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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AEB5E4 it is the complementary color #514A1B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AEB5E4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AEB5E4 shade: #B3B5DF, #C4C7F2, #D5D9FF, #E6EBFF and #F7FDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AEB5E4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AEB5E4 shade: #AEB5E4, #9DA3D1, #8C91BE, #7B7FAB and #6A6D98

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AEB5E4 shade: #AFB6E4, #B6AFE4, #C5AFE4, #D3AFE4 and #E1AFE4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AEB5E4 shade: #AFB6E4 and #AFAFE4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AEB5E4 shade matches the following richer shades: #AFB6E4, #A6AFED, #9DA9F6 and #95A2FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AEB5E4 shade: #AFB6E4, #B7BCDC, #C0C2D3, #C9C9CA and #D1CFC2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AEB5E4 shade: #AFD2E4, #AFC4E4, #AFB6E4, #B6AFE4 and #C4AFE4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AEB5E4 shade: #717DD0, #9099DA, #AFB6E4, #CED2EF and #EDEEF9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AEB5E4 shade: #AEB5E4, #E4AFE1 and #CBE4AF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AEB5E4 shade: #AEB5E4, #E4AFB6 and #B6E4AF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AEB5E4 shade: #AEB5E4, #E4AFE1, #E4DDAF and #AFE4B2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AEB5E4 shade: #AEB5E4, #E4AFD1, #E4DDAF and #AFE4C2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 21 / 0 / 11

HEX #AEB5E4

RGB 174 181 228

HSL 232.22, 0.5%, 0.79%

LAB 74.6, 7.6, -24.31

 

Complementary color

CMYK 0 / 9 / 67 / 68

HEX #514A1B

RGB 81 74 27

HSL 52.22, 0.5%, 0.21%

LAB 31.17, -3.81, 28.42

 

CMYK 20 / 19 / 0 / 13

HEX #B3B5DF

RGB 179 181 223

HSL 237.27, 0.41%, 0.79%

LAB 74.8, 7.99, -21.26

 

CMYK 19 / 18 / 0 / 5

HEX #C4C7F2

RGB 196 199 242

HSL 236.09, 0.64%, 0.86%

LAB 81.29, 7.7, -21.52

 

CMYK 16 / 15 / 0 / 0

HEX #D5D9FF

RGB 213 217 255

HSL 234.29, 1%, 0.92%

LAB 87.48, 6.15, -18.93

 

CMYK 10 / 8 / 0 / 0

HEX #E6EBFF

RGB 230 235 255

HSL 228, 1%, 0.95%

LAB 93.22, 2.1, -10.22

 

CMYK 3 / 1 / 0 / 0

HEX #F7FDFF

RGB 247 253 255

HSL 195, 1%, 0.98%

LAB 98.92, -1.6, -1.65

 

CMYK 24 / 21 / 0 / 11

HEX #AEB5E4

RGB 174 181 228

HSL 232.22, 0.5%, 0.79%

LAB 74.6, 7.6, -24.31

 

CMYK 25 / 22 / 0 / 18

HEX #9DA3D1

RGB 157 163 209

HSL 233.08, 0.36%, 0.72%

LAB 68, 7.93, -24.12

 

CMYK 26 / 24 / 0 / 25

HEX #8C91BE

RGB 140 145 190

HSL 234, 0.28%, 0.65%

LAB 61.26, 8.31, -23.95

 

CMYK 28 / 26 / 0 / 33

HEX #7B7FAB

RGB 123 127 171

HSL 235, 0.22%, 0.58%

LAB 54.38, 8.72, -23.81

 

CMYK 30 / 28 / 0 / 40

HEX #6A6D98

RGB 106 109 152

HSL 236.09, 0.18%, 0.51%

LAB 47.32, 9.2, -23.72

 

CMYK 23 / 20 / 0 / 11

HEX #AFB6E4

RGB 175 182 228

HSL 232.08, 0.5%, 0.79%

LAB 74.93, 7.35, -23.8

 

