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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AEC014 it is the complementary color #513FEB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AEC014. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AEC014 shade: #B3C00F, #C4D222, #D5E435, #E6F648 and #F7FF5B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AEC014. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AEC014 shade: #AEC014, #9DAE01, #8C9C00, #7B8A00 and #6A7800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AEC014 shade: #B0C214, #C2A514, #C27614, #C24814 and #C21914

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AEC014 shade: #B0C214, #81C214, #52C214, #23C214 and #14C234

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AEC014 shade matches the following richer shades: #B0C214 and #BDD303

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AEC014 shade: #B0C214, #A2B126, #949F37, #878E48 and #797D5A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AEC014 shade: #C27714, #C2A514, #B1C214, #82C214 and #54C214

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AEC014 shade: #6C770D, #8E9D10, #B0C214, #D1E719 and #D9EB3E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AEC014 shade: #AEC014, #14C248 and #8E14C2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AEC014 shade: #AEC014, #14B1C2 and #C214B1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AEC014 shade: #AEC014, #14C248, #2614C2 and #C2148E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AEC014 shade: #AEC014, #14C27C, #2614C2 and #C2145A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 90 / 25

HEX #AEC014

RGB 174 192 20

HSL 66.28, 0.81%, 0.42%

LAB 74.03, -24.85, 72.28

 

Complementary color

CMYK 66 / 73 / 0 / 8

HEX #513FEB

RGB 81 63 235

HSL 246.28, 0.81%, 0.58%

LAB 40.09, 56.47, -83.56

 

CMYK 7 / 0 / 92 / 25

HEX #B3C00F

RGB 179 192 15

HSL 64.41, 0.86%, 0.41%

LAB 74.39, -22.82, 73.48

 

CMYK 7 / 0 / 84 / 18

HEX #C4D222

RGB 196 210 34

HSL 64.77, 0.72%, 0.48%

LAB 80.71, -24, 75.7

 

CMYK 7 / 0 / 77 / 11

HEX #D5E435

RGB 213 228 53

HSL 65.14, 0.76%, 0.55%

LAB 86.94, -24.99, 76.74

 

CMYK 7 / 0 / 71 / 4

HEX #E6F648

RGB 230 246 72

HSL 65.52, 0.91%, 0.62%

LAB 93.1, -25.82, 76.99

 

CMYK 3 / 0 / 64 / 0

HEX #F7FF5B

RGB 247 255 91

HSL 62.93, 1%, 0.68%

LAB 96.84, -22.29, 74.31

 

CMYK 9 / 0 / 90 / 25

HEX #AEC014

RGB 174 192 20

HSL 66.28, 0.81%, 0.42%

LAB 74.03, -24.85, 72.28

 

CMYK 10 / 0 / 99 / 32

HEX #9DAE01

RGB 157 174 1

HSL 65.9, 0.99%, 0.34%

LAB 67.61, -23.59, 69.22

 

CMYK 10 / 0 / 100 / 39

HEX #8C9C00

RGB 140 156 0

HSL 66.15, 1%, 0.31%

LAB 61.09, -22.06, 63.93

 

CMYK 11 / 0 / 100 / 46

HEX #7B8A00

RGB 123 138 0

HSL 66.52, 1%, 0.27%

LAB 54.44, -20.48, 58.39

 

CMYK 12 / 0 / 100 / 53

HEX #6A7800

RGB 106 120 0

HSL 67, 1%, 0.24%

LAB 47.62, -18.87, 52.72

 

CMYK 9 / 0 / 90 / 24

HEX #B0C214

RGB 176 194 20

HSL 66.21, 0.81%, 0.42%

LAB 74.74, -24.98, 72.91

 

CMYK 0 / 15 / 90 / 24

HEX #C2A514

RGB 194 165 20

HSL 50, 0.81%, 0.42%

LAB 68.34, -2.33, 68.5

 

