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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF1EDB it is the complementary color #50E124. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF1EDB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF1EDB shade: #B41ED6, #C530E9, #D642FC, #E754FF and #F866FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF1EDB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF1EDB shade: #AF1EDB, #9E0CC8, #8D00B5, #7C00A2 and #6B008F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF1EDB shade: #B01EDC, #DC1ED5, #DC1EA2, #DC1E6E and #DC1E3B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF1EDB shade: #B01EDC, #7C1EDC, #491EDC and #1E1EDC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF1EDB shade matches the following richer shades: #B01EDC and #BA0AF0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF1EDB shade: #B01EDC, #A532C8, #9A46B3, #8F5B9F and #846F8B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF1EDB shade: #4A1EDC, #7D1EDC, #B01EDC, #DC1ED6 and #DC1EA3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF1EDB shade: #761493, #9319B8, #B01EDC, #BE3EE5 and #CA63EA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF1EDB shade: #AF1EDB, #DC1E24 and #1EDC64

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF1EDB shade: #AF1EDB, #DCB01E and #1EDCB0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF1EDB shade: #AF1EDB, #DC1E24, #4ADC1E and #1EDCD6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF1EDB shade: #AF1EDB, #DC511E, #4ADC1E and #1EA9DC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 86 / 0 / 14

HEX #AF1EDB

RGB 175 30 219

HSL 286.03, 0.76%, 0.49%

LAB 45.85, 77.33, -64.58

 

Complementary color

CMYK 64 / 0 / 84 / 12

HEX #50E124

RGB 80 225 36

HSL 106.03, 0.76%, 0.51%

LAB 79.43, -68.84, 71.94

 

CMYK 16 / 86 / 0 / 16

HEX #B41ED6

RGB 180 30 214

HSL 288.91, 0.75%, 0.48%

LAB 46.29, 77.23, -60.96

 

CMYK 15 / 79 / 0 / 9

HEX #C530E9

RGB 197 48 233

HSL 288.32, 0.81%, 0.55%

LAB 51.69, 79.13, -62.92

 

CMYK 15 / 74 / 0 / 1

HEX #D642FC

RGB 214 66 252

HSL 287.74, 0.97%, 0.62%

LAB 57.29, 80.18, -64.39

 

CMYK 9 / 67 / 0 / 0

HEX #E754FF

RGB 231 84 255

HSL 291.58, 1%, 0.66%

LAB 62.13, 77.82, -58.17

 

CMYK 3 / 60 / 0 / 0

HEX #F866FF

RGB 248 102 255

HSL 297.25, 1%, 0.7%

LAB 67.04, 74.58, -50.23

 

CMYK 20 / 86 / 0 / 14

HEX #AF1EDB

RGB 175 30 219

HSL 286.03, 0.76%, 0.49%

LAB 45.85, 77.33, -64.58

 

CMYK 21 / 94 / 0 / 22

HEX #9E0CC8

RGB 158 12 200

HSL 286.6, 0.89%, 0.42%

LAB 40.74, 74.33, -62.04

 

CMYK 22 / 100 / 0 / 29

HEX #8D00B5

RGB 141 0 181

HSL 286.74, 1%, 0.35%

LAB 35.98, 69.95, -58.72

 

CMYK 23 / 100 / 0 / 36

HEX #7C00A2

RGB 124 0 162

HSL 285.93, 1%, 0.32%

LAB 31.56, 64.18, -54.65

 

CMYK 25 / 100 / 0 / 44

HEX #6B008F

RGB 107 0 143

HSL 284.9, 1%, 0.28%

LAB 27.04, 58.29, -50.49

 

CMYK 20 / 86 / 0 / 14

HEX #B01EDC

RGB 176 30 220

HSL 286.11, 0.76%, 0.49%

LAB 46.08, 77.66, -64.77

 

