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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AEFABB it is the complementary color #510544. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AEFABB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AEFABB shade: #B3FAB6, #C4FFC9, #D5FFDC, #E6FFEF and #F7FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AEFABB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AEFABB shade: #AEFABB, #9DE8A8, #8CD695, #7BC482 and #6AB26F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AEFABB shade: #AEFABB, #B5FAAE, #CAFAAE, #DEFAAE and #F3FAAE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AEFABB shade: #AEFABB, #AEFACF, #AEFAE4, #AEFAF8 and #AEE7FA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AEFABB shade matches the following richer shades: #AEFABB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AEFABB shade: #AEFABB, #B5F3BF, #BCECC4, #C3E5C8 and #CADECD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AEFABB shade: #C9FAAE, #B5FAAE, #AEFABA, #AEFACF and #AEFAE3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AEFABB shade: #60F579, #87F79A, #AEFABB, #D4FCDB and #FBFFFC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AEFABB shade: #AEFABB, #AEDEFA and #FAAEBF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AEFABB shade: #AEFABB, #BAAEFA and #FABAAE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AEFABB shade: #AEFABB, #AEDEFA, #FAAEED and #FAC9AE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AEFABB shade: #AEFABB, #AEC7FA, #FAAEED and #FAE0AE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 0 / 25 / 2

HEX #AEFABB

RGB 174 250 187

HSL 130.26, 0.88%, 0.83%

LAB 92.11, -35.64, 22.94

 

Complementary color

CMYK 0 / 94 / 16 / 68

HEX #510544

RGB 81 5 68

HSL 310.26, 0.88%, 0.17%

LAB 16.87, 39.08, -18.02

 

CMYK 28 / 0 / 27 / 2

HEX #B3FAB6

RGB 179 250 182

HSL 122.54, 0.88%, 0.84%

LAB 92.28, -34.92, 25.76

 

CMYK 23 / 0 / 21 / 0

HEX #C4FFC9

RGB 196 255 201

HSL 125.08, 1%, 0.88%

LAB 94.94, -28.66, 19.9

 

CMYK 16 / 0 / 14 / 0

HEX #D5FFDC

RGB 213 255 220

HSL 130, 1%, 0.92%

LAB 96.34, -19.91, 12.3

 

CMYK 10 / 0 / 6 / 0

HEX #E6FFEF

RGB 230 255 239

HSL 141.6, 1%, 0.95%

LAB 97.86, -11.02, 4.88

 

CMYK 3 / 0 / 0 / 0

HEX #F7FFFF

RGB 247 255 255

HSL 180, 1%, 0.98%

LAB 99.42, -2.61, -0.92

 

CMYK 30 / 0 / 25 / 2

HEX #AEFABB

RGB 174 250 187

HSL 130.26, 0.88%, 0.83%

LAB 92.11, -35.64, 22.94

 

CMYK 32 / 0 / 28 / 9

HEX #9DE8A8

RGB 157 232 168

HSL 128.8, 0.62%, 0.76%

LAB 85.86, -35.89, 23.95

 

CMYK 35 / 0 / 30 / 16

HEX #8CD695

RGB 140 214 149

HSL 127.3, 0.47%, 0.69%

LAB 79.52, -36.14, 25.02

 

CMYK 37 / 0 / 34 / 23

HEX #7BC482

RGB 123 196 130

HSL 125.75, 0.38%, 0.63%

LAB 73.09, -36.4, 26.15

 

CMYK 40 / 0 / 38 / 30

HEX #6AB26F

RGB 106 178 111

HSL 124.17, 0.32%, 0.56%

LAB 66.56, -36.65, 27.36

 

CMYK 30 / 0 / 25 / 2

HEX #AEFABB

RGB 174 250 187

HSL 130.26, 0.88%, 0.83%

LAB 92.11, -35.64, 22.94

 

