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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF1CE6 it is the complementary color #50E319. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF1CE6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF1CE6 shade: #B41CE1, #C52EF4, #D640FF, #E752FF and #F864FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF1CE6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF1CE6 shade: #AF1CE6, #9E0AD3, #8D00C0, #7C00AD and #6B009A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF1CE6 shade: #B01EE6, #E51EE6, #E61EB1, #E61E7B and #E61E45

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF1CE6 shade: #B01EE6, #7A1EE6, #441EE6 and #1E1EE6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF1CE6 shade matches the following richer shades: #B01EE6 and #B90AFA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF1CE6 shade: #B01EE6, #A632D2, #9D47BE, #945BA9 and #8B6F95

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF1CE6 shade: #431EE6, #781EE6, #AD1EE6, #E31EE6 and #E61EB4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF1CE6 shade: #7912A0, #9516C5, #B01EE6, #BD43EA and #CA68EE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF1CE6 shade: #AF1CE6, #E61E2F and #1EE65D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF1CE6 shade: #AF1CE6, #E6AD1E and #1EE6AD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF1CE6 shade: #AF1CE6, #E61E2F, #57E61E and #1EE6D5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF1CE6 shade: #AF1CE6, #E6491E, #57E61E and #1EBBE6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 88 / 0 / 10

HEX #AF1CE6

RGB 175 28 230

HSL 283.66, 0.8%, 0.51%

LAB 46.52, 79.71, -69.75

 

Complementary color

CMYK 65 / 0 / 89 / 11

HEX #50E319

RGB 80 227 25

HSL 103.66, 0.8%, 0.49%

LAB 80.02, -69.87, 74.61

 

CMYK 20 / 88 / 0 / 12

HEX #B41CE1

RGB 180 28 225

HSL 286.29, 0.78%, 0.5%

LAB 46.94, 79.54, -66.21

 

CMYK 19 / 81 / 0 / 4

HEX #C52EF4

RGB 197 46 244

HSL 285.76, 0.9%, 0.57%

LAB 52.24, 81.6, -68.22

 

CMYK 16 / 75 / 0 / 0

HEX #D640FF

RGB 214 64 255

HSL 287.12, 1%, 0.63%

LAB 57.25, 81.36, -66.12

 

CMYK 9 / 68 / 0 / 0

HEX #E752FF

RGB 231 82 255

HSL 291.68, 1%, 0.66%

LAB 61.86, 78.55, -58.59

 

CMYK 3 / 61 / 0 / 0

HEX #F864FF

RGB 248 100 255

HSL 297.29, 1%, 0.7%

LAB 66.74, 75.39, -50.69

 

CMYK 24 / 88 / 0 / 10

HEX #AF1CE6

RGB 175 28 230

HSL 283.66, 0.8%, 0.51%

LAB 46.52, 79.71, -69.75

 

CMYK 25 / 95 / 0 / 17

HEX #9E0AD3

RGB 158 10 211

HSL 284.18, 0.91%, 0.43%

LAB 41.52, 76.53, -67.15

 

CMYK 27 / 100 / 0 / 25

HEX #8D00C0

RGB 141 0 192

HSL 284.06, 1%, 0.38%

LAB 36.87, 71.96, -63.77

 

CMYK 28 / 100 / 0 / 32

HEX #7C00AD

RGB 124 0 173

HSL 283.01, 1%, 0.34%

LAB 32.49, 66.25, -59.77

 

CMYK 31 / 100 / 0 / 40

HEX #6B009A

RGB 107 0 154

HSL 281.69, 1%, 0.3%

LAB 28, 60.43, -55.7

 

CMYK 23 / 87 / 0 / 10

HEX #B01EE6

RGB 176 30 230

HSL 283.8, 0.8%, 0.51%

LAB 46.81, 79.47, -69.29

 

