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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AEFD6F it is the complementary color #510290. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AEFD6F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AEFD6F shade: #B3FD6A, #C4FF7D, #D5FF90, #E6FFA3 and #F7FFB6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AEFD6F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AEFD6F shade: #AEFD6F, #9DEB5C, #8CD949, #7BC736 and #6AB523

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AEFD6F shade: #ADFD6D, #D4FD6D, #FAFD6D, #FDD96D and #FDB26D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AEFD6F shade: #ADFD6D, #86FD6D, #6DFD7B, #6DFDA2 and #6DFDC8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AEFD6F shade matches the following richer shades: #ADFD6D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AEFD6F shade: #ADFD6D, #AEF179, #B0E585, #B1D991 and #B2CD9D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AEFD6F shade: #FAFD6D, #D4FD6D, #AEFD6D, #88FD6D and #6DFD79

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AEFD6F shade: #7FFC1C, #96FC45, #ADFD6D, #C4FD96 and #DBFEBF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AEFD6F shade: #AEFD6F, #6DFDD9 and #FD6DE7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AEFD6F shade: #AEFD6F, #6DAEFD and #FD6DAE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AEFD6F shade: #AEFD6F, #6DFDD9, #BC6DFD and #FD6D91

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AEFD6F shade: #AEFD6F, #6DF6FD, #BC6DFD and #FD746D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 0 / 56 / 1

HEX #AEFD6F

RGB 174 253 111

HSL 93.38, 0.97%, 0.71%

LAB 91.86, -47.14, 59.34

 

Complementary color

CMYK 44 / 99 / 0 / 44

HEX #510290

RGB 81 2 144

HSL 273.38, 0.97%, 0.29%

LAB 23.02, 54.96, -57.87

 

CMYK 29 / 0 / 58 / 1

HEX #B3FD6A

RGB 179 253 106

HSL 90.2, 0.97%, 0.7%

LAB 92.08, -45.89, 61.82

 

CMYK 23 / 0 / 51 / 0

HEX #C4FF7D

RGB 196 255 125

HSL 87.23, 1%, 0.75%

LAB 93.77, -38.98, 55.63

 

CMYK 16 / 0 / 44 / 0

HEX #D5FF90

RGB 213 255 144

HSL 82.7, 1%, 0.78%

LAB 95.03, -30.85, 48.53

 

CMYK 10 / 0 / 36 / 0

HEX #E6FFA3

RGB 230 255 163

HSL 76.3, 1%, 0.82%

LAB 96.4, -22.46, 41.31

 

CMYK 3 / 0 / 29 / 0

HEX #F7FFB6

RGB 247 255 182

HSL 66.58, 1%, 0.86%

LAB 97.9, -13.89, 34.09

 

CMYK 31 / 0 / 56 / 1

HEX #AEFD6F

RGB 174 253 111

HSL 93.38, 0.97%, 0.71%

LAB 91.86, -47.14, 59.34

 

CMYK 33 / 0 / 61 / 8

HEX #9DEB5C

RGB 157 235 92

HSL 92.73, 0.78%, 0.64%

LAB 85.68, -47.03, 60.27

 

CMYK 35 / 0 / 66 / 15

HEX #8CD949

RGB 140 217 73

HSL 92.08, 0.65%, 0.57%

LAB 79.43, -46.82, 60.99

 

CMYK 38 / 0 / 73 / 22

HEX #7BC736

RGB 123 199 54

HSL 91.45, 0.57%, 0.5%

LAB 73.1, -46.47, 61.35

 

CMYK 41 / 0 / 81 / 29

HEX #6AB523

RGB 106 181 35

HSL 90.82, 0.68%, 0.42%

LAB 66.7, -45.92, 61.02

 

CMYK 32 / 0 / 57 / 1

HEX #ADFD6D

RGB 173 253 109

HSL 93.33, 0.97%, 0.71%

LAB 91.79, -47.66, 60.12

 

