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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AED9F0 it is the complementary color #51260F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AED9F0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AED9F0 shade: #B3D9EB, #C4EBFE, #D5FDFF, #E6FFFF and #F7FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AED9F0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AED9F0 shade: #AED9F0, #9DC7DD, #8CB5CA, #7BA3B7 and #6A91A4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AED9F0 shade: #ADD8EF, #ADC6EF, #ADB4EF, #B7ADEF and #C9ADEF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AED9F0 shade: #ADD8EF, #ADC6EF, #ADB4EF and #ADADEF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AED9F0 shade matches the following richer shades: #ADD8EF and #A5DBF7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AED9F0 shade: #ADD8EF, #B4D6E8, #BCD3E0, #C4D1D8 and #CCCFD0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AED9F0 shade: #ADEFE2, #ADEBEF, #ADD9EF, #ADC7EF and #ADB6EF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AED9F0 shade: #67B8E3, #8AC8E9, #ADD8EF, #CFE8F6 and #F2F9FC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AED9F0 shade: #AED9F0, #D0ADEF and #EFEBAD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AED9F0 shade: #AED9F0, #EFADD9 and #D9EFAD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AED9F0 shade: #AED9F0, #D0ADEF, #EFC3AD and #CCEFAD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AED9F0 shade: #AED9F0, #E4ADEF, #EFC3AD and #B8EFAD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 10 / 0 / 6

HEX #AED9F0

RGB 174 217 240

HSL 200.91, 0.69%, 0.81%

LAB 84.44, -8.84, -15.84

 

Complementary color

CMYK 0 / 53 / 81 / 68

HEX #51260F

RGB 81 38 15

HSL 20.91, 0.69%, 0.19%

LAB 20.71, 18.14, 23.64

 

CMYK 24 / 8 / 0 / 8

HEX #B3D9EB

RGB 179 217 235

HSL 199.29, 0.58%, 0.81%

LAB 84.59, -8.51, -12.94

 

CMYK 23 / 7 / 0 / 0

HEX #C4EBFE

RGB 196 235 254

HSL 199.66, 0.97%, 0.88%

LAB 90.92, -8.55, -13.36

 

CMYK 16 / 1 / 0 / 0

HEX #D5FDFF

RGB 213 253 255

HSL 182.86, 1%, 0.92%

LAB 96.66, -12.32, -5.24

 

CMYK 10 / 0 / 0 / 0

HEX #E6FFFF

RGB 230 255 255

HSL 180, 1%, 0.95%

LAB 98.26, -8.06, -2.77

 

CMYK 3 / 0 / 0 / 0

HEX #F7FFFF

RGB 247 255 255

HSL 180, 1%, 0.98%

LAB 99.42, -2.61, -0.92

 

CMYK 28 / 10 / 0 / 6

HEX #AED9F0

RGB 174 217 240

HSL 200.91, 0.69%, 0.81%

LAB 84.44, -8.84, -15.84

 

CMYK 29 / 10 / 0 / 13

HEX #9DC7DD

RGB 157 199 221

HSL 200.63, 0.48%, 0.74%

LAB 78.01, -8.78, -15.46

 

CMYK 31 / 10 / 0 / 21

HEX #8CB5CA

RGB 140 181 202

HSL 200.32, 0.37%, 0.67%

LAB 71.48, -8.72, -15.08

 

CMYK 33 / 11 / 0 / 28

HEX #7BA3B7

RGB 123 163 183

HSL 200, 0.29%, 0.6%

LAB 64.82, -8.65, -14.7

 

CMYK 35 / 12 / 0 / 36

HEX #6A91A4

RGB 106 145 164

HSL 199.66, 0.24%, 0.53%

LAB 58.03, -8.57, -14.32

 

CMYK 28 / 10 / 0 / 6

HEX #ADD8EF

RGB 173 216 239

HSL 200.91, 0.67%, 0.81%

LAB 84.08, -8.84, -15.85

 

