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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AEFCC5CE it is the complementary color #51033ACE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AEFCC5CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AEFCC5CE shade: #B3FCC0CE, #C4FFD3CE, #D5FFE6CE, #E6FFF9CE and #F7FFFFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AEFCC5CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AEFCC5CE shade: #AEFCC5CE, #9DEAB2CE, #8CD89FCE, #7BC68CCE and #6AB479CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AEFCC5CE shade: #B0FCC7, #B0FCB2, #C3FCB0, #D7FCB0 and #ECFCB0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AEFCC5CE shade: #B0FCC7, #B0FCDB, #B0FCF0, #B0F4FC and #B0E0FC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AEFCC5CE shade matches the following richer shades: #B0FCC7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AEFCC5CE shade: #B0FCC7, #B7F6C9, #BDEFCC, #C4E8CF and #CBE2D1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AEFCC5CE shade: #C3FCB0, #B0FCB2, #B0FCC6, #B0FCDA and #B0FCEE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AEFCC5CE shade: #61F98E, #88FBAA, #B0FCC7, #D8FEE3 and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AEFCC5CE shade: #AEFCC5, #B0D7FC and #FCB0B9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AEFCC5CE shade: #AEFCC5, #C6B0FC and #FCC6B0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AEFCC5CE shade: #AEFCC5, #B0D7FC, #FCB0E7 and #FCD5B0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AEFCC5CE shade: #AEFCC5, #B0C1FC, #FCB0E7 and #FCECB0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 0 / 18 / 1

HEX #AEFCC5CE

RGBA 174 252 197 0.81

HSLA 137.69, 0.93%, 0.84%, 0.81

LABA 92.86, -34.8, 18.87, 0.81

 

Complementary color

CMYK 0 / 78 / 23 / 55

HEX #51033ACE

RGBA 81 3 58 0.81

HSLA 317.69, 0.93%, 0.16%, 0.81

LABA 16.1, 38.24, -12.18, 0.81

 

CMYK 23 / 0 / 19 / 1

HEX #B3FCC0CE

RGBA 179 252 192 0.81

HSLA 130.68, 0.92%, 0.85%, 0.81

LABA 93.02, -34.15, 21.68, 0.81

 

CMYK 19 / 0 / 14 / 0

HEX #C4FFD3CE

RGBA 196 255 211 0.81

HSLA 135.25, 1%, 0.88%, 0.81

LABA 95.14, -26.93, 15.07, 0.81

 

CMYK 13 / 0 / 8 / 0

HEX #D5FFE6CE

RGBA 213 255 230 0.81

HSLA 144.29, 1%, 0.92%, 0.81

LABA 96.57, -18.12, 7.49, 0.81

 

CMYK 8 / 0 / 2 / 0

HEX #E6FFF9CE

RGBA 230 255 249 0.81

HSLA 165.6, 1%, 0.95%, 0.81

LABA 98.11, -9.19, 0.09, 0.81

 

CMYK 3 / 0 / 0 / 0

HEX #F7FFFFCE

RGBA 247 255 255 0.81

HSLA 180, 1%, 0.98%, 0.81

LABA 99.42, -2.61, -0.92, 0.81

 

CMYK 25 / 0 / 18 / 1

HEX #AEFCC5CE

RGBA 174 252 197 0.81

HSLA 137.69, 0.93%, 0.84%, 0.81

LABA 92.86, -34.8, 18.87, 0.81

 

CMYK 27 / 0 / 19 / 7

HEX #9DEAB2CE

RGBA 157 234 178 0.81

HSLA 136.36, 0.65%, 0.77%, 0.81

LABA 86.62, -35.05, 19.82, 0.81

 

CMYK 29 / 0 / 21 / 12

HEX #8CD89FCE

RGBA 140 216 159 0.81

HSLA 135, 0.49%, 0.7%, 0.81

LABA 80.29, -35.31, 20.83, 0.81

 

CMYK 31 / 0 / 24 / 18

HEX #7BC68CCE

RGBA 123 198 140 0.81

HSLA 133.6, 0.4%, 0.63%, 0.81

LABA 73.86, -35.58, 21.91, 0.81

 

