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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF133A it is the complementary color #50ECC5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF133A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF133A shade: #B41335, #C52548, #D6375B, #E7496E and #F85B81

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF133A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF133A shade: #AF133A, #9E0127, #8D0014, #7C0001 and #6B0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF133A shade: #AE133A and #AE1313

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF133A shade: #AE133A, #AE1364, #AE138E, #A513AE and #7B13AE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF133A shade matches the following richer shades: #AE133A and #BE0432

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF133A shade: #AE133A, #9F2342, #8F334A, #7F4252 and #705259

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF133A shade: #AE138D, #AE1363, #AE133A, #AE1613 and #AE3F13

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF133A shade: #640B21, #890F2E, #AE133A, #D41847 and #E82D5B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF133A shade: #AF133A, #AEA713 and #1378AE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF133A shade: #AF133A, #3AAE13 and #133AAE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF133A shade: #AF133A, #AEA713, #13AE88 and #131BAE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF133A shade: #AF133A, #88AE13, #13AE88 and #3A13AE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 89 / 67 / 31

HEX #AF133A

RGB 175 19 58

HSL 345, 0.8%, 0.38%

LAB 37.64, 59.49, 21.21

 

Complementary color

CMYK 66 / 0 / 17 / 7

HEX #50ECC5

RGB 80 236 197

HSL 165, 0.8%, 0.62%

LAB 84.86, -49.76, 7.04

 

CMYK 0 / 89 / 71 / 29

HEX #B41335

RGB 180 19 53

HSL 347.33, 0.81%, 0.39%

LAB 38.6, 60.56, 25.8

 

CMYK 0 / 81 / 63 / 23

HEX #C52548

RGB 197 37 72

HSL 346.88, 0.68%, 0.46%

LAB 43.74, 62.23, 21.18

 

CMYK 0 / 74 / 57 / 16

HEX #D6375B

RGB 214 55 91

HSL 346.42, 0.66%, 0.53%

LAB 49.23, 62.95, 17.4

 

CMYK 0 / 68 / 52 / 9

HEX #E7496E

RGB 231 73 110

HSL 345.95, 0.77%, 0.6%

LAB 54.95, 63.02, 14.3

 

CMYK 0 / 63 / 48 / 3

HEX #F85B81

RGB 248 91 129

HSL 345.48, 0.92%, 0.66%

LAB 60.8, 62.7, 11.73

 

CMYK 0 / 89 / 67 / 31

HEX #AF133A

RGB 175 19 58

HSL 345, 0.8%, 0.38%

LAB 37.64, 59.49, 21.21

 

CMYK 0 / 99 / 75 / 38

HEX #9E0127

RGB 158 1 39

HSL 345.48, 0.99%, 0.31%

LAB 32.78, 56.76, 26.57

 

CMYK 0 / 100 / 86 / 45

HEX #8D0014

RGB 141 0 20

HSL 351.49, 1%, 0.28%

LAB 28.68, 51.9, 32.78

 

CMYK 0 / 100 / 99 / 51

HEX #7C0001

RGB 124 0 1

HSL 359.52, 1%, 0.24%

LAB 24.6, 46.99, 36.44

 

CMYK 0 / 100 / 100 / 58

HEX #6B0000

RGB 107 0 0

HSL 0, 1%, 0.21%

LAB 20.54, 42.28, 31.36

 

CMYK 0 / 89 / 67 / 32

HEX #AE133A

RGB 174 19 58

HSL 344.9, 0.8%, 0.38%

LAB 37.43, 59.23, 20.9

 

CMYK 0 / 89 / 89 / 32

HEX #AE1313

RGB 174 19 19

HSL 0, 0.8%, 0.38%

LAB 36.95, 57.86, 43.21

 

CMYK 0 / 89 / 67 / 32

HEX #AE133A

RGB 174 19 58

HSL 344.9, 0.8%, 0.38%

LAB 37.43, 59.23, 20.9

 

CMYK 0 / 89 / 43 / 32

HEX #AE1364

RGB 174 19 100

HSL 328.65, 0.8%, 0.38%

LAB 38.52, 62.32, -4.49

 

CMYK 0 / 89 / 18 / 32

HEX #AE138E

RGB 174 19 142

HSL 312.39, 0.8%, 0.38%

LAB 40.27, 67.06, -28.01

 

CMYK 5 / 89 / 0 / 32

HEX #A513AE

RGB 165 19 174

HSL 296.52, 0.8%, 0.38%

LAB 40.44, 70.03, -47.15

 

CMYK 29 / 89 / 0 / 32

HEX #7B13AE

RGB 123 19 174

HSL 280.26, 0.8%, 0.38%

LAB 33.42, 63.3, -58.85

 

CMYK 0 / 89 / 67 / 32

HEX #AE133A

RGB 174 19 58

HSL 344.9, 0.8%, 0.38%

LAB 37.43, 59.23, 20.9

 

CMYK 0 / 98 / 74 / 25

HEX #BE0432

RGB 190 4 50

HSL 345.16, 0.96%, 0.38%

LAB 40.02, 64.84, 29.88

 

CMYK 0 / 89 / 67 / 32

HEX #AE133A

RGB 174 19 58

HSL 344.9, 0.8%, 0.38%

LAB 37.43, 59.23, 20.9

 

CMYK 0 / 78 / 58 / 38

HEX #9F2342

RGB 159 35 66

HSL 345, 0.64%, 0.38%

LAB 35.92, 51.61, 13.21

 