CMYK 0 / 87 / 0 / 10

HEX #E51EE6

RGB 229 30 230

HSL 299.7, 0.8%, 0.51%

LAB 55.38, 87.89, -55.02

 

CMYK 0 / 87 / 23 / 10

HEX #E61EB1

RGB 230 30 177

HSL 315.9, 0.8%, 0.51%

LAB 52.87, 81.05, -28.53

 

CMYK 0 / 87 / 47 / 10

HEX #E61E7B

RGB 230 30 123

HSL 332.1, 0.8%, 0.51%

LAB 50.9, 75.64, 0.7

 

CMYK 0 / 87 / 70 / 10

HEX #E61E45

RGB 230 30 69

HSL 348.3, 0.8%, 0.51%

LAB 49.72, 72.28, 31.91

 

CMYK 23 / 87 / 0 / 10

HEX #B01EE6

RGB 176 30 230

HSL 283.8, 0.8%, 0.51%

LAB 46.81, 79.47, -69.29

 

CMYK 47 / 87 / 0 / 10

HEX #7A1EE6

RGB 122 30 230

HSL 267.6, 0.8%, 0.51%

LAB 39.21, 72.59, -82.03

 

CMYK 70 / 87 / 0 / 10

HEX #441EE6

RGB 68 30 230

HSL 251.4, 0.8%, 0.51%

LAB 33.71, 68.16, -91.29

 

CMYK 87 / 87 / 0 / 10

HEX #1E1EE6

RGB 30 30 230

HSL 240, 0.8%, 0.51%

LAB 31.62, 66.63, -94.84

 

CMYK 23 / 87 / 0 / 10

HEX #B01EE6

RGB 176 30 230

HSL 283.8, 0.8%, 0.51%

LAB 46.81, 79.47, -69.29

 

CMYK 26 / 96 / 0 / 2

HEX #B90AFA

RGB 185 10 250

HSL 283.75, 0.96%, 0.51%

LAB 48.8, 86.98, -77.24

 

CMYK 23 / 87 / 0 / 10

HEX #B01EE6

RGB 176 30 230

HSL 283.8, 0.8%, 0.51%

LAB 46.81, 79.47, -69.29

 

CMYK 21 / 76 / 0 / 18

HEX #A632D2

RGB 166 50 210

HSL 283.5, 0.64%, 0.51%

LAB 45.69, 68.75, -59.74

 

CMYK 17 / 63 / 0 / 25

HEX #9D47BE

RGB 157 71 190

HSL 283.36, 0.48%, 0.51%

LAB 46.17, 54.32, -47.47

 

CMYK 12 / 46 / 0 / 34

HEX #945BA9

RGB 148 91 169

HSL 283.85, 0.31%, 0.51%

LAB 47.81, 37.07, -32.67

 

CMYK 7 / 26 / 0 / 42

HEX #8B6F95

RGB 139 111 149

HSL 284.21, 0.15%, 0.51%

LAB 50.72, 18.27, -16.48

 

CMYK 71 / 87 / 0 / 10

HEX #431EE6

RGB 67 30 230

HSL 251.1, 0.8%, 0.51%

LAB 33.64, 68.1, -91.42

 

CMYK 48 / 87 / 0 / 10

HEX #781EE6

RGB 120 30 230

HSL 267, 0.8%, 0.51%

LAB 38.96, 72.38, -82.45

 

CMYK 25 / 87 / 0 / 10

HEX #AD1EE6

RGB 173 30 230

HSL 282.9, 0.8%, 0.51%

LAB 46.35, 79.03, -70.05

 

CMYK 1 / 87 / 0 / 10

HEX #E31EE6

RGB 227 30 230

HSL 299.1, 0.8%, 0.51%

LAB 55.04, 87.55, -55.58

 

CMYK 0 / 87 / 22 / 10

HEX #E61EB4

RGB 230 30 180

HSL 315, 0.8%, 0.51%

LAB 53, 81.4, -30.08

 

