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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF16BC it is the complementary color #50E943. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF16BC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF16BC shade: #B416B7, #C528CA, #D63ADD, #E74CF0 and #F85EFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF16BC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF16BC shade: #AF16BC, #9E04A9, #8D0096, #7C0083 and #6B0070

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF16BC shade: #AE16BB, #BB169C, #BB166F, #BB1642 and #BB1616

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF16BC shade: #AE16BB, #8216BB, #5516BB, #2916BB and #1616BB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF16BC shade matches the following richer shades: #AE16BB and #BC05CC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF16BC shade: #AE16BB, #A027AA, #923899, #834988 and #755A77

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF16BC shade: #5516BB, #8116BB, #AD16BB, #BB169D and #BB1671

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF16BC shade: #690D71, #8C1296, #AE16BB, #D11AE0 and #DB3CE8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF16BC shade: #AF16BC, #BB2916 and #16BB6B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF16BC shade: #AF16BC, #BBAD16 and #16BBAD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF16BC shade: #AF16BC, #BB2916, #24BB16 and #16A8BB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF16BC shade: #AF16BC, #BB5B16, #24BB16 and #1676BB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 88 / 0 / 26

HEX #AF16BC

RGB 175 22 188

HSL 295.3, 0.79%, 0.41%

LAB 43.24, 73.52, -50.84

 

Complementary color

CMYK 66 / 0 / 71 / 9

HEX #50E943

RGB 80 233 67

HSL 115.3, 0.79%, 0.59%

LAB 82.05, -69.58, 65.29

 

CMYK 2 / 88 / 0 / 28

HEX #B416B7

RGB 180 22 183

HSL 298.88, 0.79%, 0.4%

LAB 43.79, 73.59, -46.96

 

CMYK 2 / 80 / 0 / 21

HEX #C528CA

RGB 197 40 202

HSL 298.15, 0.67%, 0.47%

LAB 49.07, 76, -49.44

 

CMYK 3 / 74 / 0 / 13

HEX #D63ADD

RGB 214 58 221

HSL 297.42, 0.71%, 0.55%

LAB 54.6, 77.43, -51.33

 

CMYK 4 / 68 / 0 / 6

HEX #E74CF0

RGB 231 76 240

HSL 296.71, 0.85%, 0.62%

LAB 60.29, 78.16, -52.78

 

CMYK 3 / 63 / 0 / 0

HEX #F85EFF

RGB 248 94 255

HSL 297.39, 1%, 0.68%

LAB 65.89, 77.76, -52.04

 

CMYK 7 / 88 / 0 / 26

HEX #AF16BC

RGB 175 22 188

HSL 295.3, 0.79%, 0.41%

LAB 43.24, 73.52, -50.84

 

CMYK 7 / 98 / 0 / 34

HEX #9E04A9

RGB 158 4 169

HSL 296, 0.95%, 0.34%

LAB 38.24, 69.96, -47.78

 

CMYK 6 / 100 / 0 / 41

HEX #8D0096

RGB 141 0 150

HSL 296.4, 1%, 0.29%

LAB 33.7, 64.64, -43.73

 

CMYK 5 / 100 / 0 / 49

HEX #7C0083

RGB 124 0 131

HSL 296.79, 1%, 0.26%

LAB 29.22, 58.74, -39.33

 

CMYK 4 / 100 / 0 / 56

HEX #6B0070

RGB 107 0 112

HSL 297.32, 1%, 0.22%

LAB 24.63, 52.68, -34.8

 

CMYK 7 / 88 / 0 / 27

HEX #AE16BB

RGB 174 22 187

HSL 295.27, 0.79%, 0.41%

LAB 43, 73.18, -50.64

 

CMYK 0 / 88 / 17 / 27

HEX #BB169C

RGB 187 22 156

HSL 311.27, 0.79%, 0.41%

LAB 43.56, 71.05, -31.17

 