CMYK 0 / 64 / 48 / 44

HEX #8F334A

RGB 143 51 74

HSL 345, 0.47%, 0.38%

LAB 35.4, 40.89, 6.89

 

CMYK 0 / 48 / 35 / 50

HEX #7F4252

RGB 127 66 82

HSL 344.26, 0.32%, 0.38%

LAB 36.02, 28.16, 2.31

 

CMYK 0 / 27 / 21 / 56

HEX #705259

RGB 112 82 89

HSL 346, 0.15%, 0.38%

LAB 38.2, 13.7, 0.83

 

CMYK 0 / 89 / 19 / 32

HEX #AE138D

RGB 174 19 141

HSL 312.77, 0.8%, 0.38%

LAB 40.23, 66.93, -27.47

 

CMYK 0 / 89 / 43 / 32

HEX #AE1363

RGB 174 19 99

HSL 329.03, 0.8%, 0.38%

LAB 38.49, 62.23, -3.91

 

CMYK 0 / 89 / 67 / 32

HEX #AE133A

RGB 174 19 58

HSL 344.9, 0.8%, 0.38%

LAB 37.43, 59.23, 20.9

 

CMYK 0 / 87 / 89 / 32

HEX #AE1613

RGB 174 22 19

HSL 1.16, 0.8%, 0.38%

LAB 37.15, 57.29, 43.36

 

CMYK 0 / 64 / 89 / 32

HEX #AE3F13

RGB 174 63 19

HSL 17.03, 0.8%, 0.38%

LAB 42.16, 43.47, 47.25

 

CMYK 0 / 89 / 67 / 61

HEX #640B21

RGB 100 11 33

HSL 345.17, 0.8%, 0.22%

LAB 20.28, 38.77, 12.25

 

CMYK 0 / 89 / 66 / 46

HEX #890F2E

RGB 137 15 46

HSL 344.75, 0.8%, 0.3%

LAB 29.05, 49.34, 16.36

 

CMYK 0 / 89 / 67 / 32

HEX #AE133A

RGB 174 19 58

HSL 344.9, 0.8%, 0.38%

LAB 37.43, 59.23, 20.9

 

CMYK 0 / 89 / 67 / 17

HEX #D41847

RGB 212 24 71

HSL 345, 0.8%, 0.46%

LAB 45.78, 68.83, 25.01

 

CMYK 0 / 81 / 61 / 9

HEX #E82D5B

RGB 232 45 91

HSL 345.24, 0.8%, 0.54%

LAB 51.6, 70.75, 21.15

 

CMYK 0 / 89 / 67 / 31

HEX #AF133A

RGB 175 19 58

HSL 345, 0.8%, 0.38%

LAB 37.64, 59.49, 21.21

 

CMYK 0 / 4 / 89 / 32

HEX #AEA713

RGB 174 167 19

HSL 57.29, 0.8%, 0.38%

LAB 67.04, -12.31, 66.88

 

CMYK 89 / 31 / 0 / 32

HEX #1378AE

RGB 19 120 174

HSL 200.9, 0.8%, 0.38%

LAB 47.79, -7.01, -36.17

 

CMYK 0 / 89 / 67 / 31

HEX #AF133A

RGB 175 19 58

HSL 345, 0.8%, 0.38%

LAB 37.64, 59.49, 21.21

 

CMYK 67 / 0 / 89 / 32

HEX #3AAE13

RGB 58 174 19

HSL 104.9, 0.8%, 0.38%

LAB 62.69, -57.48, 60.66

 

CMYK 89 / 67 / 0 / 32

HEX #133AAE

RGB 19 58 174

HSL 224.9, 0.8%, 0.38%

LAB 29.96, 33.29, -64.88

 

CMYK 0 / 89 / 67 / 31

HEX #AF133A

RGB 175 19 58

HSL 345, 0.8%, 0.38%

LAB 37.64, 59.49, 21.21

 

CMYK 0 / 4 / 89 / 32

HEX #AEA713

RGB 174 167 19

HSL 57.29, 0.8%, 0.38%

LAB 67.04, -12.31, 66.88

 

CMYK 89 / 0 / 22 / 32

HEX #13AE88

RGB 19 174 136

HSL 165.29, 0.8%, 0.38%

LAB 63.5, -46.02, 9.19

 

CMYK 89 / 84 / 0 / 32

HEX #131BAE

RGB 19 27 174

HSL 236.9, 0.8%, 0.38%

LAB 23.6, 51.14, -75.41

 

CMYK 0 / 89 / 67 / 31

HEX #AF133A

RGB 175 19 58

HSL 345, 0.8%, 0.38%

LAB 37.64, 59.49, 21.21

 

CMYK 22 / 0 / 89 / 32

HEX #88AE13

RGB 136 174 19

HSL 74.71, 0.8%, 0.38%

LAB 66.18, -32.12, 64.99

 

CMYK 89 / 0 / 22 / 32

HEX #13AE88

RGB 19 174 136

HSL 165.29, 0.8%, 0.38%

LAB 63.5, -46.02, 9.19

 

CMYK 67 / 89 / 0 / 32

HEX #3A13AE

RGB 58 19 174

HSL 255.1, 0.8%, 0.38%

LAB 25.02, 56.19, -72.98

 

Description

Color code: HEX #AF133A | qconv.com Color code: HEX #AF133A | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 19 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 19 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 89 magenta, 67 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 89% 67% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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