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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AECC0E it is the complementary color #5133F1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AECC0E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AECC0E shade: #B3CC09, #C4DE1C, #D5F02F, #E6FF42 and #F7FF55

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AECC0E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AECC0E shade: #AECC0E, #9DBA00, #8CA800, #7B9600 and #6A8400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AECC0E shade: #AFCD0E, #CDB80E, #CD840E, #CD510E and #CD1D0E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AECC0E shade: #AFCD0E, #7BCD0E, #48CD0E, #15CD0E and #0ECD3B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AECC0E shade matches the following richer shades: #AFCD0E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AECC0E shade: #AFCD0E, #A3BB20, #97AA32, #8B9843 and #7E8655

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AECC0E shade: #CD840E, #CDB70E, #B0CD0E, #7ECD0E and #4BCD0E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AECC0E shade: #6D8009, #8EA60C, #AFCD0E, #CDEF16 and #D5F13C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AECC0E shade: #AECC0E, #0ECD51 and #9D0ECD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AECC0E shade: #AECC0E, #0EB0CD and #CD0EB0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AECC0E shade: #AECC0E, #0ECD51, #2B0ECD and #CD0E8A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AECC0E shade: #AECC0E, #0ECD8A, #2B0ECD and #CD0E51

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 0 / 93 / 20

HEX #AECC0E

RGB 174 204 14

HSL 69.47, 0.87%, 0.43%

LAB 77.41, -30.68, 75.8

 

Complementary color

CMYK 66 / 79 / 0 / 5

HEX #5133F1

RGB 81 51 241

HSL 249.47, 0.87%, 0.57%

LAB 38.67, 63.99, -89.29

 

CMYK 12 / 0 / 96 / 20

HEX #B3CC09

RGB 179 204 9

HSL 67.69, 0.92%, 0.42%

LAB 77.75, -28.68, 76.74

 

CMYK 12 / 0 / 87 / 13

HEX #C4DE1C

RGB 196 222 28

HSL 68.04, 0.78%, 0.49%

LAB 84, -29.85, 79.61

 

CMYK 11 / 0 / 80 / 6

HEX #D5F02F

RGB 213 240 47

HSL 68.39, 0.87%, 0.56%

LAB 90.17, -30.83, 81.22

 

CMYK 10 / 0 / 74 / 0

HEX #E6FF42

RGB 230 255 66

HSL 67.94, 1%, 0.63%

LAB 95.47, -30.29, 81.17

 

CMYK 3 / 0 / 67 / 0

HEX #F7FF55

RGB 247 255 85

HSL 62.82, 1%, 0.67%

LAB 96.8, -22.62, 76.5

 

CMYK 15 / 0 / 93 / 20

HEX #AECC0E

RGB 174 204 14

HSL 69.47, 0.87%, 0.43%

LAB 77.41, -30.68, 75.8

 

CMYK 16 / 0 / 100 / 27

HEX #9DBA00

RGB 157 186 0

HSL 69.35, 1%, 0.36%

LAB 71.07, -29.41, 71.94

 

CMYK 17 / 0 / 100 / 34

HEX #8CA800

RGB 140 168 0

HSL 70, 1%, 0.33%

LAB 64.63, -27.96, 66.57

 

CMYK 18 / 0 / 100 / 41

HEX #7B9600

RGB 123 150 0

HSL 70.8, 1%, 0.29%

LAB 58.06, -26.49, 61.1

 

CMYK 20 / 0 / 100 / 48

HEX #6A8400

RGB 106 132 0

HSL 71.82, 1%, 0.26%

LAB 51.34, -25, 55.51

 

CMYK 15 / 0 / 93 / 20

HEX #AFCD0E

RGB 175 205 14

HSL 69.42, 0.87%, 0.43%

LAB 77.76, -30.74, 76.11

 

CMYK 0 / 10 / 93 / 20

HEX #CDB80E

RGB 205 184 14

HSL 53.4, 0.87%, 0.43%

LAB 74.38, -7.52, 74.54

 

