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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF17DB it is the complementary color #50E824. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF17DB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF17DB shade: #B417D6, #C529E9, #D63BFC, #E74DFF and #F85FFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF17DB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF17DB shade: #AF17DB, #9E05C8, #8D00B5, #7C00A2 and #6B008F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF17DB shade: #AD17D9, #D917D0, #D9179C, #D91767 and #D91733

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF17DB shade: #AD17D9, #7917D9, #4517D9 and #1717D9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF17DB shade matches the following richer shades: #AD17D9 and #B803EC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF17DB shade: #AD17D9, #A32AC6, #983EB2, #8D519F and #83648B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF17DB shade: #4417D9, #7817D9, #AC17D9, #D917D2 and #D9179F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF17DB shade: #720F8E, #9013B4, #AD17D9, #C030E9 and #CB55ED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF17DB shade: #AF17DB, #D9171D and #17D95E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF17DB shade: #AF17DB, #D9AC17 and #17D9AC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF17DB shade: #AF17DB, #D9171D, #44D917 and #17D9D2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF17DB shade: #AF17DB, #D94B17, #44D917 and #17A5D9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 89 / 0 / 14

HEX #AF17DB

RGB 175 23 219

HSL 286.53, 0.81%, 0.47%

LAB 45.42, 78.6, -65.28

 

Complementary color

CMYK 66 / 0 / 84 / 9

HEX #50E824

RGB 80 232 36

HSL 106.53, 0.81%, 0.53%

LAB 81.59, -71.07, 73.86

 

CMYK 16 / 89 / 0 / 16

HEX #B417D6

RGB 180 23 214

HSL 289.32, 0.81%, 0.46%

LAB 45.87, 78.49, -61.65

 

CMYK 15 / 82 / 0 / 9

HEX #C529E9

RGB 197 41 233

HSL 288.75, 0.81%, 0.54%

LAB 51.08, 80.89, -63.9

 

CMYK 15 / 77 / 0 / 1

HEX #D63BFC

RGB 214 59 252

HSL 288.19, 0.97%, 0.61%

LAB 56.54, 82.35, -65.61

 

CMYK 9 / 70 / 0 / 0

HEX #E74DFF

RGB 231 77 255

HSL 291.91, 1%, 0.65%

LAB 61.23, 80.33, -59.59

 

CMYK 3 / 63 / 0 / 0

HEX #F85FFF

RGB 248 95 255

HSL 297.38, 1%, 0.69%

LAB 66.03, 77.37, -51.82

 

CMYK 20 / 89 / 0 / 14

HEX #AF17DB

RGB 175 23 219

HSL 286.53, 0.81%, 0.47%

LAB 45.42, 78.6, -65.28

 

CMYK 21 / 98 / 0 / 22

HEX #9E05C8

RGB 158 5 200

HSL 287.08, 0.95%, 0.4%

LAB 40.49, 75.07, -62.44

 

CMYK 22 / 100 / 0 / 29

HEX #8D00B5

RGB 141 0 181

HSL 286.74, 1%, 0.35%

LAB 35.98, 69.95, -58.72

 

CMYK 23 / 100 / 0 / 36

HEX #7C00A2

RGB 124 0 162

HSL 285.93, 1%, 0.32%

LAB 31.56, 64.18, -54.65

 

CMYK 25 / 100 / 0 / 44

HEX #6B008F

RGB 107 0 143

HSL 284.9, 1%, 0.28%

LAB 27.04, 58.29, -50.49

 

CMYK 20 / 89 / 0 / 15

HEX #AD17D9

RGB 173 23 217

HSL 286.39, 0.81%, 0.47%

LAB 44.95, 77.96, -64.91

 

CMYK 0 / 89 / 4 / 15

HEX #D917D0

RGB 217 23 208

HSL 302.78, 0.81%, 0.47%

LAB 51.75, 83.65, -48.43

 

CMYK 0 / 89 / 28 / 15

HEX #D9179C

RGB 217 23 156

HSL 318.87, 0.81%, 0.47%

LAB 49.21, 77.04, -21.97

 

CMYK 0 / 89 / 53 / 15

HEX #D91767

RGB 217 23 103

HSL 335.26, 0.81%, 0.47%

LAB 47.42, 72.17, 7.61

 

CMYK 0 / 89 / 76 / 15

HEX #D91733

RGB 217 23 51

HSL 351.34, 0.81%, 0.47%

LAB 46.45, 69.42, 38.08

 

CMYK 20 / 89 / 0 / 15

HEX #AD17D9

RGB 173 23 217

HSL 286.39, 0.81%, 0.47%

LAB 44.95, 77.96, -64.91

 

CMYK 44 / 89 / 0 / 15

HEX #7917D9

RGB 121 23 217

HSL 270.31, 0.81%, 0.47%

LAB 37.28, 71.27, -77.77

 

CMYK 68 / 89 / 0 / 15

HEX #4517D9

RGB 69 23 217

HSL 254.23, 0.81%, 0.47%

LAB 31.55, 66.95, -87.42

 

CMYK 89 / 89 / 0 / 15

HEX #1717D9

RGB 23 23 217

HSL 240, 0.81%, 0.47%

LAB 28.91, 65.23, -91.88

 

CMYK 20 / 89 / 0 / 15

HEX #AD17D9

RGB 173 23 217

HSL 286.39, 0.81%, 0.47%

LAB 44.95, 77.96, -64.91

 

CMYK 22 / 99 / 0 / 7

HEX #B803EC

RGB 184 3 236

HSL 286.61, 0.97%, 0.47%

LAB 47.38, 84.98, -71.69

 

CMYK 20 / 89 / 0 / 15

HEX #AD17D9

RGB 173 23 217

HSL 286.39, 0.81%, 0.47%

LAB 44.95, 77.96, -64.91

 

