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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AEBF55 it is the complementary color #5140AA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AEBF55. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AEBF55 shade: #B3BF50, #C4D163, #D5E376, #E6F589 and #F7FF9C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AEBF55. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AEBF55 shade: #AEBF55, #9DAD42, #8C9B2F, #7B891C and #6A7709

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AEBF55 shade: #AEBE55, #BEB355, #BE9655, #BE7A55 and #BE5E55

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AEBF55 shade: #AEBE55, #91BE55, #75BE55, #58BE55 and #55BE6E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AEBF55 shade matches the following richer shades: #AEBE55, #BAD142, #C7E42F and #D4F71C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AEBF55 shade: #AEBE55, #A1AC68, #94997B, #87868E and #7A73A1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AEBF55 shade: #BE9655, #BEB255, #AFBE55, #92BE55 and #76BE55

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AEBF55 shade: #7E8C35, #99AA40, #AEBE55, #BCCA73 and #CAD591

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AEBF55 shade: #AEBF55, #55BE7A and #A455BE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AEBF55 shade: #AEBF55, #55AFBE and #BE55AF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AEBF55 shade: #AEBF55, #55BE7A, #6555BE and #BE559A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AEBF55 shade: #AEBF55, #55BE9A, #6555BE and #BE557A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 55 / 25

HEX #AEBF55

RGB 174 191 85

HSL 69.62, 0.45%, 0.54%

LAB 74.14, -21.06, 50.62

 

Complementary color

CMYK 52 / 62 / 0 / 33

HEX #5140AA

RGB 81 64 170

HSL 249.62, 0.45%, 0.46%

LAB 34.64, 35.89, -54.7

 

CMYK 6 / 0 / 58 / 25

HEX #B3BF50

RGB 179 191 80

HSL 66.49, 0.46%, 0.53%

LAB 74.46, -19.42, 53.35

 

CMYK 6 / 0 / 53 / 18

HEX #C4D163

RGB 196 209 99

HSL 67.09, 0.54%, 0.6%

LAB 80.87, -19.88, 52.34

 

CMYK 6 / 0 / 48 / 11

HEX #D5E376

RGB 213 227 118

HSL 67.71, 0.66%, 0.68%

LAB 87.19, -20.24, 51.25

 

CMYK 6 / 0 / 44 / 4

HEX #E6F589

RGB 230 245 137

HSL 68.33, 0.84%, 0.75%

LAB 93.42, -20.54, 50.12

 

CMYK 3 / 0 / 39 / 0

HEX #F7FF9C

RGB 247 255 156

HSL 64.85, 1%, 0.81%

LAB 97.51, -16.94, 46.38

 

CMYK 9 / 0 / 55 / 25

HEX #AEBF55

RGB 174 191 85

HSL 69.62, 0.45%, 0.54%

LAB 74.14, -21.06, 50.62

 

CMYK 9 / 0 / 62 / 32

HEX #9DAD42

RGB 157 173 66

HSL 68.97, 0.45%, 0.47%

LAB 67.61, -20.6, 51.55

 

CMYK 10 / 0 / 70 / 39

HEX #8C9B2F

RGB 140 155 47

HSL 68.33, 0.53%, 0.4%

LAB 60.98, -20, 52.16

 

CMYK 10 / 0 / 80 / 46

HEX #7B891C

RGB 123 137 28

HSL 67.71, 0.66%, 0.32%

LAB 54.22, -19.2, 52.09

 

CMYK 11 / 0 / 92 / 53

HEX #6A7709

RGB 106 119 9

HSL 67.09, 0.86%, 0.25%

LAB 47.34, -18.12, 50.62

 

CMYK 8 / 0 / 55 / 25

HEX #AEBE55

RGB 174 190 85

HSL 69.14, 0.45%, 0.54%

LAB 73.86, -20.57, 50.3

 

CMYK 0 / 6 / 55 / 25

HEX #BEB355

RGB 190 179 85

HSL 53.71, 0.45%, 0.54%

LAB 72.12, -8.31, 48.64

 

