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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF03DA it is the complementary color #50FC25. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF03DA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF03DA shade: #B403D5, #C515E8, #D627FB, #E739FF and #F84BFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF03DA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF03DA shade: #AF03DA, #9E00C7, #8D00B4, #7C00A1 and #6B008E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF03DA shade: #AD03D8, #D803C9, #D80390, #D80356 and #D8031D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF03DA shade: #AD03D8, #7403D8, #3B03D8 and #0303D8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF03DA shade matches the following richer shades: #AD03D8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF03DA shade: #AD03D8, #A315C6, #9827B5, #8E39A3 and #834A91

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF03DA shade: #3C03D8, #7503D8, #AD03D8, #D803CA and #D80391

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF03DA shade: #6C0287, #8D03AF, #AD03D8, #CB09FB and #D332FC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF03DA shade: #AF03DA, #D80303 and #03D858

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF03DA shade: #AF03DA, #D8AD03 and #03D8AD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF03DA shade: #AF03DA, #D80303, #2ED803 and #03D8D8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF03DA shade: #AF03DA, #D84303, #2ED803 and #0398D8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 99 / 0 / 15

HEX #AF03DA

RGB 175 3 218

HSL 288, 0.97%, 0.43%

LAB 44.58, 80.71, -66.07

 

Complementary color

CMYK 68 / 0 / 85 / 1

HEX #50FC25

RGB 80 252 37

HSL 108, 0.97%, 0.57%

LAB 87.71, -77.22, 79.04

 

CMYK 15 / 99 / 0 / 16

HEX #B403D5

RGB 180 3 213

HSL 290.57, 0.97%, 0.42%

LAB 45.04, 80.56, -62.41

 

CMYK 15 / 91 / 0 / 9

HEX #C515E8

RGB 197 21 232

HSL 290.05, 0.83%, 0.5%

LAB 49.78, 84.37, -65.44

 

CMYK 15 / 84 / 0 / 2

HEX #D627FB

RGB 214 39 251

HSL 289.53, 0.96%, 0.57%

LAB 54.77, 87.13, -67.89

 

CMYK 9 / 78 / 0 / 0

HEX #E739FF

RGB 231 57 255

HSL 292.73, 1%, 0.61%

LAB 59.1, 86.46, -63.01

 

CMYK 3 / 71 / 0 / 0

HEX #F84BFF

RGB 248 75 255

HSL 297.67, 1%, 0.65%

LAB 63.51, 84.45, -55.81

 

CMYK 20 / 99 / 0 / 15

HEX #AF03DA

RGB 175 3 218

HSL 288, 0.97%, 0.43%

LAB 44.58, 80.71, -66.07

 

CMYK 21 / 100 / 0 / 22

HEX #9E00C7

RGB 158 0 199

HSL 287.64, 1%, 0.39%

LAB 40.23, 75.43, -62.27

 

CMYK 22 / 100 / 0 / 29

HEX #8D00B4

RGB 141 0 180

HSL 287, 1%, 0.35%

LAB 35.9, 69.77, -58.26

 

CMYK 23 / 100 / 0 / 37

HEX #7C00A1

RGB 124 0 161

HSL 286.21, 1%, 0.32%

LAB 31.48, 64, -54.17

 

CMYK 25 / 100 / 0 / 44

HEX #6B008E

RGB 107 0 142

HSL 285.21, 1%, 0.28%

LAB 26.96, 58.1, -50.01

 

CMYK 20 / 99 / 0 / 15

HEX #AD03D8

RGB 173 3 216

HSL 287.89, 0.97%, 0.43%

LAB 44.1, 80.09, -65.72

 

CMYK 0 / 99 / 7 / 15

HEX #D803C9

RGB 216 3 201

HSL 304.23, 0.97%, 0.43%

LAB 50.55, 84.36, -46.31

 

CMYK 0 / 99 / 33 / 15

HEX #D80390

RGB 216 3 144

HSL 320.28, 0.97%, 0.43%

LAB 47.85, 77.56, -16.86

 

CMYK 0 / 99 / 60 / 15

HEX #D80356

RGB 216 3 86

HSL 336.62, 0.97%, 0.43%

LAB 46.09, 72.92, 16.28

 

CMYK 0 / 99 / 87 / 15

HEX #D8031D

RGB 216 3 29

HSL 352.68, 0.97%, 0.43%

LAB 45.29, 70.75, 48.8

 

CMYK 20 / 99 / 0 / 15

HEX #AD03D8

RGB 173 3 216

HSL 287.89, 0.97%, 0.43%

LAB 44.1, 80.09, -65.72

 

CMYK 46 / 99 / 0 / 15

HEX #7403D8

RGB 116 3 216

HSL 271.83, 0.97%, 0.43%

LAB 35.47, 73.69, -80.19

 

CMYK 73 / 99 / 0 / 15

HEX #3B03D8

RGB 59 3 216

HSL 255.77, 0.97%, 0.43%

LAB 29.29, 70.27, -90.63

 

CMYK 99 / 99 / 0 / 15

HEX #0303D8

RGB 3 3 216

HSL 240, 0.97%, 0.43%

LAB 26.86, 69.31, -94.76

 

CMYK 20 / 99 / 0 / 15

HEX #AD03D8

RGB 173 3 216

HSL 287.89, 0.97%, 0.43%

LAB 44.1, 80.09, -65.72

 

CMYK 20 / 99 / 0 / 15

HEX #AD03D8

RGB 173 3 216

HSL 287.89, 0.97%, 0.43%

LAB 44.1, 80.09, -65.72

 

