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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AEE2BB it is the complementary color #511D44. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AEE2BB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AEE2BB shade: #B3E2B6, #C4F4C9, #D5FFDC, #E6FFEF and #F7FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AEE2BB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AEE2BB shade: #AEE2BB, #9DD0A8, #8CBE95, #7BAC82 and #6A9A6F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AEE2BB shade: #ADE1BA, #AEE1AD, #BCE1AD, #CAE1AD and #D8E1AD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AEE2BB shade: #ADE1BA, #ADE1C8, #ADE1D6, #ADDEE1 and #ADD0E1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AEE2BB shade matches the following richer shades: #ADE1BA, #A3EAB5, #9AF3B1 and #91FCAC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AEE2BB shade: #ADE1BA, #B6D8BE, #BFCFC3, #C8C6C7 and #D1BDCC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AEE2BB shade: #BBE1AD, #ADE1AD, #ADE1BA, #ADE1C8 and #ADE1D6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AEE2BB shade: #70CB87, #8ED6A0, #ADE1BA, #CBECD3 and #E9F7ED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AEE2BB shade: #AEE2BB, #ADCAE1 and #E1ADB4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AEE2BB shade: #AEE2BB, #BAADE1 and #E1BAAD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AEE2BB shade: #AEE2BB, #ADCAE1, #E1ADD4 and #E1C4AD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AEE2BB shade: #AEE2BB, #ADBAE1, #E1ADD4 and #E1D4AD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 0 / 17 / 11

HEX #AEE2BB

RGB 174 226 187

HSL 135, 0.47%, 0.78%

LAB 85.49, -24.33, 13.69

 

Complementary color

CMYK 0 / 64 / 16 / 68

HEX #511D44

RGB 81 29 68

HSL 315, 0.47%, 0.22%

LAB 20.22, 29.64, -12.79

 

CMYK 21 / 0 / 19 / 11

HEX #B3E2B6

RGB 179 226 182

HSL 123.83, 0.45%, 0.79%

LAB 85.68, -23.58, 16.62

 

CMYK 20 / 0 / 18 / 4

HEX #C4F4C9

RGB 196 244 201

HSL 126.25, 0.69%, 0.86%

LAB 91.98, -23.42, 15.75

 

CMYK 16 / 0 / 14 / 0

HEX #D5FFDC

RGB 213 255 220

HSL 130, 1%, 0.92%

LAB 96.34, -19.91, 12.3

 

CMYK 10 / 0 / 6 / 0

HEX #E6FFEF

RGB 230 255 239

HSL 141.6, 1%, 0.95%

LAB 97.86, -11.02, 4.88

 

CMYK 3 / 0 / 0 / 0

HEX #F7FFFF

RGB 247 255 255

HSL 180, 1%, 0.98%

LAB 99.42, -2.61, -0.92

 

CMYK 23 / 0 / 17 / 11

HEX #AEE2BB

RGB 174 226 187

HSL 135, 0.47%, 0.78%

LAB 85.49, -24.33, 13.69

 

CMYK 25 / 0 / 19 / 18

HEX #9DD0A8

RGB 157 208 168

HSL 132.94, 0.35%, 0.72%

LAB 79.1, -24.52, 14.57

 

CMYK 26 / 0 / 22 / 25

HEX #8CBE95

RGB 140 190 149

HSL 130.8, 0.28%, 0.65%

LAB 72.61, -24.74, 15.5

 

CMYK 28 / 0 / 24 / 33

HEX #7BAC82

RGB 123 172 130

HSL 128.57, 0.23%, 0.58%

LAB 66, -24.98, 16.49

 

CMYK 31 / 0 / 28 / 40

HEX #6A9A6F

RGB 106 154 111

HSL 126.25, 0.19%, 0.51%

LAB 59.27, -25.24, 17.55

 

CMYK 23 / 0 / 17 / 12

HEX #ADE1BA

RGB 173 225 186

HSL 135, 0.46%, 0.78%

LAB 85.14, -24.34, 13.71

 

CMYK 23 / 0 / 23 / 12

HEX #AEE1AD

RGB 174 225 173

HSL 118.85, 0.46%, 0.78%

LAB 84.93, -26.3, 20.22

 