CMYK 0 / 86 / 3 / 14

HEX #DC1ED5

RGB 220 30 213

HSL 302.21, 0.76%, 0.49%

LAB 52.89, 83.85, -49.43

 

CMYK 0 / 86 / 26 / 14

HEX #DC1EA2

RGB 220 30 162

HSL 318.32, 0.76%, 0.49%

LAB 50.4, 77.24, -23.66

 

CMYK 0 / 86 / 50 / 14

HEX #DC1E6E

RGB 220 30 110

HSL 334.74, 0.76%, 0.49%

LAB 48.6, 72.25, 5.06

 

CMYK 0 / 86 / 73 / 14

HEX #DC1E3B

RGB 220 30 59

HSL 350.84, 0.76%, 0.49%

LAB 47.57, 69.3, 34.82

 

CMYK 20 / 86 / 0 / 14

HEX #B01EDC

RGB 176 30 220

HSL 286.11, 0.76%, 0.49%

LAB 46.08, 77.66, -64.77

 

CMYK 44 / 86 / 0 / 14

HEX #7C1EDC

RGB 124 30 220

HSL 269.68, 0.76%, 0.49%

LAB 38.52, 70.58, -77.43

 

CMYK 67 / 86 / 0 / 14

HEX #491EDC

RGB 73 30 220

HSL 253.58, 0.76%, 0.49%

LAB 32.95, 65.85, -86.82

 

CMYK 86 / 86 / 0 / 14

HEX #1E1EDC

RGB 30 30 220

HSL 240, 0.76%, 0.49%

LAB 30.33, 63.83, -91.24

 

CMYK 20 / 86 / 0 / 14

HEX #B01EDC

RGB 176 30 220

HSL 286.11, 0.76%, 0.49%

LAB 46.08, 77.66, -64.77

 

CMYK 23 / 96 / 0 / 6

HEX #BA0AF0

RGB 186 10 240

HSL 285.91, 0.92%, 0.49%

LAB 48.19, 85.36, -72.61

 

CMYK 20 / 86 / 0 / 14

HEX #B01EDC

RGB 176 30 220

HSL 286.11, 0.76%, 0.49%

LAB 46.08, 77.66, -64.77

 

CMYK 18 / 75 / 0 / 22

HEX #A532C8

RGB 165 50 200

HSL 286, 0.6%, 0.49%

LAB 44.87, 66.64, -55.29

 

CMYK 14 / 61 / 0 / 30

HEX #9A46B3

RGB 154 70 179

HSL 286.24, 0.44%, 0.49%

LAB 44.95, 51.79, -43

 

CMYK 10 / 43 / 0 / 38

HEX #8F5B9F

RGB 143 91 159

HSL 285.88, 0.27%, 0.49%

LAB 46.74, 33.38, -28.47

 

CMYK 5 / 20 / 0 / 45

HEX #846F8B

RGB 132 111 139

HSL 285, 0.11%, 0.49%

LAB 49.66, 13.67, -12.25

 

CMYK 66 / 86 / 0 / 14

HEX #4A1EDC

RGB 74 30 220

HSL 253.89, 0.76%, 0.49%

LAB 33.03, 65.92, -86.68

 

CMYK 43 / 86 / 0 / 14

HEX #7D1EDC

RGB 125 30 220

HSL 270, 0.76%, 0.49%

LAB 38.65, 70.7, -77.22

 

CMYK 20 / 86 / 0 / 14

HEX #B01EDC

RGB 176 30 220

HSL 286.11, 0.76%, 0.49%

LAB 46.08, 77.66, -64.77

 

CMYK 0 / 86 / 3 / 14

HEX #DC1ED6

RGB 220 30 214

HSL 301.89, 0.76%, 0.49%

LAB 52.95, 84, -49.91

 

CMYK 0 / 86 / 26 / 14

HEX #DC1EA3

RGB 220 30 163

HSL 318, 0.76%, 0.49%

LAB 50.44, 77.36, -24.19

 

