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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AED94A it is the complementary color #5126B5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AED94A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AED94A shade: #B3D945, #C4EB58, #D5FD6B, #E6FF7E and #F7FF91

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AED94A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AED94A shade: #AED94A, #9DC737, #8CB524, #7BA311 and #6A9100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AED94A shade: #AED94A, #D4D94A, #D9B74A, #D9904A and #D96A4A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AED94A shade: #AED94A, #87D94A, #61D94A, #4AD95A and #4AD980

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AED94A shade matches the following richer shades: #AED94A, #B5EA38 and #BCFC27

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AED94A shade: #AED94A, #A7C75C, #A0B56E, #99A37F and #919291

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AED94A shade: #D9B74A, #D4D94A, #AED94A, #88D94A and #62D94A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AED94A shade: #83AC24, #9DCE2C, #AED94A, #BDE06C and #CCE78E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AED94A shade: #AED94A, #4AD991 and #CA4AD9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AED94A shade: #AED94A, #4AAED9 and #D94AAE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AED94A shade: #AED94A, #4AD991, #754AD9 and #D94A91

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AED94A shade: #AED94A, #4AD9BC, #754AD9 and #D94A67

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 0 / 66 / 15

HEX #AED94A

RGB 174 217 74

HSL 78.04, 0.65%, 0.57%

LAB 81.36, -34.31, 63.21

 

Complementary color

CMYK 55 / 79 / 0 / 29

HEX #5126B5

RGB 81 38 181

HSL 258.04, 0.65%, 0.43%

LAB 30.57, 53.03, -67.91

 

CMYK 18 / 0 / 68 / 15

HEX #B3D945

RGB 179 217 69

HSL 75.41, 0.66%, 0.56%

LAB 81.64, -32.69, 65.52

 

CMYK 17 / 0 / 63 / 8

HEX #C4EB58

RGB 196 235 88

HSL 75.92, 0.79%, 0.63%

LAB 87.9, -33.13, 64.99

 

CMYK 16 / 0 / 58 / 1

HEX #D5FD6B

RGB 213 253 107

HSL 76.44, 0.97%, 0.71%

LAB 94.08, -33.47, 64.19

 

CMYK 10 / 0 / 51 / 0

HEX #E6FF7E

RGB 230 255 126

HSL 71.63, 1%, 0.75%

LAB 95.93, -26.35, 58.27

 

CMYK 3 / 0 / 43 / 0

HEX #F7FF91

RGB 247 255 145

HSL 64.36, 1%, 0.78%

LAB 97.36, -18.08, 51.47

 

CMYK 20 / 0 / 66 / 15

HEX #AED94A

RGB 174 217 74

HSL 78.04, 0.65%, 0.57%

LAB 81.36, -34.31, 63.21

 

CMYK 21 / 0 / 72 / 22

HEX #9DC737

RGB 157 199 55

HSL 77.5, 0.57%, 0.5%

LAB 75.01, -33.83, 63.51

 

CMYK 23 / 0 / 80 / 29

HEX #8CB524

RGB 140 181 36

HSL 76.97, 0.67%, 0.43%

LAB 68.57, -33.2, 63.14

 

CMYK 25 / 0 / 90 / 36

HEX #7BA311

RGB 123 163 17

HSL 76.44, 0.81%, 0.35%

LAB 62.04, -32.35, 61.61

 

CMYK 27 / 0 / 100 / 43

HEX #6A9100

RGB 106 145 0

HSL 76.14, 1%, 0.28%

LAB 55.4, -31.26, 58.59

 

CMYK 20 / 0 / 66 / 15

HEX #AED94A

RGB 174 217 74

HSL 78.04, 0.65%, 0.57%

LAB 81.36, -34.31, 63.21

 

CMYK 2 / 0 / 66 / 15

HEX #D4D94A

RGB 212 217 74

HSL 62.1, 0.65%, 0.57%

LAB 84.03, -19.09, 66.81

 

