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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF09AD it is the complementary color #50F652. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF09AD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF09AD shade: #B409A8, #C51BBB, #D62DCE, #E73FE1 and #F851F4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF09AD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF09AD shade: #AF09AD, #9E009A, #8D0087, #7C0074 and #6B0061

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF09AD shade: #AE09AC, #AE0980, #AE0953, #AE0927 and #AE0909

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF09AD shade: #AE09AC, #8409AE, #5709AE, #2B09AE and #0909AE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF09AD shade matches the following richer shades: #AE09AC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF09AD shade: #AE09AC, #A0189E, #91278F, #823681 and #734572

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF09AD shade: #5609AE, #8209AE, #AE09AE, #AE0982 and #AE0956

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF09AD shade: #60055F, #870786, #AE09AC, #D60BD3 and #F317F0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF09AD shade: #AF09AD, #AE2A09 and #09AE6C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF09AD shade: #AF09AD, #AEAE09 and #09AEAE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF09AD shade: #AF09AD, #AE2A09, #09AE09 and #098DAE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF09AD shade: #AF09AD, #AE5C09, #09AE09 and #095CAE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 95 / 1 / 31

HEX #AF09AD

RGB 175 9 173

HSL 300.72, 0.9%, 0.36%

LAB 41.73, 72.88, -44.39

 

Complementary color

CMYK 67 / 0 / 67 / 4

HEX #50F652

RGB 80 246 82

HSL 120.72, 0.9%, 0.64%

LAB 86.12, -72.52, 63.99

 

CMYK 0 / 95 / 7 / 29

HEX #B409A8

RGB 180 9 168

HSL 304.21, 0.9%, 0.37%

LAB 42.35, 73.03, -40.38

 

CMYK 0 / 86 / 5 / 23

HEX #C51BBB

RGB 197 27 187

HSL 303.53, 0.76%, 0.44%

LAB 47.29, 76.43, -43.56

 

CMYK 0 / 79 / 4 / 16

HEX #D62DCE

RGB 214 45 206

HSL 302.84, 0.67%, 0.51%

LAB 52.54, 78.67, -46.05

 

CMYK 0 / 73 / 3 / 9

HEX #E73FE1

RGB 231 63 225

HSL 302.14, 0.78%, 0.58%

LAB 58.02, 80.02, -47.99

 

CMYK 0 / 67 / 2 / 3

HEX #F851F4

RGB 248 81 244

HSL 301.44, 0.92%, 0.65%

LAB 63.65, 80.74, -49.52

 

CMYK 0 / 95 / 1 / 31

HEX #AF09AD

RGB 175 9 173

HSL 300.72, 0.9%, 0.36%

LAB 41.73, 72.88, -44.39

 

CMYK 0 / 100 / 3 / 38

HEX #9E009A

RGB 158 0 154

HSL 301.52, 1%, 0.31%

LAB 37.12, 68.1, -40.52

 

CMYK 0 / 100 / 4 / 45

HEX #8D0087

RGB 141 0 135

HSL 302.55, 1%, 0.28%

LAB 32.73, 62.3, -36.03

 

CMYK 0 / 100 / 6 / 51

HEX #7C0074

RGB 124 0 116

HSL 303.87, 1%, 0.24%

LAB 28.24, 56.37, -31.4

 

CMYK 0 / 100 / 9 / 58

HEX #6B0061

RGB 107 0 97

HSL 305.61, 1%, 0.21%

LAB 23.63, 50.28, -26.6

 

CMYK 0 / 95 / 1 / 32

HEX #AE09AC

RGB 174 9 172

HSL 300.73, 0.9%, 0.36%

LAB 41.49, 72.56, -44.19

 

CMYK 0 / 95 / 26 / 32

HEX #AE0980

RGB 174 9 128

HSL 316.73, 0.9%, 0.36%

LAB 39.16, 66.65, -21.12

 

CMYK 0 / 95 / 52 / 32

HEX #AE0953

RGB 174 9 83

HSL 333.09, 0.9%, 0.36%

LAB 37.51, 62.27, 4.92

 

CMYK 0 / 95 / 78 / 32

HEX #AE0927

RGB 174 9 39

HSL 349.09, 0.9%, 0.36%

LAB 36.63, 59.84, 31.87

 

CMYK 0 / 95 / 95 / 32

HEX #AE0909

RGB 174 9 9

HSL 0, 0.9%, 0.36%

LAB 36.39, 59.17, 46.98

 

CMYK 0 / 95 / 1 / 32

HEX #AE09AC

RGB 174 9 172

HSL 300.73, 0.9%, 0.36%

LAB 41.49, 72.56, -44.19

 

CMYK 24 / 95 / 0 / 32

HEX #8409AE

RGB 132 9 174

HSL 284.73, 0.9%, 0.36%

LAB 34.31, 66.26, -57.34

 

CMYK 50 / 95 / 0 / 32

HEX #5709AE

RGB 87 9 174

HSL 268.36, 0.9%, 0.36%

LAB 27.51, 60.95, -68.75

 

CMYK 75 / 95 / 0 / 32

HEX #2B09AE

RGB 43 9 174

HSL 252.36, 0.9%, 0.36%

LAB 22.88, 58.05, -76.58

 

CMYK 95 / 95 / 0 / 32

HEX #0909AE

RGB 9 9 174

HSL 240, 0.9%, 0.36%

LAB 21.24, 57.22, -79.35

 

CMYK 0 / 95 / 1 / 32

HEX #AE09AC

RGB 174 9 172

HSL 300.73, 0.9%, 0.36%

LAB 41.49, 72.56, -44.19

 