CMYK 0 / 21 / 55 / 25

HEX #BE9655

RGB 190 150 85

HSL 37.14, 0.45%, 0.54%

LAB 64.5, 7.21, 39.64

 

CMYK 0 / 36 / 55 / 25

HEX #BE7A55

RGB 190 122 85

HSL 21.14, 0.45%, 0.54%

LAB 57.58, 22.65, 31.11

 

CMYK 0 / 51 / 55 / 25

HEX #BE5E55

RGB 190 94 85

HSL 5.14, 0.45%, 0.54%

LAB 51.39, 37.71, 23.15

 

CMYK 8 / 0 / 55 / 25

HEX #AEBE55

RGB 174 190 85

HSL 69.14, 0.45%, 0.54%

LAB 73.86, -20.57, 50.3

 

CMYK 24 / 0 / 55 / 25

HEX #91BE55

RGB 145 190 85

HSL 85.71, 0.45%, 0.54%

LAB 71.89, -32, 47.52

 

CMYK 38 / 0 / 55 / 25

HEX #75BE55

RGB 117 190 85

HSL 101.71, 0.45%, 0.54%

LAB 70.36, -41.99, 45.34

 

CMYK 54 / 0 / 55 / 25

HEX #58BE55

RGB 88 190 85

HSL 118.29, 0.45%, 0.54%

LAB 69.15, -50.67, 43.61

 

CMYK 55 / 0 / 42 / 25

HEX #55BE6E

RGB 85 190 110

HSL 134.29, 0.45%, 0.54%

LAB 69.39, -47.8, 31.42

 

CMYK 8 / 0 / 55 / 25

HEX #AEBE55

RGB 174 190 85

HSL 69.14, 0.45%, 0.54%

LAB 73.86, -20.57, 50.3

 

CMYK 11 / 0 / 68 / 18

HEX #BAD142

RGB 186 209 66

HSL 69.65, 0.61%, 0.54%

LAB 79.86, -26.3, 64.99

 

CMYK 13 / 0 / 79 / 11

HEX #C7E42F

RGB 199 228 47

HSL 69.61, 0.77%, 0.54%

LAB 85.92, -30.89, 77.12

 

CMYK 14 / 0 / 89 / 3

HEX #D4F71C

RGB 212 247 28

HSL 69.59, 0.93%, 0.54%

LAB 91.95, -34.93, 86.49

 

CMYK 8 / 0 / 55 / 25

HEX #AEBE55

RGB 174 190 85

HSL 69.14, 0.45%, 0.54%

LAB 73.86, -20.57, 50.3

 

CMYK 6 / 0 / 40 / 33

HEX #A1AC68

RGB 161 172 104

HSL 69.71, 0.29%, 0.54%

LAB 68.08, -14.77, 33.67

 

CMYK 3 / 0 / 20 / 40

HEX #94997B

RGB 148 153 123

HSL 70, 0.13%, 0.54%

LAB 62.09, -7.19, 15.19

 

CMYK 5 / 6 / 0 / 44

HEX #87868E

RGB 135 134 142

HSL 247.5, 0.03%, 0.54%

LAB 56.24, 1.98, -4.15

 

CMYK 24 / 29 / 0 / 37

HEX #7A73A1

RGB 122 115 161

HSL 249.13, 0.2%, 0.54%

LAB 50.65, 12.99, -23.75

 

CMYK 0 / 21 / 55 / 25

HEX #BE9655

RGB 190 150 85

HSL 37.14, 0.45%, 0.54%

LAB 64.5, 7.21, 39.64

 

CMYK 0 / 6 / 55 / 25

HEX #BEB255

RGB 190 178 85

HSL 53.14, 0.45%, 0.54%

LAB 71.86, -7.79, 48.33

 

CMYK 8 / 0 / 55 / 25

HEX #AFBE55

RGB 175 190 85

HSL 68.57, 0.45%, 0.54%

LAB 73.93, -20.16, 50.4

 

CMYK 23 / 0 / 55 / 25

HEX #92BE55

RGB 146 190 85

HSL 85.14, 0.45%, 0.54%

LAB 71.96, -31.62, 47.61

 