CMYK 0 / 16 / 66 / 15

HEX #D9B74A

RGB 217 183 74

HSL 45.73, 0.65%, 0.57%

LAB 75.52, 0.29, 58.09

 

CMYK 0 / 34 / 66 / 15

HEX #D9904A

RGB 217 144 74

HSL 29.37, 0.65%, 0.57%

LAB 65.9, 21.14, 47.57

 

CMYK 0 / 51 / 66 / 15

HEX #D96A4A

RGB 217 106 74

HSL 13.43, 0.65%, 0.57%

LAB 57.61, 41.11, 38.01

 

CMYK 20 / 0 / 66 / 15

HEX #AED94A

RGB 174 217 74

HSL 78.04, 0.65%, 0.57%

LAB 81.36, -34.31, 63.21

 

CMYK 38 / 0 / 66 / 15

HEX #87D94A

RGB 135 217 74

HSL 94.41, 0.65%, 0.57%

LAB 79.2, -48.43, 60.27

 

CMYK 55 / 0 / 66 / 15

HEX #61D94A

RGB 97 217 74

HSL 110.35, 0.65%, 0.57%

LAB 77.67, -59.68, 58.19

 

CMYK 66 / 0 / 59 / 15

HEX #4AD95A

RGB 74 217 90

HSL 126.71, 0.65%, 0.57%

LAB 77.17, -63.14, 50.63

 

CMYK 66 / 0 / 41 / 15

HEX #4AD980

RGB 74 217 128

HSL 142.66, 0.65%, 0.57%

LAB 77.66, -57.58, 32.92

 

CMYK 20 / 0 / 66 / 15

HEX #AED94A

RGB 174 217 74

HSL 78.04, 0.65%, 0.57%

LAB 81.36, -34.31, 63.21

 

CMYK 23 / 0 / 76 / 8

HEX #B5EA38

RGB 181 234 56

HSL 77.87, 0.81%, 0.57%

LAB 86.48, -40.29, 74.66

 

CMYK 25 / 0 / 85 / 1

HEX #BCFC27

RGB 188 252 39

HSL 78.03, 0.97%, 0.57%

LAB 91.89, -46.09, 83.88

 

CMYK 20 / 0 / 66 / 15

HEX #AED94A

RGB 174 217 74

HSL 78.04, 0.65%, 0.57%

LAB 81.36, -34.31, 63.21

 

CMYK 16 / 0 / 54 / 22

HEX #A7C75C

RGB 167 199 92

HSL 77.94, 0.49%, 0.57%

LAB 75.97, -27.13, 49.36

 

CMYK 12 / 0 / 39 / 29

HEX #A0B56E

RGB 160 181 110

HSL 77.75, 0.32%, 0.57%

LAB 70.63, -19.03, 33.79

 

CMYK 6 / 0 / 22 / 36

HEX #99A37F

RGB 153 163 127

HSL 76.67, 0.16%, 0.57%

LAB 65.36, -10, 17.55

 

CMYK 1 / 0 / 1 / 43

HEX #919291

RGB 145 146 145

HSL 120, 0%, 0.57%

LAB 60.45, -0.56, 0.39

 

CMYK 0 / 16 / 66 / 15

HEX #D9B74A

RGB 217 183 74

HSL 45.73, 0.65%, 0.57%

LAB 75.52, 0.29, 58.09

 

CMYK 2 / 0 / 66 / 15

HEX #D4D94A

RGB 212 217 74

HSL 62.1, 0.65%, 0.57%

LAB 84.03, -19.09, 66.81

 

CMYK 20 / 0 / 66 / 15

HEX #AED94A

RGB 174 217 74

HSL 78.04, 0.65%, 0.57%

LAB 81.36, -34.31, 63.21

 

CMYK 37 / 0 / 66 / 15

HEX #88D94A

RGB 136 217 74

HSL 93.99, 0.65%, 0.57%

LAB 79.24, -48.1, 60.34

 

CMYK 55 / 0 / 66 / 15

HEX #62D94A

RGB 98 217 74

HSL 109.93, 0.65%, 0.57%

LAB 77.71, -59.42, 58.24

 

