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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AEBC4E it is the complementary color #5143B1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AEBC4E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AEBC4E shade: #B3BC49, #C4CE5C, #D5E06F, #E6F282 and #F7FF95

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AEBC4E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AEBC4E shade: #AEBC4E, #9DAA3B, #8C9828, #7B8615 and #6A7402

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AEBC4E shade: #AEBC4E, #BCAC4E, #BC8E4E, #BC714E and #BC534E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AEBC4E shade: #AEBC4E, #90BC4E, #72BC4E, #55BC4E and #4EBC64

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AEBC4E shade matches the following richer shades: #AEBC4E, #BCCF3A, #CBE326 and #DAF712

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AEBC4E shade: #AEBC4E, #9FA861, #909475, #818089 and #736C9D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AEBC4E shade: #BC8E4E, #BCAB4E, #AFBC4E, #91BC4E and #74BC4E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AEBC4E shade: #7A8432, #96A23E, #AEBC4E, #BBC76B and #C9D289

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AEBC4E shade: #AEBC4E, #4EBC70 and #9C4EBC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AEBC4E shade: #AEBC4E, #4EAFBC and #BC4EAF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AEBC4E shade: #AEBC4E, #4EBC70, #5A4EBC and #BC4E99

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AEBC4E shade: #AEBC4E, #4EBC91, #5A4EBC and #BC4E78

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 0 / 59 / 26

HEX #AEBC4E

RGB 174 188 78

HSL 67.64, 0.45%, 0.52%

LAB 73.23, -20.14, 52.77

 

Complementary color

CMYK 54 / 62 / 0 / 31

HEX #5143B1

RGB 81 67 177

HSL 247.64, 0.45%, 0.48%

LAB 35.86, 36.26, -56.88

 

CMYK 5 / 0 / 61 / 26

HEX #B3BC49

RGB 179 188 73

HSL 64.7, 0.46%, 0.51%

LAB 73.57, -18.44, 55.45

 

CMYK 5 / 0 / 55 / 19

HEX #C4CE5C

RGB 196 206 92

HSL 65.26, 0.54%, 0.58%

LAB 79.98, -18.98, 54.53

 

CMYK 5 / 0 / 50 / 12

HEX #D5E06F

RGB 213 224 111

HSL 65.84, 0.65%, 0.66%

LAB 86.31, -19.42, 53.47

 

CMYK 5 / 0 / 46 / 5

HEX #E6F282

RGB 230 242 130

HSL 66.43, 0.81%, 0.73%

LAB 92.55, -19.78, 52.36

 

CMYK 3 / 0 / 42 / 0

HEX #F7FF95

RGB 247 255 149

HSL 64.53, 1%, 0.79%

LAB 97.42, -17.68, 49.63

 

CMYK 7 / 0 / 59 / 26

HEX #AEBC4E

RGB 174 188 78

HSL 67.64, 0.45%, 0.52%

LAB 73.23, -20.14, 52.77

 

CMYK 8 / 0 / 65 / 33

HEX #9DAA3B

RGB 157 170 59

HSL 67.03, 0.48%, 0.45%

LAB 66.7, -19.58, 53.57

 

CMYK 8 / 0 / 74 / 40

HEX #8C9828

RGB 140 152 40

HSL 66.43, 0.58%, 0.38%

LAB 60.06, -18.86, 53.92

 

CMYK 8 / 0 / 84 / 47

HEX #7B8615

RGB 123 134 21

HSL 65.84, 0.73%, 0.3%

LAB 53.29, -17.91, 53.34

 

CMYK 9 / 0 / 98 / 55

HEX #6A7402

RGB 106 116 2

HSL 65.26, 0.97%, 0.23%

LAB 46.39, -16.71, 51.36

 

CMYK 7 / 0 / 59 / 26

HEX #AEBC4E

RGB 174 188 78

HSL 67.64, 0.45%, 0.52%

LAB 73.23, -20.14, 52.77

 

CMYK 0 / 9 / 59 / 26

HEX #BCAC4E

RGB 188 172 78

HSL 51.27, 0.45%, 0.52%

LAB 70, -6.04, 49.46

 