CMYK 20 / 23 / 0 / 11

HEX #B6AFE4

RGB 182 175 228

HSL 247.92, 0.5%, 0.79%

LAB 73.68, 13.34, -25.67

 

CMYK 14 / 23 / 0 / 11

HEX #C5AFE4

RGB 197 175 228

HSL 264.91, 0.5%, 0.79%

LAB 74.91, 18.03, -23.68

 

CMYK 7 / 23 / 0 / 11

HEX #D3AFE4

RGB 211 175 228

HSL 280.75, 0.5%, 0.79%

LAB 76.14, 22.52, -21.7

 

CMYK 1 / 23 / 0 / 11

HEX #E1AFE4

RGB 225 175 228

HSL 296.6, 0.5%, 0.79%

LAB 77.44, 27.07, -19.59

 

CMYK 23 / 20 / 0 / 11

HEX #AFB6E4

RGB 175 182 228

HSL 232.08, 0.5%, 0.79%

LAB 74.93, 7.35, -23.8

 

CMYK 23 / 23 / 0 / 11

HEX #AFAFE4

RGB 175 175 228

HSL 240, 0.5%, 0.79%

LAB 73.14, 11.21, -26.54

 

CMYK 23 / 20 / 0 / 11

HEX #AFB6E4

RGB 175 182 228

HSL 232.08, 0.5%, 0.79%

LAB 74.93, 7.35, -23.8

 

CMYK 30 / 26 / 0 / 7

HEX #A6AFED

RGB 166 175 237

HSL 232.39, 0.66%, 0.79%

LAB 72.81, 10.72, -31.99

 

CMYK 36 / 31 / 0 / 4

HEX #9DA9F6

RGB 157 169 246

HSL 231.91, 0.83%, 0.79%

LAB 71.01, 13.88, -39.73

 

CMYK 41 / 36 / 0 / 0

HEX #95A2FE

RGB 149 162 254

HSL 232.57, 0.98%, 0.79%

LAB 69.03, 17.93, -47.21

 

CMYK 23 / 20 / 0 / 11

HEX #AFB6E4

RGB 175 182 228

HSL 232.08, 0.5%, 0.79%

LAB 74.93, 7.35, -23.8

 

CMYK 17 / 15 / 0 / 14

HEX #B7BCDC

RGB 183 188 220

HSL 231.89, 0.35%, 0.79%

LAB 76.8, 4.78, -16.58

 

CMYK 9 / 8 / 0 / 17

HEX #C0C2D3

RGB 192 194 211

HSL 233.68, 0.18%, 0.79%

LAB 78.75, 2.6, -8.73

 

CMYK 0 / 0 / 0 / 21

HEX #C9C9CA

RGB 201 201 202

HSL 240, 0.01%, 0.79%

LAB 80.99, 0.19, -0.51

 

CMYK 0 / 1 / 7 / 18

HEX #D1CFC2

RGB 209 207 194

HSL 52, 0.14%, 0.79%

LAB 82.95, -1.59, 6.69

 

CMYK 23 / 8 / 0 / 11

HEX #AFD2E4

RGB 175 210 228

HSL 200.38, 0.5%, 0.79%

LAB 82.28, -7.63, -12.71

 

CMYK 23 / 14 / 0 / 11

HEX #AFC4E4

RGB 175 196 228

HSL 216.23, 0.5%, 0.79%

LAB 78.58, -0.23, -18.27

 

CMYK 23 / 20 / 0 / 11

HEX #AFB6E4

RGB 175 182 228

HSL 232.08, 0.5%, 0.79%

LAB 74.93, 7.35, -23.8

 

CMYK 20 / 23 / 0 / 11

HEX #B6AFE4

RGB 182 175 228

HSL 247.92, 0.5%, 0.79%

LAB 73.68, 13.34, -25.67

 

CMYK 14 / 23 / 0 / 11

HEX #C4AFE4

RGB 196 175 228

HSL 263.77, 0.5%, 0.79%

LAB 74.82, 17.72, -23.82

 

