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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AEC244 it is the complementary color #513DBB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AEC244. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AEC244 shade: #B3C23F, #C4D452, #D5E665, #E6F878 and #F7FF8B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AEC244. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AEC244 shade: #AEC244, #9DB031, #8C9E1E, #7B8C0B and #6A7A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AEC244 shade: #AEC242, #C2B442, #C29142, #C26F42 and #C24D42

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AEC244 shade: #AEC242, #8BC242, #69C242, #46C242 and #42C261

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AEC244 shade matches the following richer shades: #AEC242, #BBD62E, #C9EA1A and #D7FE06

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AEC244 shade: #AEC242, #A0AE57, #92996B, #84857F and #767193

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AEC244 shade: #C29142, #C2B342, #AFC242, #8DC242 and #6BC242

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AEC244 shade: #78862C, #94A536, #AEC242, #BBCC61 and #C8D681

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AEC244 shade: #AEC244, #42C26F and #A242C2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AEC244 shade: #AEC244, #42AFC2 and #C242AF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AEC244 shade: #AEC244, #42C26F, #5542C2 and #C24295

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AEC244 shade: #AEC244, #42C295, #5542C2 and #C2426F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 0 / 65 / 24

HEX #AEC244

RGB 174 194 68

HSL 69.52, 0.51%, 0.51%

LAB 74.82, -23.82, 58.77

 

Complementary color

CMYK 57 / 67 / 0 / 27

HEX #513DBB

RGB 81 61 187

HSL 249.52, 0.51%, 0.49%

LAB 35.35, 42.92, -63.63

 

CMYK 8 / 0 / 68 / 24

HEX #B3C23F

RGB 179 194 63

HSL 66.87, 0.52%, 0.5%

LAB 75.16, -22.07, 61.21

 

CMYK 8 / 0 / 61 / 17

HEX #C4D452

RGB 196 212 82

HSL 67.38, 0.6%, 0.58%

LAB 81.53, -22.68, 60.6

 

CMYK 7 / 0 / 56 / 10

HEX #D5E665

RGB 213 230 101

HSL 67.91, 0.72%, 0.65%

LAB 87.81, -23.17, 59.73

 

CMYK 7 / 0 / 52 / 3

HEX #E6F878

RGB 230 248 120

HSL 68.44, 0.9%, 0.72%

LAB 94.02, -23.56, 58.73

 

CMYK 3 / 0 / 45 / 0

HEX #F7FF8B

RGB 247 255 139

HSL 64.14, 1%, 0.77%

LAB 97.29, -18.66, 54.2

 

CMYK 10 / 0 / 65 / 24

HEX #AEC244

RGB 174 194 68

HSL 69.52, 0.51%, 0.51%

LAB 74.82, -23.82, 58.77

 

CMYK 11 / 0 / 72 / 31

HEX #9DB031

RGB 157 176 49

HSL 68.98, 0.56%, 0.44%

LAB 68.34, -23.18, 59.13

 

CMYK 11 / 0 / 81 / 38

HEX #8C9E1E

RGB 140 158 30

HSL 68.44, 0.68%, 0.37%

LAB 61.76, -22.35, 58.75

 

CMYK 12 / 0 / 92 / 45

HEX #7B8C0B

RGB 123 140 11

HSL 67.91, 0.85%, 0.3%

LAB 55.06, -21.28, 57.01

 

CMYK 13 / 0 / 100 / 52

HEX #6A7A00

RGB 106 122 0

HSL 67.87, 1%, 0.24%

LAB 48.24, -19.92, 53.18

 

CMYK 10 / 0 / 66 / 24

HEX #AEC242

RGB 174 194 66

HSL 69.38, 0.51%, 0.51%

LAB 74.81, -23.95, 59.56

 

CMYK 0 / 7 / 66 / 24

HEX #C2B442

RGB 194 180 66

HSL 53.44, 0.51%, 0.51%

LAB 72.56, -8.45, 57.72

 

CMYK 0 / 25 / 66 / 24

HEX #C29142

RGB 194 145 66

HSL 37.03, 0.51%, 0.51%

LAB 63.44, 10.29, 47.96

 

