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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AEAEFD3F it is the complementary color #5151023F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AEAEFD3F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AEAEFD3F shade: #B3AEF83F, #C4C0FF3F, #D5D2FF3F, #E6E4FF3F and #F7F6FF3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AEAEFD3F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AEAEFD3F shade: #AEAEFD3F, #9D9CEA3F, #8C8AD73F, #7B78C43F and #6A66B13F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AEAEFD3F shade: #AFAFFD, #C4AFFD, #D9AFFD, #EEAFFD and #FDAFF7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AEAEFD3F shade: #AFAFFD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AEAEFD3F shade matches the following richer shades: #AFAFFD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AEAEFD3F shade: #AFAFFD, #B6B6F6, #BDBDF0, #C3C3E9 and #CACAE3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AEAEFD3F shade: #AFD9FD, #AFC4FD, #AFAFFD, #C4AFFD and #D9AFFD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AEAEFD3F shade: #5F5FFB, #8787FC, #AFAFFD, #D8D8FE and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AEAEFD3F shade: #AEAEFD, #FDAFED and #CEFDAF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AEAEFD3F shade: #AEAEFD, #FDAFAF and #AFFDAF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AEAEFD3F shade: #AEAEFD, #FDAFED, #FDFDAF and #AFFDBF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AEAEFD3F shade: #AEAEFD, #FDAFD6, #FDFDAF and #AFFDD6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 8 / 0 / 0

HEX #AEAEFD3F

RGBA 174 174 253 0.25

HSLA 240, 0.95%, 0.84%, 0.25

LABA 73.78, 17.51, -39.11, 0.25

 

Complementary color

CMYK 0 / 0 / 24 / 17

HEX #5151023F

RGBA 81 81 2 0.25

HSLA 60, 0.95%, 0.16%, 0.25

LABA 33.22, -9.3, 40.38, 0.25

 

CMYK 7 / 7 / 0 / 1

HEX #B3AEF83F

RGBA 179 174 248 0.25

HSLA 244.05, 0.84%, 0.83%, 0.25

LABA 73.95, 17.69, -36.11, 0.25

 

CMYK 6 / 6 / 0 / 0

HEX #C4C0FF3F

RGBA 196 192 255 0.25

HSLA 243.81, 1%, 0.88%, 0.25

LABA 79.99, 14.39, -30.46, 0.25

 

CMYK 4 / 4 / 0 / 0

HEX #D5D2FF3F

RGBA 213 210 255 0.25

HSLA 244, 1%, 0.91%, 0.25

LABA 85.74, 9.85, -21.57, 0.25

 

CMYK 2 / 3 / 0 / 0

HEX #E6E4FF3F

RGBA 230 228 255 0.25

HSLA 244.44, 1%, 0.95%, 0.25

LABA 91.47, 5.72, -12.81, 0.25

 

CMYK 1 / 1 / 0 / 0

HEX #F7F6FF3F

RGBA 247 246 255 0.25

HSLA 246.67, 1%, 0.98%, 0.25

LABA 97.19, 1.94, -4.2, 0.25

 

CMYK 8 / 8 / 0 / 0

HEX #AEAEFD3F

RGBA 174 174 253 0.25

HSLA 240, 0.95%, 0.84%, 0.25

LABA 73.78, 17.51, -39.11, 0.25

 

CMYK 8 / 8 / 0 / 2

HEX #9D9CEA3F

RGBA 157 156 234 0.25

HSLA 240.77, 0.65%, 0.76%, 0.25

LABA 67.19, 18.11, -39.13, 0.25

 

CMYK 9 / 9 / 0 / 4

HEX #8C8AD73F

RGBA 140 138 215 0.25

HSLA 241.56, 0.49%, 0.69%, 0.25

LABA 60.48, 18.8, -39.2, 0.25

 

CMYK 9 / 10 / 0 / 6

HEX #7B78C43F

RGBA 123 120 196 0.25

HSLA 242.37, 0.39%, 0.62%, 0.25

LABA 53.63, 19.58, -39.31, 0.25

 

CMYK 10 / 11 / 0 / 8

HEX #6A66B13F

RGBA 106 102 177 0.25

HSLA 243.2, 0.32%, 0.55%, 0.25

LABA 46.63, 20.48, -39.48, 0.25

 