CMYK 0 / 24 / 59 / 26

HEX #BC8E4E

RGB 188 142 78

HSL 34.91, 0.45%, 0.52%

LAB 62.16, 10.18, 40.39

 

CMYK 0 / 40 / 59 / 26

HEX #BC714E

RGB 188 113 78

HSL 19.09, 0.45%, 0.52%

LAB 55.13, 26.19, 31.86

 

CMYK 0 / 56 / 59 / 26

HEX #BC534E

RGB 188 83 78

HSL 2.73, 0.45%, 0.52%

LAB 48.79, 41.96, 23.82

 

CMYK 7 / 0 / 59 / 26

HEX #AEBC4E

RGB 174 188 78

HSL 67.64, 0.45%, 0.52%

LAB 73.23, -20.14, 52.77

 

CMYK 23 / 0 / 59 / 26

HEX #90BC4E

RGB 144 188 78

HSL 84, 0.45%, 0.52%

LAB 71.18, -32.11, 49.91

 

CMYK 39 / 0 / 59 / 26

HEX #72BC4E

RGB 114 188 78

HSL 100.36, 0.45%, 0.52%

LAB 69.54, -42.88, 47.6

 

CMYK 55 / 0 / 59 / 26

HEX #55BC4E

RGB 85 188 78

HSL 116.18, 0.45%, 0.52%

LAB 68.35, -51.53, 45.92

 

CMYK 59 / 0 / 47 / 26

HEX #4EBC64

RGB 78 188 100

HSL 132, 0.45%, 0.52%

LAB 68.39, -50.27, 35.22

 

CMYK 7 / 0 / 59 / 26

HEX #AEBC4E

RGB 174 188 78

HSL 67.64, 0.45%, 0.52%

LAB 73.23, -20.14, 52.77

 

CMYK 9 / 0 / 72 / 19

HEX #BCCF3A

RGB 188 207 58

HSL 67.65, 0.61%, 0.52%

LAB 79.4, -24.95, 67.46

 

CMYK 11 / 0 / 83 / 11

HEX #CBE326

RGB 203 227 38

HSL 67.62, 0.77%, 0.52%

LAB 85.89, -29.09, 79.39

 

CMYK 12 / 0 / 93 / 3

HEX #DAF712

RGB 218 247 18

HSL 67.6, 0.93%, 0.52%

LAB 92.34, -32.69, 88.27

 

CMYK 7 / 0 / 59 / 26

HEX #AEBC4E

RGB 174 188 78

HSL 67.64, 0.45%, 0.52%

LAB 73.23, -20.14, 52.77

 

CMYK 5 / 0 / 42 / 34

HEX #9FA861

RGB 159 168 97

HSL 67.61, 0.29%, 0.52%

LAB 66.7, -14.32, 35.54

 

CMYK 3 / 0 / 21 / 42

HEX #909475

RGB 144 148 117

HSL 67.74, 0.13%, 0.52%

LAB 60.24, -6.99, 15.94

 

CMYK 6 / 7 / 0 / 46

HEX #818089

RGB 129 128 137

HSL 246.67, 0.04%, 0.52%

LAB 53.93, 2.21, -4.73

 

CMYK 27 / 31 / 0 / 38

HEX #736C9D

RGB 115 108 157

HSL 248.57, 0.2%, 0.52%

LAB 48.01, 13.95, -25.54

 

CMYK 0 / 24 / 59 / 26

HEX #BC8E4E

RGB 188 142 78

HSL 34.91, 0.45%, 0.52%

LAB 62.16, 10.18, 40.39

 

CMYK 0 / 9 / 59 / 26

HEX #BCAB4E

RGB 188 171 78

HSL 50.73, 0.45%, 0.52%

LAB 69.73, -5.51, 49.16

 

CMYK 7 / 0 / 59 / 26

HEX #AFBC4E

RGB 175 188 78

HSL 67.09, 0.45%, 0.52%

LAB 73.31, -19.73, 52.88

 

CMYK 23 / 0 / 59 / 26

HEX #91BC4E

RGB 145 188 78

HSL 83.45, 0.45%, 0.52%

LAB 71.24, -31.73, 49.99

 

