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Color name
HEX #AF1E5E

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF1E5E it is the complementary color #50E1A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF1E5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF1E5E shade: #B41E59, #C5306C, #D6427F, #E75492 and #F866A5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF1E5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF1E5E shade: #AF1E5E, #9E0C4B, #8D0038, #7C0025 and #6B0012

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF1E5E shade: #AE1E5E, #AE1E36 and #AE1E1E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF1E5E shade: #AE1E5E, #AE1E85, #AE1EAC, #8A1EAE and #631EAE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF1E5E shade matches the following richer shades: #AE1E5E and #BF0D5C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF1E5E shade: #AE1E5E, #9E2E5F, #8D3F61, #7D4F63 and #6C6065

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF1E5E shade: #AE1EAC, #AE1E85, #AE1E5F, #AE1E38 and #AE2A1E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF1E5E shade: #681238, #8B184B, #AE1E5E, #D22470 and #DF4086

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF1E5E shade: #AF1E5E, #AE8A1E and #1E99AE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF1E5E shade: #AF1E5E, #5FAE1E and #1E5FAE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF1E5E shade: #AF1E5E, #AE8A1E, #1EAE6D and #1E42AE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF1E5E shade: #AF1E5E, #A7AE1E, #1EAE6D and #251EAE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 83 / 46 / 31

HEX #AF1E5E

RGB 175 30 94

HSL 333.52, 0.71%, 0.4%

LAB 39.33, 59.72, 0.52

 

Complementary color

CMYK 64 / 0 / 28 / 12

HEX #50E1A1

RGB 80 225 161

HSL 153.52, 0.71%, 0.6%

LAB 80.81, -53.3, 20.17

 

CMYK 0 / 83 / 51 / 29

HEX #B41E59

RGB 180 30 89

HSL 336.4, 0.71%, 0.41%

LAB 40.17, 60.59, 5.04

 

CMYK 0 / 76 / 45 / 23

HEX #C5306C

RGB 197 48 108

HSL 335.84, 0.61%, 0.48%

LAB 45.73, 61.77, 1.58

 

CMYK 0 / 69 / 41 / 16

HEX #D6427F

RGB 214 66 127

HSL 335.27, 0.64%, 0.55%

LAB 51.52, 62.17, -1.15

 

CMYK 0 / 64 / 37 / 9

HEX #E75492

RGB 231 84 146

HSL 334.69, 0.75%, 0.62%

LAB 57.47, 62.08, -3.36

 

CMYK 0 / 59 / 33 / 3

HEX #F866A5

RGB 248 102 165

HSL 334.11, 0.91%, 0.69%

LAB 63.49, 61.69, -5.18

 

CMYK 0 / 83 / 46 / 31

HEX #AF1E5E

RGB 175 30 94

HSL 333.52, 0.71%, 0.4%

LAB 39.33, 59.72, 0.52

 

CMYK 0 / 92 / 53 / 38

HEX #9E0C4B

RGB 158 12 75

HSL 334.11, 0.86%, 0.33%

LAB 34.07, 57.38, 4.73

 

CMYK 0 / 100 / 60 / 45

HEX #8D0038

RGB 141 0 56

HSL 336.17, 1%, 0.28%

LAB 29.28, 53.53, 10.11

 

CMYK 0 / 100 / 70 / 51

HEX #7C0025

RGB 124 0 37

HSL 342.1, 1%, 0.24%

LAB 25.01, 48.1, 16.67

 

CMYK 0 / 100 / 83 / 58

HEX #6B0012

RGB 107 0 18

HSL 349.91, 1%, 0.21%

LAB 20.71, 42.74, 23.42

 

CMYK 0 / 83 / 46 / 32

HEX #AE1E5E

RGB 174 30 94

HSL 333.33, 0.71%, 0.4%

LAB 39.13, 59.46, 0.21

 

CMYK 0 / 83 / 69 / 32

HEX #AE1E36

RGB 174 30 54

HSL 350, 0.71%, 0.4%

LAB 38.19, 56.65, 24.39

 

CMYK 0 / 83 / 83 / 32

HEX #AE1E1E

RGB 174 30 30

HSL 0, 0.71%, 0.4%

LAB 37.88, 55.71, 38.38

 

CMYK 0 / 83 / 46 / 32

HEX #AE1E5E

RGB 174 30 94

HSL 333.33, 0.71%, 0.4%

LAB 39.13, 59.46, 0.21

 

CMYK 0 / 83 / 24 / 32

HEX #AE1E85

RGB 174 30 133

HSL 317.08, 0.71%, 0.4%

LAB 40.61, 63.71, -21.97

 

CMYK 0 / 83 / 1 / 32

HEX #AE1EAC

RGB 174 30 172

HSL 300.83, 0.71%, 0.4%

LAB 42.62, 69.24, -42.39

 

CMYK 21 / 83 / 0 / 32

HEX #8A1EAE

RGB 138 30 174

HSL 285, 0.71%, 0.4%

LAB 36.72, 62.97, -53.38

 

CMYK 43 / 83 / 0 / 32

HEX #631EAE

RGB 99 30 174

HSL 268.75, 0.71%, 0.4%

LAB 30.97, 56.81, -63.01

 

CMYK 0 / 83 / 46 / 32

HEX #AE1E5E

RGB 174 30 94

HSL 333.33, 0.71%, 0.4%

LAB 39.13, 59.46, 0.21

 

CMYK 0 / 93 / 52 / 25

HEX #BF0D5C

RGB 191 13 92

HSL 333.37, 0.87%, 0.4%

LAB 41.43, 66.54, 5.24

 

CMYK 0 / 83 / 46 / 32

HEX #AE1E5E

RGB 174 30 94

HSL 333.33, 0.71%, 0.4%

LAB 39.13, 59.46, 0.21

 