CMYK 18 / 79 / 0 / 22

HEX #A32AC6

RGB 163 42 198

HSL 286.54, 0.65%, 0.47%

LAB 43.54, 68.47, -56.3

 

CMYK 15 / 65 / 0 / 30

HEX #983EB2

RGB 152 62 178

HSL 286.55, 0.48%, 0.47%

LAB 43.26, 54.8, -45.12

 

CMYK 11 / 49 / 0 / 38

HEX #8D519F

RGB 141 81 159

HSL 286.15, 0.33%, 0.47%

LAB 44.31, 38.37, -32.31

 

CMYK 6 / 28 / 0 / 45

HEX #83648B

RGB 131 100 139

HSL 287.69, 0.16%, 0.47%

LAB 46.72, 19.84, -16.74

 

CMYK 69 / 89 / 0 / 15

HEX #4417D9

RGB 68 23 217

HSL 253.92, 0.81%, 0.47%

LAB 31.47, 66.89, -87.56

 

CMYK 45 / 89 / 0 / 15

HEX #7817D9

RGB 120 23 217

HSL 270, 0.81%, 0.47%

LAB 37.14, 71.16, -77.99

 

CMYK 21 / 89 / 0 / 15

HEX #AC17D9

RGB 172 23 217

HSL 286.08, 0.81%, 0.47%

LAB 44.79, 77.81, -65.17

 

CMYK 0 / 89 / 3 / 15

HEX #D917D2

RGB 217 23 210

HSL 302.16, 0.81%, 0.47%

LAB 51.86, 83.93, -49.4

 

CMYK 0 / 89 / 27 / 15

HEX #D9179F

RGB 217 23 159

HSL 317.94, 0.81%, 0.47%

LAB 49.34, 77.38, -23.56

 

CMYK 20 / 89 / 0 / 44

HEX #720F8E

RGB 114 15 142

HSL 286.77, 0.81%, 0.31%

LAB 29.09, 56.44, -46.49

 

CMYK 20 / 89 / 0 / 29

HEX #9013B4

RGB 144 19 180

HSL 286.58, 0.81%, 0.39%

LAB 37.28, 67.6, -56

 

CMYK 20 / 89 / 0 / 15

HEX #AD17D9

RGB 173 23 217

HSL 286.39, 0.81%, 0.47%

LAB 44.95, 77.96, -64.91

 

CMYK 18 / 79 / 0 / 9

HEX #C030E9

RGB 192 48 233

HSL 286.7, 0.81%, 0.55%

LAB 50.92, 78.26, -64.19

 

CMYK 14 / 64 / 0 / 7

HEX #CB55ED

RGB 203 85 237

HSL 286.58, 0.81%, 0.63%

LAB 57.37, 68.05, -55.99

 

CMYK 20 / 89 / 0 / 14

HEX #AF17DB

RGB 175 23 219

HSL 286.53, 0.81%, 0.47%

LAB 45.42, 78.6, -65.28

 

CMYK 0 / 89 / 87 / 15

HEX #D9171D

RGB 217 23 29

HSL 358.14, 0.81%, 0.47%

LAB 46.25, 68.85, 49.67

 

CMYK 89 / 0 / 57 / 15

HEX #17D95E

RGB 23 217 94

HSL 141.96, 0.81%, 0.47%

LAB 76.45, -69.03, 47.77

 

CMYK 20 / 89 / 0 / 14

HEX #AF17DB

RGB 175 23 219

HSL 286.53, 0.81%, 0.47%

LAB 45.42, 78.6, -65.28

 

CMYK 0 / 21 / 89 / 15

HEX #D9AC17

RGB 217 172 23

HSL 46.08, 0.81%, 0.47%

LAB 72.44, 4.17, 72.09

 

CMYK 89 / 0 / 21 / 15

HEX #17D9AC

RGB 23 217 172

HSL 166.08, 0.81%, 0.47%

LAB 77.75, -54.05, 9.95

 

CMYK 20 / 89 / 0 / 14

HEX #AF17DB

RGB 175 23 219

HSL 286.53, 0.81%, 0.47%

LAB 45.42, 78.6, -65.28

 

CMYK 0 / 89 / 87 / 15

HEX #D9171D

RGB 217 23 29

HSL 358.14, 0.81%, 0.47%

LAB 46.25, 68.85, 49.67

 

CMYK 69 / 0 / 89 / 15

HEX #44D917

RGB 68 217 23

HSL 106.08, 0.81%, 0.47%

LAB 76.63, -69.16, 71.95

 

CMYK 89 / 0 / 3 / 15

HEX #17D9D2

RGB 23 217 210

HSL 177.84, 0.81%, 0.47%

LAB 78.73, -43.9, -8.91

 

CMYK 20 / 89 / 0 / 14

HEX #AF17DB

RGB 175 23 219

HSL 286.53, 0.81%, 0.47%

LAB 45.42, 78.6, -65.28

 

CMYK 0 / 65 / 89 / 15

HEX #D94B17

RGB 217 75 23

HSL 16.08, 0.81%, 0.47%

LAB 51.66, 53.58, 56.3

 

CMYK 69 / 0 / 89 / 15

HEX #44D917

RGB 68 217 23

HSL 106.08, 0.81%, 0.47%

LAB 76.63, -69.16, 71.95

 

CMYK 89 / 24 / 0 / 15

HEX #17A5D9

RGB 23 165 217

HSL 196.08, 0.81%, 0.47%

LAB 63.43, -16.4, -36.04

 

Description

Color code: HEX #AF17DB | qconv.com Color code: HEX #AF17DB | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 23 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 23 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 89 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 89% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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