CMYK 38 / 0 / 59 / 26

HEX #74BC4E

RGB 116 188 78

HSL 99.27, 0.45%, 0.52%

LAB 69.63, -42.21, 47.73

 

CMYK 8 / 0 / 62 / 48

HEX #7A8432

RGB 122 132 50

HSL 67.32, 0.45%, 0.36%

LAB 52.81, -15.68, 41.86

 

CMYK 7 / 0 / 62 / 36

HEX #96A23E

RGB 150 162 62

HSL 67.2, 0.45%, 0.44%

LAB 63.89, -18.28, 49.12

 

CMYK 7 / 0 / 59 / 26

HEX #AEBC4E

RGB 174 188 78

HSL 67.64, 0.45%, 0.52%

LAB 73.23, -20.14, 52.77

 

CMYK 6 / 0 / 46 / 22

HEX #BBC76B

RGB 187 199 107

HSL 67.83, 0.45%, 0.6%

LAB 77.56, -17.76, 44.42

 

CMYK 4 / 0 / 35 / 18

HEX #C9D289

RGB 201 210 137

HSL 67.4, 0.45%, 0.68%

LAB 82.01, -14.44, 35.2

 

CMYK 7 / 0 / 59 / 26

HEX #AEBC4E

RGB 174 188 78

HSL 67.64, 0.45%, 0.52%

LAB 73.23, -20.14, 52.77

 

CMYK 59 / 0 / 40 / 26

HEX #4EBC70

RGB 78 188 112

HSL 138.55, 0.45%, 0.52%

LAB 68.57, -48.3, 29.28

 

CMYK 17 / 59 / 0 / 26

HEX #9C4EBC

RGB 156 78 188

HSL 282.55, 0.45%, 0.52%

LAB 47.17, 50.26, -44.72

 

CMYK 7 / 0 / 59 / 26

HEX #AEBC4E

RGB 174 188 78

HSL 67.64, 0.45%, 0.52%

LAB 73.23, -20.14, 52.77

 

CMYK 59 / 7 / 0 / 26

HEX #4EAFBC

RGB 78 175 188

HSL 187.09, 0.45%, 0.52%

LAB 66.45, -24.5, -15.22

 

CMYK 0 / 59 / 7 / 26

HEX #BC4EAF

RGB 188 78 175

HSL 307.09, 0.45%, 0.52%

LAB 50.96, 56.29, -30.86

 

CMYK 7 / 0 / 59 / 26

HEX #AEBC4E

RGB 174 188 78

HSL 67.64, 0.45%, 0.52%

LAB 73.23, -20.14, 52.77

 

CMYK 59 / 0 / 40 / 26

HEX #4EBC70

RGB 78 188 112

HSL 138.55, 0.45%, 0.52%

LAB 68.57, -48.3, 29.28

 

CMYK 52 / 59 / 0 / 26

HEX #5A4EBC

RGB 90 78 188

HSL 246.55, 0.45%, 0.52%

LAB 40, 34.78, -56.61

 

CMYK 0 / 59 / 19 / 26

HEX #BC4E99

RGB 188 78 153

HSL 319.09, 0.45%, 0.52%

LAB 50.03, 52.84, -19.35

 

CMYK 7 / 0 / 59 / 26

HEX #AEBC4E

RGB 174 188 78

HSL 67.64, 0.45%, 0.52%

LAB 73.23, -20.14, 52.77

 

CMYK 59 / 0 / 23 / 26

HEX #4EBC91

RGB 78 188 145

HSL 156.55, 0.45%, 0.52%

LAB 69.21, -41.71, 12.49

 

CMYK 52 / 59 / 0 / 26

HEX #5A4EBC

RGB 90 78 188

HSL 246.55, 0.45%, 0.52%

LAB 40, 34.78, -56.61

 

CMYK 0 / 59 / 36 / 26

HEX #BC4E78

RGB 188 78 120

HSL 337.09, 0.45%, 0.52%

LAB 48.88, 48.44, -1.32

 

Description

Color code: HEX #AEBC4E | qconv.com Color code: HEX #AEBC4E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 188 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 188 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, none magenta, 59 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 0% 59% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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