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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AEBEB4 it is the complementary color #51414B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AEBEB4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #AEBEB4: #B3BEAF, #C4D0C2, #D5E2D5, #E6F4E8 and #F7FFFB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AEBEB4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #AEBEB4: #AEBEB4, #9DACA1, #8C9A8E, #7B887B and #6A7668

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 5 / 25

HEX #AEBEB4

RGB 174 190 180

HSL 142.5, 0.11%, 0.71%

LAB 75.53, -7.41, 3.16

 

Complementary color

CMYK 0 / 20 / 7 / 68

HEX #51414B

RGB 81 65 75

HSL 322.5, 0.11%, 0.29%

LAB 29.51, 8.88, -3.44

 

CMYK 6 / 0 / 8 / 25

HEX #B3BEAF

RGB 179 190 175

HSL 104, 0.1%, 0.72%

LAB 75.76, -6.59, 6.26

 

CMYK 6 / 0 / 7 / 18

HEX #C4D0C2

RGB 196 208 194

HSL 111.43, 0.13%, 0.79%

LAB 82.24, -6.64, 5.54

 

CMYK 6 / 0 / 6 / 11

HEX #D5E2D5

RGB 213 226 213

HSL 120, 0.18%, 0.86%

LAB 88.61, -6.7, 4.84

 

CMYK 6 / 0 / 5 / 4

HEX #E6F4E8

RGB 230 244 232

HSL 128.57, 0.39%, 0.93%

LAB 94.89, -6.76, 4.18

 

CMYK 3 / 0 / 2 / 0

HEX #F7FFFB

RGB 247 255 251

HSL 150, 1%, 0.98%

LAB 99.32, -3.33, 0.98

 

CMYK 8 / 0 / 5 / 25

HEX #AEBEB4

RGB 174 190 180

HSL 142.5, 0.11%, 0.71%

LAB 75.53, -7.41, 3.16

 

CMYK 9 / 0 / 6 / 33

HEX #9DACA1

RGB 157 172 161

HSL 136, 0.08%, 0.65%

LAB 68.93, -7.38, 3.86

 

CMYK 9 / 0 / 8 / 40

HEX #8C9A8E

RGB 140 154 142

HSL 128.57, 0.06%, 0.58%

LAB 62.2, -7.37, 4.59

 

CMYK 10 / 0 / 10 / 47

HEX #7B887B

RGB 123 136 123

HSL 120, 0.05%, 0.51%

LAB 55.33, -7.36, 5.37

 

CMYK 10 / 0 / 12 / 54

HEX #6A7668

RGB 106 118 104

HSL 111.43, 0.06%, 0.44%

LAB 48.29, -7.37, 6.19

 

CMYK 8 / 0 / 5 / 25

HEX #AEBEB4

RGB 174 190 180

HSL 142.5, 0.11%, 0.71%

LAB 75.53, -7.41, 3.16

 

CMYK 9 / 0 / 4 / 26

HEX #ACBDB5

RGB 172 189 181

HSL 151.76, 0.11%, 0.71%

LAB 75.14, -7.38, 2.04

 

CMYK 9 / 0 / 3 / 26

HEX #ACBDB8

RGB 172 189 184

HSL 162.35, 0.11%, 0.71%

LAB 75.22, -6.8, 0.52

 

CMYK 9 / 0 / 1 / 26

HEX #ACBDBB

RGB 172 189 187

HSL 172.94, 0.11%, 0.71%

LAB 75.3, -6.21, -0.99

 

CMYK 9 / 1 / 0 / 26

HEX #ACBCBD

RGB 172 188 189

HSL 183.53, 0.11%, 0.71%

LAB 75.08, -5.28, -2.39

 

CMYK 8 / 0 / 5 / 25

HEX #AEBEB4

RGB 174 190 180

HSL 142.5, 0.11%, 0.71%

LAB 75.53, -7.41, 3.16

 

CMYK 8 / 0 / 5 / 5

HEX #DDF1E4

RGB 221 241 228

HSL 141, 0.42%, 0.91%

LAB 93.4, -8.95, 4.02

 

CMYK 8 / 0 / 5 / 85

HEX #222523

RGB 34 37 35

HSL 140, 0.04%, 0.14%

LAB 14.31, -1.86, 0.86

 

CMYK 8 / 0 / 6 / 65

HEX #515853

RGB 81 88 83

HSL 137.14, 0.04%, 0.33%

LAB 36.66, -3.86, 1.94

 

CMYK 9 / 0 / 5 / 45

HEX #7F8B84

RGB 127 139 132

HSL 145, 0.05%, 0.52%

LAB 56.73, -5.78, 2.24

 

CMYK 8 / 0 / 5 / 25

HEX #AEBEB4

RGB 174 190 180

HSL 142.5, 0.11%, 0.71%

LAB 75.53, -7.41, 3.16

 

CMYK 9 / 5 / 0 / 26

HEX #ACB3BD

RGB 172 179 189

HSL 215.29, 0.11%, 0.71%

LAB 72.68, -0.46, -5.93

 

CMYK 0 / 9 / 8 / 26

HEX #BDACAD

RGB 189 172 173

HSL 356.47, 0.11%, 0.71%

LAB 71.79, 6.29, 1.7

 

CMYK 8 / 0 / 5 / 25

HEX #AEBEB4

RGB 174 190 180

HSL 142.5, 0.11%, 0.71%

LAB 75.53, -7.41, 3.16

 

CMYK 6 / 9 / 0 / 26

HEX #B2ACBD

RGB 178 172 189

HSL 261.18, 0.11%, 0.71%

LAB 71.31, 5.39, -7.91

 

CMYK 0 / 6 / 9 / 26

HEX #BDB2AC

RGB 189 178 172

HSL 21.18, 0.11%, 0.71%

LAB 73.31, 2.86, 4.46

 

CMYK 8 / 0 / 5 / 25

HEX #AEBEB4

RGB 174 190 180

HSL 142.5, 0.11%, 0.71%

LAB 75.53, -7.41, 3.16

 

CMYK 9 / 5 / 0 / 26

HEX #ACB3BD

RGB 172 179 189

HSL 215.29, 0.11%, 0.71%

LAB 72.68, -0.46, -5.93

 

CMYK 0 / 9 / 3 / 26

HEX #BDACB7

RGB 189 172 183

HSL 321.18, 0.11%, 0.71%

LAB 72.06, 8.07, -3.41

 

CMYK 0 / 4 / 9 / 26

HEX #BDB6AC

RGB 189 182 172

HSL 35.29, 0.11%, 0.71%

LAB 74.35, 0.71, 5.96

 

CMYK 8 / 0 / 5 / 25

HEX #AEBEB4

RGB 174 190 180

HSL 142.5, 0.11%, 0.71%

LAB 75.53, -7.41, 3.16

 

CMYK 9 / 7 / 0 / 26

HEX #ACAFBD

RGB 172 175 189

HSL 229.41, 0.11%, 0.71%

LAB 71.63, 1.71, -7.5

 

CMYK 0 / 9 / 3 / 26

HEX #BDACB7

RGB 189 172 183

HSL 321.18, 0.11%, 0.71%

LAB 72.06, 8.07, -3.41

 

CMYK 0 / 1 / 9 / 26

HEX #BDBBAC

RGB 189 187 172

HSL 52.94, 0.11%, 0.71%

LAB 75.66, -1.95, 7.84

 

Description

Color code: HEX #AEBEB4 | qconv.com Color code: HEX #AEBEB4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 190 green and 180 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 190 180 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 5 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 5% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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