / 82 / 53 / 31

HEX #B12053

RGB 177 32 83

HSL 338.9, 0.69%, 0.41%

LAB 39.59, 58.82, 7.94

 

CMYK 0 / 82 / 75 / 31

HEX #B1202C

RGB 177 32 44

HSL 355.03, 0.69%, 0.41%

LAB 38.83, 56.53, 31.47

 

CMYK 0 / 82 / 82 / 31

HEX #B12020

RGB 177 32 32

HSL 0, 0.69%, 0.41%

LAB 38.7, 56.12, 38.28

 

CMYK 0 / 82 / 53 / 31

HEX #B12053

RGB 177 32 83

HSL 338.9, 0.69%, 0.41%

LAB 39.59, 58.82, 7.94

 

CMYK 0 / 82 / 31 / 31

HEX #B1207A

RGB 177 32 122

HSL 322.76, 0.69%, 0.41%

LAB 40.87, 62.6, -14.71

 

CMYK 0 / 82 / 9 / 31

HEX #B120A1

RGB 177 32 161

HSL 306.62, 0.69%, 0.41%

LAB 42.69, 67.72, -35.67

 

CMYK 13 / 82 / 0 / 31

HEX #9A20B1

RGB 154 32 177

HSL 290.48, 0.69%, 0.41%

LAB 39.71, 65.83, -50.21

 

CMYK 35 / 82 / 0 / 31

HEX #7320B1

RGB 115 32 177

HSL 274.34, 0.69%, 0.41%

LAB 33.67, 59.2, -60.28

 

CMYK 0 / 82 / 53 / 31

HEX #B12053

RGB 177 32 83

HSL 338.9, 0.69%, 0.41%

LAB 39.59, 58.82, 7.94

 

CMYK 0 / 92 / 60 / 24

HEX #C20F4E

RGB 194 15 78

HSL 338.88, 0.86%, 0.41%

LAB 41.78, 66.05, 14.69

 

CMYK 0 / 82 / 53 / 31

HEX #B12053

RGB 177 32 83

HSL 338.9, 0.69%, 0.41%

LAB 39.59, 58.82, 7.94

 

CMYK 0 / 69 / 45 / 37

HEX #A03158

RGB 160 49 88

HSL 338.92, 0.53%, 0.41%

LAB 38.51, 48.73, 2.79

 

CMYK 0 / 54 / 35 / 44

HEX #8F425D

RGB 143 66 93

HSL 338.96, 0.37%, 0.41%

LAB 38.77, 35.62, -0.34

 

CMYK 0 / 34 / 22 / 51

HEX #7E5362

RGB 126 83 98

HSL 339.07, 0.21%, 0.41%

LAB 40.42, 20.27, -1.32

 

CMYK 0 / 8 / 6 / 57

HEX #6D6467

RGB 109 100 103

HSL 340, 0.04%, 0.41%

LAB 43.28, 4.15, -0.41

 

CMYK 0 / 82 / 10 / 31

HEX #B120A0

RGB 177 32 160

HSL 307.03, 0.69%, 0.41%

LAB 42.64, 67.57, -35.16

 

CMYK 0 / 82 / 32 / 31

HEX #B12079

RGB 177 32 121

HSL 323.17, 0.69%, 0.41%

LAB 40.83, 62.49, -14.15

 

CMYK 0 / 82 / 53 / 31

HEX #B12053

RGB 177 32 83

HSL 338.9, 0.69%, 0.41%

LAB 39.59, 58.82, 7.94

 

CMYK 0 / 82 / 75 / 31

HEX #B1202C

RGB 177 32 44

HSL 355.03, 0.69%, 0.41%

LAB 38.83, 56.53, 31.47

 

CMYK 0 / 67 / 82 / 31

HEX #B13B20

RGB 177 59 32

HSL 11.17, 0.69%, 0.41%

LAB 42.12, 46.65, 41.58

 