CMYK 0 / 39 / 90 / 24

HEX #C27614

RGB 194 118 20

HSL 33.79, 0.81%, 0.42%

LAB 56.56, 23.27, 59.37

 

CMYK 0 / 63 / 90 / 24

HEX #C24814

RGB 194 72 20

HSL 17.93, 0.81%, 0.42%

LAB 47.18, 46.72, 52.24

 

CMYK 0 / 87 / 90 / 24

HEX #C21914

RGB 194 25 20

HSL 1.72, 0.81%, 0.42%

LAB 41.56, 62.23, 48.08

 

CMYK 9 / 0 / 90 / 24

HEX #B0C214

RGB 176 194 20

HSL 66.21, 0.81%, 0.42%

LAB 74.74, -24.98, 72.91

 

CMYK 34 / 0 / 90 / 24

HEX #81C214

RGB 129 194 20

HSL 82.41, 0.81%, 0.42%

LAB 71.76, -43.72, 69.25

 

CMYK 58 / 0 / 90 / 24

HEX #52C214

RGB 82 194 20

HSL 98.62, 0.81%, 0.42%

LAB 69.77, -58.6, 66.79

 

CMYK 82 / 0 / 90 / 24

HEX #23C214

RGB 35 194 20

HSL 114.83, 0.81%, 0.42%

LAB 68.75, -67.34, 65.51

 

CMYK 90 / 0 / 73 / 24

HEX #14C234

RGB 20 194 52

HSL 131.03, 0.81%, 0.42%

LAB 68.74, -66.86, 56.75

 

CMYK 9 / 0 / 90 / 24

HEX #B0C214

RGB 176 194 20

HSL 66.21, 0.81%, 0.42%

LAB 74.74, -24.98, 72.91

 

CMYK 10 / 0 / 99 / 17

HEX #BDD303

RGB 189 211 3

HSL 66.35, 0.97%, 0.42%

LAB 80.41, -27.91, 79.65

 

CMYK 9 / 0 / 90 / 24

HEX #B0C214

RGB 176 194 20

HSL 66.21, 0.81%, 0.42%

LAB 74.74, -24.98, 72.91

 

CMYK 8 / 0 / 79 / 31

HEX #A2B126

RGB 162 177 38

HSL 66.47, 0.65%, 0.42%

LAB 68.94, -22.06, 63.46

 

CMYK 7 / 0 / 65 / 38

HEX #949F37

RGB 148 159 55

HSL 66.35, 0.49%, 0.42%

LAB 62.82, -18.09, 50.97

 

CMYK 5 / 0 / 49 / 44

HEX #878E48

RGB 135 142 72

HSL 66, 0.33%, 0.42%

LAB 57.04, -13.36, 36.15

 

CMYK 3 / 0 / 28 / 51

HEX #797D5A

RGB 121 125 90

HSL 66.86, 0.16%, 0.42%

LAB 51.23, -7.73, 18.63

 

CMYK 0 / 39 / 90 / 24

HEX #C27714

RGB 194 119 20

HSL 34.14, 0.81%, 0.42%

LAB 56.8, 22.72, 59.55

 

CMYK 0 / 15 / 90 / 24

HEX #C2A514

RGB 194 165 20

HSL 50, 0.81%, 0.42%

LAB 68.34, -2.33, 68.5

 

CMYK 9 / 0 / 90 / 24

HEX #B1C214

RGB 177 194 20

HSL 65.86, 0.81%, 0.42%

LAB 74.81, -24.55, 73

 

CMYK 33 / 0 / 90 / 24

HEX #82C214

RGB 130 194 20

HSL 82.07, 0.81%, 0.42%

LAB 71.81, -43.35, 69.32

 

CMYK 57 / 0 / 90 / 24

HEX #54C214

RGB 84 194 20

HSL 97.93, 0.81%, 0.42%

LAB 69.84, -58.08, 66.87

 