CMYK 16 / 0 / 57 / 1

HEX #D4FD6D

RGB 212 253 109

HSL 77.08, 0.97%, 0.71%

LAB 94.03, -33.69, 63.27

 

CMYK 1 / 0 / 57 / 1

HEX #FAFD6D

RGB 250 253 109

HSL 61.25, 0.97%, 0.71%

LAB 96.69, -18.99, 66.97

 

CMYK 0 / 14 / 57 / 1

HEX #FDD96D

RGB 253 217 109

HSL 45, 0.97%, 0.71%

LAB 87.78, 0.03, 56.95

 

CMYK 0 / 30 / 57 / 1

HEX #FDB26D

RGB 253 178 109

HSL 28.75, 0.97%, 0.71%

LAB 78.36, 20.25, 45.8

 

CMYK 32 / 0 / 57 / 1

HEX #ADFD6D

RGB 173 253 109

HSL 93.33, 0.97%, 0.71%

LAB 91.79, -47.66, 60.12

 

CMYK 47 / 0 / 57 / 1

HEX #86FD6D

RGB 134 253 109

HSL 109.58, 0.97%, 0.71%

LAB 90.06, -59.75, 57.66

 

CMYK 57 / 0 / 51 / 1

HEX #6DFD7B

RGB 109 253 123

HSL 125.83, 0.97%, 0.71%

LAB 89.36, -64.42, 50.33

 

CMYK 57 / 0 / 36 / 1

HEX #6DFDA2

RGB 109 253 162

HSL 142.08, 0.97%, 0.71%

LAB 89.91, -58.47, 32.16

 

CMYK 57 / 0 / 21 / 1

HEX #6DFDC8

RGB 109 253 200

HSL 157.92, 0.97%, 0.71%

LAB 90.63, -51.05, 13.82

 

CMYK 32 / 0 / 57 / 1

HEX #ADFD6D

RGB 173 253 109

HSL 93.33, 0.97%, 0.71%

LAB 91.79, -47.66, 60.12

 

CMYK 32 / 0 / 57 / 1

HEX #ADFD6D

RGB 173 253 109

HSL 93.33, 0.97%, 0.71%

LAB 91.79, -47.66, 60.12

 

CMYK 28 / 0 / 50 / 5

HEX #AEF179

RGB 174 241 121

HSL 93.5, 0.81%, 0.71%

LAB 88.59, -40.91, 50.94

 

CMYK 23 / 0 / 42 / 10

HEX #B0E585

RGB 176 229 133

HSL 93.13, 0.65%, 0.71%

LAB 85.48, -33.38, 41.35

 

CMYK 18 / 0 / 33 / 15

HEX #B1D991

RGB 177 217 145

HSL 93.33, 0.49%, 0.71%

LAB 82.39, -25.76, 31.3

 

CMYK 13 / 0 / 23 / 20

HEX #B2CD9D

RGB 178 205 157

HSL 93.75, 0.32%, 0.71%

LAB 79.36, -17.7, 20.96

 

CMYK 1 / 0 / 57 / 1

HEX #FAFD6D

RGB 250 253 109

HSL 61.25, 0.97%, 0.71%

LAB 96.69, -18.99, 66.97

 

CMYK 16 / 0 / 57 / 1

HEX #D4FD6D

RGB 212 253 109

HSL 77.08, 0.97%, 0.71%

LAB 94.03, -33.69, 63.27

 

CMYK 31 / 0 / 57 / 1

HEX #AEFD6D

RGB 174 253 109

HSL 92.92, 0.97%, 0.71%

LAB 91.84, -47.33, 60.19

 

CMYK 46 / 0 / 57 / 1

HEX #88FD6D

RGB 136 253 109

HSL 108.75, 0.97%, 0.71%

LAB 90.13, -59.19, 57.77

 

CMYK 57 / 0 / 52 / 1

HEX #6DFD79

RGB 109 253 121

HSL 125, 0.97%, 0.71%

LAB 89.34, -64.68, 51.22

 

