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Color name
HEX #AF12BA

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF12BA it is the complementary color #50ED45. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF12BA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF12BA shade: #B412B5, #C524C8, #D636DB, #E748EE and #F85AFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF12BA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF12BA shade: #AF12BA, #9E00A7, #8D0094, #7C0081 and #6B006E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF12BA shade: #AF12BA, #BA1297, #BA126A, #BA123D and #BA1212

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF12BA shade: #AF12BA, #8212BA, #5412BA, #2712BA and #1212BA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF12BA shade matches the following richer shades: #AF12BA and #BD02CA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF12BA shade: #AF12BA, #A023A9, #923399, #844488 and #755478

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF12BA shade: #5512BA, #8212BA, #AE12BA, #BA1298 and #BA126C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF12BA shade: #680B6F, #8B0F94, #AF12BA, #D216DF and #DF34EB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF12BA shade: #AF12BA, #BA2912 and #12BA6C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF12BA shade: #AF12BA, #BAAE12 and #12BAAE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF12BA shade: #AF12BA, #BA2912, #1EBA12 and #12A3BA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF12BA shade: #AF12BA, #BA5B12, #1EBA12 and #1271BA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 90 / 0 / 27

HEX #AF12BA

RGB 175 18 186

HSL 296.07, 0.82%, 0.4%

LAB 42.9, 73.82, -50.21

 

Complementary color

CMYK 66 / 0 / 71 / 7

HEX #50ED45

RGB 80 237 69

HSL 116.07, 0.82%, 0.6%

LAB 83.29, -70.72, 65.85

 

CMYK 1 / 90 / 0 / 29

HEX #B412B5

RGB 180 18 181

HSL 299.63, 0.82%, 0.39%

LAB 43.47, 73.9, -46.31

 

CMYK 1 / 82 / 0 / 22

HEX #C524C8

RGB 197 36 200

HSL 298.9, 0.69%, 0.46%

LAB 48.64, 76.61, -48.97

 

CMYK 2 / 75 / 0 / 14

HEX #D636DB

RGB 214 54 219

HSL 298.18, 0.7%, 0.54%

LAB 54.08, 78.28, -51.02

 

CMYK 3 / 70 / 0 / 7

HEX #E748EE

RGB 231 72 238

HSL 297.47, 0.83%, 0.61%

LAB 59.7, 79.2, -52.6

 

CMYK 3 / 65 / 0 / 0

HEX #F85AFF

RGB 248 90 255

HSL 297.45, 1%, 0.68%

LAB 65.35, 79.27, -52.9

 

CMYK 6 / 90 / 0 / 27

HEX #AF12BA

RGB 175 18 186

HSL 296.07, 0.82%, 0.4%

LAB 42.9, 73.82, -50.21

 

CMYK 5 / 100 / 0 / 35

HEX #9E00A7

RGB 158 0 167

HSL 296.77, 1%, 0.33%

LAB 37.95, 70.1, -47.04

 

CMYK 5 / 100 / 0 / 42

HEX #8D0094

RGB 141 0 148

HSL 297.16, 1%, 0.29%

LAB 33.56, 64.32, -42.72

 

CMYK 4 / 100 / 0 / 49

HEX #7C0081

RGB 124 0 129

HSL 297.67, 1%, 0.25%

LAB 29.08, 58.41, -38.29

 

CMYK 3 / 100 / 0 / 57

HEX #6B006E

RGB 107 0 110

HSL 298.36, 1%, 0.22%

LAB 24.49, 52.35, -33.73

 

CMYK 6 / 90 / 0 / 27

HEX #AF12BA

RGB 175 18 186

HSL 296.07, 0.82%, 0.4%

LAB 42.9, 73.82, -50.21

 

CMYK 0 / 90 / 19 / 27

HEX #BA1297

RGB 186 18 151

HSL 312.5, 0.82%, 0.4%

LAB 42.92, 70.81, -29.18

 

