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Color name
HEX #AF16AE

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF16AE it is the complementary color #50E951. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF16AE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF16AE shade: #B416A9, #C528BC, #D63ACF, #E74CE2 and #F85EF5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF16AE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF16AE shade: #AF16AE, #9E049B, #8D0088, #7C0075 and #6B0062

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF16AE shade: #B116B0, #B11686, #B1165C, #B11633 and #B11616

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF16AE shade: #B116B0, #8816B1, #5E16B1, #3516B1 and #1616B1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF16AE shade matches the following richer shades: #B116B0 and #C106C0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF16AE shade: #B116B0, #A126A0, #913690, #814680 and #715670

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF16AE shade: #5E16B1, #8816B1, #B116B1, #B11688 and #B1165E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF16AE shade: #680D67, #8C118C, #B116B0, #D61AD5 and #E634E5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF16AE shade: #AF16AE, #B13516 and #16B173

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF16AE shade: #AF16AE, #B1B116 and #16B1B1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF16AE shade: #AF16AE, #B13516, #16B116 and #1692B1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF16AE shade: #AF16AE, #B16316, #16B116 and #1663B1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 87 / 1 / 31

HEX #AF16AE

RGB 175 22 174

HSL 300.39, 0.78%, 0.39%

LAB 42.37, 71.31, -43.96

 

Complementary color

CMYK 66 / 0 / 65 / 9

HEX #50E951

RGB 80 233 81

HSL 120.39, 0.78%, 0.61%

LAB 82.15, -68.36, 60.1

 

CMYK 0 / 88 / 6 / 29

HEX #B416A9

RGB 180 22 169

HSL 304.18, 0.78%, 0.4%

LAB 42.98, 71.49, -39.97

 

CMYK 0 / 80 / 5 / 23

HEX #C528BC

RGB 197 40 188

HSL 303.44, 0.66%, 0.46%

LAB 48.28, 73.85, -42.57

 

CMYK 0 / 73 / 3 / 16

HEX #D63ACF

RGB 214 58 207

HSL 302.69, 0.66%, 0.53%

LAB 53.84, 75.22, -44.55

 

CMYK 0 / 67 / 2 / 9

HEX #E74CE2

RGB 231 76 226

HSL 301.94, 0.76%, 0.6%

LAB 59.57, 75.91, -46.09

 

CMYK 0 / 62 / 1 / 3

HEX #F85EF5

RGB 248 94 245

HSL 301.17, 0.92%, 0.67%

LAB 65.4, 76.13, -47.31

 

CMYK 0 / 87 / 1 / 31

HEX #AF16AE

RGB 175 22 174

HSL 300.39, 0.78%, 0.39%

LAB 42.37, 71.31, -43.96

 

CMYK 0 / 97 / 2 / 38

HEX #9E049B

RGB 158 4 155

HSL 301.17, 0.95%, 0.32%

LAB 37.34, 67.78, -40.77

 

CMYK 0 / 100 / 4 / 45

HEX #8D0088

RGB 141 0 136

HSL 302.13, 1%, 0.28%

LAB 32.79, 62.45, -36.55

 

CMYK 0 / 100 / 6 / 51

HEX #7C0075

RGB 124 0 117

HSL 303.39, 1%, 0.24%

LAB 28.3, 56.52, -31.94

 

CMYK 0 / 100 / 8 / 58

HEX #6B0062

RGB 107 0 98

HSL 305.05, 1%, 0.21%

LAB 23.7, 50.44, -27.16

 

CMYK 0 / 88 / 1 / 31

HEX #B116B0

RGB 177 22 176

HSL 300.39, 0.78%, 0.39%

LAB 42.85, 71.98, -44.37

 

CMYK 0 / 88 / 24 / 31

HEX #B11686

RGB 177 22 134

HSL 316.65, 0.78%, 0.39%

LAB 40.64, 66.17, -22.49

 