CMYK 20 / 86 / 0 / 42

HEX #761493

RGB 118 20 147

HSL 286.3, 0.76%, 0.33%

LAB 30.54, 56.93, -47.19

 

CMYK 20 / 86 / 0 / 28

HEX #9319B8

RGB 147 25 184

HSL 286.04, 0.76%, 0.41%

LAB 38.48, 67.6, -56.4

 

CMYK 20 / 86 / 0 / 14

HEX #B01EDC

RGB 176 30 220

HSL 286.11, 0.76%, 0.49%

LAB 46.08, 77.66, -64.77

 

CMYK 17 / 73 / 0 / 10

HEX #BE3EE5

RGB 190 62 229

HSL 285.99, 0.76%, 0.57%

LAB 51.89, 72.77, -60.39

 

CMYK 14 / 58 / 0 / 8

HEX #CA63EA

RGB 202 99 234

HSL 285.78, 0.76%, 0.65%

LAB 59.36, 60.99, -51.16

 

CMYK 20 / 86 / 0 / 14

HEX #AF1EDB

RGB 175 30 219

HSL 286.03, 0.76%, 0.49%

LAB 45.85, 77.33, -64.58

 

CMYK 0 / 86 / 84 / 14

HEX #DC1E24

RGB 220 30 36

HSL 358.11, 0.76%, 0.49%

LAB 47.33, 68.59, 47.38

 

CMYK 86 / 0 / 55 / 14

HEX #1EDC64

RGB 30 220 100

HSL 142.11, 0.76%, 0.49%

LAB 77.51, -68.67, 46.28

 

CMYK 20 / 86 / 0 / 14

HEX #AF1EDB

RGB 175 30 219

HSL 286.03, 0.76%, 0.49%

LAB 45.85, 77.33, -64.58

 

CMYK 0 / 20 / 86 / 14

HEX #DCB01E

RGB 220 176 30

HSL 46.11, 0.76%, 0.49%

LAB 73.78, 3.51, 71.76

 

CMYK 86 / 0 / 20 / 14

HEX #1EDCB0

RGB 30 220 176

HSL 166.11, 0.76%, 0.49%

LAB 78.81, -53.84, 9.35

 

CMYK 20 / 86 / 0 / 14

HEX #AF1EDB

RGB 175 30 219

HSL 286.03, 0.76%, 0.49%

LAB 45.85, 77.33, -64.58

 

CMYK 0 / 86 / 84 / 14

HEX #DC1E24

RGB 220 30 36

HSL 358.11, 0.76%, 0.49%

LAB 47.33, 68.59, 47.38

 

CMYK 66 / 0 / 86 / 14

HEX #4ADC1E

RGB 74 220 30

HSL 106.11, 0.76%, 0.49%

LAB 77.72, -68.71, 71.66

 

CMYK 86 / 0 / 3 / 14

HEX #1EDCD6

RGB 30 220 214

HSL 178.11, 0.76%, 0.49%

LAB 79.79, -43.71, -9.46

 

CMYK 20 / 86 / 0 / 14

HEX #AF1EDB

RGB 175 30 219

HSL 286.03, 0.76%, 0.49%

LAB 45.85, 77.33, -64.58

 

CMYK 0 / 63 / 86 / 14

HEX #DC511E

RGB 220 81 30

HSL 16.11, 0.76%, 0.49%

LAB 53.16, 52.22, 55.08

 

CMYK 66 / 0 / 86 / 14

HEX #4ADC1E

RGB 74 220 30

HSL 106.11, 0.76%, 0.49%

LAB 77.72, -68.71, 71.66

 

CMYK 86 / 23 / 0 / 14

HEX #1EA9DC

RGB 30 169 220

HSL 196.11, 0.76%, 0.49%

LAB 64.82, -17.09, -35.53

 

Description

Color code: HEX #AF1EDB | qconv.com Color code: HEX #AF1EDB | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 30 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 30 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 86 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 86% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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