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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AEC802 it is the complementary color #5137FD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AEC802. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AEC802 shade: #B3C800, #C4DA10, #D5EC23, #E6FE36 and #F7FF49

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AEC802. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AEC802 shade: #AEC802, #9DB600, #8CA400, #7B9200 and #6A8000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AEC802 shade: #B0CA02, #CAAE02, #CA7802, #CA4202 and #CA0D02

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AEC802 shade: #B0CA02, #7ACA02, #44CA02, #0ECA02 and #02CA2C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AEC802 shade matches the following richer shades: #B0CA02

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AEC802 shade: #B0CA02, #A4B913, #97A923, #8B9834 and #7F8844

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AEC802 shade: #CA7702, #CAAC02, #B3CA02, #7DCA02 and #48CA02

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AEC802 shade: #697801, #8CA102, #B0CA02, #D3F302 and #E0FD22

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AEC802 shade: #AEC802, #02CA41 and #9102CA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AEC802 shade: #AEC802, #02B3CA and #CA02B3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AEC802 shade: #AEC802, #02CA41, #1902CA and #CA028B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AEC802 shade: #AEC802, #02CA7D, #1902CA and #CA024F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 0 / 99 / 22

HEX #AEC802

RGB 174 200 2

HSL 67.88, 0.98%, 0.4%

LAB 76.26, -28.94, 76.15

 

Complementary color

CMYK 68 / 78 / 0 / 1

HEX #5137FD

RGB 81 55 253

HSL 247.88, 0.98%, 0.6%

LAB 40.53, 65.59, -92.96

 

CMYK 11 / 0 / 100 / 22

HEX #B3C800

RGB 179 200 0

HSL 66.3, 1%, 0.39%

LAB 76.61, -26.88, 76.78

 

CMYK 10 / 0 / 93 / 15

HEX #C4DA10

RGB 196 218 16

HSL 66.53, 0.86%, 0.46%

LAB 82.87, -28.18, 80.48

 

CMYK 10 / 0 / 85 / 7

HEX #D5EC23

RGB 213 236 35

HSL 66.87, 0.84%, 0.53%

LAB 89.04, -29.32, 82.93

 

CMYK 9 / 0 / 79 / 0

HEX #E6FE36

RGB 230 254 54

HSL 67.2, 0.99%, 0.6%

LAB 95.15, -30.28, 84.27

 

CMYK 3 / 0 / 71 / 0

HEX #F7FF49

RGB 247 255 73

HSL 62.64, 1%, 0.64%

LAB 96.73, -23.2, 80.58

 

CMYK 13 / 0 / 99 / 22

HEX #AEC802

RGB 174 200 2

HSL 67.88, 0.98%, 0.4%

LAB 76.26, -28.94, 76.15

 

CMYK 14 / 0 / 100 / 29

HEX #9DB600

RGB 157 182 0

HSL 68.24, 1%, 0.36%

LAB 69.91, -27.5, 71.07

 

CMYK 15 / 0 / 100 / 36

HEX #8CA400

RGB 140 164 0

HSL 68.78, 1%, 0.32%

LAB 63.45, -26.02, 65.69

 

CMYK 16 / 0 / 100 / 43

HEX #7B9200

RGB 123 146 0

HSL 69.45, 1%, 0.29%

LAB 56.85, -24.52, 60.19

 

CMYK 17 / 0 / 100 / 50

HEX #6A8000

RGB 106 128 0

HSL 70.31, 1%, 0.25%

LAB 50.1, -22.99, 54.57

 

CMYK 13 / 0 / 99 / 21

HEX #B0CA02

RGB 176 202 2

HSL 67.8, 0.98%, 0.4%

LAB 76.97, -29.06, 76.74

 

CMYK 0 / 14 / 99 / 21

HEX #CAAE02

RGB 202 174 2

HSL 51.6, 0.98%, 0.4%

LAB 71.44, -3.76, 73.64

 

CMYK 0 / 41 / 99 / 21

HEX #CA7802

RGB 202 120 2

HSL 35.4, 0.98%, 0.4%

LAB 58.03, 25.39, 64.44

 

CMYK 0 / 67 / 99 / 21

HEX #CA4202

RGB 202 66 2

HSL 19.2, 0.98%, 0.4%

LAB 47.57, 51.88, 58.21

 

CMYK 0 / 94 / 99 / 21

HEX #CA0D02

RGB 202 13 2

HSL 3.3, 0.98%, 0.4%

LAB 42.53, 65.96, 55.86

 

CMYK 13 / 0 / 99 / 21

HEX #B0CA02

RGB 176 202 2

HSL 67.8, 0.98%, 0.4%

LAB 76.97, -29.06, 76.74

 

CMYK 40 / 0 / 99 / 21

HEX #7ACA02

RGB 122 202 2

HSL 84, 0.98%, 0.4%

LAB 73.79, -49.83, 72.93

 

CMYK 66 / 0 / 99 / 21

HEX #44CA02

RGB 68 202 2

HSL 100.2, 0.98%, 0.4%

LAB 71.88, -64.89, 70.6

 

CMYK 93 / 0 / 99 / 21

HEX #0ECA02

RGB 14 202 2

HSL 116.4, 0.98%, 0.4%

LAB 71.1, -71.68, 69.66

 

CMYK 99 / 0 / 78 / 21

HEX #02CA2C

RGB 2 202 44

HSL 132.6, 0.98%, 0.4%

LAB 71.17, -70.61, 61.79

 

CMYK 13 / 0 / 99 / 21

HEX #B0CA02

RGB 176 202 2

HSL 67.8, 0.98%, 0.4%

LAB 76.97, -29.06, 76.74

 