CMYK 0 / 71 / 40 / 38

HEX #9E2E5F

RGB 158 46 95

HSL 333.75, 0.55%, 0.4%

LAB 37.93, 50.04, -2.54

 

CMYK 0 / 55 / 31 / 45

HEX #8D3F61

RGB 141 63 97

HSL 333.85, 0.38%, 0.4%

LAB 37.99, 37.02, -4.04

 

CMYK 0 / 37 / 21 / 51

HEX #7D4F63

RGB 125 79 99

HSL 333.91, 0.23%, 0.4%

LAB 39.33, 22.41, -3.55

 

CMYK 0 / 11 / 6 / 58

HEX #6C6065

RGB 108 96 101

HSL 335, 0.06%, 0.4%

LAB 41.99, 5.77, -1.09

 

CMYK 0 / 83 / 1 / 32

HEX #AE1EAC

RGB 174 30 172

HSL 300.83, 0.71%, 0.4%

LAB 42.62, 69.24, -42.39

 

CMYK 0 / 83 / 24 / 32

HEX #AE1E85

RGB 174 30 133

HSL 317.08, 0.71%, 0.4%

LAB 40.61, 63.71, -21.97

 

CMYK 0 / 83 / 45 / 32

HEX #AE1E5F

RGB 174 30 95

HSL 332.92, 0.71%, 0.4%

LAB 39.16, 59.56, -0.38

 

CMYK 0 / 83 / 68 / 32

HEX #AE1E38

RGB 174 30 56

HSL 349.17, 0.71%, 0.4%

LAB 38.22, 56.75, 23.18

 

CMYK 0 / 76 / 83 / 32

HEX #AE2A1E

RGB 174 42 30

HSL 5, 0.71%, 0.4%

LAB 39.15, 52.13, 39.59

 

CMYK 0 / 83 / 46 / 59

HEX #681238

RGB 104 18 56

HSL 333.49, 0.7%, 0.24%

LAB 22.52, 39.89, -0.61

 

CMYK 0 / 83 / 46 / 45

HEX #8B184B

RGB 139 24 75

HSL 333.39, 0.71%, 0.32%

LAB 31, 49.95, -0.2

 

CMYK 0 / 83 / 46 / 32

HEX #AE1E5E

RGB 174 30 94

HSL 333.33, 0.71%, 0.4%

LAB 39.13, 59.46, 0.21

 

CMYK 0 / 83 / 47 / 18

HEX #D22470

RGB 210 36 112

HSL 333.79, 0.71%, 0.48%

LAB 47.15, 68.74, 1.49

 

CMYK 0 / 71 / 40 / 13

HEX #DF4086

RGB 223 64 134

HSL 333.58, 0.71%, 0.56%

LAB 53.03, 66.1, -2.95

 

CMYK 0 / 83 / 46 / 31

HEX #AF1E5E

RGB 175 30 94

HSL 333.52, 0.71%, 0.4%

LAB 39.33, 59.72, 0.52

 

CMYK 0 / 21 / 83 / 32

HEX #AE8A1E

RGB 174 138 30

HSL 45, 0.71%, 0.4%

LAB 59.22, 3.55, 57.69

 

CMYK 83 / 12 / 0 / 32

HEX #1E99AE

RGB 30 153 174

HSL 188.75, 0.71%, 0.4%

LAB 58.15, -24.36, -20.09

 

CMYK 0 / 83 / 46 / 31

HEX #AF1E5E

RGB 175 30 94

HSL 333.52, 0.71%, 0.4%

LAB 39.33, 59.72, 0.52

 

CMYK 45 / 0 / 83 / 32

HEX #5FAE1E

RGB 95 174 30

HSL 92.92, 0.71%, 0.4%

LAB 64, -46.98, 59.76

 

CMYK 83 / 45 / 0 / 32

HEX #1E5FAE

RGB 30 95 174

HSL 212.92, 0.71%, 0.4%

LAB 40.44, 9.42, -47.84

 

CMYK 0 / 83 / 46 / 31

HEX #AF1E5E

RGB 175 30 94

HSL 333.52, 0.71%, 0.4%

LAB 39.33, 59.72, 0.52

 

CMYK 0 / 21 / 83 / 32

HEX #AE8A1E

RGB 174 138 30

HSL 45, 0.71%, 0.4%

LAB 59.22, 3.55, 57.69

 

CMYK 83 / 0 / 37 / 32

HEX #1EAE6D

RGB 30 174 109

HSL 152.92, 0.71%, 0.4%

LAB 63.05, -51.34, 23.36

 

CMYK 83 / 62 / 0 / 32

HEX #1E42AE

RGB 30 66 174

HSL 225, 0.71%, 0.4%

LAB 32.32, 28.73, -61

 

CMYK 0 / 83 / 46 / 31

HEX #AF1E5E

RGB 175 30 94

HSL 333.52, 0.71%, 0.4%

LAB 39.33, 59.72, 0.52

 

CMYK 4 / 0 / 83 / 32

HEX #A7AE1E

RGB 167 174 30

HSL 62.92, 0.71%, 0.4%

LAB 68.45, -18.69, 65.38

 

CMYK 83 / 0 / 37 / 32

HEX #1EAE6D

RGB 30 174 109

HSL 152.92, 0.71%, 0.4%

LAB 63.05, -51.34, 23.36

 

CMYK 79 / 83 / 0 / 32

HEX #251EAE

RGB 37 30 174

HSL 242.92, 0.71%, 0.4%

LAB 24.88, 50.55, -73.25

 

Description

Color code: HEX #AF1E5E | qconv.com Color code: HEX #AF1E5E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 30 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 30 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 83 magenta, 46 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 83% 46% 31% C M Y K

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