CMYK 16 / 0 / 23 / 12

HEX #BCE1AD

RGB 188 225 173

HSL 102.69, 0.46%, 0.78%

LAB 85.79, -21.55, 21.54

 

CMYK 10 / 0 / 23 / 12

HEX #CAE1AD

RGB 202 225 173

HSL 86.54, 0.46%, 0.78%

LAB 86.71, -16.63, 22.96

 

CMYK 4 / 0 / 23 / 12

HEX #D8E1AD

RGB 216 225 173

HSL 70.38, 0.46%, 0.78%

LAB 87.71, -11.57, 24.49

 

CMYK 23 / 0 / 17 / 12

HEX #ADE1BA

RGB 173 225 186

HSL 135, 0.46%, 0.78%

LAB 85.14, -24.34, 13.71

 

CMYK 23 / 0 / 11 / 12

HEX #ADE1C8

RGB 173 225 200

HSL 151.15, 0.46%, 0.78%

LAB 85.46, -21.71, 6.8

 

CMYK 23 / 0 / 5 / 12

HEX #ADE1D6

RGB 173 225 214

HSL 167.31, 0.46%, 0.78%

LAB 85.8, -18.89, -0.08

 

CMYK 23 / 1 / 0 / 12

HEX #ADDEE1

RGB 173 222 225

HSL 183.46, 0.46%, 0.78%

LAB 85.28, -15.05, -6.65

 

CMYK 23 / 8 / 0 / 12

HEX #ADD0E1

RGB 173 208 225

HSL 199.62, 0.46%, 0.78%

LAB 81.53, -7.86, -12.24

 

CMYK 23 / 0 / 17 / 12

HEX #ADE1BA

RGB 173 225 186

HSL 135, 0.46%, 0.78%

LAB 85.14, -24.34, 13.71

 

CMYK 30 / 0 / 23 / 8

HEX #A3EAB5

RGB 163 234 181

HSL 135.21, 0.63%, 0.78%

LAB 86.98, -32.68, 18.82

 

CMYK 37 / 0 / 27 / 5

HEX #9AF3B1

RGB 154 243 177

HSL 135.51, 0.79%, 0.78%

LAB 88.99, -40.2, 23.6

 

CMYK 42 / 0 / 32 / 1

HEX #91FCAC

RGB 145 252 172

HSL 135.14, 0.95%, 0.78%

LAB 91.06, -47.53, 28.9

 

CMYK 23 / 0 / 17 / 12

HEX #ADE1BA

RGB 173 225 186

HSL 135, 0.46%, 0.78%

LAB 85.14, -24.34, 13.71

 

CMYK 16 / 0 / 12 / 15

HEX #B6D8BE

RGB 182 216 190

HSL 134.12, 0.3%, 0.78%

LAB 83.32, -16.21, 9.09

 

CMYK 8 / 0 / 6 / 19

HEX #BFCFC3

RGB 191 207 195

HSL 135, 0.14%, 0.78%

LAB 81.64, -7.66, 4.1

 

CMYK 0 / 1 / 0 / 22

HEX #C8C6C7

RGB 200 198 199

HSL 330, 0.02%, 0.78%

LAB 80.06, 0.88, -0.26

 

CMYK 0 / 10 / 2 / 18

HEX #D1BDCC

RGB 209 189 204

HSL 315, 0.18%, 0.78%

LAB 78.64, 9.7, -4.96

 

CMYK 17 / 0 / 23 / 12

HEX #BBE1AD

RGB 187 225 173

HSL 103.85, 0.46%, 0.78%

LAB 85.72, -21.9, 21.44

 

CMYK 23 / 0 / 23 / 12

HEX #ADE1AD

RGB 173 225 173

HSL 120, 0.46%, 0.78%

LAB 84.87, -26.63, 20.13

 

CMYK 23 / 0 / 17 / 12

HEX #ADE1BA

RGB 173 225 186

HSL 135, 0.46%, 0.78%

LAB 85.14, -24.34, 13.71

 

CMYK 23 / 0 / 11 / 12

HEX #ADE1C8

RGB 173 225 200

HSL 151.15, 0.46%, 0.78%

LAB 85.46, -21.71, 6.8

 