CMYK 13 / 0 / 99 / 21

HEX #B0CA02

RGB 176 202 2

HSL 67.8, 0.98%, 0.4%

LAB 76.97, -29.06, 76.74

 

CMYK 11 / 0 / 90 / 27

HEX #A4B913

RGB 164 185 19

HSL 67.59, 0.81%, 0.4%

LAB 71.31, -25.7, 69.96

 

CMYK 11 / 0 / 79 / 34

HEX #97A923

RGB 151 169 35

HSL 68.06, 0.66%, 0.4%

LAB 65.81, -22.91, 61.22

 

CMYK 9 / 0 / 66 / 40

HEX #8B9834

RGB 139 152 52

HSL 67.8, 0.49%, 0.4%

LAB 60.06, -18.57, 49.14

 

CMYK 7 / 0 / 50 / 47

HEX #7F8844

RGB 127 136 68

HSL 67.94, 0.33%, 0.4%

LAB 54.59, -13.99, 35.11

 

CMYK 0 / 41 / 99 / 21

HEX #CA7702

RGB 202 119 2

HSL 35.1, 0.98%, 0.4%

LAB 57.8, 25.93, 64.29

 

CMYK 0 / 15 / 99 / 21

HEX #CAAC02

RGB 202 172 2

HSL 51, 0.98%, 0.4%

LAB 70.92, -2.71, 73.26

 

CMYK 11 / 0 / 99 / 21

HEX #B3CA02

RGB 179 202 2

HSL 66.9, 0.98%, 0.4%

LAB 77.18, -27.81, 77

 

CMYK 38 / 0 / 99 / 21

HEX #7DCA02

RGB 125 202 2

HSL 83.1, 0.98%, 0.4%

LAB 73.94, -48.79, 73.1

 

CMYK 64 / 0 / 99 / 21

HEX #48CA02

RGB 72 202 2

HSL 99, 0.98%, 0.4%

LAB 71.98, -64.04, 70.72

 

CMYK 13 / 0 / 99 / 53

HEX #697801

RGB 105 120 1

HSL 67.56, 0.98%, 0.24%

LAB 47.54, -19.31, 52.41

 

CMYK 13 / 0 / 99 / 37

HEX #8CA102

RGB 140 161 2

HSL 67.92, 0.98%, 0.32%

LAB 62.57, -24.51, 64.75

 

CMYK 13 / 0 / 99 / 21

HEX #B0CA02

RGB 176 202 2

HSL 67.8, 0.98%, 0.4%

LAB 76.97, -29.06, 76.74

 

CMYK 13 / 0 / 99 / 5

HEX #D3F302

RGB 211 243 2

HSL 67.97, 0.98%, 0.48%

LAB 90.76, -33.83, 88.18

 

CMYK 11 / 0 / 87 / 1

HEX #E0FD22

RGB 224 253 34

HSL 67.95, 0.98%, 0.56%

LAB 94.4, -32.77, 87.83

 

CMYK 13 / 0 / 99 / 22

HEX #AEC802

RGB 174 200 2

HSL 67.88, 0.98%, 0.4%

LAB 76.26, -28.94, 76.15

 

CMYK 99 / 0 / 68 / 21

HEX #02CA41

RGB 2 202 65

HSL 138.9, 0.98%, 0.4%

LAB 71.31, -68.86, 54.47

 

CMYK 28 / 99 / 0 / 21

HEX #9102CA

RGB 145 2 202

HSL 282.9, 0.98%, 0.4%

LAB 38.42, 74.07, -67.06

 

CMYK 13 / 0 / 99 / 22

HEX #AEC802

RGB 174 200 2

HSL 67.88, 0.98%, 0.4%

LAB 76.26, -28.94, 76.15

 

CMYK 99 / 11 / 0 / 21

HEX #02B3CA

RGB 2 179 202

HSL 186.9, 0.98%, 0.4%

LAB 66.91, -29.49, -22.38

 

CMYK 0 / 99 / 11 / 21

HEX #CA02B3

RGB 202 2 179

HSL 306.9, 0.98%, 0.4%

LAB 46.78, 79.08, -39.61

 

CMYK 13 / 0 / 99 / 22

HEX #AEC802

RGB 174 200 2

HSL 67.88, 0.98%, 0.4%

LAB 76.26, -28.94, 76.15

 

CMYK 99 / 0 / 68 / 21

HEX #02CA41

RGB 2 202 65

HSL 138.9, 0.98%, 0.4%

LAB 71.31, -68.86, 54.47

 

CMYK 88 / 99 / 0 / 21

HEX #1902CA

RGB 25 2 202

HSL 246.9, 0.98%, 0.4%

LAB 25.3, 66.24, -89.18

 

CMYK 0 / 99 / 31 / 21

HEX #CA028B

RGB 202 2 139

HSL 318.9, 0.98%, 0.4%

LAB 44.89, 74.3, -18.6

 

CMYK 13 / 0 / 99 / 22

HEX #AEC802

RGB 174 200 2

HSL 67.88, 0.98%, 0.4%

LAB 76.26, -28.94, 76.15

 

CMYK 99 / 0 / 38 / 21

HEX #02CA7D

RGB 2 202 125

HSL 156.9, 0.98%, 0.4%

LAB 72.05, -59.82, 26.89

 

CMYK 88 / 99 / 0 / 21

HEX #1902CA

RGB 25 2 202

HSL 246.9, 0.98%, 0.4%

LAB 25.3, 66.24, -89.18

 

CMYK 0 / 99 / 61 / 21

HEX #CA024F

RGB 202 2 79

HSL 336.9, 0.98%, 0.4%

LAB 43.01, 69.35, 16

 

Description

Color code: HEX #AEC802 | qconv.com Color code: HEX #AEC802 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 200 green and 2 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 200 2 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, none magenta, 99 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 0% 99% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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