CMYK 28 / 17 / 0 / 6

HEX #ADC6EF

RGB 173 198 239

HSL 217.27, 0.67%, 0.81%

LAB 79.33, 0.65, -23.04

 

CMYK 28 / 25 / 0 / 6

HEX #ADB4EF

RGB 173 180 239

HSL 233.64, 0.67%, 0.81%

LAB 74.67, 10.46, -30.17

 

CMYK 23 / 28 / 0 / 6

HEX #B7ADEF

RGB 183 173 239

HSL 249.09, 0.67%, 0.81%

LAB 73.67, 17.27, -31.66

 

CMYK 16 / 28 / 0 / 6

HEX #C9ADEF

RGB 201 173 239

HSL 265.45, 0.67%, 0.81%

LAB 75.16, 22.73, -29.23

 

CMYK 28 / 10 / 0 / 6

HEX #ADD8EF

RGB 173 216 239

HSL 200.91, 0.67%, 0.81%

LAB 84.08, -8.84, -15.85

 

CMYK 28 / 17 / 0 / 6

HEX #ADC6EF

RGB 173 198 239

HSL 217.27, 0.67%, 0.81%

LAB 79.33, 0.65, -23.04

 

CMYK 28 / 25 / 0 / 6

HEX #ADB4EF

RGB 173 180 239

HSL 233.64, 0.67%, 0.81%

LAB 74.67, 10.46, -30.17

 

CMYK 28 / 28 / 0 / 6

HEX #ADADEF

RGB 173 173 239

HSL 240, 0.67%, 0.81%

LAB 72.89, 14.34, -32.91

 

CMYK 28 / 10 / 0 / 6

HEX #ADD8EF

RGB 173 216 239

HSL 200.91, 0.67%, 0.81%

LAB 84.08, -8.84, -15.85

 

CMYK 33 / 11 / 0 / 3

HEX #A5DBF7

RGB 165 219 247

HSL 200.49, 0.84%, 0.81%

LAB 84.68, -10.75, -19.24

 

CMYK 28 / 10 / 0 / 6

HEX #ADD8EF

RGB 173 216 239

HSL 200.91, 0.67%, 0.81%

LAB 84.08, -8.84, -15.85

 

CMYK 22 / 8 / 0 / 9

HEX #B4D6E8

RGB 180 214 232

HSL 200.77, 0.53%, 0.81%

LAB 83.77, -7.32, -12.57

 

CMYK 16 / 6 / 0 / 12

HEX #BCD3E0

RGB 188 211 224

HSL 201.67, 0.37%, 0.81%

LAB 83.26, -5.02, -9.01

 

CMYK 9 / 3 / 0 / 15

HEX #C4D1D8

RGB 196 209 216

HSL 201, 0.2%, 0.81%

LAB 83.07, -3.02, -4.98

 

CMYK 2 / 0 / 0 / 18

HEX #CCCFD0

RGB 204 207 208

HSL 195, 0.04%, 0.81%

LAB 82.92, -0.83, -0.86

 

CMYK 28 / 0 / 5 / 6

HEX #ADEFE2

RGB 173 239 226

HSL 168.18, 0.67%, 0.81%

LAB 89.91, -23.28, -0.38

 

CMYK 28 / 2 / 0 / 6

HEX #ADEBEF

RGB 173 235 239

HSL 183.64, 0.67%, 0.81%

LAB 89.17, -18.49, -8.26

 

CMYK 28 / 9 / 0 / 6

HEX #ADD9EF

RGB 173 217 239

HSL 200, 0.67%, 0.81%

LAB 84.35, -9.36, -15.45

 

CMYK 28 / 17 / 0 / 6

HEX #ADC7EF

RGB 173 199 239

HSL 216.36, 0.67%, 0.81%

LAB 79.59, 0.12, -22.64

 

CMYK 28 / 24 / 0 / 6

HEX #ADB6EF

RGB 173 182 239

HSL 231.82, 0.67%, 0.81%

LAB 75.18, 9.35, -29.38

 