CMYK 31 / 31 / 0 / 1

HEX #AFAFFD

RGB 175 175 253

HSL 240, 0.95%, 0.84%

LAB 74.1, 17.23, -38.6

 

CMYK 23 / 31 / 0 / 1

HEX #C4AFFD

RGB 196 175 253

HSL 256.15, 0.95%, 0.84%

LAB 75.75, 23.24, -35.91

 

CMYK 14 / 31 / 0 / 1

HEX #D9AFFD

RGB 217 175 253

HSL 272.31, 0.95%, 0.84%

LAB 77.58, 29.51, -32.94

 

CMYK 6 / 31 / 0 / 1

HEX #EEAFFD

RGB 238 175 253

HSL 288.46, 0.95%, 0.84%

LAB 79.57, 35.94, -29.7

 

CMYK 0 / 31 / 2 / 1

HEX #FDAFF7

RGB 253 175 247

HSL 304.62, 0.95%, 0.84%

LAB 80.88, 39.52, -24.35

 

CMYK 31 / 31 / 0 / 1

HEX #AFAFFD

RGB 175 175 253

HSL 240, 0.95%, 0.84%

LAB 74.1, 17.23, -38.6

 

CMYK 31 / 31 / 0 / 1

HEX #AFAFFD

RGB 175 175 253

HSL 240, 0.95%, 0.84%

LAB 74.1, 17.23, -38.6

 

CMYK 31 / 31 / 0 / 1

HEX #AFAFFD

RGB 175 175 253

HSL 240, 0.95%, 0.84%

LAB 74.1, 17.23, -38.6

 

CMYK 26 / 26 / 0 / 4

HEX #B6B6F6

RGB 182 182 246

HSL 240, 0.78%, 0.84%

LAB 76.1, 13.65, -31.69

 

CMYK 21 / 21 / 0 / 6

HEX #BDBDF0

RGB 189 189 240

HSL 240, 0.63%, 0.84%

LAB 78.17, 10.52, -25.24

 

CMYK 16 / 16 / 0 / 9

HEX #C3C3E9

RGB 195 195 233

HSL 240, 0.46%, 0.84%

LAB 79.91, 7.59, -18.81

 

CMYK 11 / 11 / 0 / 11

HEX #CACAE3

RGB 202 202 227

HSL 240, 0.31%, 0.84%

LAB 82.02, 4.83, -12.36

 

CMYK 31 / 14 / 0 / 1

HEX #AFD9FD

RGB 175 217 253

HSL 207.69, 0.95%, 0.84%

LAB 84.91, -5.51, -22

 

CMYK 31 / 23 / 0 / 1

HEX #AFC4FD

RGB 175 196 253

HSL 223.85, 0.95%, 0.84%

LAB 79.43, 5.68, -30.36

 

CMYK 31 / 31 / 0 / 1

HEX #AFAFFD

RGB 175 175 253

HSL 240, 0.95%, 0.84%

LAB 74.1, 17.23, -38.6

 

CMYK 23 / 31 / 0 / 1

HEX #C4AFFD

RGB 196 175 253

HSL 256.15, 0.95%, 0.84%

LAB 75.75, 23.24, -35.91

 

CMYK 14 / 31 / 0 / 1

HEX #D9AFFD

RGB 217 175 253

HSL 272.31, 0.95%, 0.84%

LAB 77.58, 29.51, -32.94

 

CMYK 62 / 62 / 0 / 2

HEX #5F5FFB

RGB 95 95 251

HSL 240, 0.95%, 0.68%

LAB 48.99, 45.39, -77.9

 

CMYK 46 / 46 / 0 / 1

HEX #8787FC

RGB 135 135 252

HSL 240, 0.95%, 0.76%

LAB 61.23, 29.65, -58.55

 

CMYK 31 / 31 / 0 / 1

HEX #AFAFFD

RGB 175 175 253

HSL 240, 0.95%, 0.84%

LAB 74.1, 17.23, -38.6

 

CMYK 15 / 15 / 0 / 0

HEX #D8D8FE

RGB 216 216 254

HSL 240, 0.95%, 0.92%

LAB 87.42, 7.39, -18.47

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

Description

Color code: HEX #AEAEFD3F | qconv.com Color code: HEX #AEAEFD3F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 174 green and 253 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 174 253 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 8 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 8% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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