CMYK 0 / 81 / 53 / 58

HEX #6B1432

RGB 107 20 50

HSL 339.31, 0.69%, 0.25%

LAB 23.19, 39.55, 4.6

 

CMYK 0 / 82 / 53 / 44

HEX #8E1A43

RGB 142 26 67

HSL 338.79, 0.69%, 0.33%

LAB 31.57, 49.5, 5.99

 

CMYK 0 / 82 / 53 / 31

HEX #B12053

RGB 177 32 83

HSL 338.9, 0.69%, 0.41%

LAB 39.59, 58.82, 7.94

 

CMYK 0 / 82 / 53 / 17

HEX #D42763

RGB 212 39 99

HSL 339.19, 0.69%, 0.49%

LAB 47.43, 67.52, 9.95

 

CMYK 0 / 68 / 44 / 13

HEX #DD467B

RGB 221 70 123

HSL 338.94, 0.69%, 0.57%

LAB 53.15, 62.31, 3.76

 

CMYK 0 / 82 / 53 / 31

HEX #AF2052

RGB 175 32 82

HSL 339.02, 0.69%, 0.41%

LAB 39.17, 58.21, 7.93

 

CMYK 0 / 12 / 82 / 31

HEX #B19B20

RGB 177 155 32

HSL 50.9, 0.69%, 0.41%

LAB 64.08, -4.29, 61.41

 

CMYK 82 / 20 / 0 / 31

HEX #208DB1

RGB 32 141 177

HSL 194.9, 0.69%, 0.41%

LAB 54.59, -16.82, -27.27

 

CMYK 0 / 82 / 53 / 31

HEX #AF2052

RGB 175 32 82

HSL 339.02, 0.69%, 0.41%

LAB 39.17, 58.21, 7.93

 

CMYK 53 / 0 / 82 / 31

HEX #53B120

RGB 83 177 32

HSL 98.9, 0.69%, 0.41%

LAB 64.47, -51.72, 59.47

 

CMYK 82 / 53 / 0 / 31

HEX #2053B1

RGB 32 83 177

HSL 218.9, 0.69%, 0.41%

LAB 37.24, 18.71, -54.77

 

CMYK 0 / 82 / 53 / 31

HEX #AF2052

RGB 175 32 82

HSL 339.02, 0.69%, 0.41%

LAB 39.17, 58.21, 7.93

 

CMYK 0 / 12 / 82 / 31

HEX #B19B20

RGB 177 155 32

HSL 50.9, 0.69%, 0.41%

LAB 64.08, -4.29, 61.41

 

CMYK 82 / 0 / 29 / 31

HEX #20B17E

RGB 32 177 126

HSL 158.9, 0.69%, 0.41%

LAB 64.37, -48.61, 15.94

 

CMYK 82 / 69 / 0 / 31

HEX #2036B1

RGB 32 54 177

HSL 230.9, 0.69%, 0.41%

LAB 29.71, 37.82, -67.07

 

CMYK 0 / 82 / 53 / 31

HEX #AF2052

RGB 175 32 82

HSL 339.02, 0.69%, 0.41%

LAB 39.17, 58.21, 7.93

 

CMYK 12 / 0 / 82 / 31

HEX #9BB120

RGB 155 177 32

HSL 69.1, 0.69%, 0.41%

LAB 68.4, -25.26, 64.47

 

CMYK 82 / 0 / 29 / 31

HEX #20B17E

RGB 32 177 126

HSL 158.9, 0.69%, 0.41%

LAB 64.37, -48.61, 15.94

 

CMYK 69 / 82 / 0 / 31

HEX #3620B1

RGB 54 32 177

HSL 249.1, 0.69%, 0.41%

LAB 26.71, 51.74, -71.99

 

Description

Color code: HEX #AF2052 | qconv.com Color code: HEX #AF2052 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 32 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 32 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 82 magenta, 53 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 82% 53% 31% C M Y K

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