CMYK 24 / 89 / 0 / 37

HEX #7912A0

RGB 121 18 160

HSL 283.52, 0.8%, 0.35%

LAB 31.89, 60.42, -52.93

 

CMYK 24 / 89 / 0 / 23

HEX #9516C5

RGB 149 22 197

HSL 283.54, 0.8%, 0.43%

LAB 39.57, 70.96, -62.25

 

CMYK 23 / 87 / 0 / 10

HEX #B01EE6

RGB 176 30 230

HSL 283.8, 0.8%, 0.51%

LAB 46.81, 79.47, -69.29

 

CMYK 19 / 71 / 0 / 8

HEX #BD43EA

RGB 189 67 234

HSL 283.83, 0.8%, 0.59%

LAB 52.7, 71.72, -61.91

 

CMYK 15 / 56 / 0 / 7

HEX #CA68EE

RGB 202 104 238

HSL 283.88, 0.8%, 0.67%

LAB 60.45, 59.4, -51.65

 

CMYK 24 / 88 / 0 / 10

HEX #AF1CE6

RGB 175 28 230

HSL 283.66, 0.8%, 0.51%

LAB 46.52, 79.71, -69.75

 

CMYK 0 / 87 / 80 / 10

HEX #E61E2F

RGB 230 30 47

HSL 354.9, 0.8%, 0.51%

LAB 49.44, 71.49, 44.29

 

CMYK 87 / 0 / 60 / 10

HEX #1EE65D

RGB 30 230 93

HSL 138.9, 0.8%, 0.51%

LAB 80.55, -72.7, 53.04

 

CMYK 24 / 88 / 0 / 10

HEX #AF1CE6

RGB 175 28 230

HSL 283.66, 0.8%, 0.51%

LAB 46.52, 79.71, -69.75

 

CMYK 0 / 25 / 87 / 10

HEX #E6AD1E

RGB 230 173 30

HSL 42.9, 0.8%, 0.51%

LAB 74.06, 9.44, 72.42

 

CMYK 87 / 0 / 25 / 10

HEX #1EE6AD

RGB 30 230 173

HSL 162.9, 0.8%, 0.51%

LAB 81.78, -58.44, 15.13

 

CMYK 24 / 88 / 0 / 10

HEX #AF1CE6

RGB 175 28 230

HSL 283.66, 0.8%, 0.51%

LAB 46.52, 79.71, -69.75

 

CMYK 0 / 87 / 80 / 10

HEX #E61E2F

RGB 230 30 47

HSL 354.9, 0.8%, 0.51%

LAB 49.44, 71.49, 44.29

 

CMYK 62 / 0 / 87 / 10

HEX #57E61E

RGB 87 230 30

HSL 102.9, 0.8%, 0.51%

LAB 81.13, -69.18, 74.75

 

CMYK 87 / 0 / 7 / 10

HEX #1EE6D5

RGB 30 230 213

HSL 174.9, 0.8%, 0.51%

LAB 82.74, -48.3, -4.57

 

CMYK 24 / 88 / 0 / 10

HEX #AF1CE6

RGB 175 28 230

HSL 283.66, 0.8%, 0.51%

LAB 46.52, 79.71, -69.75

 

CMYK 0 / 68 / 87 / 10

HEX #E6491E

RGB 230 73 30

HSL 12.9, 0.8%, 0.51%

LAB 53.69, 58.86, 56.23

 

CMYK 62 / 0 / 87 / 10

HEX #57E61E

RGB 87 230 30

HSL 102.9, 0.8%, 0.51%

LAB 81.13, -69.18, 74.75

 

CMYK 87 / 19 / 0 / 10

HEX #1EBBE6

RGB 30 187 230

HSL 192.9, 0.8%, 0.51%

LAB 70.55, -23.09, -32.12

 

Description

Color code: HEX #AF1CE6 | qconv.com Color code: HEX #AF1CE6 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 28 green and 230 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 28 230 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 88 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 88% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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