CMYK 0 / 88 / 48 / 31

HEX #B1165C

RGB 177 22 92

HSL 332.9, 0.78%, 0.39%

LAB 39.06, 61.79, 1.45

 

CMYK 0 / 88 / 71 / 31

HEX #B11633

RGB 177 22 51

HSL 348.77, 0.78%, 0.39%

LAB 38.13, 59.12, 26.34

 

CMYK 0 / 88 / 88 / 31

HEX #B11616

RGB 177 22 22

HSL 0, 0.78%, 0.39%

LAB 37.8, 58.18, 42.71

 

CMYK 0 / 88 / 1 / 31

HEX #B116B0

RGB 177 22 176

HSL 300.39, 0.78%, 0.39%

LAB 42.85, 71.98, -44.37

 

CMYK 23 / 88 / 0 / 31

HEX #8816B1

RGB 136 22 177

HSL 284.13, 0.78%, 0.39%

LAB 35.95, 65.19, -56.43

 

CMYK 47 / 88 / 0 / 31

HEX #5E16B1

RGB 94 22 177

HSL 267.87, 0.78%, 0.39%

LAB 29.73, 59.42, -66.86

 

CMYK 70 / 88 / 0 / 31

HEX #3516B1

RGB 53 22 177

HSL 252, 0.78%, 0.39%

LAB 25.28, 55.67, -74.37

 

CMYK 88 / 88 / 0 / 31

HEX #1616B1

RGB 22 22 177

HSL 240, 0.78%, 0.39%

LAB 23.4, 54.23, -77.54

 

CMYK 0 / 88 / 1 / 31

HEX #B116B0

RGB 177 22 176

HSL 300.39, 0.78%, 0.39%

LAB 42.85, 71.98, -44.37

 

CMYK 0 / 97 / 1 / 24

HEX #C106C0

RGB 193 6 192

HSL 300.32, 0.94%, 0.39%

LAB 46.01, 79.01, -48.57

 

CMYK 0 / 88 / 1 / 31

HEX #B116B0

RGB 177 22 176

HSL 300.39, 0.78%, 0.39%

LAB 42.85, 71.98, -44.37

 

CMYK 0 / 76 / 1 / 37

HEX #A126A0

RGB 161 38 160

HSL 300.49, 0.62%, 0.39%

LAB 40.41, 62.61, -38.86

 

CMYK 0 / 63 / 1 / 43

HEX #913690

RGB 145 54 144

HSL 300.66, 0.46%, 0.39%

LAB 39.02, 50.13, -31.55

 

CMYK 0 / 46 / 1 / 49

HEX #814680

RGB 129 70 128

HSL 301.02, 0.3%, 0.39%

LAB 38.91, 34.36, -22.1

 

CMYK 0 / 24 / 1 / 56

HEX #715670

RGB 113 86 112

HSL 302.22, 0.14%, 0.39%

LAB 40.14, 16.04, -10.54

 

CMYK 47 / 88 / 0 / 31

HEX #5E16B1

RGB 94 22 177

HSL 267.87, 0.78%, 0.39%

LAB 29.73, 59.42, -66.86

 

CMYK 23 / 88 / 0 / 31

HEX #8816B1

RGB 136 22 177

HSL 284.13, 0.78%, 0.39%

LAB 35.95, 65.19, -56.43

 

CMYK 0 / 88 / 0 / 31

HEX #B116B1

RGB 177 22 177

HSL 300, 0.78%, 0.39%

LAB 42.91, 72.14, -44.87

 

CMYK 0 / 88 / 23 / 31

HEX #B11688

RGB 177 22 136

HSL 315.87, 0.78%, 0.39%

LAB 40.73, 66.42, -23.57

 

CMYK 0 / 88 / 47 / 31

HEX #B1165E

RGB 177 22 94

HSL 332.13, 0.78%, 0.39%

LAB 39.12, 61.97, 0.27

 