CMYK 33 / 0 / 27 / 24

HEX #6AB479CE

RGBA 106 180 121 0.81

HSLA 132.16, 0.33%, 0.56%, 0.81

LABA 67.34, -35.84, 23.06, 0.81

 

CMYK 30 / 0 / 21 / 1

HEX #B0FCC7

RGB 176 252 199

HSL 138.16, 0.93%, 0.84%

LAB 93, -33.84, 18.06

 

CMYK 30 / 0 / 29 / 1

HEX #B0FCB2

RGB 176 252 178

HSL 121.58, 0.93%, 0.84%

LAB 92.6, -37.42, 28.2

 

CMYK 23 / 0 / 30 / 1

HEX #C3FCB0

RGB 195 252 176

HSL 105, 0.93%, 0.84%

LAB 93.61, -31.58, 30.74

 

CMYK 15 / 0 / 30 / 1

HEX #D7FCB0

RGB 215 252 176

HSL 89.21, 0.93%, 0.84%

LAB 94.82, -24.72, 32.59

 

CMYK 6 / 0 / 30 / 1

HEX #ECFCB0

RGB 236 252 176

HSL 72.63, 0.93%, 0.84%

LAB 96.24, -17.2, 34.73

 

CMYK 30 / 0 / 21 / 1

HEX #B0FCC7

RGB 176 252 199

HSL 138.16, 0.93%, 0.84%

LAB 93, -33.84, 18.06

 

CMYK 30 / 0 / 13 / 1

HEX #B0FCDB

RGB 176 252 219

HSL 153.95, 0.93%, 0.84%

LAB 93.44, -30.06, 8.38

 

CMYK 30 / 0 / 5 / 1

HEX #B0FCF0

RGB 176 252 240

HSL 170.53, 0.93%, 0.84%

LAB 93.94, -25.74, -1.73

 

CMYK 30 / 3 / 0 / 1

HEX #B0F4FC

RGB 176 244 252

HSL 186.32, 0.93%, 0.84%

LAB 92.11, -19.2, -10.65

 

CMYK 30 / 11 / 0 / 1

HEX #B0E0FC

RGB 176 224 252

HSL 202.11, 0.93%, 0.84%

LAB 86.79, -9.1, -18.64

 

CMYK 30 / 0 / 21 / 1

HEX #B0FCC7

RGB 176 252 199

HSL 138.16, 0.93%, 0.84%

LAB 93, -33.84, 18.06

 

CMYK 30 / 0 / 21 / 1

HEX #B0FCC7

RGB 176 252 199

HSL 138.16, 0.93%, 0.84%

LAB 93, -33.84, 18.06

 

CMYK 26 / 0 / 18 / 4

HEX #B7F6C9

RGB 183 246 201

HSL 137.14, 0.78%, 0.84%

LAB 91.77, -28.52, 15.35

 

CMYK 21 / 0 / 15 / 6

HEX #BDEFCC

RGB 189 239 204

HSL 138, 0.61%, 0.84%

LAB 90.28, -22.73, 11.73

 

CMYK 16 / 0 / 11 / 9

HEX #C4E8CF

RGB 196 232 207

HSL 138.33, 0.44%, 0.84%

LAB 88.9, -16.48, 8.26

 

CMYK 10 / 0 / 8 / 11

HEX #CBE2D1

RGB 203 226 209

HSL 135.65, 0.28%, 0.84%

LAB 87.82, -10.78, 5.71

 

CMYK 23 / 0 / 30 / 1

HEX #C3FCB0

RGB 195 252 176

HSL 105, 0.93%, 0.84%

LAB 93.61, -31.58, 30.74

 

CMYK 30 / 0 / 29 / 1

HEX #B0FCB2

RGB 176 252 178

HSL 121.58, 0.93%, 0.84%

LAB 92.6, -37.42, 28.2

 

CMYK 30 / 0 / 21 / 1

HEX #B0FCC6

RGB 176 252 198

HSL 137.37, 0.93%, 0.84%

LAB 92.98, -34.02, 18.54

 