CMYK 28 / 0 / 30 / 2

HEX #B5FAAE

RGB 181 250 174

HSL 114.47, 0.88%, 0.83%

LAB 92.24, -35.56, 29.78

 

CMYK 19 / 0 / 30 / 2

HEX #CAFAAE

RGB 202 250 174

HSL 97.89, 0.88%, 0.83%

LAB 93.44, -28.57, 31.6

 

CMYK 11 / 0 / 30 / 2

HEX #DEFAAE

RGB 222 250 174

HSL 82.11, 0.88%, 0.83%

LAB 94.72, -21.55, 33.53

 

CMYK 3 / 0 / 30 / 2

HEX #F3FAAE

RGB 243 250 174

HSL 65.53, 0.88%, 0.83%

LAB 96.2, -13.92, 35.76

 

CMYK 30 / 0 / 25 / 2

HEX #AEFABB

RGB 174 250 187

HSL 130.26, 0.88%, 0.83%

LAB 92.11, -35.64, 22.94

 

CMYK 30 / 0 / 17 / 2

HEX #AEFACF

RGB 174 250 207

HSL 146.05, 0.88%, 0.83%

LAB 92.52, -32.03, 13.25

 

CMYK 30 / 0 / 9 / 2

HEX #AEFAE4

RGB 174 250 228

HSL 162.63, 0.88%, 0.83%

LAB 93, -27.87, 3.09

 

CMYK 30 / 0 / 1 / 2

HEX #AEFAF8

RGB 174 250 248

HSL 178.42, 0.88%, 0.83%

LAB 93.51, -23.58, -6.51

 

CMYK 30 / 8 / 0 / 2

HEX #AEE7FA

RGB 174 231 250

HSL 195, 0.88%, 0.83%

LAB 88.47, -13.7, -15.06

 

CMYK 30 / 0 / 25 / 2

HEX #AEFABB

RGB 174 250 187

HSL 130.26, 0.88%, 0.83%

LAB 92.11, -35.64, 22.94

 

CMYK 30 / 0 / 25 / 2

HEX #AEFABB

RGB 174 250 187

HSL 130.26, 0.88%, 0.83%

LAB 92.11, -35.64, 22.94

 

CMYK 26 / 0 / 21 / 5

HEX #B5F3BF

RGB 181 243 191

HSL 129.68, 0.72%, 0.83%

LAB 90.64, -29.51, 18.9

 

CMYK 20 / 0 / 17 / 7

HEX #BCECC4

RGB 188 236 196

HSL 130, 0.56%, 0.83%

LAB 89.24, -23.03, 14.4

 

CMYK 15 / 0 / 13 / 10

HEX #C3E5C8

RGB 195 229 200

HSL 128.82, 0.4%, 0.83%

LAB 87.88, -16.58, 10.45

 

CMYK 9 / 0 / 8 / 13

HEX #CADECD

RGB 202 222 205

HSL 129, 0.23%, 0.83%

LAB 86.61, -9.81, 6.06

 

CMYK 20 / 0 / 30 / 2

HEX #C9FAAE

RGB 201 250 174

HSL 98.68, 0.88%, 0.83%

LAB 93.38, -28.91, 31.51

 

CMYK 28 / 0 / 30 / 2

HEX #B5FAAE

RGB 181 250 174

HSL 114.47, 0.88%, 0.83%

LAB 92.24, -35.56, 29.78

 

CMYK 30 / 0 / 26 / 2

HEX #AEFABA

RGB 174 250 186

HSL 129.47, 0.88%, 0.83%

LAB 92.09, -35.81, 23.42

 

CMYK 30 / 0 / 17 / 2

HEX #AEFACF

RGB 174 250 207

HSL 146.05, 0.88%, 0.83%

LAB 92.52, -32.03, 13.25

 

CMYK 30 / 0 / 9 / 2

HEX #AEFAE3

RGB 174 250 227

HSL 161.84, 0.88%, 0.83%

LAB 92.98, -28.07, 3.58

 