CMYK 0 / 88 / 1 / 59

HEX #680D67

RGB 104 13 103

HSL 300.66, 0.78%, 0.23%

LAB 24.35, 47.9, -29.43

 

CMYK 0 / 88 / 0 / 45

HEX #8C118C

RGB 140 17 140

HSL 300, 0.78%, 0.31%

LAB 33.71, 60.36, -37.57

 

CMYK 0 / 88 / 1 / 31

HEX #B116B0

RGB 177 22 176

HSL 300.39, 0.78%, 0.39%

LAB 42.85, 71.98, -44.37

 

CMYK 0 / 88 / 0 / 16

HEX #D61AD5

RGB 214 26 213

HSL 300.32, 0.78%, 0.47%

LAB 51.65, 83.43, -51.47

 

CMYK 0 / 77 / 0 / 10

HEX #E634E5

RGB 230 52 229

HSL 300.34, 0.78%, 0.55%

LAB 57.01, 83.47, -51.85

 

CMYK 0 / 87 / 1 / 31

HEX #AF16AE

RGB 175 22 174

HSL 300.39, 0.78%, 0.39%

LAB 42.37, 71.31, -43.96

 

CMYK 0 / 70 / 88 / 31

HEX #B13516

RGB 177 53 22

HSL 12, 0.78%, 0.39%

LAB 41.14, 48.86, 45.43

 

CMYK 88 / 0 / 35 / 31

HEX #16B173

RGB 22 177 115

HSL 156, 0.78%, 0.39%

LAB 64.04, -51.9, 21.45

 

CMYK 0 / 87 / 1 / 31

HEX #AF16AE

RGB 175 22 174

HSL 300.39, 0.78%, 0.39%

LAB 42.37, 71.31, -43.96

 

CMYK 0 / 0 / 88 / 31

HEX #B1B116

RGB 177 177 22

HSL 60, 0.78%, 0.39%

LAB 70.07, -16.06, 68.85

 

CMYK 88 / 0 / 0 / 31

HEX #16B1B1

RGB 22 177 177

HSL 180, 0.78%, 0.39%

LAB 65.58, -35.68, -10.54

 

CMYK 0 / 87 / 1 / 31

HEX #AF16AE

RGB 175 22 174

HSL 300.39, 0.78%, 0.39%

LAB 42.37, 71.31, -43.96

 

CMYK 0 / 70 / 88 / 31

HEX #B13516

RGB 177 53 22

HSL 12, 0.78%, 0.39%

LAB 41.14, 48.86, 45.43

 

CMYK 88 / 0 / 88 / 31

HEX #16B116

RGB 22 177 22

HSL 120, 0.78%, 0.39%

LAB 63.07, -63.62, 60.14

 

CMYK 88 / 18 / 0 / 31

HEX #1692B1

RGB 22 146 177

HSL 192, 0.78%, 0.39%

LAB 55.99, -20.3, -25.11

 

CMYK 0 / 87 / 1 / 31

HEX #AF16AE

RGB 175 22 174

HSL 300.39, 0.78%, 0.39%

LAB 42.37, 71.31, -43.96

 

CMYK 0 / 44 / 88 / 31

HEX #B16316

RGB 177 99 22

HSL 29.81, 0.78%, 0.39%

LAB 49.89, 26.37, 52.55

 

CMYK 88 / 0 / 88 / 31

HEX #16B116

RGB 22 177 22

HSL 120, 0.78%, 0.39%

LAB 63.07, -63.62, 60.14

 

CMYK 88 / 44 / 0 / 31

HEX #1663B1

RGB 22 99 177

HSL 210.19, 0.78%, 0.39%

LAB 41.64, 7.36, -47.69

 

Description

Color code: HEX #AF16AE | qconv.com Color code: HEX #AF16AE | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 22 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 22 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 87 magenta, 1 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 87% 1% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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