CMYK 0 / 36 / 93 / 20

HEX #CD840E

RGB 205 132 14

HSL 37.07, 0.87%, 0.43%

LAB 61.23, 20.32, 64.81

 

CMYK 0 / 60 / 93 / 20

HEX #CD510E

RGB 205 81 14

HSL 21.05, 0.87%, 0.43%

LAB 50.56, 46.56, 57.35

 

CMYK 0 / 86 / 93 / 20

HEX #CD1D0E

RGB 205 29 14

HSL 4.71, 0.87%, 0.43%

LAB 44.07, 64.36, 53.18

 

CMYK 15 / 0 / 93 / 20

HEX #AFCD0E

RGB 175 205 14

HSL 69.42, 0.87%, 0.43%

LAB 77.76, -30.74, 76.11

 

CMYK 40 / 0 / 93 / 20

HEX #7BCD0E

RGB 123 205 14

HSL 85.76, 0.87%, 0.43%

LAB 74.77, -50.5, 72.46

 

CMYK 65 / 0 / 93 / 20

HEX #48CD0E

RGB 72 205 14

HSL 101.78, 0.87%, 0.43%

LAB 72.94, -64.79, 70.21

 

CMYK 90 / 0 / 93 / 20

HEX #15CD0E

RGB 21 205 14

HSL 117.8, 0.87%, 0.43%

LAB 72.13, -71.86, 69.21

 

CMYK 93 / 0 / 71 / 20

HEX #0ECD3B

RGB 14 205 59

HSL 134.14, 0.87%, 0.43%

LAB 72.28, -69.82, 57.82

 

CMYK 15 / 0 / 93 / 20

HEX #AFCD0E

RGB 175 205 14

HSL 69.42, 0.87%, 0.43%

LAB 77.76, -30.74, 76.11

 

CMYK 15 / 0 / 93 / 20

HEX #AFCD0E

RGB 175 205 14

HSL 69.42, 0.87%, 0.43%

LAB 77.76, -30.74, 76.11

 

CMYK 13 / 0 / 83 / 27

HEX #A3BB20

RGB 163 187 32

HSL 69.29, 0.71%, 0.43%

LAB 71.85, -26.75, 67.68

 

CMYK 11 / 0 / 71 / 33

HEX #97AA32

RGB 151 170 50

HSL 69.5, 0.55%, 0.43%

LAB 66.18, -22.68, 56.48

 

CMYK 9 / 0 / 56 / 40

HEX #8B9843

RGB 139 152 67

HSL 69.18, 0.39%, 0.43%

LAB 60.2, -17.39, 42.44

 

CMYK 6 / 0 / 37 / 47

HEX #7E8655

RGB 126 134 85

HSL 69.8, 0.22%, 0.43%

LAB 54.18, -11.32, 25.43

 

CMYK 0 / 36 / 93 / 20

HEX #CD840E

RGB 205 132 14

HSL 37.07, 0.87%, 0.43%

LAB 61.23, 20.32, 64.81

 

CMYK 0 / 11 / 93 / 20

HEX #CDB70E

RGB 205 183 14

HSL 53.09, 0.87%, 0.43%

LAB 74.11, -7, 74.34

 

CMYK 14 / 0 / 93 / 20

HEX #B0CD0E

RGB 176 205 14

HSL 69.11, 0.87%, 0.43%

LAB 77.83, -30.33, 76.19

 

CMYK 39 / 0 / 93 / 20

HEX #7ECD0E

RGB 126 205 14

HSL 84.82, 0.87%, 0.43%

LAB 74.91, -49.47, 72.63

 

CMYK 63 / 0 / 93 / 20

HEX #4BCD0E

RGB 75 205 14

HSL 100.84, 0.87%, 0.43%

LAB 73.02, -64.14, 70.31

 