CMYK 0 / 88 / 41 / 27

HEX #BB166F

RGB 187 22 111

HSL 327.64, 0.79%, 0.41%

LAB 41.67, 65.92, -6.47

 

CMYK 0 / 88 / 65 / 27

HEX #BB1642

RGB 187 22 66

HSL 344, 0.79%, 0.41%

LAB 40.46, 62.52, 20.27

 

CMYK 0 / 88 / 88 / 27

HEX #BB1616

RGB 187 22 22

HSL 0, 0.79%, 0.41%

LAB 39.91, 60.92, 45.28

 

CMYK 7 / 88 / 0 / 27

HEX #AE16BB

RGB 174 22 187

HSL 295.27, 0.79%, 0.41%

LAB 43, 73.18, -50.64

 

CMYK 30 / 88 / 0 / 27

HEX #8216BB

RGB 130 22 187

HSL 279.27, 0.79%, 0.41%

LAB 35.81, 66.27, -62.64

 

CMYK 55 / 88 / 0 / 27

HEX #5516BB

RGB 85 22 187

HSL 262.91, 0.79%, 0.41%

LAB 29.65, 60.88, -72.99

 

CMYK 78 / 88 / 0 / 27

HEX #2916BB

RGB 41 22 187

HSL 246.91, 0.79%, 0.41%

LAB 25.66, 57.8, -79.72

 

CMYK 88 / 88 / 0 / 27

HEX #1616BB

RGB 22 22 187

HSL 240, 0.79%, 0.41%

LAB 24.74, 57.14, -81.28

 

CMYK 7 / 88 / 0 / 27

HEX #AE16BB

RGB 174 22 187

HSL 295.27, 0.79%, 0.41%

LAB 43, 73.18, -50.64

 

CMYK 8 / 98 / 0 / 20

HEX #BC05CC

RGB 188 5 204

HSL 295.18, 0.95%, 0.41%

LAB 45.85, 80.11, -55.84

 

CMYK 7 / 88 / 0 / 27

HEX #AE16BB

RGB 174 22 187

HSL 295.27, 0.79%, 0.41%

LAB 43, 73.18, -50.64

 

CMYK 6 / 77 / 0 / 33

HEX #A027AA

RGB 160 39 170

HSL 295.42, 0.63%, 0.41%

LAB 40.94, 63.77, -44.02

 

CMYK 5 / 63 / 0 / 40

HEX #923899

RGB 146 56 153

HSL 295.67, 0.46%, 0.41%

LAB 39.98, 51.15, -35.48

 

CMYK 4 / 46 / 0 / 47

HEX #834988

RGB 131 73 136

HSL 295.24, 0.3%, 0.41%

LAB 40.19, 34.93, -24.98

 

CMYK 2 / 24 / 0 / 53

HEX #755A77

RGB 117 90 119

HSL 295.86, 0.14%, 0.41%

LAB 41.89, 16.56, -12.15

 

CMYK 55 / 88 / 0 / 27

HEX #5516BB

RGB 85 22 187

HSL 262.91, 0.79%, 0.41%

LAB 29.65, 60.88, -72.99

 

CMYK 31 / 88 / 0 / 27

HEX #8116BB

RGB 129 22 187

HSL 278.91, 0.79%, 0.41%

LAB 35.65, 66.13, -62.9

 

CMYK 7 / 88 / 0 / 27

HEX #AD16BB

RGB 173 22 187

HSL 294.91, 0.79%, 0.41%

LAB 42.83, 73.01, -50.92

 

CMYK 0 / 88 / 16 / 27

HEX #BB169D

RGB 187 22 157

HSL 310.91, 0.79%, 0.41%

LAB 43.61, 71.18, -31.7

 

CMYK 0 / 88 / 40 / 27

HEX #BB1671

RGB 187 22 113

HSL 326.91, 0.79%, 0.41%

LAB 41.74, 66.11, -7.62

 