CMYK 0 / 43 / 66 / 24

HEX #C26F42

RGB 194 111 66

HSL 21.09, 0.51%, 0.51%

LAB 55.31, 28.91, 38.78

 

CMYK 0 / 60 / 66 / 24

HEX #C24D42

RGB 194 77 66

HSL 5.16, 0.51%, 0.51%

LAB 48.47, 46.19, 30.65

 

CMYK 10 / 0 / 66 / 24

HEX #AEC242

RGB 174 194 66

HSL 69.38, 0.51%, 0.51%

LAB 74.81, -23.95, 59.56

 

CMYK 28 / 0 / 66 / 24

HEX #8BC242

RGB 139 194 66

HSL 85.78, 0.51%, 0.51%

LAB 72.54, -37.75, 56.48

 

CMYK 46 / 0 / 66 / 24

HEX #69C242

RGB 105 194 66

HSL 101.72, 0.51%, 0.51%

LAB 70.86, -49.39, 54.18

 

CMYK 64 / 0 / 66 / 24

HEX #46C242

RGB 70 194 66

HSL 118.13, 0.51%, 0.51%

LAB 69.67, -58.58, 52.55

 

CMYK 66 / 0 / 50 / 24

HEX #42C261

RGB 66 194 97

HSL 134.53, 0.51%, 0.51%

LAB 69.9, -55.56, 38.54

 

CMYK 10 / 0 / 66 / 24

HEX #AEC242

RGB 174 194 66

HSL 69.38, 0.51%, 0.51%

LAB 74.81, -23.95, 59.56

 

CMYK 13 / 0 / 79 / 16

HEX #BBD62E

RGB 187 214 46

HSL 69.64, 0.67%, 0.51%

LAB 81.21, -29.22, 72.87

 

CMYK 14 / 0 / 89 / 8

HEX #C9EA1A

RGB 201 234 26

HSL 69.52, 0.83%, 0.51%

LAB 87.65, -33.42, 83.04

 

CMYK 15 / 0 / 98 / 0

HEX #D7FE06

RGB 215 254 6

HSL 69.44, 0.99%, 0.51%

LAB 94.03, -37.17, 90.48

 

CMYK 10 / 0 / 66 / 24

HEX #AEC242

RGB 174 194 66

HSL 69.38, 0.51%, 0.51%

LAB 74.81, -23.95, 59.56

 

CMYK 8 / 0 / 50 / 32

HEX #A0AE57

RGB 160 174 87

HSL 69.66, 0.35%, 0.51%

LAB 68.34, -18.05, 42.62

 

CMYK 5 / 0 / 30 / 40

HEX #92996B

RGB 146 153 107

HSL 69.13, 0.18%, 0.51%

LAB 61.62, -10.39, 23.39

 

CMYK 1 / 0 / 5 / 48

HEX #84857F

RGB 132 133 127

HSL 70, 0.02%, 0.51%

LAB 55.29, -1.54, 3.09

 

CMYK 20 / 23 / 0 / 42

HEX #767193

RGB 118 113 147

HSL 248.82, 0.14%, 0.51%

LAB 49.21, 9.42, -17.78

 

CMYK 0 / 25 / 66 / 24

HEX #C29142

RGB 194 145 66

HSL 37.03, 0.51%, 0.51%

LAB 63.44, 10.29, 47.96

 

CMYK 0 / 8 / 66 / 24

HEX #C2B342

RGB 194 179 66

HSL 52.97, 0.51%, 0.51%

LAB 72.3, -7.93, 57.44

 

CMYK 10 / 0 / 66 / 24

HEX #AFC242

RGB 175 194 66

HSL 68.91, 0.51%, 0.51%

LAB 74.88, -23.54, 59.66

 

CMYK 27 / 0 / 66 / 24

HEX #8DC242

RGB 141 194 66

HSL 84.84, 0.51%, 0.51%

LAB 72.65, -37, 56.64

 