CMYK 9 / 0 / 89 / 53

HEX #6C770D

RGB 108 119 13

HSL 66.23, 0.8%, 0.26%

LAB 47.51, -17.1, 49.97

 

CMYK 10 / 0 / 90 / 38

HEX #8E9D10

RGB 142 157 16

HSL 66.38, 0.82%, 0.34%

LAB 61.57, -21.4, 61.96

 

CMYK 9 / 0 / 90 / 24

HEX #B0C214

RGB 176 194 20

HSL 66.21, 0.81%, 0.42%

LAB 74.74, -24.98, 72.91

 

CMYK 10 / 0 / 89 / 9

HEX #D1E719

RGB 209 231 25

HSL 66.41, 0.81%, 0.5%

LAB 87.38, -28.82, 83.21

 

CMYK 8 / 0 / 74 / 8

HEX #D9EB3E

RGB 217 235 62

HSL 66.24, 0.81%, 0.58%

LAB 89.17, -26.31, 76.18

 

CMYK 9 / 0 / 90 / 25

HEX #AEC014

RGB 174 192 20

HSL 66.28, 0.81%, 0.42%

LAB 74.03, -24.85, 72.28

 

CMYK 90 / 0 / 63 / 24

HEX #14C248

RGB 20 194 72

HSL 137.93, 0.81%, 0.42%

LAB 68.9, -64.86, 48.9

 

CMYK 27 / 90 / 0 / 24

HEX #8E14C2

RGB 142 20 194

HSL 282.07, 0.81%, 0.42%

LAB 38.1, 69.75, -62.93

 

CMYK 9 / 0 / 90 / 25

HEX #AEC014

RGB 174 192 20

HSL 66.28, 0.81%, 0.42%

LAB 74.03, -24.85, 72.28

 

CMYK 90 / 9 / 0 / 24

HEX #14B1C2

RGB 20 177 194

HSL 185.86, 0.81%, 0.42%

LAB 66.13, -30.47, -19.15

 

CMYK 0 / 90 / 9 / 24

HEX #C214B1

RGB 194 20 177

HSL 305.86, 0.81%, 0.42%

LAB 45.83, 75.55, -40.03

 

CMYK 9 / 0 / 90 / 25

HEX #AEC014

RGB 174 192 20

HSL 66.28, 0.81%, 0.42%

LAB 74.03, -24.85, 72.28

 

CMYK 90 / 0 / 63 / 24

HEX #14C248

RGB 20 194 72

HSL 137.93, 0.81%, 0.42%

LAB 68.9, -64.86, 48.9

 

CMYK 80 / 90 / 0 / 24

HEX #2614C2

RGB 38 20 194

HSL 246.21, 0.81%, 0.42%

LAB 26.18, 60.27, -83

 

CMYK 0 / 90 / 27 / 24

HEX #C2148E

RGB 194 20 142

HSL 317.93, 0.81%, 0.42%

LAB 44.12, 71.08, -21.74

 

CMYK 9 / 0 / 90 / 25

HEX #AEC014

RGB 174 192 20

HSL 66.28, 0.81%, 0.42%

LAB 74.03, -24.85, 72.28

 

CMYK 90 / 0 / 36 / 24

HEX #14C27C

RGB 20 194 124

HSL 155.86, 0.81%, 0.42%

LAB 69.6, -56.42, 24.15

 

CMYK 80 / 90 / 0 / 24

HEX #2614C2

RGB 38 20 194

HSL 246.21, 0.81%, 0.42%

LAB 26.18, 60.27, -83

 

CMYK 0 / 90 / 54 / 24

HEX #C2145A

RGB 194 20 90

HSL 335.86, 0.81%, 0.42%

LAB 42.32, 66.15, 7.85

 

Description

Color code: HEX #AEC014 | qconv.com Color code: HEX #AEC014 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 192 green and 20 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 192 20 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 90 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 90% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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