CMYK 15 / 0 / 93 / 50

HEX #6D8009

RGB 109 128 9

HSL 69.58, 0.87%, 0.27%

LAB 50.35, -21.44, 53.14

 

CMYK 14 / 0 / 93 / 35

HEX #8EA60C

RGB 142 166 12

HSL 69.35, 0.87%, 0.35%

LAB 64.2, -25.94, 64.72

 

CMYK 15 / 0 / 93 / 20

HEX #AFCD0E

RGB 175 205 14

HSL 69.42, 0.87%, 0.43%

LAB 77.76, -30.74, 76.11

 

CMYK 14 / 0 / 91 / 6

HEX #CDEF16

RGB 205 239 22

HSL 69.4, 0.87%, 0.51%

LAB 89.29, -34.18, 85.03

 

CMYK 12 / 0 / 75 / 5

HEX #D5F13C

RGB 213 241 60

HSL 69.28, 0.87%, 0.59%

LAB 90.5, -30.81, 77.94

 

CMYK 15 / 0 / 93 / 20

HEX #AECC0E

RGB 174 204 14

HSL 69.47, 0.87%, 0.43%

LAB 77.41, -30.68, 75.8

 

CMYK 93 / 0 / 60 / 20

HEX #0ECD51

RGB 14 205 81

HSL 141.05, 0.87%, 0.43%

LAB 72.46, -67.49, 48.98

 

CMYK 23 / 93 / 0 / 20

HEX #9D0ECD

RGB 157 14 205

HSL 284.92, 0.87%, 0.43%

LAB 41.04, 74.84, -64.46

 

CMYK 15 / 0 / 93 / 20

HEX #AECC0E

RGB 174 204 14

HSL 69.47, 0.87%, 0.43%

LAB 77.41, -30.68, 75.8

 

CMYK 93 / 14 / 0 / 20

HEX #0EB0CD

RGB 14 176 205

HSL 189.11, 0.87%, 0.43%

LAB 66.18, -26.64, -25.16

 

CMYK 0 / 93 / 14 / 20

HEX #CD0EB0

RGB 205 14 176

HSL 309.11, 0.87%, 0.43%

LAB 47.53, 78.19, -36.62

 

CMYK 15 / 0 / 93 / 20

HEX #AECC0E

RGB 174 204 14

HSL 69.47, 0.87%, 0.43%

LAB 77.41, -30.68, 75.8

 

CMYK 93 / 0 / 60 / 20

HEX #0ECD51

RGB 14 205 81

HSL 141.05, 0.87%, 0.43%

LAB 72.46, -67.49, 48.98

 

CMYK 79 / 93 / 0 / 20

HEX #2B0ECD

RGB 43 14 205

HSL 249.11, 0.87%, 0.43%

LAB 27.4, 64.98, -87.42

 

CMYK 0 / 93 / 33 / 20

HEX #CD0E8A

RGB 205 14 138

HSL 321.05, 0.87%, 0.43%

LAB 45.81, 73.72, -16.53

 

CMYK 15 / 0 / 93 / 20

HEX #AECC0E

RGB 174 204 14

HSL 69.47, 0.87%, 0.43%

LAB 77.41, -30.68, 75.8

 

CMYK 93 / 0 / 33 / 20

HEX #0ECD8A

RGB 14 205 138

HSL 158.95, 0.87%, 0.43%

LAB 73.28, -57.77, 21.73

 

CMYK 79 / 93 / 0 / 20

HEX #2B0ECD

RGB 43 14 205

HSL 249.11, 0.87%, 0.43%

LAB 27.4, 64.98, -87.42

 

CMYK 0 / 93 / 60 / 20

HEX #CD0E51

RGB 205 14 81

HSL 338.95, 0.87%, 0.43%

LAB 44.07, 69.02, 16.28

 

Description

Color code: HEX #AECC0E | qconv.com Color code: HEX #AECC0E | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 204 green and 14 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 204 14 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, none magenta, 93 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 0% 93% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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