CMYK 45 / 0 / 66 / 24

HEX #6BC242

RGB 107 194 66

HSL 100.78, 0.51%, 0.51%

LAB 70.94, -48.77, 54.3

 

CMYK 10 / 0 / 67 / 47

HEX #78862C

RGB 120 134 44

HSL 69.33, 0.51%, 0.35%

LAB 53.19, -18.07, 44.93

 

CMYK 10 / 0 / 67 / 35

HEX #94A536

RGB 148 165 54

HSL 69.19, 0.51%, 0.43%

LAB 64.54, -21.2, 53.18

 

CMYK 10 / 0 / 66 / 24

HEX #AEC242

RGB 174 194 66

HSL 69.38, 0.51%, 0.51%

LAB 74.81, -23.95, 59.56

 

CMYK 8 / 0 / 52 / 20

HEX #BBCC61

RGB 187 204 97

HSL 69.53, 0.51%, 0.59%

LAB 78.82, -21.2, 50.71

 

CMYK 7 / 0 / 40 / 16

HEX #C8D681

RGB 200 214 129

HSL 69.88, 0.51%, 0.67%

LAB 82.89, -17.76, 40.36

 

CMYK 10 / 0 / 65 / 24

HEX #AEC244

RGB 174 194 68

HSL 69.52, 0.51%, 0.51%

LAB 74.82, -23.82, 58.77

 

CMYK 66 / 0 / 43 / 24

HEX #42C26F

RGB 66 194 111

HSL 141.09, 0.51%, 0.51%

LAB 70.1, -53.3, 31.72

 

CMYK 16 / 66 / 0 / 24

HEX #A242C2

RGB 162 66 194

HSL 285, 0.51%, 0.51%

LAB 46.28, 58.57, -49.58

 

CMYK 10 / 0 / 65 / 24

HEX #AEC244

RGB 174 194 68

HSL 69.52, 0.51%, 0.51%

LAB 74.82, -23.82, 58.77

 

CMYK 66 / 10 / 0 / 24

HEX #42AFC2

RGB 66 175 194

HSL 188.91, 0.51%, 0.51%

LAB 66.3, -24.79, -18.81

 

CMYK 0 / 66 / 10 / 24

HEX #C242AF

RGB 194 66 175

HSL 308.91, 0.51%, 0.51%

LAB 50.05, 62.9, -32.21

 

CMYK 10 / 0 / 65 / 24

HEX #AEC244

RGB 174 194 68

HSL 69.52, 0.51%, 0.51%

LAB 74.82, -23.82, 58.77

 

CMYK 66 / 0 / 43 / 24

HEX #42C26F

RGB 66 194 111

HSL 141.09, 0.51%, 0.51%

LAB 70.1, -53.3, 31.72

 

CMYK 56 / 66 / 0 / 24

HEX #5542C2

RGB 85 66 194

HSL 248.91, 0.51%, 0.51%

LAB 37.34, 42.86, -64.47

 

CMYK 0 / 66 / 23 / 24

HEX #C24295

RGB 194 66 149

HSL 321.09, 0.51%, 0.51%

LAB 48.93, 59.13, -18.57

 

CMYK 10 / 0 / 65 / 24

HEX #AEC244

RGB 174 194 68

HSL 69.52, 0.51%, 0.51%

LAB 74.82, -23.82, 58.77

 

CMYK 66 / 0 / 23 / 24

HEX #42C295

RGB 66 194 149

HSL 158.91, 0.51%, 0.51%

LAB 70.81, -45.65, 12.54

 

CMYK 56 / 66 / 0 / 24

HEX #5542C2

RGB 85 66 194

HSL 248.91, 0.51%, 0.51%

LAB 37.34, 42.86, -64.47

 

CMYK 0 / 66 / 43 / 24

HEX #C2426F

RGB 194 66 111

HSL 338.91, 0.51%, 0.51%

LAB 47.64, 54.63, 2.46

 

Description

Color code: HEX #AEC244 | qconv.com Color code: HEX #AEC244 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 194 green and 68 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 194 68 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, none magenta, 65 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 0% 65% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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