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Color name
HEX #AF16AC

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF16AC it is the complementary color #50E953. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF16AC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF16AC shade: #B416A7, #C528BA, #D63ACD, #E74CE0 and #F85EF3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF16AC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF16AC shade: #AF16AC, #9E0499, #8D0086, #7C0073 and #6B0060

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF16AC shade: #B116AE, #B11684, #B1165A, #B11630 and #B11616

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF16AC shade: #B116AE, #8A16B1, #6016B1, #3716B1 and #1616B1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF16AC shade matches the following richer shades: #B116AE and #C106BD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF16AC shade: #B116AE, #A1269F, #91368F, #814680 and #715670

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF16AC shade: #6116B1, #8A16B1, #B116AE, #B11685 and #B1165C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF16AC shade: #680D66, #8C118A, #B116AE, #D61AD2 and #E634E2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF16AC shade: #AF16AC, #B13716 and #16B176

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF16AC shade: #AF16AC, #AEB116 and #16AEB1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF16AC shade: #AF16AC, #B13716, #16B118 and #168FB1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF16AC shade: #AF16AC, #B16616, #16B118 and #1661B1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 87 / 2 / 31

HEX #AF16AC

RGB 175 22 172

HSL 301.18, 0.78%, 0.39%

LAB 42.26, 71.01, -42.96

 

Complementary color

CMYK 66 / 0 / 64 / 9

HEX #50E953

RGB 80 233 83

HSL 121.18, 0.78%, 0.61%

LAB 82.17, -68.17, 59.31

 

CMYK 0 / 88 / 7 / 29

HEX #B416A7

RGB 180 22 167

HSL 304.94, 0.78%, 0.4%

LAB 42.86, 71.2, -38.96

 

CMYK 0 / 80 / 6 / 23

HEX #C528BA

RGB 197 40 186

HSL 304.2, 0.66%, 0.46%

LAB 48.18, 73.55, -41.57

 

CMYK 0 / 73 / 4 / 16

HEX #D63ACD

RGB 214 58 205

HSL 303.46, 0.66%, 0.53%

LAB 53.74, 74.92, -43.57

 

CMYK 0 / 67 / 3 / 9

HEX #E74CE0

RGB 231 76 224

HSL 302.71, 0.76%, 0.6%

LAB 59.47, 75.6, -45.13

 

CMYK 0 / 62 / 2 / 3

HEX #F85EF3

RGB 248 94 243

HSL 301.95, 0.92%, 0.67%

LAB 65.3, 75.81, -46.35

 

CMYK 0 / 87 / 2 / 31

HEX #AF16AC

RGB 175 22 172

HSL 301.18, 0.78%, 0.39%

LAB 42.26, 71.01, -42.96

 

CMYK 0 / 97 / 3 / 38

HEX #9E0499

RGB 158 4 153

HSL 301.95, 0.95%, 0.32%

LAB 37.22, 67.48, -39.75

 

CMYK 0 / 100 / 5 / 45

HEX #8D0086

RGB 141 0 134

HSL 302.98, 1%, 0.28%

LAB 32.67, 62.15, -35.5

 

CMYK 0 / 100 / 7 / 51

HEX #7C0073

RGB 124 0 115

HSL 304.35, 1%, 0.24%

LAB 28.18, 56.22, -30.86

 

CMYK 0 / 100 / 10 / 58

HEX #6B0060

RGB 107 0 96

HSL 306.17, 1%, 0.21%

LAB 23.57, 50.13, -26.04

 

CMYK 0 / 88 / 2 / 31

HEX #B116AE

RGB 177 22 174

HSL 301.16, 0.78%, 0.39%

LAB 42.73, 71.68, -43.37

 

CMYK 0 / 88 / 25 / 31

HEX #B11684

RGB 177 22 132

HSL 317.42, 0.78%, 0.39%

LAB 40.55, 65.93, -21.39

 