CMYK 61 / 0 / 51 / 4

HEX #60F579

RGB 96 245 121

HSL 130.07, 0.88%, 0.67%

LAB 86.59, -64.63, 47.78

 

CMYK 45 / 0 / 38 / 3

HEX #87F79A

RGB 135 247 154

HSL 130.18, 0.88%, 0.75%

LAB 88.93, -51.11, 35.01

 

CMYK 30 / 0 / 25 / 2

HEX #AEFABB

RGB 174 250 187

HSL 130.26, 0.88%, 0.83%

LAB 92.11, -35.64, 22.94

 

CMYK 16 / 0 / 13 / 1

HEX #D4FCDB

RGB 212 252 219

HSL 130.5, 0.87%, 0.91%

LAB 95.47, -18.95, 11.56

 

CMYK 2 / 0 / 1 / 0

HEX #FBFFFC

RGB 251 255 252

HSL 135, 1%, 0.99%

LAB 99.63, -1.84, 0.96

 

CMYK 30 / 0 / 25 / 2

HEX #AEFABB

RGB 174 250 187

HSL 130.26, 0.88%, 0.83%

LAB 92.11, -35.64, 22.94

 

CMYK 30 / 11 / 0 / 2

HEX #AEDEFA

RGB 174 222 250

HSL 202.11, 0.88%, 0.83%

LAB 86.08, -9.1, -18.66

 

CMYK 0 / 30 / 24 / 2

HEX #FAAEBF

RGB 250 174 191

HSL 346.58, 0.88%, 0.83%

LAB 78.67, 30.1, 2.59

 

CMYK 30 / 0 / 25 / 2

HEX #AEFABB

RGB 174 250 187

HSL 130.26, 0.88%, 0.83%

LAB 92.11, -35.64, 22.94

 

CMYK 26 / 30 / 0 / 2

HEX #BAAEFA

RGB 186 174 250

HSL 249.47, 0.88%, 0.83%

LAB 74.58, 20.18, -36.18

 

CMYK 0 / 26 / 30 / 2

HEX #FABAAE

RGB 250 186 174

HSL 9.47, 0.88%, 0.83%

LAB 81.01, 21.5, 15.13

 

CMYK 30 / 0 / 25 / 2

HEX #AEFABB

RGB 174 250 187

HSL 130.26, 0.88%, 0.83%

LAB 92.11, -35.64, 22.94

 

CMYK 30 / 11 / 0 / 2

HEX #AEDEFA

RGB 174 222 250

HSL 202.11, 0.88%, 0.83%

LAB 86.08, -9.1, -18.66

 

CMYK 0 / 30 / 5 / 2

HEX #FAAEED

RGB 250 174 237

HSL 310.26, 0.88%, 0.83%

LAB 80.02, 37.34, -20.32

 

CMYK 0 / 20 / 30 / 2

HEX #FAC9AE

RGB 250 201 174

HSL 21.32, 0.88%, 0.83%

LAB 84.56, 13.62, 20.08

 

CMYK 30 / 0 / 25 / 2

HEX #AEFABB

RGB 174 250 187

HSL 130.26, 0.88%, 0.83%

LAB 92.11, -35.64, 22.94

 

CMYK 30 / 20 / 0 / 2

HEX #AEC7FA

RGB 174 199 250

HSL 220.26, 0.88%, 0.83%

LAB 80.04, 3.04, -27.84

 

CMYK 0 / 30 / 5 / 2

HEX #FAAEED

RGB 250 174 237

HSL 310.26, 0.88%, 0.83%

LAB 80.02, 37.34, -20.32

 

CMYK 0 / 10 / 30 / 2

HEX #FAE0AE

RGB 250 224 174

HSL 39.47, 0.88%, 0.83%

LAB 90.18, 1.72, 27.78

 

Description

Color code: HEX #AEFABB | qconv.com Color code: HEX #AEFABB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 250 green and 187 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 250 187 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, none magenta, 25 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 0% 25% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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