CMYK 55 / 19 / 0 / 11

HEX #67B8E3

RGB 103 184 227

HSL 200.81, 0.69%, 0.65%

LAB 71.36, -12.78, -29.09

 

CMYK 41 / 14 / 0 / 9

HEX #8AC8E9

RGB 138 200 233

HSL 200.84, 0.68%, 0.73%

LAB 77.64, -11.48, -22.59

 

CMYK 28 / 10 / 0 / 6

HEX #ADD8EF

RGB 173 216 239

HSL 200.91, 0.67%, 0.81%

LAB 84.08, -8.84, -15.85

 

CMYK 16 / 6 / 0 / 4

HEX #CFE8F6

RGB 207 232 246

HSL 201.54, 0.68%, 0.89%

LAB 90.61, -5.39, -9.56

 

CMYK 4 / 1 / 0 / 1

HEX #F2F9FC

RGB 242 249 252

HSL 198, 0.63%, 0.97%

LAB 97.49, -1.75, -2.25

 

CMYK 28 / 10 / 0 / 6

HEX #AED9F0

RGB 174 217 240

HSL 200.91, 0.69%, 0.81%

LAB 84.44, -8.84, -15.84

 

CMYK 13 / 28 / 0 / 6

HEX #D0ADEF

RGB 208 173 239

HSL 271.82, 0.67%, 0.81%

LAB 75.78, 24.9, -28.23

 

CMYK 0 / 2 / 28 / 6

HEX #EFEBAD

RGB 239 235 173

HSL 56.36, 0.67%, 0.81%

LAB 92.04, -8.1, 30.65

 

CMYK 28 / 10 / 0 / 6

HEX #AED9F0

RGB 174 217 240

HSL 200.91, 0.69%, 0.81%

LAB 84.44, -8.84, -15.84

 

CMYK 0 / 28 / 9 / 6

HEX #EFADD9

RGB 239 173 217

HSL 320, 0.67%, 0.81%

LAB 78.02, 30.84, -12.62

 

CMYK 9 / 0 / 28 / 6

HEX #D9EFAD

RGB 217 239 173

HSL 80, 0.67%, 0.81%

LAB 91.46, -18.15, 29.6

 

CMYK 28 / 10 / 0 / 6

HEX #AED9F0

RGB 174 217 240

HSL 200.91, 0.69%, 0.81%

LAB 84.44, -8.84, -15.84

 

CMYK 13 / 28 / 0 / 6

HEX #D0ADEF

RGB 208 173 239

HSL 271.82, 0.67%, 0.81%

LAB 75.78, 24.9, -28.23

 

CMYK 0 / 18 / 28 / 6

HEX #EFC3AD

RGB 239 195 173

HSL 20, 0.67%, 0.81%

LAB 82.05, 12.51, 16.96

 

CMYK 15 / 0 / 28 / 6

HEX #CCEFAD

RGB 204 239 173

HSL 91.82, 0.67%, 0.81%

LAB 90.59, -22.78, 28.28

 

CMYK 28 / 10 / 0 / 6

HEX #AED9F0

RGB 174 217 240

HSL 200.91, 0.69%, 0.81%

LAB 84.44, -8.84, -15.84

 

CMYK 5 / 28 / 0 / 6

HEX #E4ADEF

RGB 228 173 239

HSL 290, 0.67%, 0.81%

LAB 77.65, 31.19, -25.2

 

CMYK 0 / 18 / 28 / 6

HEX #EFC3AD

RGB 239 195 173

HSL 20, 0.67%, 0.81%

LAB 82.05, 12.51, 16.96

 

CMYK 23 / 0 / 28 / 6

HEX #B8EFAD

RGB 184 239 173

HSL 110, 0.67%, 0.81%

LAB 89.37, -29.63, 26.41

 

Description

Color code: HEX #AED9F0 | qconv.com Color code: HEX #AED9F0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 217 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 217 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, 10 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 10% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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