CMYK 30 / 0 / 13 / 1

HEX #B0FCDA

RGB 176 252 218

HSL 153.16, 0.93%, 0.84%

LAB 93.41, -30.26, 8.87

 

CMYK 30 / 0 / 6 / 1

HEX #B0FCEE

RGB 176 252 238

HSL 168.95, 0.93%, 0.84%

LAB 93.89, -26.16, -0.77

 

CMYK 61 / 0 / 43 / 2

HEX #61F98E

RGB 97 249 142

HSL 137.76, 0.93%, 0.68%

LAB 88.09, -62.78, 39.6

 

CMYK 46 / 0 / 32 / 2

HEX #88FBAA

RGB 136 251 170

HSL 137.74, 0.93%, 0.76%

LAB 90.38, -49.85, 28.93

 

CMYK 30 / 0 / 21 / 1

HEX #B0FCC7

RGB 176 252 199

HSL 138.16, 0.93%, 0.84%

LAB 93, -33.84, 18.06

 

CMYK 15 / 0 / 11 / 0

HEX #D8FEE3

RGB 216 254 227

HSL 137.37, 0.95%, 0.92%

LAB 96.42, -17.21, 8.85

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 31 / 0 / 22 / 1

HEX #AEFCC5

RGB 174 252 197

HSL 137.69, 0.93%, 0.84%

LAB 92.86, -34.8, 18.87

 

CMYK 30 / 15 / 0 / 1

HEX #B0D7FC

RGB 176 215 252

HSL 209.21, 0.93%, 0.84%

LAB 84.41, -4.42, -22.23

 

CMYK 0 / 30 / 27 / 1

HEX #FCB0B9

RGB 252 176 185

HSL 352.89, 0.93%, 0.84%

LAB 79.18, 28.94, 6.62

 

CMYK 31 / 0 / 22 / 1

HEX #AEFCC5

RGB 174 252 197

HSL 137.69, 0.93%, 0.84%

LAB 92.86, -34.8, 18.87

 

CMYK 21 / 30 / 0 / 1

HEX #C6B0FC

RGB 198 176 252

HSL 257.37, 0.93%, 0.84%

LAB 76.12, 23.05, -34.79

 

CMYK 0 / 21 / 30 / 1

HEX #FCC6B0

RGB 252 198 176

HSL 17.37, 0.93%, 0.84%

LAB 84.08, 16.2, 18.38

 

CMYK 31 / 0 / 22 / 1

HEX #AEFCC5

RGB 174 252 197

HSL 137.69, 0.93%, 0.84%

LAB 92.86, -34.8, 18.87

 

CMYK 30 / 15 / 0 / 1

HEX #B0D7FC

RGB 176 215 252

HSL 209.21, 0.93%, 0.84%

LAB 84.41, -4.42, -22.23

 

CMYK 0 / 30 / 8 / 1

HEX #FCB0E7

RGB 252 176 231

HSL 316.58, 0.93%, 0.84%

LAB 80.47, 35.92, -16.38

 

CMYK 0 / 15 / 30 / 1

HEX #FCD5B0

RGB 252 213 176

HSL 29.21, 0.93%, 0.84%

LAB 87.69, 8.39, 23.37

 

CMYK 31 / 0 / 22 / 1

HEX #AEFCC5

RGB 174 252 197

HSL 137.69, 0.93%, 0.84%

LAB 92.86, -34.8, 18.87

 

CMYK 30 / 23 / 0 / 1

HEX #B0C1FC

RGB 176 193 252

HSL 226.58, 0.93%, 0.84%

LAB 78.69, 7.34, -30.96

 

CMYK 0 / 30 / 8 / 1

HEX #FCB0E7

RGB 252 176 231

HSL 316.58, 0.93%, 0.84%

LAB 80.47, 35.92, -16.38

 

CMYK 0 / 6 / 30 / 1

HEX #FCECB0

RGB 252 236 176

HSL 47.37, 0.93%, 0.84%

LAB 93.37, -3.36, 31.11

 

Description

Color code: HEX #AEFCC5CE | qconv.com Color code: HEX #AEFCC5CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 252 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 252 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, none magenta, 18 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 0% 18% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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