CMYK 38 / 0 / 55 / 25

HEX #76BE55

RGB 118 190 85

HSL 101.14, 0.45%, 0.54%

LAB 70.41, -41.66, 45.41

 

CMYK 10 / 0 / 62 / 45

HEX #7E8C35

RGB 126 140 53

HSL 69.66, 0.45%, 0.38%

LAB 55.53, -17.91, 43.54

 

CMYK 10 / 0 / 62 / 33

HEX #99AA40

RGB 153 170 64

HSL 69.62, 0.45%, 0.46%

LAB 66.44, -20.92, 51.06

 

CMYK 8 / 0 / 55 / 25

HEX #AEBE55

RGB 174 190 85

HSL 69.14, 0.45%, 0.54%

LAB 73.86, -20.57, 50.3

 

CMYK 7 / 0 / 43 / 21

HEX #BCCA73

RGB 188 202 115

HSL 69.66, 0.45%, 0.62%

LAB 78.56, -18.02, 41.71

 

CMYK 5 / 0 / 32 / 16

HEX #CAD591

RGB 202 213 145

HSL 69.71, 0.45%, 0.7%

LAB 83.01, -14.56, 32.44

 

CMYK 9 / 0 / 55 / 25

HEX #AEBF55

RGB 174 191 85

HSL 69.62, 0.45%, 0.54%

LAB 74.14, -21.06, 50.62

 

CMYK 55 / 0 / 36 / 25

HEX #55BE7A

RGB 85 190 122

HSL 141.14, 0.45%, 0.54%

LAB 69.59, -45.7, 25.4

 

CMYK 14 / 55 / 0 / 25

HEX #A455BE

RGB 164 85 190

HSL 285.14, 0.45%, 0.54%

LAB 49.63, 49.24, -41.91

 

CMYK 9 / 0 / 55 / 25

HEX #AEBF55

RGB 174 191 85

HSL 69.62, 0.45%, 0.54%

LAB 74.14, -21.06, 50.62

 

CMYK 55 / 8 / 0 / 25

HEX #55AFBE

RGB 85 175 190

HSL 188.57, 0.45%, 0.54%

LAB 66.76, -22.55, -15.85

 

CMYK 0 / 55 / 8 / 25

HEX #BE55AF

RGB 190 85 175

HSL 308.57, 0.45%, 0.54%

LAB 52.44, 53.63, -28.53

 

CMYK 9 / 0 / 55 / 25

HEX #AEBF55

RGB 174 191 85

HSL 69.62, 0.45%, 0.54%

LAB 74.14, -21.06, 50.62

 

CMYK 55 / 0 / 36 / 25

HEX #55BE7A

RGB 85 190 122

HSL 141.14, 0.45%, 0.54%

LAB 69.59, -45.7, 25.4

 

CMYK 47 / 55 / 0 / 25

HEX #6555BE

RGB 101 85 190

HSL 249.14, 0.45%, 0.54%

LAB 42.74, 33.48, -53.32

 

CMYK 0 / 55 / 19 / 25

HEX #BE559A

RGB 190 85 154

HSL 320.57, 0.45%, 0.54%

LAB 51.58, 50.31, -17.53

 

CMYK 9 / 0 / 55 / 25

HEX #AEBF55

RGB 174 191 85

HSL 69.62, 0.45%, 0.54%

LAB 74.14, -21.06, 50.62

 

CMYK 55 / 0 / 19 / 25

HEX #55BE9A

RGB 85 190 154

HSL 159.43, 0.45%, 0.54%

LAB 70.24, -39.06, 9.09

 

CMYK 47 / 55 / 0 / 25

HEX #6555BE

RGB 101 85 190

HSL 249.14, 0.45%, 0.54%

LAB 42.74, 33.48, -53.32

 

CMYK 0 / 55 / 36 / 25

HEX #BE557A

RGB 190 85 122

HSL 338.86, 0.45%, 0.54%

LAB 50.51, 46, -0.1

 

Description

Color code: HEX #AEBF55 | qconv.com Color code: HEX #AEBF55 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 191 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 191 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 55 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 55% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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