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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF0A8C it is the complementary color #50F573. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF0A8C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF0A8C shade: #B40A87, #C51C9A, #D62EAD, #E740C0 and #F852D3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF0A8C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF0A8C shade: #AF0A8C, #9E0079, #8D0066, #7C0053 and #6B0040

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF0A8C shade: #AE0A8B, #AE0A5F, #AE0A33 and #AE0A0A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF0A8C shade: #AE0A8B, #A40AAE, #780AAE, #4C0AAE and #200AAE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF0A8C shade matches the following richer shades: #AE0A8B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF0A8C shade: #AE0A8B, #9F1982, #90287A, #813771 and #724669

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF0A8C shade: #770AAE, #A30AAE, #AE0A8D, #AE0A61 and #AE0A36

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF0A8C shade: #60064C, #87086C, #AE0A8B, #D40CAA and #F219C4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF0A8C shade: #AF0A8C, #AE4B0A and #0AAE8D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF0A8C shade: #AF0A8C, #8DAE0A and #0A8DAE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF0A8C shade: #AF0A8C, #AE4B0A, #0AAE2B and #0A6CAE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF0A8C shade: #AF0A8C, #AE7C0A, #0AAE2B and #0A3BAE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 94 / 20 / 31

HEX #AF0A8C

RGB 175 10 140

HSL 312.73, 0.89%, 0.36%

LAB 39.96, 68.21, -27.27

 

Complementary color

CMYK 67 / 0 / 53 / 4

HEX #50F573

RGB 80 245 115

HSL 132.73, 0.89%, 0.64%

LAB 86.13, -68.5, 49.92

 

CMYK 0 / 94 / 25 / 29

HEX #B40A87

RGB 180 10 135

HSL 315.88, 0.89%, 0.37%

LAB 40.69, 68.61, -22.99

 

CMYK 0 / 86 / 22 / 23

HEX #C51C9A

RGB 197 28 154

HSL 315.27, 0.75%, 0.44%

LAB 45.68, 71.8, -26.53

 

CMYK 0 / 79 / 19 / 16

HEX #D62EAD

RGB 214 46 173

HSL 314.64, 0.67%, 0.51%

LAB 51, 73.82, -29.31

 

CMYK 0 / 72 / 17 / 9

HEX #E740C0

RGB 231 64 192

HSL 314.01, 0.78%, 0.58%

LAB 56.55, 74.97, -31.51

 

CMYK 0 / 67 / 15 / 3

HEX #F852D3

RGB 248 82 211

HSL 313.37, 0.92%, 0.65%

LAB 62.25, 75.52, -33.26

 

CMYK 0 / 94 / 20 / 31

HEX #AF0A8C

RGB 175 10 140

HSL 312.73, 0.89%, 0.36%

LAB 39.96, 68.21, -27.27

 

CMYK 0 / 100 / 23 / 38

HEX #9E0079

RGB 158 0 121

HSL 314.05, 1%, 0.31%

LAB 35.3, 63.6, -22.99

 

CMYK 0 / 100 / 28 / 45

HEX #8D0066

RGB 141 0 102

HSL 316.6, 1%, 0.28%

LAB 30.93, 57.83, -17.93

 

CMYK 0 / 100 / 33 / 51

HEX #7C0053

RGB 124 0 83

HSL 319.84, 1%, 0.24%

LAB 26.48, 51.96, -12.61

 

CMYK 0 / 100 / 40 / 58

HEX #6B0040

RGB 107 0 64

HSL 324.11, 1%, 0.21%

LAB 21.93, 45.98, -6.97

 

CMYK 0 / 94 / 20 / 32

HEX #AE0A8B

RGB 174 10 139

HSL 312.8, 0.89%, 0.36%

LAB 39.71, 67.89, -27.05

 

CMYK 0 / 94 / 45 / 32

HEX #AE0A5F

RGB 174 10 95

HSL 328.9, 0.89%, 0.36%

LAB 37.92, 63.14, -2.2

 

CMYK 0 / 94 / 71 / 32

HEX #AE0A33

RGB 174 10 51

HSL 345, 0.89%, 0.36%

LAB 36.85, 60.21, 24.63

 

CMYK 0 / 94 / 94 / 32

HEX #AE0A0A

RGB 174 10 10

HSL 0, 0.89%, 0.36%

LAB 36.44, 59.07, 46.64

 

CMYK 0 / 94 / 20 / 32

HEX #AE0A8B

RGB 174 10 139

HSL 312.8, 0.89%, 0.36%

LAB 39.71, 67.89, -27.05

 

CMYK 6 / 94 / 0 / 32

HEX #A40AAE

RGB 164 10 174

HSL 296.34, 0.89%, 0.36%

LAB 39.86, 71.07, -48.1

 

CMYK 31 / 94 / 0 / 32

HEX #780AAE

RGB 120 10 174

HSL 280.24, 0.89%, 0.36%

LAB 32.41, 64.49, -60.53

 

CMYK 56 / 94 / 0 / 32

HEX #4C0AAE

RGB 76 10 174

HSL 264.15, 0.89%, 0.36%

LAB 26.19, 59.81, -70.99

 

CMYK 82 / 94 / 0 / 32

HEX #200AAE

RGB 32 10 174

HSL 248.05, 0.89%, 0.36%

LAB 22.23, 57.43, -77.67

 

CMYK 0 / 94 / 20 / 32

HEX #AE0A8B

RGB 174 10 139

HSL 312.8, 0.89%, 0.36%

LAB 39.71, 67.89, -27.05

 

CMYK 0 / 94 / 20 / 32

HEX #AE0A8B

RGB 174 10 139

HSL 312.8, 0.89%, 0.36%

LAB 39.71, 67.89, -27.05

 