CMYK 0 / 88 / 49 / 31

HEX #B1165A

RGB 177 22 90

HSL 333.68, 0.78%, 0.39%

LAB 39, 61.63, 2.64

 

CMYK 0 / 88 / 73 / 31

HEX #B11630

RGB 177 22 48

HSL 349.94, 0.78%, 0.39%

LAB 38.08, 58.99, 28.15

 

CMYK 0 / 88 / 88 / 31

HEX #B11616

RGB 177 22 22

HSL 0, 0.78%, 0.39%

LAB 37.8, 58.18, 42.71

 

CMYK 0 / 88 / 2 / 31

HEX #B116AE

RGB 177 22 174

HSL 301.16, 0.78%, 0.39%

LAB 42.73, 71.68, -43.37

 

CMYK 22 / 88 / 0 / 31

HEX #8A16B1

RGB 138 22 177

HSL 284.9, 0.78%, 0.39%

LAB 36.27, 65.51, -55.89

 

CMYK 46 / 88 / 0 / 31

HEX #6016B1

RGB 96 22 177

HSL 268.65, 0.78%, 0.39%

LAB 30, 59.66, -66.41

 

CMYK 69 / 88 / 0 / 31

HEX #3716B1

RGB 55 22 177

HSL 252.77, 0.78%, 0.39%

LAB 25.44, 55.81, -74.09

 

CMYK 88 / 88 / 0 / 31

HEX #1616B1

RGB 22 22 177

HSL 240, 0.78%, 0.39%

LAB 23.4, 54.23, -77.54

 

CMYK 0 / 88 / 2 / 31

HEX #B116AE

RGB 177 22 174

HSL 301.16, 0.78%, 0.39%

LAB 42.73, 71.68, -43.37

 

CMYK 0 / 97 / 2 / 24

HEX #C106BD

RGB 193 6 189

HSL 301.28, 0.94%, 0.39%

LAB 45.83, 78.57, -47.1

 

CMYK 0 / 88 / 2 / 31

HEX #B116AE

RGB 177 22 174

HSL 301.16, 0.78%, 0.39%

LAB 42.73, 71.68, -43.37

 

CMYK 0 / 76 / 1 / 37

HEX #A1269F

RGB 161 38 159

HSL 300.98, 0.62%, 0.39%

LAB 40.36, 62.44, -38.35

 

CMYK 0 / 63 / 1 / 43

HEX #91368F

RGB 145 54 143

HSL 301.32, 0.46%, 0.39%

LAB 38.97, 49.95, -31.02

 

CMYK 0 / 46 / 1 / 49

HEX #814680

RGB 129 70 128

HSL 301.02, 0.3%, 0.39%

LAB 38.91, 34.36, -22.1

 

CMYK 0 / 24 / 1 / 56

HEX #715670

RGB 113 86 112

HSL 302.22, 0.14%, 0.39%

LAB 40.14, 16.04, -10.54

 

CMYK 45 / 88 / 0 / 31

HEX #6116B1

RGB 97 22 177

HSL 269.03, 0.78%, 0.39%

LAB 30.13, 59.78, -66.18

 

CMYK 22 / 88 / 0 / 31

HEX #8A16B1

RGB 138 22 177

HSL 284.9, 0.78%, 0.39%

LAB 36.27, 65.51, -55.89

 

CMYK 0 / 88 / 2 / 31

HEX #B116AE

RGB 177 22 174

HSL 301.16, 0.78%, 0.39%

LAB 42.73, 71.68, -43.37

 

CMYK 0 / 88 / 25 / 31

HEX #B11685

RGB 177 22 133

HSL 317.03, 0.78%, 0.39%

LAB 40.6, 66.05, -21.94

 

CMYK 0 / 88 / 48 / 31

HEX #B1165C

RGB 177 22 92

HSL 332.9, 0.78%, 0.39%

LAB 39.06, 61.79, 1.45

 