CMYK 50 / 0 / 89 / 1

HEX #7FFC1C

RGB 127 252 28

HSL 93.48, 0.97%, 0.55%

LAB 89.02, -66.57, 82.3

 

CMYK 40 / 0 / 73 / 1

HEX #96FC45

RGB 150 252 69

HSL 93.44, 0.97%, 0.63%

LAB 90.11, -57.91, 73.49

 

CMYK 32 / 0 / 57 / 1

HEX #ADFD6D

RGB 173 253 109

HSL 93.33, 0.97%, 0.71%

LAB 91.79, -47.66, 60.12

 

CMYK 23 / 0 / 41 / 1

HEX #C4FD96

RGB 196 253 150

HSL 93.2, 0.96%, 0.79%

LAB 93.53, -35.26, 43.53

 

CMYK 14 / 0 / 25 / 0

HEX #DBFEBF

RGB 219 254 191

HSL 93.33, 0.97%, 0.87%

LAB 95.87, -22.12, 26.49

 

CMYK 31 / 0 / 56 / 1

HEX #AEFD6F

RGB 174 253 111

HSL 93.38, 0.97%, 0.71%

LAB 91.86, -47.14, 59.34

 

CMYK 57 / 0 / 14 / 1

HEX #6DFDD9

RGB 109 253 217

HSL 165, 0.97%, 0.71%

LAB 91.01, -47.26, 5.58

 

CMYK 0 / 57 / 9 / 1

HEX #FD6DE7

RGB 253 109 231

HSL 309.17, 0.97%, 0.71%

LAB 67.72, 69.02, -35.89

 

CMYK 31 / 0 / 56 / 1

HEX #AEFD6F

RGB 174 253 111

HSL 93.38, 0.97%, 0.71%

LAB 91.86, -47.14, 59.34

 

CMYK 57 / 31 / 0 / 1

HEX #6DAEFD

RGB 109 174 253

HSL 212.92, 0.97%, 0.71%

LAB 69.91, 1.81, -45.45

 

CMYK 0 / 57 / 31 / 1

HEX #FD6DAE

RGB 253 109 174

HSL 332.92, 0.97%, 0.71%

LAB 65.65, 61.19, -7.03

 

CMYK 31 / 0 / 56 / 1

HEX #AEFD6F

RGB 174 253 111

HSL 93.38, 0.97%, 0.71%

LAB 91.86, -47.14, 59.34

 

CMYK 57 / 0 / 14 / 1

HEX #6DFDD9

RGB 109 253 217

HSL 165, 0.97%, 0.71%

LAB 91.01, -47.26, 5.58

 

CMYK 26 / 57 / 0 / 1

HEX #BC6DFD

RGB 188 109 253

HSL 272.92, 0.97%, 0.71%

LAB 60.53, 56.72, -59.93

 

CMYK 0 / 57 / 43 / 1

HEX #FD6D91

RGB 253 109 145

HSL 345, 0.97%, 0.71%

LAB 64.85, 58.02, 8.36

 

CMYK 31 / 0 / 56 / 1

HEX #AEFD6F

RGB 174 253 111

HSL 93.38, 0.97%, 0.71%

LAB 91.86, -47.14, 59.34

 

CMYK 57 / 3 / 0 / 1

HEX #6DF6FD

RGB 109 246 253

HSL 182.92, 0.97%, 0.71%

LAB 89.98, -35.17, -14.65

 

CMYK 26 / 57 / 0 / 1

HEX #BC6DFD

RGB 188 109 253

HSL 272.92, 0.97%, 0.71%

LAB 60.53, 56.72, -59.93

 

CMYK 0 / 54 / 57 / 1

HEX #FD746D

RGB 253 116 109

HSL 2.92, 0.97%, 0.71%

LAB 65.34, 51.71, 29.44

 

Description

Color code: HEX #AEFD6F | qconv.com Color code: HEX #AEFD6F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 253 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 253 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, none magenta, 56 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 0% 56% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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