CMYK 0 / 84 / 18 / 38

HEX #9F1982

RGB 159 25 130

HSL 312.99, 0.73%, 0.36%

LAB 37.26, 61.12, -25.54

 

CMYK 0 / 72 / 15 / 44

HEX #90287A

RGB 144 40 122

HSL 312.69, 0.57%, 0.36%

LAB 35.7, 51.93, -23.19

 

CMYK 0 / 57 / 12 / 49

HEX #813771

RGB 129 55 113

HSL 312.97, 0.4%, 0.36%

LAB 35.19, 39.6, -18.54

 

CMYK 0 / 39 / 8 / 55

HEX #724669

RGB 114 70 105

HSL 312.27, 0.24%, 0.36%

LAB 35.94, 24.69, -12.54

 

CMYK 32 / 94 / 0 / 32

HEX #770AAE

RGB 119 10 174

HSL 279.88, 0.89%, 0.36%

LAB 32.25, 64.36, -60.8

 

CMYK 6 / 94 / 0 / 32

HEX #A30AAE

RGB 163 10 174

HSL 295.98, 0.89%, 0.36%

LAB 39.68, 70.91, -48.39

 

CMYK 0 / 94 / 19 / 32

HEX #AE0A8D

RGB 174 10 141

HSL 312.07, 0.89%, 0.36%

LAB 39.81, 68.14, -28.12

 

CMYK 0 / 94 / 44 / 32

HEX #AE0A61

RGB 174 10 97

HSL 328.17, 0.89%, 0.36%

LAB 37.98, 63.32, -3.38

 

CMYK 0 / 94 / 69 / 32

HEX #AE0A36

RGB 174 10 54

HSL 343.9, 0.89%, 0.36%

LAB 36.9, 60.35, 22.78

 

CMYK 0 / 94 / 21 / 62

HEX #60064C

RGB 96 6 76

HSL 313.33, 0.88%, 0.2%

LAB 20.59, 43.48, -17.47

 

CMYK 0 / 94 / 20 / 47

HEX #87086C

RGB 135 8 108

HSL 312.76, 0.89%, 0.28%

LAB 30.42, 56.11, -22.69

 

CMYK 0 / 94 / 20 / 32

HEX #AE0A8B

RGB 174 10 139

HSL 312.8, 0.89%, 0.36%

LAB 39.71, 67.89, -27.05

 

CMYK 0 / 94 / 20 / 17

HEX #D40CAA

RGB 212 12 170

HSL 312.6, 0.89%, 0.44%

LAB 48.46, 78.94, -31.52

 

CMYK 0 / 90 / 19 / 5

HEX #F219C4

RGB 242 25 196

HSL 312.72, 0.89%, 0.52%

LAB 55.64, 86.39, -35.08

 

CMYK 0 / 94 / 20 / 31

HEX #AF0A8C

RGB 175 10 140

HSL 312.73, 0.89%, 0.36%

LAB 39.96, 68.21, -27.27

 

CMYK 0 / 57 / 94 / 32

HEX #AE4B0A

RGB 174 75 10

HSL 23.78, 0.89%, 0.36%

LAB 44.31, 37.58, 51.71

 

CMYK 94 / 0 / 19 / 32

HEX #0AAE8D

RGB 10 174 141

HSL 167.93, 0.89%, 0.36%

LAB 63.56, -45.18, 6.49

 

CMYK 0 / 94 / 20 / 31

HEX #AF0A8C

RGB 175 10 140

HSL 312.73, 0.89%, 0.36%

LAB 39.96, 68.21, -27.27

 

CMYK 19 / 0 / 94 / 32

HEX #8DAE0A

RGB 141 174 10

HSL 72.07, 0.89%, 0.36%

LAB 66.49, -30.24, 66.76

 

CMYK 94 / 19 / 0 / 32

HEX #0A8DAE

RGB 10 141 174

HSL 192.07, 0.89%, 0.36%

LAB 54.21, -19.31, -26.16

 

CMYK 0 / 94 / 20 / 31

HEX #AF0A8C

RGB 175 10 140

HSL 312.73, 0.89%, 0.36%

LAB 39.96, 68.21, -27.27

 

CMYK 0 / 57 / 94 / 32

HEX #AE4B0A

RGB 174 75 10

HSL 23.78, 0.89%, 0.36%

LAB 44.31, 37.58, 51.71

 

CMYK 94 / 0 / 75 / 32

HEX #0AAE2B

RGB 10 174 43

HSL 132.07, 0.89%, 0.36%

LAB 62.09, -62.28, 53.22

 

CMYK 94 / 38 / 0 / 32

HEX #0A6CAE

RGB 10 108 174

HSL 204.15, 0.89%, 0.36%

LAB 44.01, -0.21, -42.15

 

CMYK 0 / 94 / 20 / 31

HEX #AF0A8C

RGB 175 10 140

HSL 312.73, 0.89%, 0.36%

LAB 39.96, 68.21, -27.27

 

CMYK 0 / 29 / 94 / 32

HEX #AE7C0A

RGB 174 124 10

HSL 41.71, 0.89%, 0.36%

LAB 55.52, 10.88, 59.67

 

CMYK 94 / 0 / 75 / 32

HEX #0AAE2B

RGB 10 174 43

HSL 132.07, 0.89%, 0.36%

LAB 62.09, -62.28, 53.22

 

CMYK 94 / 66 / 0 / 32

HEX #0A3BAE

RGB 10 59 174

HSL 222.07, 0.89%, 0.36%

LAB 30.03, 32.23, -64.78

 

Description

Color code: HEX #AF0A8C | qconv.com Color code: HEX #AF0A8C | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 10 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 10 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 94 magenta, 20 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 94% 20% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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