CMYK 0 / 95 / 1 / 32

HEX #AE09AC

RGB 174 9 172

HSL 300.73, 0.9%, 0.36%

LAB 41.49, 72.56, -44.19

 

CMYK 0 / 85 / 1 / 37

HEX #A0189E

RGB 160 24 158

HSL 300.88, 0.74%, 0.36%

LAB 38.89, 65.65, -40.09

 

CMYK 0 / 73 / 1 / 43

HEX #91278F

RGB 145 39 143

HSL 301.13, 0.58%, 0.36%

LAB 36.84, 55.91, -34.38

 

CMYK 0 / 58 / 1 / 49

HEX #823681

RGB 130 54 129

HSL 300.79, 0.41%, 0.36%

LAB 35.92, 43.27, -27.36

 

CMYK 0 / 40 / 1 / 55

HEX #734572

RGB 115 69 114

HSL 301.3, 0.25%, 0.36%

LAB 36.21, 27.44, -17.76

 

CMYK 51 / 95 / 0 / 32

HEX #5609AE

RGB 86 9 174

HSL 268, 0.9%, 0.36%

LAB 27.38, 60.86, -68.97

 

CMYK 25 / 95 / 0 / 32

HEX #8209AE

RGB 130 9 174

HSL 284, 0.9%, 0.36%

LAB 33.98, 65.98, -57.9

 

CMYK 0 / 95 / 0 / 32

HEX #AE09AE

RGB 174 9 174

HSL 300, 0.9%, 0.36%

LAB 41.61, 72.86, -45.19

 

CMYK 0 / 95 / 25 / 32

HEX #AE0982

RGB 174 9 130

HSL 316, 0.9%, 0.36%

LAB 39.25, 66.89, -22.22

 

CMYK 0 / 95 / 51 / 32

HEX #AE0956

RGB 174 9 86

HSL 332, 0.9%, 0.36%

LAB 37.6, 62.51, 3.11

 

CMYK 0 / 95 / 1 / 62

HEX #60055F

RGB 96 5 95

HSL 300.66, 0.9%, 0.2%

LAB 21.66, 46.7, -28.56

 

CMYK 0 / 95 / 1 / 47

HEX #870786

RGB 135 7 134

HSL 300.47, 0.9%, 0.28%

LAB 31.86, 60.07, -36.85

 

CMYK 0 / 95 / 1 / 32

HEX #AE09AC

RGB 174 9 172

HSL 300.73, 0.9%, 0.36%

LAB 41.49, 72.56, -44.19

 

CMYK 0 / 95 / 1 / 16

HEX #D60BD3

RGB 214 11 211

HSL 300.89, 0.9%, 0.44%

LAB 50.97, 84.83, -51.42

 

CMYK 0 / 91 / 1 / 5

HEX #F317F0

RGB 243 23 240

HSL 300.82, 0.9%, 0.52%

LAB 58, 92.58, -56.32

 

CMYK 0 / 95 / 1 / 31

HEX #AF09AD

RGB 175 9 173

HSL 300.72, 0.9%, 0.36%

LAB 41.73, 72.88, -44.39

 

CMYK 0 / 76 / 95 / 32

HEX #AE2A09

RGB 174 42 9

HSL 12, 0.9%, 0.36%

LAB 39.03, 51.71, 48.55

 

CMYK 95 / 0 / 38 / 32

HEX #09AE6C

RGB 9 174 108

HSL 156, 0.9%, 0.36%

LAB 62.85, -53, 23.6

 

CMYK 0 / 95 / 1 / 31

HEX #AF09AD

RGB 175 9 173

HSL 300.72, 0.9%, 0.36%

LAB 41.73, 72.88, -44.39

 

CMYK 0 / 0 / 95 / 32

HEX #AEAE09

RGB 174 174 9

HSL 60, 0.9%, 0.36%

LAB 68.96, -16.07, 69.87

 

CMYK 95 / 0 / 0 / 32

HEX #09AEAE

RGB 9 174 174

HSL 180, 0.9%, 0.36%

LAB 64.47, -35.79, -10.54

 

CMYK 0 / 95 / 1 / 31

HEX #AF09AD

RGB 175 9 173

HSL 300.72, 0.9%, 0.36%

LAB 41.73, 72.88, -44.39

 

CMYK 0 / 76 / 95 / 32

HEX #AE2A09

RGB 174 42 9

HSL 12, 0.9%, 0.36%

LAB 39.03, 51.71, 48.55

 

CMYK 95 / 0 / 95 / 32

HEX #09AE09

RGB 9 174 9

HSL 120, 0.9%, 0.36%

LAB 61.95, -64.03, 61.33

 

CMYK 95 / 19 / 0 / 32

HEX #098DAE

RGB 9 141 174

HSL 192, 0.9%, 0.36%

LAB 54.2, -19.35, -26.17

 

CMYK 0 / 95 / 1 / 31

HEX #AF09AD

RGB 175 9 173

HSL 300.72, 0.9%, 0.36%

LAB 41.73, 72.88, -44.39

 

CMYK 0 / 47 / 95 / 32

HEX #AE5C09

RGB 174 92 9

HSL 30.18, 0.9%, 0.36%

LAB 47.84, 28.66, 54.38

 

CMYK 95 / 0 / 95 / 32

HEX #09AE09

RGB 9 174 9

HSL 120, 0.9%, 0.36%

LAB 61.95, -64.03, 61.33

 

CMYK 95 / 47 / 0 / 32

HEX #095CAE

RGB 9 92 174

HSL 209.82, 0.9%, 0.36%

LAB 39.19, 9.99, -49.87

 

Description

Color code: HEX #AF09AD | qconv.com Color code: HEX #AF09AD | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 9 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 9 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 95 magenta, 1 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 95% 1% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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