CMYK 18 / 89 / 0 / 22

HEX #A315C6

RGB 163 21 198

HSL 288.14, 0.81%, 0.43%

LAB 41.85, 73.42, -59.04

 

CMYK 16 / 78 / 0 / 29

HEX #9827B5

RGB 152 39 181

HSL 287.75, 0.65%, 0.43%

LAB 40.35, 64.18, -51.57

 

CMYK 13 / 65 / 0 / 36

HEX #8E39A3

RGB 142 57 163

HSL 288.11, 0.48%, 0.43%

LAB 40.12, 51.64, -41.32

 

CMYK 10 / 49 / 0 / 43

HEX #834A91

RGB 131 74 145

HSL 288.17, 0.32%, 0.43%

LAB 40.84, 36.25, -29.43

 

CMYK 72 / 99 / 0 / 15

HEX #3C03D8

RGB 60 3 216

HSL 256.06, 0.97%, 0.43%

LAB 29.37, 70.31, -90.49

 

CMYK 46 / 99 / 0 / 15

HEX #7503D8

RGB 117 3 216

HSL 272.11, 0.97%, 0.43%

LAB 35.61, 73.78, -79.96

 

CMYK 20 / 99 / 0 / 15

HEX #AD03D8

RGB 173 3 216

HSL 287.89, 0.97%, 0.43%

LAB 44.1, 80.09, -65.72

 

CMYK 0 / 99 / 6 / 15

HEX #D803CA

RGB 216 3 202

HSL 303.94, 0.97%, 0.43%

LAB 50.6, 84.5, -46.8

 

CMYK 0 / 99 / 33 / 15

HEX #D80391

RGB 216 3 145

HSL 320, 0.97%, 0.43%

LAB 47.89, 77.67, -17.4

 

CMYK 20 / 99 / 0 / 47

HEX #6C0287

RGB 108 2 135

HSL 287.82, 0.97%, 0.27%

LAB 26.68, 56.55, -46.08

 

CMYK 19 / 98 / 0 / 31

HEX #8D03AF

RGB 141 3 175

HSL 288.14, 0.97%, 0.35%

LAB 35.64, 68.5, -55.71

 

CMYK 20 / 99 / 0 / 15

HEX #AD03D8

RGB 173 3 216

HSL 287.89, 0.97%, 0.43%

LAB 44.1, 80.09, -65.72

 

CMYK 19 / 96 / 0 / 2

HEX #CB09FB

RGB 203 9 251

HSL 288.1, 0.97%, 0.51%

LAB 51.68, 89.55, -73

 

CMYK 16 / 80 / 0 / 1

HEX #D332FC

RGB 211 50 252

HSL 287.82, 0.97%, 0.59%

LAB 55.24, 84.3, -67.73

 

CMYK 20 / 99 / 0 / 15

HEX #AF03DA

RGB 175 3 218

HSL 288, 0.97%, 0.43%

LAB 44.58, 80.71, -66.07

 

CMYK 0 / 99 / 99 / 15

HEX #D80303

RGB 216 3 3

HSL 0, 0.97%, 0.43%

LAB 45.18, 70.44, 58.38

 

CMYK 99 / 0 / 59 / 15

HEX #03D858

RGB 3 216 88

HSL 143.94, 0.97%, 0.43%

LAB 75.97, -70.37, 49.9

 

CMYK 20 / 99 / 0 / 15

HEX #AF03DA

RGB 175 3 218

HSL 288, 0.97%, 0.43%

LAB 44.58, 80.71, -66.07

 

CMYK 0 / 20 / 99 / 15

HEX #D8AD03

RGB 216 173 3

HSL 47.89, 0.97%, 0.43%

LAB 72.56, 2.96, 74.95

 

CMYK 99 / 0 / 20 / 15

HEX #03D8AD

RGB 3 216 173

HSL 167.89, 0.97%, 0.43%

LAB 77.37, -54.13, 8.87

 

CMYK 20 / 99 / 0 / 15

HEX #AF03DA

RGB 175 3 218

HSL 288, 0.97%, 0.43%

LAB 44.58, 80.71, -66.07

 

CMYK 0 / 99 / 99 / 15

HEX #D80303

RGB 216 3 3

HSL 0, 0.97%, 0.43%

LAB 45.18, 70.44, 58.38

 

CMYK 79 / 0 / 99 / 15

HEX #2ED803

RGB 46 216 3

HSL 107.89, 0.97%, 0.43%

LAB 75.88, -72.74, 73.54

 

CMYK 99 / 0 / 0 / 15

HEX #03D8D8

RGB 3 216 216

HSL 180, 0.97%, 0.43%

LAB 78.51, -42.34, -12.46

 

CMYK 20 / 99 / 0 / 15

HEX #AF03DA

RGB 175 3 218

HSL 288, 0.97%, 0.43%

LAB 44.58, 80.71, -66.07

 

CMYK 0 / 69 / 99 / 15

HEX #D84303

RGB 216 67 3

HSL 18.03, 0.97%, 0.43%

LAB 50.24, 56.21, 60.73

 

CMYK 79 / 0 / 99 / 15

HEX #2ED803

RGB 46 216 3

HSL 107.89, 0.97%, 0.43%

LAB 75.88, -72.74, 73.54

 

CMYK 99 / 30 / 0 / 15

HEX #0398D8

RGB 3 152 216

HSL 198.03, 0.97%, 0.43%

LAB 59.37, -10.35, -41.85

 

Description

Color code: HEX #AF03DA | qconv.com Color code: HEX #AF03DA | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 3 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 3 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 99 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 99% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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