CMYK 0 / 90 / 43 / 27

HEX #BA126A

RGB 186 18 106

HSL 328.57, 0.82%, 0.4%

LAB 41.08, 65.86, -4.24

 

CMYK 0 / 90 / 67 / 27

HEX #BA123D

RGB 186 18 61

HSL 344.64, 0.82%, 0.4%

LAB 39.93, 62.67, 22.7

 

CMYK 0 / 90 / 90 / 27

HEX #BA1212

RGB 186 18 18

HSL 0, 0.82%, 0.4%

LAB 39.44, 61.26, 46.65

 

CMYK 6 / 90 / 0 / 27

HEX #AF12BA

RGB 175 18 186

HSL 296.07, 0.82%, 0.4%

LAB 42.9, 73.82, -50.21

 

CMYK 30 / 90 / 0 / 27

HEX #8212BA

RGB 130 18 186

HSL 280, 0.82%, 0.4%

LAB 35.45, 66.89, -62.64

 

CMYK 55 / 90 / 0 / 27

HEX #5412BA

RGB 84 18 186

HSL 263.57, 0.82%, 0.4%

LAB 29.06, 61.62, -73.36

 

CMYK 79 / 90 / 0 / 27

HEX #2712BA

RGB 39 18 186

HSL 247.5, 0.82%, 0.4%

LAB 24.98, 58.74, -80.26

 

CMYK 90 / 90 / 0 / 27

HEX #1212BA

RGB 18 18 186

HSL 240, 0.82%, 0.4%

LAB 24.02, 58.14, -81.89

 

CMYK 6 / 90 / 0 / 27

HEX #AF12BA

RGB 175 18 186

HSL 296.07, 0.82%, 0.4%

LAB 42.9, 73.82, -50.21

 

CMYK 6 / 99 / 0 / 21

HEX #BD02CA

RGB 189 2 202

HSL 296.1, 0.98%, 0.4%

LAB 45.81, 80.22, -54.75

 

CMYK 6 / 90 / 0 / 27

HEX #AF12BA

RGB 175 18 186

HSL 296.07, 0.82%, 0.4%

LAB 42.9, 73.82, -50.21

 

CMYK 5 / 79 / 0 / 34

HEX #A023A9

RGB 160 35 169

HSL 295.97, 0.66%, 0.4%

LAB 40.48, 64.77, -44.16

 

CMYK 5 / 67 / 0 / 40

HEX #923399

RGB 146 51 153

HSL 295.88, 0.5%, 0.4%

LAB 39.2, 53.31, -36.71

 

CMYK 3 / 50 / 0 / 47

HEX #844488

RGB 132 68 136

HSL 296.47, 0.33%, 0.4%

LAB 39.27, 37.99, -26.41

 

CMYK 3 / 30 / 0 / 53

HEX #755478

RGB 117 84 120

HSL 295, 0.18%, 0.4%

LAB 40.38, 20.41, -15.06

 

CMYK 54 / 90 / 0 / 27

HEX #5512BA

RGB 85 18 186

HSL 263.93, 0.82%, 0.4%

LAB 29.18, 61.71, -73.16

 

CMYK 30 / 90 / 0 / 27

HEX #8212BA

RGB 130 18 186

HSL 280, 0.82%, 0.4%

LAB 35.45, 66.89, -62.64

 

CMYK 6 / 90 / 0 / 27

HEX #AE12BA

RGB 174 18 186

HSL 295.71, 0.82%, 0.4%

LAB 42.73, 73.65, -50.49

 

CMYK 0 / 90 / 18 / 27

HEX #BA1298

RGB 186 18 152

HSL 312.14, 0.82%, 0.4%

LAB 42.97, 70.94, -29.7

 

CMYK 0 / 90 / 42 / 27

HEX #BA126C

RGB 186 18 108

HSL 327.86, 0.82%, 0.4%

LAB 41.14, 66.05, -5.39

 