CMYK 23 / 0 / 5 / 12

HEX #ADE1D6

RGB 173 225 214

HSL 167.31, 0.46%, 0.78%

LAB 85.8, -18.89, -0.08

 

CMYK 45 / 0 / 33 / 20

HEX #70CB87

RGB 112 203 135

HSL 135.16, 0.47%, 0.62%

LAB 74.77, -41.91, 25.69

 

CMYK 34 / 0 / 25 / 16

HEX #8ED6A0

RGB 142 214 160

HSL 135, 0.47%, 0.7%

LAB 79.83, -33.6, 19.69

 

CMYK 23 / 0 / 17 / 12

HEX #ADE1BA

RGB 173 225 186

HSL 135, 0.46%, 0.78%

LAB 85.14, -24.34, 13.71

 

CMYK 14 / 0 / 11 / 7

HEX #CBECD3

RGB 203 236 211

HSL 134.55, 0.46%, 0.86%

LAB 90.5, -15.44, 8.52

 

CMYK 6 / 0 / 4 / 3

HEX #E9F7ED

RGB 233 247 237

HSL 137.14, 0.47%, 0.94%

LAB 95.98, -6.39, 3.2

 

CMYK 23 / 0 / 17 / 11

HEX #AEE2BB

RGB 174 226 187

HSL 135, 0.47%, 0.78%

LAB 85.49, -24.33, 13.69

 

CMYK 23 / 10 / 0 / 12

HEX #ADCAE1

RGB 173 202 225

HSL 206.54, 0.46%, 0.78%

LAB 79.93, -4.71, -14.63

 

CMYK 0 / 23 / 20 / 12

HEX #E1ADB4

RGB 225 173 180

HSL 351.92, 0.46%, 0.78%

LAB 75.57, 20.02, 3.77

 

CMYK 23 / 0 / 17 / 11

HEX #AEE2BB

RGB 174 226 187

HSL 135, 0.47%, 0.78%

LAB 85.49, -24.33, 13.69

 

CMYK 17 / 23 / 0 / 12

HEX #BAADE1

RGB 186 173 225

HSL 255, 0.46%, 0.78%

LAB 73.39, 15.02, -24.45

 

CMYK 0 / 17 / 23 / 12

HEX #E1BAAD

RGB 225 186 173

HSL 15, 0.46%, 0.78%

LAB 78.54, 12.03, 11.83

 

CMYK 23 / 0 / 17 / 11

HEX #AEE2BB

RGB 174 226 187

HSL 135, 0.47%, 0.78%

LAB 85.49, -24.33, 13.69

 

CMYK 23 / 10 / 0 / 12

HEX #ADCAE1

RGB 173 202 225

HSL 206.54, 0.46%, 0.78%

LAB 79.93, -4.71, -14.63

 

CMYK 0 / 23 / 6 / 12

HEX #E1ADD4

RGB 225 173 212

HSL 315, 0.46%, 0.78%

LAB 76.47, 25.24, -12.38

 

CMYK 0 / 13 / 23 / 12

HEX #E1C4AD

RGB 225 196 173

HSL 26.54, 0.46%, 0.78%

LAB 81.02, 6.73, 15.32

 

CMYK 23 / 0 / 17 / 11

HEX #AEE2BB

RGB 174 226 187

HSL 135, 0.47%, 0.78%

LAB 85.49, -24.33, 13.69

 

CMYK 23 / 17 / 0 / 12

HEX #ADBAE1

RGB 173 186 225

HSL 225, 0.46%, 0.78%

LAB 75.72, 3.87, -20.98

 

CMYK 0 / 23 / 6 / 12

HEX #E1ADD4

RGB 225 173 212

HSL 315, 0.46%, 0.78%

LAB 76.47, 25.24, -12.38

 

CMYK 0 / 6 / 23 / 12

HEX #E1D4AD

RGB 225 212 173

HSL 45, 0.46%, 0.78%

LAB 85.05, -1.62, 20.94

 

Description

Color code: HEX #AEE2BB | qconv.com Color code: HEX #AEE2BB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 226 green and 187 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 226 187 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, none magenta, 17 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 0% 17% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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