CMYK 7 / 88 / 0 / 56

HEX #690D71

RGB 105 13 113

HSL 295.2, 0.79%, 0.25%

LAB 25.21, 49.85, -34.53

 

CMYK 7 / 88 / 0 / 41

HEX #8C1296

RGB 140 18 150

HSL 295.45, 0.79%, 0.33%

LAB 34.42, 61.82, -42.59

 

CMYK 7 / 88 / 0 / 27

HEX #AE16BB

RGB 174 22 187

HSL 295.27, 0.79%, 0.41%

LAB 43, 73.18, -50.64

 

CMYK 7 / 88 / 0 / 12

HEX #D11AE0

RGB 209 26 224

HSL 295.45, 0.79%, 0.49%

LAB 51.47, 84.25, -58.08

 

CMYK 6 / 74 / 0 / 9

HEX #DB3CE8

RGB 219 60 232

HSL 295.47, 0.79%, 0.57%

LAB 56.21, 79.6, -54.92

 

CMYK 7 / 88 / 0 / 26

HEX #AF16BC

RGB 175 22 188

HSL 295.3, 0.79%, 0.41%

LAB 43.24, 73.52, -50.84

 

CMYK 0 / 78 / 88 / 27

HEX #BB2916

RGB 187 41 22

HSL 6.91, 0.79%, 0.41%

LAB 41.55, 56.28, 46.57

 

CMYK 88 / 0 / 43 / 27

HEX #16BB6B

RGB 22 187 107

HSL 150.91, 0.79%, 0.41%

LAB 67.11, -57.12, 29.76

 

CMYK 7 / 88 / 0 / 26

HEX #AF16BC

RGB 175 22 188

HSL 295.3, 0.79%, 0.41%

LAB 43.24, 73.52, -50.84

 

CMYK 0 / 7 / 88 / 27

HEX #BBAD16

RGB 187 173 22

HSL 54.91, 0.79%, 0.41%

LAB 69.83, -9.6, 69.01

 

CMYK 88 / 0 / 7 / 27

HEX #16BBAD

RGB 22 187 173

HSL 174.91, 0.79%, 0.41%

LAB 68.55, -41.37, -3.92

 

CMYK 7 / 88 / 0 / 26

HEX #AF16BC

RGB 175 22 188

HSL 295.3, 0.79%, 0.41%

LAB 43.24, 73.52, -50.84

 

CMYK 0 / 78 / 88 / 27

HEX #BB2916

RGB 187 41 22

HSL 6.91, 0.79%, 0.41%

LAB 41.55, 56.28, 46.57

 

CMYK 81 / 0 / 88 / 27

HEX #24BB16

RGB 36 187 22

HSL 114.91, 0.79%, 0.41%

LAB 66.5, -65.09, 63.2

 

CMYK 88 / 10 / 0 / 27

HEX #16A8BB

RGB 22 168 187

HSL 186.91, 0.79%, 0.41%

LAB 63.15, -28.21, -19.79

 

CMYK 7 / 88 / 0 / 26

HEX #AF16BC

RGB 175 22 188

HSL 295.3, 0.79%, 0.41%

LAB 43.24, 73.52, -50.84

 

CMYK 0 / 51 / 88 / 27

HEX #BB5B16

RGB 187 91 22

HSL 25.09, 0.79%, 0.41%

LAB 49.62, 34.83, 52.95

 

CMYK 81 / 0 / 88 / 27

HEX #24BB16

RGB 36 187 22

HSL 114.91, 0.79%, 0.41%

LAB 66.5, -65.09, 63.2

 

CMYK 88 / 37 / 0 / 27

HEX #1676BB

RGB 22 118 187

HSL 205.09, 0.79%, 0.41%

LAB 47.9, -0.63, -43.52

 

Description

Color code: HEX #AF16BC | qconv.com Color code: HEX #AF16BC | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 22 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 22 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 88 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 88% 0% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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