CMYK 0 / 88 / 2 / 59

HEX #680D66

RGB 104 13 102

HSL 301.32, 0.78%, 0.23%

LAB 24.29, 47.73, -28.87

 

CMYK 0 / 88 / 1 / 45

HEX #8C118A

RGB 140 17 138

HSL 300.98, 0.78%, 0.31%

LAB 33.59, 60.04, -36.53

 

CMYK 0 / 88 / 2 / 31

HEX #B116AE

RGB 177 22 174

HSL 301.16, 0.78%, 0.39%

LAB 42.73, 71.68, -43.37

 

CMYK 0 / 88 / 2 / 16

HEX #D61AD2

RGB 214 26 210

HSL 301.28, 0.78%, 0.47%

LAB 51.48, 82.99, -50.02

 

CMYK 0 / 77 / 2 / 10

HEX #E634E2

RGB 230 52 226

HSL 301.35, 0.78%, 0.55%

LAB 56.85, 83.02, -50.41

 

CMYK 0 / 87 / 2 / 31

HEX #AF16AC

RGB 175 22 172

HSL 301.18, 0.78%, 0.39%

LAB 42.26, 71.01, -42.96

 

CMYK 0 / 69 / 88 / 31

HEX #B13716

RGB 177 55 22

HSL 12.77, 0.78%, 0.39%

LAB 41.43, 48.05, 45.67

 

CMYK 88 / 0 / 33 / 31

HEX #16B176

RGB 22 177 118

HSL 157.16, 0.78%, 0.39%

LAB 64.1, -51.25, 19.9

 

CMYK 0 / 87 / 2 / 31

HEX #AF16AC

RGB 175 22 172

HSL 301.18, 0.78%, 0.39%

LAB 42.26, 71.01, -42.96

 

CMYK 2 / 0 / 88 / 31

HEX #AEB116

RGB 174 177 22

HSL 61.16, 0.78%, 0.39%

LAB 69.82, -17.37, 68.55

 

CMYK 88 / 2 / 0 / 31

HEX #16AEB1

RGB 22 174 177

HSL 181.16, 0.78%, 0.39%

LAB 64.66, -34.28, -11.93

 

CMYK 0 / 87 / 2 / 31

HEX #AF16AC

RGB 175 22 172

HSL 301.18, 0.78%, 0.39%

LAB 42.26, 71.01, -42.96

 

CMYK 0 / 69 / 88 / 31

HEX #B13716

RGB 177 55 22

HSL 12.77, 0.78%, 0.39%

LAB 41.43, 48.05, 45.67

 

CMYK 88 / 0 / 86 / 31

HEX #16B118

RGB 22 177 24

HSL 120.77, 0.78%, 0.39%

LAB 63.08, -63.53, 59.71

 

CMYK 88 / 19 / 0 / 31

HEX #168FB1

RGB 22 143 177

HSL 193.16, 0.78%, 0.39%

LAB 55.06, -18.7, -26.54

 

CMYK 0 / 87 / 2 / 31

HEX #AF16AC

RGB 175 22 172

HSL 301.18, 0.78%, 0.39%

LAB 42.26, 71.01, -42.96

 

CMYK 0 / 42 / 88 / 31

HEX #B16616

RGB 177 102 22

HSL 30.97, 0.78%, 0.39%

LAB 50.58, 24.72, 53.1

 

CMYK 88 / 0 / 86 / 31

HEX #16B118

RGB 22 177 24

HSL 120.77, 0.78%, 0.39%

LAB 63.08, -63.53, 59.71

 

CMYK 88 / 45 / 0 / 31

HEX #1661B1

RGB 22 97 177

HSL 210.97, 0.78%, 0.39%

LAB 41.05, 8.65, -48.64

 

Description

Color code: HEX #AF16AC | qconv.com Color code: HEX #AF16AC | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 22 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 22 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 87 magenta, 2 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 87% 2% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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