CMYK 6 / 90 / 0 / 56

HEX #680B6F

RGB 104 11 111

HSL 295.8, 0.82%, 0.24%

LAB 24.73, 49.74, -34.01

 

CMYK 6 / 90 / 0 / 42

HEX #8B0F94

RGB 139 15 148

HSL 295.94, 0.82%, 0.32%

LAB 33.92, 61.85, -42.17

 

CMYK 6 / 90 / 0 / 27

HEX #AF12BA

RGB 175 18 186

HSL 296.07, 0.82%, 0.4%

LAB 42.9, 73.82, -50.21

 

CMYK 6 / 90 / 0 / 13

HEX #D216DF

RGB 210 22 223

HSL 296.12, 0.82%, 0.48%

LAB 51.39, 84.81, -57.64

 

CMYK 5 / 78 / 0 / 8

HEX #DF34EB

RGB 223 52 235

HSL 296.07, 0.82%, 0.56%

LAB 56.23, 83.08, -56.53

 

CMYK 6 / 90 / 0 / 27

HEX #AF12BA

RGB 175 18 186

HSL 296.07, 0.82%, 0.4%

LAB 42.9, 73.82, -50.21

 

CMYK 0 / 78 / 90 / 27

HEX #BA2912

RGB 186 41 18

HSL 8.21, 0.82%, 0.4%

LAB 41.33, 55.91, 48.01

 

CMYK 90 / 0 / 42 / 27

HEX #12BA6C

RGB 18 186 108

HSL 152.14, 0.82%, 0.4%

LAB 66.77, -56.84, 28.79

 

CMYK 6 / 90 / 0 / 27

HEX #AF12BA

RGB 175 18 186

HSL 296.07, 0.82%, 0.4%

LAB 42.9, 73.82, -50.21

 

CMYK 0 / 6 / 90 / 27

HEX #BAAE12

RGB 186 174 18

HSL 55.71, 0.82%, 0.4%

LAB 70, -10.64, 69.85

 

CMYK 90 / 0 / 6 / 27

HEX #12BAAE

RGB 18 186 174

HSL 175.71, 0.82%, 0.4%

LAB 68.24, -40.85, -4.93

 

CMYK 6 / 90 / 0 / 27

HEX #AF12BA

RGB 175 18 186

HSL 296.07, 0.82%, 0.4%

LAB 42.9, 73.82, -50.21

 

CMYK 0 / 78 / 90 / 27

HEX #BA2912

RGB 186 41 18

HSL 8.21, 0.82%, 0.4%

LAB 41.33, 55.91, 48.01

 

CMYK 84 / 0 / 90 / 27

HEX #1EBA12

RGB 30 186 18

HSL 115.71, 0.82%, 0.4%

LAB 66.09, -65.62, 63.55

 

CMYK 90 / 12 / 0 / 27

HEX #12A3BA

RGB 18 163 186

HSL 188.21, 0.82%, 0.4%

LAB 61.54, -26.26, -21.68

 

CMYK 6 / 90 / 0 / 27

HEX #AF12BA

RGB 175 18 186

HSL 296.07, 0.82%, 0.4%

LAB 42.9, 73.82, -50.21

 

CMYK 0 / 51 / 90 / 27

HEX #BA5B12

RGB 186 91 18

HSL 26.07, 0.82%, 0.4%

LAB 49.45, 34.34, 54.03

 

CMYK 84 / 0 / 90 / 27

HEX #1EBA12

RGB 30 186 18

HSL 115.71, 0.82%, 0.4%

LAB 66.09, -65.62, 63.55

 

CMYK 90 / 39 / 0 / 27

HEX #1271BA

RGB 18 113 186

HSL 206.07, 0.82%, 0.4%

LAB 46.29, 1.81, -45.5

 

Description

Color code: HEX #AF12BA | qconv.com Color code: HEX #AF12BA | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 18 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 18 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 90 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 90% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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