CMYK 24 / 0 / 79 / 33

HEX #83AC24

RGB 131 172 36

HSL 78.09, 0.65%, 0.41%

LAB 65.32, -32.63, 59.97

 

CMYK 24 / 0 / 79 / 19

HEX #9DCE2C

RGB 157 206 44

HSL 78.15, 0.65%, 0.49%

LAB 76.98, -37.56, 68.88

 

CMYK 20 / 0 / 66 / 15

HEX #AED94A

RGB 174 217 74

HSL 78.04, 0.65%, 0.57%

LAB 81.36, -34.31, 63.21

 

CMYK 16 / 0 / 52 / 12

HEX #BDE06C

RGB 189 224 108

HSL 78.1, 0.65%, 0.65%

LAB 84.59, -29.03, 52.42

 

CMYK 12 / 0 / 39 / 9

HEX #CCE78E

RGB 204 231 142

HSL 78.2, 0.65%, 0.73%

LAB 87.94, -23.05, 40.4

 

CMYK 20 / 0 / 66 / 15

HEX #AED94A

RGB 174 217 74

HSL 78.04, 0.65%, 0.57%

LAB 81.36, -34.31, 63.21

 

CMYK 66 / 0 / 33 / 15

HEX #4AD991

RGB 74 217 145

HSL 149.79, 0.65%, 0.57%

LAB 77.95, -54.43, 24.57

 

CMYK 7 / 66 / 0 / 15

HEX #CA4AD9

RGB 202 74 217

HSL 293.71, 0.65%, 0.57%

LAB 54.52, 68.64, -49.3

 

CMYK 20 / 0 / 66 / 15

HEX #AED94A

RGB 174 217 74

HSL 78.04, 0.65%, 0.57%

LAB 81.36, -34.31, 63.21

 

CMYK 66 / 20 / 0 / 15

HEX #4AAED9

RGB 74 174 217

HSL 198.04, 0.65%, 0.57%

LAB 67.08, -15.85, -30.3

 

CMYK 0 / 66 / 20 / 15

HEX #D94AAE

RGB 217 74 174

HSL 318.04, 0.65%, 0.57%

LAB 54.77, 65.57, -24.02

 

CMYK 20 / 0 / 66 / 15

HEX #AED94A

RGB 174 217 74

HSL 78.04, 0.65%, 0.57%

LAB 81.36, -34.31, 63.21

 

CMYK 66 / 0 / 33 / 15

HEX #4AD991

RGB 74 217 145

HSL 149.79, 0.65%, 0.57%

LAB 77.95, -54.43, 24.57

 

CMYK 46 / 66 / 0 / 15

HEX #754AD9

RGB 117 74 217

HSL 258.04, 0.65%, 0.57%

LAB 43.78, 50.74, -67.13

 

CMYK 0 / 66 / 33 / 15

HEX #D94A91

RGB 217 74 145

HSL 330.21, 0.65%, 0.57%

LAB 53.7, 61.92, -8.61

 

CMYK 20 / 0 / 66 / 15

HEX #AED94A

RGB 174 217 74

HSL 78.04, 0.65%, 0.57%

LAB 81.36, -34.31, 63.21

 

CMYK 66 / 0 / 13 / 15

HEX #4AD9BC

RGB 74 217 188

HSL 167.83, 0.65%, 0.57%

LAB 78.88, -44.81, 3.14

 

CMYK 46 / 66 / 0 / 15

HEX #754AD9

RGB 117 74 217

HSL 258.04, 0.65%, 0.57%

LAB 43.78, 50.74, -67.13

 

CMYK 0 / 66 / 53 / 15

HEX #D94A67

RGB 217 74 103

HSL 347.83, 0.65%, 0.57%

LAB 52.54, 57.8, 14.77

 

Description

Color code: HEX #AED94A | qconv.com Color code: HEX #AED94A | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 217 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 217 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, none magenta, 66 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 0% 66% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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