CMYK 46 / 40 / 0 / 18

HEX #717DD0

RGB 113 125 208

HSL 232.42, 0.5%, 0.63%

LAB 54.8, 17.45, -44.35

 

CMYK 34 / 30 / 0 / 15

HEX #9099DA

RGB 144 153 218

HSL 232.7, 0.5%, 0.71%

LAB 64.78, 12.04, -34.13

 

CMYK 23 / 20 / 0 / 11

HEX #AFB6E4

RGB 175 182 228

HSL 232.08, 0.5%, 0.79%

LAB 74.93, 7.35, -23.8

 

CMYK 14 / 12 / 0 / 6

HEX #CED2EF

RGB 206 210 239

HSL 232.73, 0.51%, 0.87%

LAB 84.71, 4.32, -14.69

 

CMYK 5 / 4 / 0 / 2

HEX #EDEEF9

RGB 237 238 249

HSL 235, 0.5%, 0.95%

LAB 94.31, 1.67, -5.42

 

CMYK 24 / 21 / 0 / 11

HEX #AEB5E4

RGB 174 181 228

HSL 232.22, 0.5%, 0.79%

LAB 74.6, 7.6, -24.31

 

CMYK 0 / 23 / 1 / 11

HEX #E4AFE1

RGB 228 175 225

HSL 303.4, 0.5%, 0.79%

LAB 77.63, 27.5, -17.65

 

CMYK 11 / 0 / 23 / 11

HEX #CBE4AF

RGB 203 228 175

HSL 88.3, 0.5%, 0.79%

LAB 87.62, -17.46, 23.18

 

CMYK 24 / 21 / 0 / 11

HEX #AEB5E4

RGB 174 181 228

HSL 232.22, 0.5%, 0.79%

LAB 74.6, 7.6, -24.31

 

CMYK 0 / 23 / 20 / 11

HEX #E4AFB6

RGB 228 175 182

HSL 352.08, 0.5%, 0.79%

LAB 76.39, 20.34, 3.91

 

CMYK 20 / 0 / 23 / 11

HEX #B6E4AF

RGB 182 228 175

HSL 112.08, 0.5%, 0.79%

LAB 86.27, -24.73, 21.11

 

CMYK 24 / 21 / 0 / 11

HEX #AEB5E4

RGB 174 181 228

HSL 232.22, 0.5%, 0.79%

LAB 74.6, 7.6, -24.31

 

CMYK 0 / 23 / 1 / 11

HEX #E4AFE1

RGB 228 175 225

HSL 303.4, 0.5%, 0.79%

LAB 77.63, 27.5, -17.65

 

CMYK 0 / 3 / 23 / 11

HEX #E4DDAF

RGB 228 221 175

HSL 52.08, 0.5%, 0.79%

LAB 87.63, -4.84, 23.49

 

CMYK 23 / 0 / 22 / 11

HEX #AFE4B2

RGB 175 228 178

HSL 123.4, 0.5%, 0.79%

LAB 85.91, -26.56, 18.99

 

CMYK 24 / 21 / 0 / 11

HEX #AEB5E4

RGB 174 181 228

HSL 232.22, 0.5%, 0.79%

LAB 74.6, 7.6, -24.31

 

CMYK 0 / 23 / 8 / 11

HEX #E4AFD1

RGB 228 175 209

HSL 321.51, 0.5%, 0.79%

LAB 77.14, 24.67, -9.71

 

CMYK 0 / 3 / 23 / 11

HEX #E4DDAF

RGB 228 221 175

HSL 52.08, 0.5%, 0.79%

LAB 87.63, -4.84, 23.49

 

CMYK 23 / 0 / 15 / 11

HEX #AFE4C2

RGB 175 228 194

HSL 141.51, 0.5%, 0.79%

LAB 86.25, -23.69, 11.11

 

Description

Color code: HEX #AEB5E4 | qconv.com Color code: HEX #AEB5E4 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 181 green and 228 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 181 228 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 21 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 21% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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